flickr by sduck409(click for more)
"This is my build of Jurgen Haible's FS1a Frequency Shifter. Many thanks to Dave Brown for his wiring diagram and his panel design which mine is based on."
Sunday, May 31, 2009
JH FS1a installed
flickr by sduck409(click for more)
"This is my build of Jurgen Haible's FS1a Frequency Shifter. Many thanks to Dave Brown for his wiring diagram and his panel design which mine is based on."
Pixelh8 Music Tech Master Stroke DS
YouTube via pixelh8. Be sure to see Pixelh8 for more
"The Pixelh8 Music Tech Master Stroke DS is a real time synthesizer for the Nintendo DS system it allows for extensive sound design and is the natural evolution of the Music Tech Series allowing for the classic chip tune sound on a modern device.
The new system allows for keyboard style play by pressing "X" to bring up the 2 Ocatve Xylophone or classic Music Tech mode by using the directional pad to control the sounds in the same way as the Music Tech Game Boy and Pro Performer Game Boy Advance.
Loads of new combinations are possible as you can now combine interval settings with time based effects as well as using the noise channel instead of tone and the easy change between menus allow for quick change during performance.
All sounds are produced via the on board sound chip and no samples or sample manipulation is used, this is a real time chip tune synth for the DS.
Top Screen shows options selected at any given time.
Menu 1 controls the Wave Duty, Pan and Volume.
Menu 2 controls Keys and Intervals.
Menu 3 controls time based effects set 1.
Menu 4 controls time based effects set 2.
Menu 5 are some of my favourite sounds, Attack and Release and Credits Screen.
Menu 6 Controls Octave, Whammy Bar, Tone/Noise and 3 sound patches so you can recall them quickly during performance.
The "X" button brings up a simple 2 octave Xylophone to perform the designed sound on. Whats more is that options can be changed during play, in Classic play mode, in Xylophone mode it's only one menu away.
I have had an amazing response to the release of my previous free software and have heard loads of songs created using it and loads of emails of thank yous which is fantastic. I am not going to charge for this software either, but if you would like to help support my research simply buy an album or donate old computer equipment to me, that would be great.
The software is 95% done and will be released for free download to allow for more users to take part and create music. It will be completed after I have finished my third album "And The Revolution" but hopefully that won't be too long, as I am working on it now. :) There will also be an iPhone and Android version soon too.
Please do not email me with questions about when it will be released, join the mailing list at www.pixelh8.co.uk and you will be told as soon as it's ready for download.
I just thought you should know what I was up to.
Make Music, Make Friends, Have Fun
Pixelh8"
The Haunt Box by Mr.Ugly
YouTube via doctorultra
"The Haunt Box by Mr.Ugly. 2009.
3 oscillators+spring reverb=spookycreepy
http://mruglysinstruments.b...
http://www.myspace.com/mruglypresents
http://mruglysounds.tumblr.com"
The Electric Dream Chest by Mr.Ugly
"The Electric Dream Chest by Mr.Ugly.2009.
Oscillators+flip/flop+circuit bent=dreampig"
follow-up to this post
UNIVOX MINI KORG K-2 SYNTHESIZER SN 00148
via this auction"Early in 1974, the blank panel to the left of the 700's keyboard vanished, and a second control panel appeared in its place. Korg called this the 'Effects Section', and it marked the evolution of the 700 into the 700S.
At £499, the 700S was a somewhat more expensive, but altogether more powerful, synthesizer. It had a second, independently tunable oscillator; white and pink noise sources; filter modulation (which Korg called Travel Vibrato); and a 'Sustain Long' switch that multiplied the envelope times by a factor of 10. Most impressively, the Effects Section also added three modes of ring modulation. Two of these modes tracked the keyboard and were ideal for aggressive lead and bass sounds, whereas the third did not track, so each key you played produced a different timbre.
These additions hugely increased the type of sounds obtainable, and a range of complex atonal and percussive patches appeared in the manual. But, mindful that it would be useful to be able to jump between the more elaborate noises of the 700S and the simpler sounds of the original 700, Korg provided an on/off switch for the Effect Section, thus making it trivial to leap from a basic 700 sound to a more powerful 700S patch (and back again)."
Pollard & Daniel with Free System Projekt
YouTube via filbyhyde22. "compilation pt.1"
Pollard & Daniel with Free System Projekt -pt.2
Free System Projekt meet Pollard & Daniel
Pollard, Daniel, Booth
"he making of the album. All material for the album was improvised and recorded live in the studio. Here you can see short snippets from the 3 pieces on the album.
The album is available now from
http://www.downloadplatform.com/eemc/"
Son at Work
via Elettroman. Son, Enrico, of almost 5 months very busy with Schaltwerk programming ;-)))
Depeche Mode - In The Studio (2008) - Web Clip #22
YouTube via dmdotcom. Note the Electrocomp EML Sequencer in the background.
"Martin working on a keyboard bit.
Camera: Andy Fletcher.
Check http://www.depechemode.com/ for all Sounds Of The Universe (and Tour) details!
Sounds Of The Universe - Released April 20th (Europe) / April 21st (North America), 2009"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
