26 07 17 Serge Paperface '78

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19 05 18 Serge Paperface

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"One take, direct outs from Serge system to mixer (with int. reverb)."

Kesako & Rhythm Ace FR8-L

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"Modified Ace Tone 'Rhythm Ace FR8-L' coupled with a Kesako 'Player'. Reconnecting my pin matrix and jamming.

I'm using the pin matrix prototype I made for the Mos-lab 2500 with the FR8-L = 10 instruments are connected to the matrix and 30 different clock combinations."

04 08 24 Mos-lab 2500

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"External Distortion & Reverb effects added.
Scrotum Lab's Pin Matrix and wood case are prototypes. Not the final stage. yet"

04 05 24 Mos-lab 2500 - Filter

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"All voices are processed by a 1006 filter. Nothing spectacular here in this excerpt, but I'm sharing it to show how the filter can affect the character of the sound at the output."

04 05 24 Mos-lab 2500


"I'm still working on the pin matrix and as I'm spending a lot of time on the computer, I played a very short session this evening to change my mind."

03 20 24 Synton Fenix & Echolette

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"A bit of unwanted saturation here and there, because the Echolette is pretty sensitive to certain signals, but I decided to leave it as it is."

Batchas - Psychotherapy

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"3 Oscillators sent to the Filter. Késako 'Player' playing a sample sent to the Filter.
LFO from Synton Fenix sent to the Oscillators and the Filter."

03 18 24 Synton Fenix

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"Synton Fénix II, IId, III." 03 18 24 Synton Fenix [SHORT]

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03 16 24 Mos-lab 2500

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1. 03 16 24 Mos-lab 2500

Switching between 3 signals via 1050:
1- 1004-P Fmed by 1004-T and sent to Filter 1006.
2- Kesako 'Player' external module (here as standalone, though made originally for Buchla modular). 3 - 1004-P rectangle waveform.

2. 03 16 24 Mos lab 2500 [01]

1004-P Fmed by 1004-T and sent to Filter 1006.
Additional percussion by ext. Kesako ‘Player’ (muted at 0:46 and unmuted at 1:45).

3. 03 16 24 Mos lab 2500 [02]

1004-P Fmed by 1004-T and sent to Filter 1006.
Additional percussion by ext. Kesako ‘Player’ (muted at 0:35 and unmuted at 2:06).

Mos-lab 2500 - 1036 Random

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"One 1004-P VCO sent to one 1006 Filter/VCA.
I’m using the 1036 S&H clock output to clock the 1027 Sequencer and to gate the 1046 Env. Generator.
I added a small external circuit to be able to do that, transforming a trig into a gate, cause the clock signal of the 1036 is a trig, not sufficient to trig an envelope for instance.
On this external circuit I’m also adding the possibility to use the 1027 main clock while set to external mode. Knowing that in external mode, the clock out of the 1027 is deactivated. Meaning I can have 2 extra clock signals (normal and also inverted to clock between steps) while the pulse width of the 1027 clock is been modulated."

03 07 24 2500 & Buchla

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"2500 seq as master clock."

03 07 24 2500 - Filters & Resonator

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Mos-lab 2500 playlist

03 02 24 Yamaha DD 8 bent - Pitch modulation

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02.26.24 2500 - 7 mins session with the 1047

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"Focusing on the 1047 filter."

02 26 24 2500 - 1047

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"Excerpt from today's 7 mins session, focusing on the 1047 filter."

Listening to the 1006 filter

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Playlist:

02 22 24 2500 - 01- Listening to the 1006 filter

First oscillator 1004-P goes through filter 1006.
Second oscillator 1004-T modulates filter 1006.
Third oscillator 1004-P also modulates filter 1006.

02 22 24 2500 - 02 - Listening to the 1006 filter and 1047 filter/resonator

Recording the session while I’m checking the filters on the 2500 to share here with you.
First oscillator 1004-P goes through filter 1006.
Output of filter 1006 go through filter/resonator 1047.
Second oscillator 1004-T modulates 1006 & 1047.
Third oscillator 1004-P also modulates 1006 & 1047.

02 22 24 2500 - 03 - Listening to the 1006 filter and 1047 filter/resonator

Recording the session while I’m checking the filters on the 2500 to share here with you.
First oscillator 1004-P goes through filter 1006.
Output of filter 1006 go through filter/resonator 1047.
Second oscillator 1004-T modulates 1006 & 1047.
Third oscillator 1004-P also modulates 1006 & 1047.

02 22 24 2500 - 04 - Listening to the 1006 filter and 1047 filter/resonator

Recording the session while I’m checking the filters on the 2500 to share here with you.
First oscillator 1004-P goes through filter 1006.
Output of filter 1006 go through filter/resonator 1047.
Second oscillator 1004-T modulates 1006 & 1047.
Third oscillator 1004-P also modulates 1006 & 1047.

02 22 24 2500 - 05 - Listening to the 1006 filter and 1047 filter/resonator

Recording the session while I’m checking the filters on the 2500 to share here with you.
First oscillator 1004-P goes through filter 1006.
Output of filter 1006 go through filter/resonator 1047.
Second oscillator 1004-T modulates 1006 & 1047.
Third oscillator 1004-P also modulates 1006 & 1047.

MOS-LAB ARP 2500 modules.

02 12 24 2500

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I believe these are the MOS-LAB ARP 2500 modules.

02 10 24 BugBrand & Scrotum Lab

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Playlist:
02 10 24 BugBrand & Scrotum Lab
02 10 24 BugBrand & Scrotum Lab (02)
02 10 24 BugBrand PT Delay feedback

No external effects added.

ARP 2500 1047 Resonator Patches with Batchas

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"Pingging a modulated and FMed 1047 Resonator.
I still have to finish my matrix and also make a wooden cabinet."

02 10 24 2500 - First patch with 1047 Resonator

I believe these are the MOS-LAB ARP 2500 modules.

Mix Me DJ - Bordello Disco

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Playlist: 02 03 24 Mix Me DJ - Bordello Disco (part 1)

"I'm "sending the audio out of Mix DJ to a mixer but also to FM input of external oscillator."

02 03 24 Mix Me DJ - Bordello Disco (part 2)

I'm sending voltages in the Mix DJ and I'm sending the audio out of Mix DJ to a mixer but also to FM input of external oscillator.

02 03 24 Mix Me DJ - Bordello Disco (part 3)

Triggering and sequencing a sample on the Mix DJ.

02 03 24 Mix Me DJ - Excerpts

I'm sending voltages in the Mix DJ and I'm sending the audio out of Mix DJ to a mixer but also to FM input of external oscillator.