Rare Waldorf pastel Orange XT and pastel Yellow Q. Shots pulled via these auction. BTW, check out the comments of this post if you are even thinking of bidding on one of these rare gems.
Sunday, April 01, 2007
Just in Time for Easter
Rare Waldorf pastel Orange XT and pastel Yellow Q. Shots pulled via these auction. BTW, check out the comments of this post if you are even thinking of bidding on one of these rare gems.
Roland MKS-80 and MPG-80
Title link takes you to shots pulled via this auction. Somewhere between the Jupiter-6 and Jupiter-8.BTW, don't forget to check out Matrixsynth-b.
Dynacord ADD-two
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Details:
"A must-have for any serious producer. This unit cost $5,000.00 when purchased new in the 1985. Almost impossible to find, very rare. Apparantly it has Analog synthesizer features like VCO's & LFO's in it so that you can change the drum sounds and patches and is highly editable .... very RAW ! ! Just to give you an example.. the very desired ADD-ONE sold for $4,000.00 new ... which is probably inferior to this one seeing this one sold for $1,000.00 MORE. I only have the info below on it and most of it is in a foreign language. On the same line as Roger Linns MPC's and the EMU Sp12 and the drum machines but apparantly much more superior and sought after."
Babblefished via synrise.de:
"Dynacord ADD Two * Dynacord ADD Two * Dynacord ADS ADD-TWO/pole spl exp 5800 (1988) The ADD-TWO appeared as 16-kanalige 16-Bit-Version of the ADD-ONE with Samplingfrequenzen from 22,05 to 44.1 kHz. The basic version is equipped with two MByte memory, can be supplemented however on up to eight MByte. The strength the D/A transducers might be, which, as already work in the ADS/ADS k, with 20 bits. The rack equipment needs two HE in the rack and beitet the following rework possibilities: two LFOs, three VCF envelopes, volume, panorama, Feinverstimmung, per channel a Digitaldelay (!), and with a 16-stimmigen toner generation (= 16 channels). Once exemplary the modulation matrix is mentioned - a feature, which from Marcus Ryle (NEARLY FORWARD DESIGN, development team at among other things this equipment, as also at the ALESIS QUADRASYNTH) comes and of it in e.g. the UPPER HOME XPANDER and MATRIX-12 to the employment came for the first time: Modulation matrix ADD-TWO Sources of modulation Modulation goals Note NUMBER Pitch Velocity Panning release Velocity Volume Pressure Send 1 volume Modulation Wheel Send 2 volume Pitch Bend Wheel SAM-polarize SELECT Sustain pedal SAM-polarize start Envelope 1 Envelope 1 Attack Envelope 2 Envelope 1 Decay Envelope 3 Envelope 1 Sustain Decay LFO 1 Envelope 1 release LFO 2 Envelope 1 amplitude Ramp generator Envelope 2 Attack Random generator Envelope 2 Decay Trigger rate Follow Envelope 2 Sustain Decay MIDI CONTROLLER A Envelope the 2 releases MIDI CONTROLLER B Envelope 2 amplitude Pedal 1 Envelope 3 Attack Pedal 2 Envelope 3 Decay - Envelope 3 Sustain Decay - Envelope 3 release - Envelope 3 amplitude - LFO 1 speed - LFO 1 amplitude - LFO 2 speed - LFO 2 amplitude"
via this auction
Details:
"A must-have for any serious producer. This unit cost $5,000.00 when purchased new in the 1985. Almost impossible to find, very rare. Apparantly it has Analog synthesizer features like VCO's & LFO's in it so that you can change the drum sounds and patches and is highly editable .... very RAW ! ! Just to give you an example.. the very desired ADD-ONE sold for $4,000.00 new ... which is probably inferior to this one seeing this one sold for $1,000.00 MORE. I only have the info below on it and most of it is in a foreign language. On the same line as Roger Linns MPC's and the EMU Sp12 and the drum machines but apparantly much more superior and sought after."
Babblefished via synrise.de:
"Dynacord ADD Two * Dynacord ADD Two * Dynacord ADS ADD-TWO/pole spl exp 5800 (1988) The ADD-TWO appeared as 16-kanalige 16-Bit-Version of the ADD-ONE with Samplingfrequenzen from 22,05 to 44.1 kHz. The basic version is equipped with two MByte memory, can be supplemented however on up to eight MByte. The strength the D/A transducers might be, which, as already work in the ADS/ADS k, with 20 bits. The rack equipment needs two HE in the rack and beitet the following rework possibilities: two LFOs, three VCF envelopes, volume, panorama, Feinverstimmung, per channel a Digitaldelay (!), and with a 16-stimmigen toner generation (= 16 channels). Once exemplary the modulation matrix is mentioned - a feature, which from Marcus Ryle (NEARLY FORWARD DESIGN, development team at among other things this equipment, as also at the ALESIS QUADRASYNTH) comes and of it in e.g. the UPPER HOME XPANDER and MATRIX-12 to the employment came for the first time: Modulation matrix ADD-TWO Sources of modulation Modulation goals Note NUMBER Pitch Velocity Panning release Velocity Volume Pressure Send 1 volume Modulation Wheel Send 2 volume Pitch Bend Wheel SAM-polarize SELECT Sustain pedal SAM-polarize start Envelope 1 Envelope 1 Attack Envelope 2 Envelope 1 Decay Envelope 3 Envelope 1 Sustain Decay LFO 1 Envelope 1 release LFO 2 Envelope 1 amplitude Ramp generator Envelope 2 Attack Random generator Envelope 2 Decay Trigger rate Follow Envelope 2 Sustain Decay MIDI CONTROLLER A Envelope the 2 releases MIDI CONTROLLER B Envelope 2 amplitude Pedal 1 Envelope 3 Attack Pedal 2 Envelope 3 Decay - Envelope 3 Sustain Decay - Envelope 3 release - Envelope 3 amplitude - LFO 1 speed - LFO 1 amplitude - LFO 2 speed - LFO 2 amplitude"
Roland SVC-350 Analog Vocoder
Title link takes you to shots pulled via this auction.
Note the seller also has a Harmony SVC-650 up for auction. The images are horrid, so I only grabbed the one below. According to the seller this is a clone of the SVC-350.
Messe 2007 Video via Sequencer.de
If you ever wanted to be a fly on someone's shoulder walking around the Frankfurt Musikmesse, here you go. Title link takes you to a post on sequencer.de with a link to the video. The modular goodness starts about four minutes into the video. Note that the video is 90M and Moogulator of sequencer.de has asked us to not dowload the video, but just stream it by clicking on the video link and watching it. Cwejman modular pictured.
VCF
flickr by Ricardipus."Detail of the fluorescent displays from my Akai AX80 synthesizer. "VCF" stands for "Voltage Controlled Filter", in this case a 24dB / octave resonant filter on a Curtis CEM 3372 chip. Eight of them, in fact. "
More Musikmesse Pics
Title link takes you to a few more shots. Arturia Origin pictured. via sequencer.de.
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
