MATRIXSYNTH


Wednesday, May 30, 2007

Monome 40h

Title link takes you to shots via this auction.

Details:
"One of the few 40h models, own this beautiful machine. One of only 400
From http://monome.org/40h/:

the monome 40h is a reconfigurable grid of sixty-four backlit buttons.

buttons can be configured as toggles, radio groupings, sliders, or organized into more sophisticated systems to monitor and trigger sample playback positions, stream 1-bit video, interact with dynamic physical models, and play games. button press and visual indication are decoupled by design: the correlation is established by each application.

There's a growing collection of applications written specifically for the 40h.

Provided on the monome website as well are examples for writing your own applications. the 40h uses usb and talks serial, midi, and open sound control. it plays well with max/msp, pd, processing, reaktor, flash, java, ruby, and many others. all 40h software and firmware is open source. monome aims to facilitate a community of shared exploration

There are also numerous applications and patches which exemplify the 40h as a simultaneous input and output device. several are musically-inclined, though the interface also fits wonderfully into alternative uses. all monome applications are open-source and no additional purchase is necessary to use them. here are a few examples :

* 64step is a versatile step sequencer aimed at fluid composition and editing.
* mlr is a sample-cutting platform intended for dynamic and performative live manipulation.
* life is an interactive version of conway’s original simulation.
* phoenix is a probabilistic arpeggiator with a drawable waveform

design

applied, aesthetic minimalism. the 40h features binary on/off buttons and binary on/off light indication with global brightness control. we believe these parameters most aptly fit both the physical action and size of the buttons. simplicity, constraints, and adaptability promote intuitive interaction.
open source = modification encouraged

all related software is open source. this includes the embedded code, routers (serialio and mapd), and applications. the community is invited to engage in exploring this interface and share findings. also encouraged are hardware modifications, included are available ports in the circuitry for the addition of analog knobs, optical encoders, or anything you could program to interact.
specifications
model 40h
elements 8 by 8 (64 total)
dimensions 6.75 by 6.75 by 1.125
materials 6061 anodized aluminum, translucent silicone, conductive silicone, high durometer silicone, lead-free components and circuit boards
interface usb 2.0
power bus powered
platforms os x, windows xp, linux

the unit contains no logos, text, or markings.

the hardware contains an atmel avr atmega32 microcontroller, interfaced with an ftdi ft245r usb fifo and maxim 7221 led matrix driver. the avr is programmable via jtag (port included on circuit) with gcc and avr-lib."

via ian

KORG PS3300

Title link takes you to shots via this auction.

Details:
"KORG PS-3300 POLYPHONIC MODULAR SYNTH 1977Well-known for its complex pads, thanks to its triple synth architecture, with independently panning possible for each, a fair number of LFOs (6+SH ) that brings sophisticated details, all making truly stunning masses of evolving sounds.

Another (not so well-known) strength of that beast is its ability to make strange sounds, a bit like a kind of polyphonic AKS: per example extreme stretching of the general frequency with the keyboard XY joystick, as few other polysynth of the following eras would, numerous options of patching modulations, along with the double expression pedal applied to modulation destinations… Independent envelopes for each bloc for additive-like synthesis, a step further from the typical 2 VCO/ VCF/ADSR approach most other synths provide. Altogether I was astonished by the wide range of sounds it can produce, much more than a PS-3200 would dare of!

Also surprisingly, it is very straightforward to use, with a logical layout, despite a good number of knobs.

- Waveforms choices: 6 for the VCOs (w/ PWM), 6 others for the main 3 LFOs. These LFO can be modulated also with a lot of patching options.

- Unique triple dynamic resonators per block, each modulated either from their own LFO, either left in a fixed combination of 3 frequencies. Peak frequency control on that LFO. Nice multi-phasing effects and sound shaping.

- Useful keyboard balance for filter and volume, independently for the 3 blocks. Adds playability when pressing a lot of notes.

- unique individual tuning per note, independently for each block.

The documentation (copy,in English/Japan) helps with examples of sounds and patches.

Users: Kraftwerk, K Schulze (“X”,his best), Vangelis (“China”..), ELP, Jarre, Space, Gino Vannelli, Ninja Tune, Vince Clarke, and praised by Bob Moog.

It has been totally overhauled by Jean-Loup Dierstein in Paris and now fully working: 50 capacitors changed , every function tested, tuned, not one scratching pot. So what is inevitably needed for a gun of this age and complexity has already been done professionally.

The keyboard is also in a close-to-mint condition, and the accessories (double pedal board and keyboard cable) are fully functional. A midification of the keyboard is possible.

This example seems to be a first and very rare version, with the inclusion of Korg 770 type pots (more “chic” than the MS series style of most of the PS production ), it has also a different positioning of the resonators disposition, and wears a nice slightly shiny black finish. As this version existed in some historical Korg catalogs, I guess it may be not a “prototype” as it was said recently, but certainly was part of a first limited batch among the 30/50 ever produced. Serial number: 770502.

It had been formerly bought at the “Phonorgan” Shop in Paris in the late 70’."

via adrien

Seb's Synth-DIY Pages



http://www.burnit.co.uk/sdiy

Some current projects listed:

Bench PSU
Simple multi-voltage bench power supply.

Fat Controller
Precision MIDI to CV converter with 3 Gates, 15 CVs, Portamento, Envelopes, LFOs, and other interesting and useful software features.

Digisound 80
Small collection of Digisound 80 modules and some modifications.

DrumBox
A collection of Roland CR78, TR808 & TR909 based drum modules with MIDI In and velocity sensitivity.

NoizBox
A weird and wacky noise generator with MIDI In, ADSR, VCA and 'touch pad'.

3031
Oakley Sound 3031 synth with my own design MIDI to CV converter.

JoyKontrol
6-dimensional dual joystick controller with MIDI and CV outs.

Box-O-Trix
Modular Compressor / Limiter / Distortion / Gate unit.

4xD
Quad digital delay/flanger with multiple LFOs and comprehensive analog I/O.

Flanger
Flanger based on SAD1024 BBD chip.

Chorus
Boss DC-2 Dimension C chorus clone.

via sequencer.de

DOEPFER A100 Modular Synthesis

Title link takes you to the post with some thoughts and samples via Sonicbrat.

The Germans have invaded Moog!

flickr by theglyph

via the Matrixsynth forum.

"I took this photo of my LP calibration/QC station at Moog on a day when I was checking out my Waldorf Q's waves on the O'scope. I'll post photos of the Q's basic waveforms soon as they are not so standard. Is it Analog or digital envy? ;)"

Waldorf Q
MOOG Little Phatty

Jupiter 8 Poly Vs. Dual


via Mok
"OK - here is a demo of the differences between Poly mode (8 voices, mono) and Dual mode (4 voices x 2 channels - stereo) on the Jupiter-8. There are eight different patches that I created - each goes for a couple of seconds on Poly, and then I set it for Dual with both upper and lower outputs on the same patch for a stacked four-voice stereo. Some of these sounds do well in both, while some just love the stacking. The slight differences in tuning over two sets of four voices, combined with the fact that the LFO's don't sync between 'stacks', creates a huge stereo field. I tried to play similar things on each pass (poly vs. dual) and also tried to balance the volumes afterward (as the dual pass was generally hotter). Yes, the JP is a little more difficult to play with "just four voices", but having owned the PEK for so long, I am used to that... I start out with a real basic patch, but each one is sufficiently different to hopefully maintain 'interest'."
Title link takes you to Mok's Space on Twango where you will find more samples and images.

Tuesday, May 29, 2007

Roland Paraphonic 505

Title link takes you to shots via this auction.
Details:
"Roland Paraphonic 505 Analog Synth with Strings, Bass and Synthesizer sections. The synth also includes an ensemble/chorus effect which was also offered under the name Roland Dimension D as a stand alone unit. The Dimension D is valued over $500 alone. Fortunately, this synth has external inputs to run through the chorus effect, which is outstanding. This synth has a very unique sound and the bass is surprisingly fat and warm. I included pictures of the entire front panel so those of you familiar with analog synths should have a pretty good idea what you are working with. The keyboard is split and it is fully polyphonic for strings and in the upper register of the keyboard. The bass sounds are monophonic.

This keyboard is built in a solid metal case, same case as vp-330 vocoder and is in excellent condition. There is one cosmetic and one functional problem worth noting. A thin strip of wood veneer is missing off the left side panel (pictured) and the vibrato slider does not function. The cap has been removed from that slider. Otherwise the synth is in top notch condition and totally functional without any noise or complications of any kind."
Update via the world of next tuesday in the comments: "Well the Dimension D angle sounds like internet hearsay. I had a 505 though I only have a Dimension C in the same place. There is some relationship and probably a plus is the 505 setting III (of 3 settings vs 4 settings on the rack unit) is a far stronger effect than the heaviest Dimension setting. On the downside, like the Dimension C and unlike the Dimension D the 505 is a mono in stereo out device. The D of course is balanced ins and outs, though I guess a lot of people mostly use it mono to stereo."

Multi-Touch for Windows?

Odd how this stuff comes in waves. Just below I read on Music Thing about the Loop Arena Multi Touch Console. We know about Reactable and the Lemur. Rumor has it that Microsoft might be announcing PlayTabe, "Microsoft’s 'Milan' multi-touch and gestural interface technology" tomorrow.

"'The idea is to take that (Milan) effort and move it into multiple different environments,' said one of my sources. 'It’s not just for the home. They want to see what kinds of commercial environments' might provide a good home for the multi-touch/gesture-recognition technology, as well."

Yep, I can see some uses for this alright.


Update: It's official. You can find more info here and here, with video, and to the left is an ihref="mage from Gizmodo.

Loop Arena Multi Touch Console

loopArena MTC performance @ superbooth lounge

YouTube via sport4minus.

"excerpts from a performance in Frankfurt/Main, Germany in the course of the music fair.
http://www.multitouch.de
http://www.sport4minus.de
http://www.digital.udk-berlin.de
http://www.superbooth.com
http://www.schneidersbuero.de"
Similar to, but not Reactable. via Music Thing.

Happy Knobbing Update

More videos and pics of the event are in via sequencer.de. Title like takes you to the official repository for the event where you will find all pics, vids and info.
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