MATRIXSYNTH


Sunday, June 26, 2011

micron, random, noise

micron, random, noise from 11hzRobot on Vimeo.


"I made a couple of patches that cause the micron to freeze up every time, to much modulation I think. After it freezes everything stops working; keyboard, knobs, buttons...except the volume knob, but the sound continues to play and evolve randoml. All sounds are from the micron, recorded with ableton live, post processing was limited to normalizing the stereo wav file and converting it to mp3.

I did some more takes with better stereo spread on the micron patches. I also added a touch of reverb, these sound much better. Check out the "Freeze Mode (noise)" player here:

11hzrobot.muxtape.com/​"

Roland TR-808 with Original Box


via this auction

SN 238539


Octave kitten - Playing / Demonstrating with the VCO


YouTube Uploaded by clackbeetle on Jun 22, 2011

"For Sale here http://bit.ly/kmuTTU
Just finished repairing the kitten , very impressed with the synths modulation layout and nice fat complex VCO that can do 1 and 2 octaves sub-oscillator. I really like the mixer style waveform layout. Compared to the Arp Odyssey I like the way that the modulation controls are rotary knobs so it looks much simpler! shame they only released 2 synths (excluding that weird Voyetra one). Clacktronics.co.uk"

Access Virus TI Desktop

via this auction

Drumfire DF-500 DRUM SYNTH with Original Box

via this auction
"The Drumfire DF-500 is a 5 channel drum synth module. The 5 channels are identical, with their own Trigger-In and Audio Out sockets. Each channel is a mini analogue synth drum module, capable of producing a wide range of electronic drum sounds, and since every parameter is defined by a knob, it's highly tweakable. The 5 drum channels also have their own level and pan pots, and the signals are mixed to a pair of stereo outputs with Left/Right volume control. Each channel has 9 controls (8 knobs & 1 switch): -SENSITIVITY controls pickup/trigger in sensitivity -OSCILLATOR DECAY controls decay time of the synth oscillator -NOISE DECAY controls decay time of the noise sound -SWEEP alters oscillator frequency -PITCH changes oscillator pitch -BALANCE controls balance between oscillator/noise -VOLUME output volume to mixer -PAN L/R balance control, also allow dual output on L/R jacks"

IMPROVISOR - New Generative Music Software for Percussa AudioCubes


via Percussa where you'll find full details.

"IMPROVISOR is an application that makes it easy to create complex melodies and rhythms, all while staying in tempo, rhythm and in key (if you want), and without having to be a music theory genius.

It’s a generative music software application that takes advantage of the unique capabilities of the AudioCubes, our easy to use smart musical blocks."

Befaco BF-20 vs Korg MS-20


YouTube Uploaded by jorditalleda on Jun 25, 2011

"Two weeks ago, at our workshop in Barcelona, we started assembling the first units of our latest module: a very faithful replica of the legendary LP/HP filter of the MS 20.

The most demanding part of the design was reproducing the Korg 35, a dedicated IC found at the heart of the original filter. To be able to clone the filter, we first had to clone the IC! It consists of a mini PCB, so small we had to use SMD components for the first time (the people that attended our workshop had a blast! )

The clone of the chip is 100% compatible with the original filter, so it can be used as a part for repairing real MS-20′s!"

Via Befaco:

"Our friend Jordi made a video of these two analog titans challenging each other, face to face… he does get the Befaco modular, although with a very different architecture from the MS-20, to reproduce some of its most characteristic sounds quite faithfully.

Here’s what Jordi told us about the patch:

-BF-20 volume almost at maximum (the horizontal pot’s level line pointing to the right);
-HPF up, LPF down;
-From the Envelope Generator I sent an env. to two attenuators. They then go to the CV control inputs of the LPF and HPF. This way I can simulate the function of the MS-20 that allows you to adjust the amount of ADSR that affects each of the filters;
-I used a separate envelope for the VCA, and gave it more Decay than the filters;
-I used a VCO + sub-oscilator, to get a good squarewave;
-The other VCO went directly to the filter input, summing a sawtooth to the squarewave. This way I can get the two VCO’s to sound a bit detubned, as is often the case with the MS-20. If I use only one VCO, the result isn’t as fat as the MS-20."

And a video from Nov 20, 2010:

BEFACO - Taller de construcción de sintes Modulares.

Uploaded by jorditalleda on Nov 20, 2010

"Puesta en marcha de sintetizadores Modulares Befaco realizados en los talleres organizados por Befaco.
Noviembre 2010.

www.befaco.org."

Roland SH-5 & TR-808


YouTube Uploaded by DeathByDinSync on Jun 25, 2011

"My pal Kirk (on the SH-5) and I making improv noise with some electronic machines. Eventide Pitchfactor on the SH-5 here and there.

More music & info:
http://www.rusuden.com
http://www.goldenrodmusic.com"

DRUMAXX SOUNDS

"The Drumaxx percussion modelling instrument gives you total control over 16 physically modelled drum pads that can be routed to independent outputs for external effects processing.

Great, but why should you care when the internet is awash with drum samples? In two words, expressive control. Once a drum sound is recorded, the performance and modulation options are limited to filtering, volume, or similar 1-dimensional effects. When a single drum sample is triggered in a roll, you get the familiar 'machine-gun' effect and it just sounds mechanical. Multi-sampled, multi-layered drums can overcome this limitation but need multi-megabyte or even Gigabyte! drum libraries. Even then, you are still limited to the sounds originally recorded.

Drumaxx is not based on samples or even commonly used 'synthesis'

techniques, where oscillators are mixed and the result is always 'electronic'. Drumaxx uses modelling algorithms to create bass drums, hi-hats, snares, realistic and electronic sounds too. But what about the traditional 'Achilles' heel' of synthesis, cymbals? Drumaxx creates cymbals and metallic percussion also."

DRUMAXX SOUNDS by deejayiwan X1

via Deejayiwan

International Circuit Bending and DIY Festival Dresden 2011 Part 1 - 3



See Journey to Unknown Soundscapes for more info and pics from the event.
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