MATRIXSYNTH


Thursday, July 28, 2011

SEQUENTIAL CIRCUITS Prophet 5

via this auction

SCI Prophet 2002 PLUS - 12 bit, 2x memory and 8 outs!


via this auction

"Sequential circuits, after the great Prophet 5 and the VS, turned to sampling. The 2000/2002 has the same crunchy 12-bit sampling as it's contemporary the S950, but unlike the 950 had a real analog VCF and VCA on each voice. The 2002 plus is the studio pro version with 512K of memory (double the usual) and 8 individual outs (plus the stereo main). Intended as a true synthesizer that used samples instead of VCOs, it's extremely flexible and musical, but it of course also knocks hard on drums, letting you get just the crunch you want, but also letting you but warm things like crashes and hats up nicely with the filters..."

Rare Red Roland SH-101 with Mod Grip

via this auction

SN R 310117

Note the R in the serial number. Blue had B and Grey had nothing. You can search for Blue SH-101 auction or Grey SH-101 auction in the search box on the right for pics.

See analogsd (RSS) for more.


Roland TR-909 Rhythm Composer

via this auction

See analogsd (RSS) for more.

Siel DK-600 Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

Not the best pics, but you don't see these often.

Oberheim OB-Xa 8 Voice Analog Synthesizer with MIDI

via this auction

SN 823708

JL Cooper MIDI in/out

Eowave Persephone MKI desktop version analog synthesizer

via this auction

"The Persephone is a fingerboard analogue synthesizer with CV and MIDI in and out. At the first sight, the Persephone reminds of the first electronic fingerboard instruments developed in the 1920s. But beyond this vintage look, the Persephone allies sensors technology and digital controls to a pure analogue generation of sound. The Persephone musicality will be determined by the way it is played. The Persephone respects the traditional play of the first non-keyboard electronic instruments with the right hand controlling the pitch and the left hand controlling the velocity. The ribbon zone can allow all kinds of play. When scaled, the Persephone can be played like a regular keyboard. Though there are no fixed preset notes with the ribbon, keyboard players will easily find their way. Guitars and bass players will certainly play it like a chord instrument and get sounds that are closed to cello or violin, especially when using vibratos. Jazz players will enjoy slapping the Persephone’s ribbon to get wonderful sonorities. Movie music writers and fans of sci-fi effects will enjoy its bi-dimensional structure, which allows creating eerie sounds very easily. A new fingerboard synthesizer Just like any synthesizer, the Persephone offers a classical synthesis architecture with an oscillator section, a filter section, a modulation section and a LFO section. With its 100% analogue oscillator, the Persephone can generate notes with a range of 10 octaves. Its lower frequencies go from a deep and resonant cello tone to a nearly human voice. On the highest pitches, it can reach very high frequencies. The oscillator waveform can be set between triangle and sawtooth for a more or less brilliant sound. The filter is a 12dB low-pass filter. Its ribbon control surface is pressure and position sensitive. While it requires the most advanced sensor technology and allows all kind of glissando a Theremin or les Ondes Martenot would allow. A scaling potentiometer allows scaling the Persephone’s ribbon from 1, 2, 5 to 10 octaves. The expression key, controlled by an optic sensor, can transmit the slightest vibrations on the key with an accuracy the mechanical systems never had. All the controls are digital. The four play modes - A, B, C and D - offer different hierarchy of control between the pitch, the velocity, a filter modulation and a LFO. Connections are located on the rear side of the front panel and are protected from dust and other source of deterioration by the Persephone suitcase top when not used. The Persephone like a CV/MIDI controller The Persephone has a CV out and a MIDI in/out. With its CV out, it can control any other analogue synthesizers and modular systems. With its MIDI in/out, it can also be used as a MIDI controller, what turns it into a powerful new kind of instrument. Technical Specifications Suitcase version or desktop version available Scale : a scaling potentiometer allows to scale the Persephone’s ribbon from 1, 2, 5 to 10 octaves. Tune Finetune Brightness : two waveforms Wave : from sinus to triangle

Technical specifications
Ribbon controlled pitch
Pressure controlled amplitude
Sine/triangle 100% analogue oscillator
mp3s online on monstersynths.com"

SIMMONS SDS-V Professional Drum Synthesizer

via this auction

"Auction is for the SDSV and 2x Tom modules as pictured only, nothing else is included."

Arp Odyssey model 2800 analog synthesizer


YouTube Uploaded by AttnSpanGames on Jul 27, 2011

"Arp Odyssey model 2800 analog synthesizer 1972 vintage, for sale on ebay 7/28/2011"

via this auction

Eurostep Jam #2

Eurostep Jam #2 from cv slime 800 on Vimeo.


"'Eurostep' was probably only intended to be a jokey genre title. A few people have made use of it in videos or mp3s posted on the muffwiggler forum. Basically, I take it to mean current trends in dance music (most notably dubstep) interpreted on Eurorack modular synth (well, it wouldn't have to be Eurorack format in particular but you get the idea) rather than using software like Ableton Live or whatever else. I like this idea though, so I am going to run with it as an actual genre. Join in.

As far as the patch goes, each sound went through individual channels of the Make Noise QMMG and were mixed together into the various inputs of the Elby Designs CGS735 Synthacon filter.

A droning root note from the Harvestman Piston Honda was sent into the audio input of the Cwejman VM-1 Voice module. A random noise voltage was being quantized by the Doepfer A-156 Dual Quantizer to the notes of a minor 7 chord for the VM-1 CV input. The droning audio input is then mixed in with the VM-1 internal Oscilator creating duophonic chordal basslines."
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