MATRIXSYNTH


Tuesday, September 13, 2011

GR-55 Navigator TouchOSC Editor for iPhone / iPad

via mbenigni on vguitarforums

"Many sliders have been replaced with banks of buttons, which I have found to be much more usable. (They light up when you touch them - neato! - but they don't persist to represent current state.) I've taken the opportunity to replace a lot of "lawsuit-aware" labels with real descriptions, for instance LIPS becomes Dano 56-U3 and so on. This is a little more "fun" for me as a guitar geek, and moreover, it's called out a lot of functionality that I didn't even know was there. Embarrassingly, I didn't realize that MA-28 etc were acoustic guitars; I thought they were mics or pickups I'd never heard of! So it's been good to embed some of the documentation right into the UI.

There are pro's and cons, though. I'm using a lot more screen space, which itself is both a pro and a con. And I'm using a lot more memory with this increased control count. This makes pages load a little slower, and could even result in more TouchOSC crashes. Oddly, I noticed that labels have OSC command strings, but they don't actually respond to touch. So every button is a label imposed over a push button, doubling the control count. :(

Things that I considered more global have been moved to page 1, e.g. structure and detuning.

EQ has gotten some more labels so I won't confuse treble and presence anymore. :O

PCM1/2 have gotten new independent slider controls for each instrument category. (Also fixed the famous drum kit bug.) These are still a bit clumsy but at least now you know exactly what category you're searching in as soon as you touch the screen. Other changes have left a lot of open space on these pages, so they're due for a total overhaul, maybe this weekend.

Assign switches now appear under the CC controls on the FX page, making those controls significantly more powerful if you're creative with your Assign programming. :)

COSM, MOD, and MFX1-3 have gotten MASSIVE facelifts. The sliders selecting type have gone away in favor of captions that turn elements on. The primary benefit beyond the cosmetic is that everything is modular. If you want a page with buttons for a couple of favorite instruments, and a few favorite effects, it's as simple as copying and pasting one together.

(In anticipation of COSM, MOD, and MFX interfaces possibly winding up on the same page, I've tried to be consistent in presentation: Any "boxtops" that are lit up (i.e. colored) can be clicked to select the corresponding instrument or effect; otherwise they're just labels. MOD boxes have transluscent backgrounds to distinguish them from MFX or post-FX.)

This change - and a few labeling tricks on rotaries - made things so much more compact that I was able to put COSM synths and COSM guitars all on the same page. I'm thinking about putting the MFX UI's on a similar diet, and trying to get those down to 2 pages rather than 3.

So there it is. I now have room to optimize the few outstanding time/rate controls. (Tap tempo on S1 has been serving well as a workaround.) Expect that in the next rev. along with some improvements to the PCM1/2 interface."

TouchOSC - hexler
iPads on eBay
iPod Touch on eBay

Collin's Lab: Atari Punk Console


YouTube Uploaded by makemagazine on Sep 13, 2011

"A true classic for DIY synth makers & circuit benders, the Atari Punk Console can kick out some ear-catching square waves. It's easy to build and a lot of fun to play around with. It may be challenging to make traditional music with an APC, but hey - there's enough of that around already, right?"

AlphaSyntauri Synthesizer with Original Box & Materials

via this auction

"AlphaSyntauri Synthesizer Keyboard with Mountain card and keyboard interface card... Item was aquired as surplus from a University. "

Akai AX60 Analog Synth

via this auction


Korg Rhythm 55 KR-55 VINTAGE DRUM MACHINE

via this auction

SN 254534

See the seller's other items for more.

Korg WaveStation SR WS-SR Rackmount

via this auction

See the seller's other items for more.

SN 001971

VINTAGE MOOG SATELLITE SYNTHESIZER

via this auction

SN 2176903

The seller also has a non working unit listed here.

SIMMONS TMI & SDE FM SYNTH COMBO

via this auction

"The SDE is practically a fm synth ! You can assign midi channels to each voice to play a certain sound. Complex programming but once you get your head around it its pretty cool . The TMI unit is great and all 8 channels work... Some more info on both of the units here:

simmons.synth.net [TMI]
simmonsmuseum.com
simmons.synth.net [SDE]"


Tom 1501 VINTAGE SOVIET ANALOG SYNTH

via this auction
"Tula's factory of musical instruments "Melodiya". Tom - 1501 is an EMI, that has an orchestral effect. This portable instrument is intended for solo playing musical compositions of any genre. It is also can be successfully used in ensembles. Tom - 1501 is a one-manual keyboard instrument that can play the following soundings: piano, clavesin, orchestrall ensemble, viola, contrabass and wind instruments.

The instrument consists of the following sections:
assigning generator
12 manipulators
generator of infralow frequency
delay line
brass filter
block of filters
output amp
power block
sustain pedal

The only thing that forms all the tones is the main generator. That's why a possibility of instrument's detuning in the process of operation is eliminated. The basis of timbres formation of the instrument is a synthesis of 6 registers on the left side of the keyboard and 5 registers on the right one. Tom - 1501 gives one a possibility to change sounding during playing the composition using such special effects as vibrato, sustain, chorus.

Designer - Gennadiy Terekhov"

WALDORF MICRO Q YELLOW

via this auction

"• Six audio outputs.
• One stereo audio input.
• 16-part multitimbral mode.
• 300 sounds.
• 20 drum maps.
• 100 Multis.
• Three oscillators per voice with pulse, saw, triangle, sine and two wavetables with 128 positions (two additional sub-oscillators are available when wavetables are used).
• Frequency Modulation of all oscillators and filters is possible.
• Oscillator sync (Osc 2 to Osc 3).
• Two filters with 24dB/octave and 12dB/octave low-pass, band-pass, high-pass, and notch and comb types.
• Three LFOs (at up to audio frequencies).
• Four envelopes.
• 16-entry modulation matrix.
• Arpeggiator.
• Glide (portamento, glissando).
• 25-band Vocoder."



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