Note: Auction links are affiliate links for which the site may be compensated.
YouTube Published on May 4, 2012 by heodesalciphron
"Noise was the first name of the Evolver
listen to some noise that box can produce
patchs generated randomly by the sound tower editor
let the fuck play !"
Some nice sweet spots in this one.
Evolvers on eBay
Friday, May 04, 2012
Maestro / Oberheim RM-1B short demo with guitar
YouTube Published on May 4, 2012 by georgmahr
"Just a dry guitar through the RM-1B."
Realistic Concertmate 200- NI-Absynth ( Sound Composition )
YouTube Published on May 4, 2012 by ANTsynth
"Little piece I wrote on my Realistic Concertmate 200 .All processing was done using Absynth."
Casio VL-Tone VL-1
ANALOGUE SOLUTIONS BLACK COFFEE
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
See the seller's other items for more.
"BLACK COFFEE SPECIFICATIONS
Sound Engineanalog subtractive synthesis
Polyphony1 note (monophonic)
Audio Inputs(1) ⅛" on front panel; (1) ¼" on rear panel
Audio Outputs(1) ⅛" main and (1) ⅛" LFO, both on front panel; (1) ¼" main on rear panel
Patch Cord Connections (CV and audio)(8) ⅛" minijacks on front panel; (3) ¼" and (1) ⅛" on rear panel
Sound Sources(1) VCO; (1) suboscillator; (1) LFO; (1) noise generator
Filter(1) resonant lowpass; 24 dB/octave
Effects Processor(1) ring modulator
Amplifier(1) VCA
MIDI-to-CV ConverterMIDI In and Thru; pitch, modulation, gate, accent, and legato
Power15VAC, 500 mA wall wart
Dimensions4.00" (W) × 5.25" (H) × 8.00" (D)
Weight2.2 lb."
via this auction
See the seller's other items for more.
"BLACK COFFEE SPECIFICATIONS
Sound Engineanalog subtractive synthesis
Polyphony1 note (monophonic)
Audio Inputs(1) ⅛" on front panel; (1) ¼" on rear panel
Audio Outputs(1) ⅛" main and (1) ⅛" LFO, both on front panel; (1) ¼" main on rear panel
Patch Cord Connections (CV and audio)(8) ⅛" minijacks on front panel; (3) ¼" and (1) ⅛" on rear panel
Sound Sources(1) VCO; (1) suboscillator; (1) LFO; (1) noise generator
Filter(1) resonant lowpass; 24 dB/octave
Effects Processor(1) ring modulator
Amplifier(1) VCA
MIDI-to-CV ConverterMIDI In and Thru; pitch, modulation, gate, accent, and legato
Power15VAC, 500 mA wall wart
Dimensions4.00" (W) × 5.25" (H) × 8.00" (D)
Weight2.2 lb."
E-mu SP-12 Turbo Vintage Drum Machine/Sampler
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This SP-12 is fully functional, and is the Turbo model with OS version 2.6."
via this auction
"This SP-12 is fully functional, and is the Turbo model with OS version 2.6."
Jordan Passmore - As Technology Grows / SP-12 Demo
Note: Auction links are affiliate links for which the site may be compensated.
Jordan Passmore - As Technology Grows / SP-12 Demo by Calvary
"A track named "As Technology Grows" showcasing my work done with the E-mu SP-12 Turbo Sampler/Drum Machine. The E-mu is the only piece of equipment heard here sans two Washburn Accelerator guitar pedals. I sampled a Juno 106 into the SP-12 prior to composition. The SP-12 was mixed using an Alto mixing board."
"For both the stabby chord sounds and the bass it's the Juno 106. A flanger is on the bass sound and a delay is on the stabs. All of the drum sounds are the E-mu Sp-12."
E-Mu SP12s on eBay
Jordan Passmore - As Technology Grows / SP-12 Demo by Calvary
"A track named "As Technology Grows" showcasing my work done with the E-mu SP-12 Turbo Sampler/Drum Machine. The E-mu is the only piece of equipment heard here sans two Washburn Accelerator guitar pedals. I sampled a Juno 106 into the SP-12 prior to composition. The SP-12 was mixed using an Alto mixing board."
"For both the stabby chord sounds and the bass it's the Juno 106. A flanger is on the bass sound and a delay is on the stabs. All of the drum sounds are the E-mu Sp-12."
E-Mu SP12s on eBay
benge buchla 291e
YouTube Published on May 4, 2012 by zackdagoba
"using the buchla 291 triple filter as oscillators
see http://myblogitsfullofstars.blogspot.co.uk/
for more"
Sync-Shift MKIII with DSI Tempest & AkaiMPC3K
Sync-Shift MKIII Tempest MPC3K.mp4
YouTube Published on May 4, 2012 by innerclock2004
"Quick Vid/No Voiceover - MPC3K Master/DSI tempest Slave. Tempest Audio Hard Left. MPC3K Audio Hard Right. If you are listening through a mixer try setting pans to centre to hear the Flam/Phase. First play Sync-Shift MKIII is in bypass so it is like direct Midi Clock connection. Sounds respectable but the 8ms start lag is messing with the bass frequencies to my ears and the groove is a little rough. Second play - Sync-Shift MKIII set to 1 Bar Delay and then fine tune offset with the Rotary. Third Play - Change offset for slave syncopation. Fourth Play - different syncopation again. Regards - David"
http://www.innerclocksystems.com/
YouTube Published on May 4, 2012 by innerclock2004
"Quick Vid/No Voiceover - MPC3K Master/DSI tempest Slave. Tempest Audio Hard Left. MPC3K Audio Hard Right. If you are listening through a mixer try setting pans to centre to hear the Flam/Phase. First play Sync-Shift MKIII is in bypass so it is like direct Midi Clock connection. Sounds respectable but the 8ms start lag is messing with the bass frequencies to my ears and the groove is a little rough. Second play - Sync-Shift MKIII set to 1 Bar Delay and then fine tune offset with the Rotary. Third Play - Change offset for slave syncopation. Fourth Play - different syncopation again. Regards - David"
http://www.innerclocksystems.com/
80's Russian Electronic Drum Set Formanta Rokton with Keytar
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH