Published on Feb 22, 2013 Richard Schmitt·9 videos
"Quick and dirty demotrack made with a Waldorf Rocket prototype. All sounds from the Rocket, some reverb, delay and compression from Cubase."
Follow-up to the announcement post here.
Stephan Trippler of http://www.trippler.net/music/, aka the fourth blomigo (you really have to have been following Waldorf and MATRIXYSNTH for that matter to get this one).
via Francesco Sinewave Mulassano on The MATRIXSYNTH Lounge, via Noisecollective.
Friday, February 22, 2013
Friday unwind - Synthesizers.com & MFOS Soundlab MKII
Published on Feb 22, 2013 piamuk·33 videos
"Had a couple hours to kill this afternoon, so I took advantage with a quick jamsesh.
Synths:
Synthesizers.com Modular (Entry System with a Q150 Ladder Filter)
MFOS Soundlab Mini-Synth MKII
Effects:
dotcom = Moogerfooger MF104M Analog Delay
MFOS = Strymon El Capistan, Boss Bass Chorus CEB-3, Electro-Harmonix Cathedral Stereo Reverb (Flanger setting)"
"Had a couple hours to kill this afternoon, so I took advantage with a quick jamsesh.
Synths:
Synthesizers.com Modular (Entry System with a Q150 Ladder Filter)
MFOS Soundlab Mini-Synth MKII
Effects:
dotcom = Moogerfooger MF104M Analog Delay
MFOS = Strymon El Capistan, Boss Bass Chorus CEB-3, Electro-Harmonix Cathedral Stereo Reverb (Flanger setting)"
MFB-Synth Lite Analog
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Big sounding little MFB-Synth Lite analog synthesizer. Approximates various Moogish sounds, has midi, modulation, and more..."
via this auction
"Big sounding little MFB-Synth Lite analog synthesizer. Approximates various Moogish sounds, has midi, modulation, and more..."
White Moog Minitaur Analog Bass Synth Rev 2
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Noisebug (RSS)
"Manufacturer Description:
"The Minitaur has all the growl, snarl and body associated with the Taurus family of bass synthesizers. We’re really excited to be able to offer this in such a compact package that is both immediately playable as an extremely versatile analog synth and also integrates seamlessly into the world of MIDI and USB control environments,” says Cyril Lance, Chief Engineer of Moog Music.
The Taurus Bass Pedals enjoy a nearly 40-year history and have made a seismic impact in the music world since their introduction in the mid-Seventies. “The Taurus opened up so many possibilities for me…it also opened up a whole way of looking at what I do,” says Geddy Lee, of the multi-platinum band Rush.
In 2009, Moog Music released the Taurus 3 Bass Pedals, a modern reinterpretation of the classic Taurus Bass Pedals. The Taurus 3 is currently used by artists such as The Black Keys, Animal Collective, Jean Michel Jarre, Yes, Weezer, Rush, and The Dave Matthews Band.
Since the inception of Moog Music, Bob Moog tested his ideas, instruments and sounds on musicians as a key part of the product development process. In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, Holy F*ck and renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.
Minitaur Features:
Two oscillators with Sawtooth (Original Taurus) and Square wave-shapes for each VCO. Recreate sounds of the original Taurus with sawtooth waves, or create new sounds with square waves or a combination of both.
2 Mixer VCAs for VCO levels control of Oscillators 1 and 2.
Moog Ladder Filter with adjustable resonance, designed to deliver ‘classic Taurus 1 and 3 bass and boom’.
Two Minimoog style ADSR Envelope Generators for modulating VCF and VCA. The Decay and Release segments are controlled by the Decay knob, while the Release segment is enabled or disabled via Release On/Off switch.
Midi-syncable LFO with Controls for Rate, VCO LFO Amount, and VCF LFO Amount DIN MIDI and MIDI over USB offer complete control of the Minitaur’s sound engine.
Analog Control inputs for Pitch, Filter, Volume and Gate. Use an EP2 or CV to connect and control MInitaur with everything from Modulars to Moogerfoogers.
External audio input for processing external audio through the Mixer and Filter section of Minitaur.
Headphone output with 1/8" connection."
via this auction
Noisebug (RSS)
"Manufacturer Description:
"The Minitaur has all the growl, snarl and body associated with the Taurus family of bass synthesizers. We’re really excited to be able to offer this in such a compact package that is both immediately playable as an extremely versatile analog synth and also integrates seamlessly into the world of MIDI and USB control environments,” says Cyril Lance, Chief Engineer of Moog Music.
The Taurus Bass Pedals enjoy a nearly 40-year history and have made a seismic impact in the music world since their introduction in the mid-Seventies. “The Taurus opened up so many possibilities for me…it also opened up a whole way of looking at what I do,” says Geddy Lee, of the multi-platinum band Rush.
In 2009, Moog Music released the Taurus 3 Bass Pedals, a modern reinterpretation of the classic Taurus Bass Pedals. The Taurus 3 is currently used by artists such as The Black Keys, Animal Collective, Jean Michel Jarre, Yes, Weezer, Rush, and The Dave Matthews Band.
Since the inception of Moog Music, Bob Moog tested his ideas, instruments and sounds on musicians as a key part of the product development process. In keeping with this tradition, Minitaur has been presented to a broad array of producers, artists and songwriters including Geddy Lee of Rush, techno legend Derrick May, Flying Lotus, Moby, Holy F*ck and renowned record producer Nick Raskulinecz as a part of the final product development process. The enthusiastic response from these artists marks the beginning of the next generation in the Taurus Bass Synthesizer line.
Minitaur Features:
Two oscillators with Sawtooth (Original Taurus) and Square wave-shapes for each VCO. Recreate sounds of the original Taurus with sawtooth waves, or create new sounds with square waves or a combination of both.
2 Mixer VCAs for VCO levels control of Oscillators 1 and 2.
Moog Ladder Filter with adjustable resonance, designed to deliver ‘classic Taurus 1 and 3 bass and boom’.
Two Minimoog style ADSR Envelope Generators for modulating VCF and VCA. The Decay and Release segments are controlled by the Decay knob, while the Release segment is enabled or disabled via Release On/Off switch.
Midi-syncable LFO with Controls for Rate, VCO LFO Amount, and VCF LFO Amount DIN MIDI and MIDI over USB offer complete control of the Minitaur’s sound engine.
Analog Control inputs for Pitch, Filter, Volume and Gate. Use an EP2 or CV to connect and control MInitaur with everything from Modulars to Moogerfoogers.
External audio input for processing external audio through the Mixer and Filter section of Minitaur.
Headphone output with 1/8" connection."
Eowave Persephone Mark II
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"A 100% analogue audio signal path
The Persephone markII has two analogue oscillators with a waveform from triangle to saw, going from 1 Hz to more than 20 000 Hz. An analogue resonant 12dB low-pass filter inspired from the filters from the 70s-80s enables to shape the sound. With its entire analogue audio signal path, the Persephone markII can generate notes with a continuous variable range up to ten octaves to create deep and resonant cello tones on the lowest notes to ultrasonic frequencies on the highest pitches. An optical modulation key will transmit the slightest vibration for expressive modulations.
8 factory routings, 8 users routings: a modular architecture
16 routing presets enable to select different routing architectures between the sound parameters and the 7 controls available (ribbon pressure, ribbon position1 & 2, key, pedals 1 & 2, LFO) for 8 destinations (lo pitch, hi pitch, filter, VCA lo, VCA hi, filter mod1, filter mod2 and VCA). 8 presets are fixed and 8 are editable users presets configurable thru a free software. Users routing presets will be stored in the Persephone2 internal memory. This new section significantly increases the instrument control and modulation possibilities.
Compatibility with computer music environment
The A/D conversion is made with Eowave ESS DSP. This process assures a 12 bits resolution (4096 values) conversion for an accurate musical gesture. It’s 100% MIDI compatible and uses USB full speed 12 Mb/s. This makes the Persephone2 compatible with all MIDI compatible softwares whilst the latency is reduced at less than 1,5ms.
A smart controller
With a complete I/O section featuring 4 CV out, 2 pedals in, MIDI in & out, audio out, USB (MIDI), the Persephone markII can be turned into a powerful and unique controller to control most of your analogue or digital synths.
via this auction
"A 100% analogue audio signal pathThe Persephone markII has two analogue oscillators with a waveform from triangle to saw, going from 1 Hz to more than 20 000 Hz. An analogue resonant 12dB low-pass filter inspired from the filters from the 70s-80s enables to shape the sound. With its entire analogue audio signal path, the Persephone markII can generate notes with a continuous variable range up to ten octaves to create deep and resonant cello tones on the lowest notes to ultrasonic frequencies on the highest pitches. An optical modulation key will transmit the slightest vibration for expressive modulations.
8 factory routings, 8 users routings: a modular architecture
16 routing presets enable to select different routing architectures between the sound parameters and the 7 controls available (ribbon pressure, ribbon position1 & 2, key, pedals 1 & 2, LFO) for 8 destinations (lo pitch, hi pitch, filter, VCA lo, VCA hi, filter mod1, filter mod2 and VCA). 8 presets are fixed and 8 are editable users presets configurable thru a free software. Users routing presets will be stored in the Persephone2 internal memory. This new section significantly increases the instrument control and modulation possibilities.
Compatibility with computer music environmentThe A/D conversion is made with Eowave ESS DSP. This process assures a 12 bits resolution (4096 values) conversion for an accurate musical gesture. It’s 100% MIDI compatible and uses USB full speed 12 Mb/s. This makes the Persephone2 compatible with all MIDI compatible softwares whilst the latency is reduced at less than 1,5ms.
A smart controller
With a complete I/O section featuring 4 CV out, 2 pedals in, MIDI in & out, audio out, USB (MIDI), the Persephone markII can be turned into a powerful and unique controller to control most of your analogue or digital synths.
The Domino Effect: Eowave Domino demo by Analogue Solutions
Published on Sep 7, 2012 B4Distribution·25 videos
Eowave Magma shuffle funktion
Published on Sep 6, 2012
Googlish below.
"MAGMA ist ein analoger Bassline Synthesizer, angelehnt an die klassischen Synthesizer aus den 1980er. Er bietet die Möglichkeit vier verschiedene Wellenformen zu mischen (Sägezahn, Rechteck, Sub und Rauschen). Das 24dB Tiefpassfilter folgt ebenfalls der Tradition der klassischen Synthies.
Neben dem typischen Sound der 1980er verfügt der Magma über moderne Bedienelemente und natürlich die Speichermöglichkeit der Einstellungen für den Synth und Sequencer.
Der 16-Step-Sequenzer besteht aus vier Reihen, eine für die Noten und drei für frei zuordenbare Parameter, die es ermöglichen, Sequenzen im Stil von Vince Clarke, Jan Hammer etc. zu kreieren. Des Weiteren besitzt der Magma ein sehr interessantes Feature, das von der modernen elektronischen Musik-Szene inspiriert wurde: Neben dem Globalen Swing ist es auch möglich, ein frei definierbares Shuffle pro Note einzustellen!"
Googlish:
"MAGMA ist ein analoger Bassline Synthesizer, angelehnt an die klassischen Synthesizer aus den 1980er. Er bietet die Möglichkeit vier verschiedene Wellenformen zu mischen (Sägezahn, Rechteck, Sub und Rauschen). Das 24dB Tiefpassfilter folgt ebenfalls der Tradition der klassischen Synthies.
Neben dem typischen Sound der 1980er verfügt der Magma über moderne Bedienelemente und natürlich die Speichermöglichkeit der Einstellungen für den Synth und Sequencer.
Der 16-Step-Sequenzer besteht aus vier Reihen, eine für die Noten und drei für frei zuordenbare Parameter, die es ermöglichen, Sequenzen im Stil von Vince Clarke, Jan Hammer etc. zu kreieren. Des Weiteren besitzt der Magma ein sehr interessantes Feature, das von der modernen elektronischen Musik-Szene inspiriert wurde: Neben dem Globalen Swing ist es auch möglich, ein frei definierbares Shuffle pro Note einzustellen!"
Googlish below.
"MAGMA ist ein analoger Bassline Synthesizer, angelehnt an die klassischen Synthesizer aus den 1980er. Er bietet die Möglichkeit vier verschiedene Wellenformen zu mischen (Sägezahn, Rechteck, Sub und Rauschen). Das 24dB Tiefpassfilter folgt ebenfalls der Tradition der klassischen Synthies.
Neben dem typischen Sound der 1980er verfügt der Magma über moderne Bedienelemente und natürlich die Speichermöglichkeit der Einstellungen für den Synth und Sequencer.
Der 16-Step-Sequenzer besteht aus vier Reihen, eine für die Noten und drei für frei zuordenbare Parameter, die es ermöglichen, Sequenzen im Stil von Vince Clarke, Jan Hammer etc. zu kreieren. Des Weiteren besitzt der Magma ein sehr interessantes Feature, das von der modernen elektronischen Musik-Szene inspiriert wurde: Neben dem Globalen Swing ist es auch möglich, ein frei definierbares Shuffle pro Note einzustellen!"
Googlish:
"MAGMA ist ein analoger Bassline Synthesizer, angelehnt an die klassischen Synthesizer aus den 1980er. Er bietet die Möglichkeit vier verschiedene Wellenformen zu mischen (Sägezahn, Rechteck, Sub und Rauschen). Das 24dB Tiefpassfilter folgt ebenfalls der Tradition der klassischen Synthies.
Neben dem typischen Sound der 1980er verfügt der Magma über moderne Bedienelemente und natürlich die Speichermöglichkeit der Einstellungen für den Synth und Sequencer.
Der 16-Step-Sequenzer besteht aus vier Reihen, eine für die Noten und drei für frei zuordenbare Parameter, die es ermöglichen, Sequenzen im Stil von Vince Clarke, Jan Hammer etc. zu kreieren. Des Weiteren besitzt der Magma ein sehr interessantes Feature, das von der modernen elektronischen Musik-Szene inspiriert wurde: Neben dem Globalen Swing ist es auch möglich, ein frei definierbares Shuffle pro Note einzustellen!"
New Eowave EQ-310 & EQ-311 Eurorack Sensor Signal Processor Modules
"Eowave is releasing the sensor modules EO-310 and EO-311 in 2-3 weeks. These modules enable to control any modular system with sensors of your choice! The list of available sensors is on www.eowave.com
Preorders are already opened!"
via Eowave on Facebook
These were featured at NAMM this year (see this post).
Roland Jupiter 4 Vintage Analogue Synthesizer
Akai S5000 Rackmount Sampler OS 2.12 128 MB RAM & Extras
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"128MB RAM, OS 2.12, ZIP DRIVE, CD DRIVE, USB Option"
via this auction
"128MB RAM, OS 2.12, ZIP DRIVE, CD DRIVE, USB Option"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
