MATRIXSYNTH

AIRA -- The evolution of the Roland TR-808 Rhythm Machine

Published on Jan 14, 2014 RolandChannel·828 videos

"Roland Engineers discuss the initial concept of the TR-808 which was conceived and built in 1980. Although it was designed to create 'backing tracks', creative musicians started to use the Rhythm Machine as an instrument and music changed forever. Now the evolution begins again."

Follow-up to this post.

Some discussion on The MATRIXSYNTH Lounge & the MATRIXYSNTH Facebook Page

Update: image, price and details of AIRA:

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New Roland FA-06 & FA-08 Music Workstations

Published on Jan 14, 2014 RolandChannel·828 videos

"Featuring a huge selection of Roland's best sounds, a 16-track sequencer, seamless DAW integration, an easy-to-use sampler, and much more, the new FA series completely reimagines the music workstation for effortless real-time power, ultra-fast workflow, and maximum versatility."

Description via Roland:

"Roland’s new FA series completely reimagines the music workstation, streamlining it for effortless real-time power, ultra-fast workflow, and maximum versatility. Ready to support any type of music you play, the FA-06 and FA-08 come packed with a massive sound collection inherited from the flagship INTEGRA-7, a ton of studio-quality effects, and expressive real-time controls, plus onboard sampling with zero load time for instant audio playback from the 16 backlit pads. The sequencer features simple operation and non-stop loop recording, letting you capture songs and ideas as they come and export them as multitrack data to use with your DAW. Flowing seamlessly into every part of your creative world, the FA series morphs instantly from standalone use to become the command center of your computer music studio, with USB audio/MIDI interfacing, powerful real-time controllers, DAW transport controls, and much more.

Reimagined music workstation designed to maximize your creative flow
Light, mobile body with 61-note velocity-sensitive keyboard (FA-06) or 88-note Ivory Feel-G Keyboard (FA-08)
Over 2000 sounds from the flagship INTEGRA-7 sound module, including SuperNATURAL synth and acoustic tones and drums; add even more tones via internal wave sound expansion slots
SuperNATURAL synth engine is fully compatible with the expansive collection of free INTEGRA-7 synth tones available from Roland’s Axial sound library site
16-track sequencer with non-stop loop recording makes it easy to build songs quickly; export your sequencer tracks to an SDHC card as a complete stereo mix, or as multitrack audio or MIDI data for use in your DAW
Onboard sampler based on the SP-404SX features 16 pads x 4 banks and direct recording/playback via SDHC cards
Polish your sounds with a multitude of studio-quality effects, including 16 independent MFX engines, six COMP+EQ processors for drums, unique TFX (total effects), and global EQ, chorus, and reverb
Tweak tones, effects, and external MIDI devices in real time with six user-assignable Sound Modify knobs
Intuitive, streamlined interface with large color LCD
Press one button to instantly configure the FA-06/FA-08 for use with your DAW via USB
D-Beam, Rhythm Pattern, Arpeggiator, and Chord Memory functions to expand your creative palette
Guitar/Mic and Line input jacks for performing, sampling, and DAW audio recording; dedicated input reverb provides ambience for performing/recording
USB ports for sound expansion data, updates, and audio/MIDI interfacing with a computer; MIDI communication with the iPad is possible when using Apple’s iPad Camera Connection Kit
No Work, All Play
Music workstations play an important role for keyboardists in a wide range of creative activities, from live performance to song development to production in the studio. However, they can often be complicated and difficult to use to their full potential, bogging down the creative process and inhibiting the flow of ideas. In developing the FA series, Roland has completely reimagined the music workstation to provide musicians an inspiring platform that’s extremely powerful and versatile, yet simple and intuitive at the same time. With a streamlined interface and focused, practical features that maximize your creative flow, the FA series allows you to experience newfound freedom to deeply explore and develop your musical ideas with less effort than ever before.

Perform and Record with a Massive Selection of Roland’s Very Best Sounds
The true measure of any music workstation lies with the quality and diversity of its sounds. Filled with over 2000 tones directly inherited from the INTEGRA-7, Roland’s flagship pro sound module, the FA series truly delivers in this area and then some. All of the INTEGRA-7’s SuperNATURAL synth and XV-5080 PCM tones are onboard, plus an essential collection of ultra-expressive SuperNATURAL acoustic tones that includes pianos, organs, drums, bass, strings, and more. The sound engine in the FA-06/FA-08 is fully compatible with the large, growing collection of INTEGRA-7 synth tones available as free downloads from Roland’s Axial sound library site, and it’s also possible to expand the onboard sound set with FA-series wave sound expansion collections.

Capture Ideas and Create Songs Without Interruption
Simple yet powerful, the intuitive 16-track sequencer in the FA series has been designed to let you capture your inspiration as it happens—recording is always just a simple button press away, ensuring that you’ll never lose an idea. In a flash, you can build a full arrangement with the workstation’s huge array of sounds, and with continuous recording in loop mode, you’re able to fill up all 16 tracks without ever stopping! In addition to real-time capture, step recording is also possible, and you have complete control to edit and mix your tracks as you go and save your song to an SDHC card as a stereo audio file. It’s also possible to export your tracks as individual WAV audio files and/or MIDI data for further development in your DAW, making the FA-06/FA-08 a powerful sketchpad for capturing initial sparks that will form the basis for your full-scale computer music productions.

Seamless Hardware Integration with Your DAW
In addition to standalone use as a performance instrument and composing workstation, the FA-06/FA-08 transitions into your computer-based music production world with ease. A simple press of the dedicated DAW Control button instantly sets up the workstation to communicate with your computer via USB*, letting you use the keyboard and knobs to send MIDI data to your DAW for playing software synths, controlling plug-in effects, and more. The FA series also includes control maps for popular DAWs, providing a quick and easy setup to control transport functions and more in your specific software. You can even use the FA-06/FA-08 as a USB audio interface to record a variety of different sources directly into your DAW, including a mic, guitar, or stereo line level device connected to the rear-panel input jacks, and you can capture the workstation’s internal sounds and sampler playback as well. Sound output is also supported, allowing you to monitor the DAW output through the stereo output and headphones jacks on the FA-06/FA-08.

* USB communication requires installation of the FA-series USB driver on your computer.

Instant-Access Performance Sampler Onboard
Based on Roland’s mega-popular SP-404SX, the sampler in the FA series features fun, fast, hands-on operation and sampling/playback via convenient SDHC cards. You can play audio samples directly from the 16 pads on the panel, making it easy to expand your performances with loops, backing tracks, one-shots, vocal phrases, sound FX, and more. Thanks to SDHC flash memory, your samples load instantly with no wait time, and you can use the four pad banks and clipboard function to rearrange your samples as needed for any performance. It’s super-easy to sample the workstation’s own sounds or external sources via the Mic/Guitar and Line inputs, and you can even play WAV, AIFF, or MP3 samples that you’ve transferred from your computer. A variety of editing features allow you to tweak your samples to taste, including quick adjustment of playback position and level. In addition to sample triggering, the pads can be used for numerous functions such as muting parts, entering numeric values in the display, and more.

Enhance Your Sounds with a Wide Range of Simultaneous Effects
With its large selection of pro effects, the FA series provides numerous options for polishing your sounds and sequencer tracks to studio-level perfection. Independent MFX engines are available for all 16 parts of a Studio Set, giving you an enormous level of sound shaping for both live playing and song mixing. Each MFX engine contains 67 different effects types to choose from, with an additional option of a vocoder when MFX are used with Part 1. Six separate COMP+EQ processors are dedicated for individual drum sounds, while global EQ, chorus, and reverb are on tap to add a finishing touch to any of your parts as needed. With the unique TFX (total effects), you also have the ability to process the entire output of the workstation with dramatic effects such as DJ FX Looper, Isolator, and many others. All the effects can be tweaked in real time via the Sound Modify knobs, making it simple to enhance your keyboard playing, sampling, and sequencer tracks with dynamic sonic textures.

Fast Workflow and Intuitive Real-Time Control
You can feel the speed of this new breed of instrument the moment you hit the power switch—unlike many workstations that can take a minute or more to boot, the FA series is ready to play in seconds. The panel is logically organized into dedicated sections, and the large color LCD presents a gorgeous look with inviting hi-res graphics for selecting tones, working with the sequencer, and adjusting various settings. It’s easy to navigate through the workstation’s large sound selection by category and assign favorites for fast recall, while dedicated buttons deliver instant access to often-used functions such as transpose, octave range, and many others. With six knobs and a powerful yet easy-to-use assignment matrix, the Sound Modify section lets you control a wide range of parameters in real time for maximum expression while performing live and working in the studio."

http://www.rolandconnect.com/product.php?p=fa-08

Updates:

Sonicstate Exclusive: Roland FA-06 preview

Published on Jan 15, 2014 sonicstate·594 videos

"Roland popped down a couple of days ago to give us the skinny on a new product which was released today. Taking the legacy of the Fantom workstations and combining the pallette of the sonically stuffed Integra-7 sound module, and performance chops from the recent Junos and Jupiters,plus a large colour display, the FA06 and FA08 (88 weighted keys) are Roland's new take on the keyboard workstation.
With 128 voice polyphony, 16 part sequencer (each with dedicated FX plus a total FX), it's got enough voices to handle some complex productions.
The all new (ground up design) sequencer integrates with the on-board sampler to create a flexible workflow as far as we can see."

Roland FA-08 Workstation First Look - Keyboard Magazine

Published on Jan 15, 2014 keyboardmag1·330 videos

"Dave Bryce checks out Roland's first new workstation since the Fantom-G, the FA series."

Roland FA-08 Workstation First Look 2 of 2

Published on Jan 15, 2014

3 synced drum machines (TR-77, KPR-77, CR-8000) with Evolver and Seiko DS-250

Published on Jan 14, 2014

"I modified the Roland TR-77V and built a circuit for the Dave Smith Instruments Evolver so that they can be clocked by trigger signals. More here: http://acreil.wordpress.com/2014/01/1... ‎

The Roland CR-8000 (hi-hat, handclap) is slaved to the Korg KPR-77 (bass, snare, hi-hat) via DIN sync. One KPR-77 trigger output clocks the TR-77 (miscellaneous patterns with spring reverb) in an irregular pattern, while the other is connected to the "register" input on the CR-8000 (switching between two different patterns). The CR-8000's accent trigger output clocks the Evolver (with Ibanez SDR-1000 reverb). I added two overdubs with the Seiko DS-250, processed by the SDR-1000 and Yamaha FX900. Recorded 2013."

zippering

Published on Jan 14, 2014 Ebotronix·915 videos

4ms Peg, QCD & Expander, RCD, VCA Matrix
Analogue Systems RS100²,RS110²²,RS 360²
Doepfer A114,A118, A134²², A143-2,A 149-1, A151²²,A156, 12x A185-2, A 138c
Flame Chord Machine²
flight of harmony choices
Make Noise PP, Maths², Moddemix²²,Optomix,QMMG,René, Wogglebug²
Malekko Anti Oscillator²² ,Uncle²
Moog Freqbox²²,B murf & CP251~ noise , MP201
SSL Modulation Orgy
Tip Top Audio Z8000 manual voltage source
Toppobrillo Quantimator²,Sportmodulator
Logic masterclock to Kenton Pro 2000² , QCD,Peg, RCD
FX :Boss VF1,Lexicon MX 400,PCM 80, Line6 echopro,TC M one XL
mackie the mixer³
Ultrabeat drums

"The Muse" for NI Massive

Published on Jan 14, 2014 VintageSynthPads·29 videos

"'The Muse' for NI Massive.
This is a showcase of some of the presets from, "The Muse", a collection of presets for Massive.
Although these presets cover a broad range including Bass, Pads, Leads, FX, Atmospheres, Keys. etc.
The Pads and Atmospheres dominate this collection and offer some outstandingly visual presets.
111 Presets are included in this collection available now from VintageSynthPads.com"

ARP 2600 2601 SN 0479

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Keyboard module is model 3620 ; serial number 0479.
The synth module is type 2601 ; serial number 0479.
Northern Michigan University 43803

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Metasonix TX1SE, TM6 & Frostwave Sonic Alienator Demos

Metasonix TX1SE TEST

Published on Jan 14, 2014 Brian Comnes·3 videos

Metasonix TM6 test

Published on Jan 14, 2014 Brian Comnes·3 videos

Sonic Alienator Test

Three demos via Brian Comnes.

Pittsburgh Modular Cell System 2 & 3

Published on Jan 14, 2014 AdamCobell1·2 videos

"I love pittsburgh modular."

Volca Sleaze Free Sample Library (Link Below in Description)

"Volca Sleaze is a 42 sound one-shot library featuring the Volca Keys analog synthesizer by Korg.

This machine has many great "key" sounds. As usual, our aim is to think "hmm… what if..."
We took the Volca and ran it through multiple analog filters, LFOs for texture, multiple gain-staging, and parallel ring modulation for a gritty spatial tone. To take it even further, we focused mainly on drum sounds. Yes, drum sounds. But, never fear there are filthy sound effects, bass, and keys too.

All sounds are offered in 16 and 24 bit resolution, 44.1kHz wave files.

If you would like to contribute to the hard work it took to make these samples, please visit our store at www.darksideofthetune.com and purchase one of the many sample libraries available.

Direct Link to Samples: drive.google.com/file/d/0BzLbZ1FM…edit?usp=sharing"

via Shawn Shirey on The MATRIXSYNTH Lounge

YAMAHA A4000 PRO SAMPLER

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

I almost posted this one on MATRIXSYNTH-B, but decided to do a quick search here on MATRIXSYNTH for A4000. Turns out there were only three other posts mentioning the A4000 in passing. That make this the first proper A4000 post on the site. The following are some details on this older sampler from the listing and I'm guessing the original product blurb:

"Features:

A New Breed of Sampler is Born

Ever since the introduction of sampling technology, virtually every rackmount sampler on the market has been just that — a sampler — and nothing more. Sure there have been advancements in sound quality and the addition of digital effects, but the basic concept has remained the same — UNTIL NOW. Announcing the arrival of the revolutionary A4000 — professional samplers with the power not only to create sounds, but to shape them in a way never before dreamed possible.

Impressive Specs

The A4000 have impressive specs for a sampling unit. Both models are expandable with up to 128 MB of RAM and can accommodate an Internal Hard Drive and Internal Zip® Drive simultaneously. The A4000 provides 16 Multitimbral Parts and 64 Notes of Polyphony. And for ultimate flexibility and convenience, these samplers are compatible with a wide range of sample formats, including AIFF and WAV among others, and are bundled with special Sample and Parameter Editing Software.

Not Merely 'Samplers'

The A4000 are not merely "samplers" — they are advanced synthesis tools that let you process samples creatively...and easily. The A4000 provide abundant features for versatile sound production: 16 Types of Ultra Fat Filters that deliver powerful resonance, 96 Types of Effects for creating never-before-heard sounds, a MIDI Syncable LFO with fully programmable waveforms, unprecedented Loop Divide/Remix and Resampling functions, Direct-to-CD Burning capability and much, much more! And with their Large LCD Panel, heavy-duty Real-time Control Knobs and Intuitive User Interface, these samplers are incredibly easy to operate, allowing you to give full concentration to creating your own unique sounds music.

Powerful Filter Section

The A4000 feature an elaborate filter stage, providing 16 different filter types with complete control over the parameters. Many filter types feature a Q (resonance) setting that can be controlled by keyboard velocity — great for creating expressive acid leads and basses. Along with the standard low-pass, high-pass and band pass filters, these samplers feature many unusual filters such as band eliminate, peak, and dip filters. Also included are several unique multi-mode filters, which let you assign two independent filters to a single sample; a low-pass and high-pass filter for example.

96 Outstanding Onboard Effects

The A4000 are not just high-quality samplers, they're also highly advanced digital multi-effect processors, exceeding the capability of many professional stand-alone effect processors. Each effect block can be assigned any one of the 96 onboard effect algorithms, which include a huge selection of reverbs, distortions, modulation effects and delays, as well as several truly unique effects such as Auto Synth, Tech Modulation, Digital Scratch and an extensively programmable Lo-Fi effect. Most effect types can be applied during the sampling process — combine this capability with the Resampling function and you'll have virtually endless effect processing power at your fingertips. You can even have the A4000 double as a high-end studio effects processor by assigning effects to the stereo analog inputs."