NAMM 2016 Roland A-01 with Scott Kirkland from Crystal Method

Published on Jan 21, 2016 Kraft Music

"Scott Kirkland from Crystal Method performs at the 2016 NAMM show for Roland US. Scott is using the A-01 controller/generator module, system 500 analog modular synth and other gear."

http://www.kraftmusic.com

NAMM 2016: Make Noise Tempi - 6 Channel Clock Manipulator

New video added to this post.

Particle frames - eurorack modularsynth live

Published on Jan 21, 2016 Kri Samadhi

Yamaha Officially Introduces the New Montage Synthesizer

MONTAGE Development Story

Published on Jan 21, 2016 yamahacorporation

Update: Two new videos from Kraft Music added under the press release below.

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Introducing the Tom Oberheim & Dave Smith OB-6 Polyphonic Analog Synthesizer

Uploaded on Jan 20, 2016 Dave Smith Instruments - "Tom Oberheim & Dave Smith Introduce the OB-6"

Update: new demo video from INHALT in via Soviet Space Child below!
Update2: DSI / Tom Oberheim - OB6 - live looping demonstration by Daniel Davis added below.

Awesome video! You'll find an audio demo at the bottom of this post. So, if you weren't sure NAMM had any big surprises coming, well here you go. A brand new six voice polyphonic Oberheim synth based on the original SEM's discrete VCOs and filters, complete with trademark blue pin strips, and a few extras. This is not a CEM based Oberheim. This is discrete analog with some modern capabilities. Think closer to the original Oberheim FVS and classic OB-X (CEM VCOs & VCFs came with the OB-Xa). A new Tom Oberheim six voice polysynth has arrived!

The following is the official press release:

"Tom Oberheim and Dave Smith Unveil OB-6 Analog Synthesizer

Legendary Poly Synth Creators Team Up on New Instrument with Discrete VCOs and Filters

Anaheim, CA—January 21, 2016—Dave Smith Instruments today announced the OB-6, a new 6-voice synthesizer with an all-analog signal path and discrete VCOs and filters developed in collaboration with Tom Oberheim. Boasting a sound engine inspired by Oberheim’s original SEM (the core of his acclaimed 4-voice and 8-voice synthesizers), the new instrument is designed to provide true, vintage SEM tone with the stability and exibility of modern technology.

Said Smith: 'Tom and I have been friends and friendly competitors since the late 1970’s. Back in the day, people were typically in either the Prophet or the Oberheim camp. Now, with the Prophet-6 out and doing so well, we thought it would be fun to combine our strengths and bring back Tom’s classic polyphonic sound, too — in a modern format.' Added Oberheim: 'A lot of people, myself included, have always felt that the SEMs had a certain uniquely big, organic sound unlike anything else. Working with Dave to make that sound widely available again with some modern touches and full programmability has been real a pleasure.'

The OB-6 features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice, with continuously variable waveshapes (sawtooth and variable-width pulse, with triangle on oscillator 2). There is a classic SEM- inspired state-variable lter (low-pass, high-pass, band-pass, and notch) per voice. Voltage-controlled ampli ers complete the all-analog signal path. 'The classic, bold SEM sound is all there,' said Oberheim.

Present also is X-Mod, with lter envelope and oscillator 2 as modulation sources (with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, lter cutoff, and lter mode. The knob-per-function front panel puts virtually all parameters at a user’s ngertips. Toggling on the Manual switch enables live panel mode, in which the OB-6 switches to the current settings of its knobs and switches.

A dual effects section provides studio-quality reverbs, delays (including standard and BBD), chorus, and faithful recreations of Tom Oberheim’s acclaimed phase shifter and ring modulator. The effects are digital, with 24-bit, 48 kHz resolution, but a true bypass maintains a full analog signal path. Additionally, the OB-6 features a multimode arpeggiator and a polyphonic step sequencer with up to 64 steps (and up to 6 notes per step) plus rests. It allows polyphonic keyboard input and can sync to external MIDI clock.

The full-size, four-octave, semi-weighted keyboard is velocity and aftertouch sensitive. Said Dave Smith, 'As with the Prophet-6, we made size a primary concern on the OB-6. It’s the right mix of power and portability and it ts right in on-stage or in the studio.' Added Oberheim, 'And of course, it’s got that unmistakable SEM sound that’s going to turn a lot of heads. '

The OB-6 is manufactured and sold by Dave Smith Instruments. It will be available in March, with a projected MAP of $2,999."



Update: new demo from INHALT in via Soviet Space Child.

Oberheim Dave Smith OB 6 Demo by INHALT

Published on Jan 21, 2016 INHALTVIDEO

This sounds like an Oberheim.

"As long time users of the Oberheim OB8 and 2 Voice (take a listen to our "Occupations" EP as both are on it all over the place) we were pleasantly surprised when Dave Smith Instruments showed us their new analog workhorse and collaboration with the inimitable Tom Oberheim— the OB6. The allure for the Oberheim polyphonic sound, for us, has always been it's unique melancholic tone colour. No matter what kind of sounds are programmed, Oberheim's tend to have this wonderful midnight music vibe, like driving in a car late at night circa 1983. We're pleased to report that the OB6 captures this sound quality effortlessly and in spades.

Our approach to the design of the factory bank patches we submitted (most of which you hear in the demo) was rather simple: we made the same kinds of sounds we would program on our Oberheims, and barring a couple, largely ones we would find useful in a production context. Though we don't typically record synthesizers with FX printed on the same track, the FX engine is so wonderful sounding on the OB6, and highly controllable, that it made us reconsider. In short, the FX engine is no slouch, and for the many decades spent dismissing the on board FX of most 'modern' synths, this is the first time that we've heard an FX engine exude the same quality as the top end hardware units from Lexicon, Eventide, or AMS that we tend to use in the production process.

Everything you hear on the demo was done entirely on the OB6. Absolutely NO additional FX or sequencers were used. We simply ran the stereo output from the OB6 into a DI and a stereo mic pre amp directly into Pro Tools HD and tracked it in."

DSI / Tom Oberheim - OB6 - live looping demonstration

Published on Jan 21, 2016 Daniel Davis

"DSI / Tom Oberheim - OB6 - live looping demonstration

Live looping demonstration of the new OB6 analog synthesizer. Only used the OB6 and Pigtronix Infinity looper."

I own an OB-Xa and the two videos above nail the sound and then some.

Update2:

NAMM2016 Introducing the New Dave Smith OB 6 Desktop Synth

Published on Jan 21, 2016 Analogue Zone Showroom / Synths and Studio

"Introducing the New Dave Smith OB 6 Desktop Synth
@dsiSequential

Available soon from
http://www.analoguezone.com/"

NAMM2016: Dave Smith Instruments OB6

Published on Jan 21, 2016 sonicstate

"NAMM2016: Dave Smith Instruments OB6 Dave Smith shows us the new OB6"

DSI / Tom Oberheim - OB6 - Patch Demonstration

Published on Jan 21, 2016 Daniel Davis

"DSI / Tom Oberheim - OB6 - Patch Demonstration

Some patches I made on the new OB-6.

All effects are from the OB-6. No post processing or production."

[NAMM] Dave Smith Instruments OB-6 NAMM Floor Video with Dave Smith & Tom Oberheim

Published on Jan 21, 2016 Audiofanzine in English

"Here's a presentation of Dave Smith Instruments and Tom Oberheim's OB-6 at the NAMM Show 2016."

NAMM 2016 Dave Smith Instruments OB-6

Published on Jan 22, 2016 Kraft Music

"Great deals on Dave Smith Instruments at Kraft Music:
http://www.kraftmusic.com/brands/dave...

Mark from Dave Smith Instruments presents the OB-6 at the 2016 Winter NAMM Show."

Dave Smith OB 6

Published on Jan 21, 2016 musicianews

"Dave Smith and Tom Oberheim team up to create a fantastic sounding new instrument. OB-6 has arrived. Check out the video."

Tom Oberheim OB 6 SEM

Published on Jan 21, 2016 musicianews

"Wow great to see Tom Oberheim and his take on the OB-6, Eurorack SEM and the world of Analog design in the 21st Century!"

New Eurorack Case From Bluelantern

Bluelantern has introduced a new 12U eurorack case. The following are pics and the specs.

Product Specs for Metal 12U Booty Case.

Dimensions: 19.5" Height, 16.5" Depth, 17.5" Wide
Power ratings: 2.4A +12v,2.4A -12v, 1.5A 5V
Power Supply Type: DC-DC converters. There are 3 total. Two of them are each rated 1.2A. 5v voltage is using a modern LDO part.

HP WIDTH: 84hp
12U height.
10 spaces per power buss. 4 Power Buss Strips.

Threaded Strip Provided, M2.5 type screw for mounting your modules is used.

This has an on board RGB LED Strip with special BLM 4hp Controller Module. This uses a separate 12v DC wall adapter and not part of the Module Power System.

The RGB Controller has a rgb fading mode, strobe mode, and fade selected color mode. You can control the speed of the fade.

When you push the 'Color" button the lighting is static and you choose your color of choice. The Speed/Brite button will toggle briteness of the color.

The RGB Controller has memory so on power down it will remember your last used settings. For example if you leave it on CYAN color, it will remain CYAN on powering off and turning it on again.

The sale includes the power supplies and buss strips. You supply the modules, and M2.5 screws.

Price $750.00"

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Announcing MIDI Designer Pro 2 and MIDI Designer Player

Published on Jan 20, 2016 MIDIDesigner

"Announcing MIDI Designer Pro 2, just in time for NAMM 2016. MIDI Designer Pro 2 is a beautiful, fully-customizable and performance-oriented MIDI controller platform for iPad (optimized for iPad Pro) and iPhone.

MIDI Designer Pro took the music-making world by storm, and Pro 2 is set to do it all over again!

We're also announcing MIDI Designer Player, a first-class, lowest-latency MIDI controller player.

Dream, create and play your perfect MIDI controller with award winning MIDI Designer: adored by Recording Magazine (July 2013), loved by Sound on Sound (June 2013), featured in Keyboard (May 2013), and awarded Sonic Touch Gold Award for Best App (Episode 11). Trusted on stage by touring acts like Todd Rundgren, POSTYR and Electroband. Used in studios to control all gear from vintage to cutting-edge, MIDI Designer has been lauded by UK's House DJ, Shadowchild. Used in theaters, VJ and DJ booths all around the world, MIDI Designer is also the platform for community- and professionally-sourced layouts for top-flight gear, including synths by Korg, Roland and Yamaha. If you can dream it, you can create it in MIDI Designer.

Thanks to Popup, Planeshifter, and Ibo-Kai for your layouts in this video (please let us know if you've been omitted).

Music by Superfly: www.soundcloud.com/superflymusic and mastered by Mike ("User #1")"

NAMM 2016 Waldorf New Modules

Sonic State video added to this post.

NAMM 2016: Make Noise System Cartesian

Published on Jan 21, 2016 sonicstate

"NAMM 2016: Make Noise System Cartesian A new 104HP 3u system to demonstrate the power of a small system"

See the Make Noise overview video here.

Arturia Introduces the MatrixBrute Analog Synthesizer

Arturia presents MatrixBrute, analog avant-garde

Uploaded on Jan 21, 2016 Arturia Web

"MatrixBrute is arguably the most powerful analog monophonic synthesizer ever ! As flexible as a modular system but offering presets, MatrixBrute is a dream machine for everyone interested in creating a sound palette of their own."

"Arturia ushers in analogue avant-garde era with massive-sounding MatrixBrute Analog Synthesizer

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to introduce its innovative MatrixBrute Analog Synthesizer — set to reset the benchmark by going down in history as arguably the most powerful analogue synthesizer ever created — at The NAMM Show 2016, January 21-24 in Anaheim, California, USA...

When was the last time your heart started racing at the thought of making music? How long has it been since you heard sounds that were entirely new? When did you last find an instrument that truly inspired you? Arturia actively posed such challenging questions to itself when readily rising to the challenge of designing the MatrixBrute Analog Synthesizer. So here’s the answer: an astonishing programmable monophonic/duophonic analogue synthesizer set to start your heart racing and serve up entirely new sounds as a truly inspirational instrument... meet MatrixBrute Analog Synthesizer! As a massive-sounding and highly-specified beast of analogue avant-garde-era synth technology, it is fit for reaching the outer limits of truly 21st Century sonic exploration, thanks to the trademark sound of its three ‘Brute’ oscillators, superb-sounding Steiner-Parker and ladder filters, three ultra-fast envelope generators, amazing analogue effects, and — the pièce de résistance — its incredible modulation matrix. Modular... without the painful patching practice of going modular, in other words!

What makes the massive-sounding MatrixBrute Analog Synthesizer so state-of-the-art, then? Matrix by name, matrix by nature, that namesake modulation matrix is at the heart of MatrixBrute, making the most of each ‘module’ through a matrix that offers thousands of potential modulation routings. Assign any of 16 modulation sources to any of 16 modulation destinations (in MOD mode) and set the amounts of each modulation routing using the dedicated data encoder; four such destinations are user programmable and can clearly be seen in the eye-catching E Ink (Electronic Ink) display. Don’t be afraid to invent a sound palette of your own and make your musical mark!

That multifaceted matrix also allows presets to be recalled quite literally at the touch of a (dedicated) button (in PRESET mode). Go grab one of the 256 pioneering, pre-programmed professional presets or recall one of your own original sound creations... instantly! Indeed, MatrixBrute packs the power of a modular synth system with an all-important ability to save each patch. No need to worry about recording a sound straight away for fear of losing it forever!

Furthermore, the matrix can also be pressed into action as an awesome 64-step sequencer with separate STEP, ACCENT, SLIDE, and MODULATION options (in SEQ mode). Make musical moves directly on your analogue synthesizer. Sounds can evolve in melody and texture... exactly the way you want them to!

To help maintain a 100% analogue signal path, MatrixBrute also adds true ANALOG EFFECTS to its stereo output — choose from chorus, delay, and flanger with five operational modes... and, yes, any ANALOG EFFECTS controls can be set as modulation destinations in the matrix! When was the last time you worked with analogue effects and a great arpeggiator? Ask no more. MatrixBrute has got you well and truly covered. Multiple modes of both the Arpeggiator and Sequencer allow almost unlimited musical ideas to quickly and easily flow forth for instant inspiration!

It’s a given that any analogue synthesizer only sounds as good as its VCFs (Voltage-Controlled Filters) and VCOs (Voltage-Controlled Oscillators). The MatrixBrute Analog Synthesizer sounds superb, markedly making the most of its four-mode STEINER FILTER (upgraded to support both 12dB/oct and 24dB/ oct slopes alongside a dedicated Drive control for creating thicker sounds) and three-mode LADDER FILTER (known for creating punchy bass and fat lead sounds with 12dB/oct and 24dB/oct slopes alongside another dedicated Drive control). The three VCOs are each equipped with a sub-oscillator as well as Saw, Pulse, and Triangle waveforms with the unique wave-shapers that are the trademark of the beloved ‘Brute’ sound of the MatrixBrute Analog Synthesizer’s smaller siblings, the award-winning and amazingly compact and bijou MiniBrute and MicroBrute monosynths (both boasting MIDI, USB, and CV connectivity together with a host of unique features). But by pairing a 49-note (full-size) keyboard (featuring both velocity-sensitivity and aftertouch for a musical feel with plenty of expression) with a beautifully-designed, solid chassis (featuring a helpfully-hinged, hands-on capacious control panel), the road-ready MatrixBrute Analog Synthesizer is both bigger and better, boasting more connections than an airport... well, almost!

As such, you can comfortably work with any setup — cue control voltage interfacing in abundance (12 CV inputs and 12 CV outputs to interface with any standard 1V/oct modular gear); AUDIO IN (line and instrument levels allow for adding an external oscillator from a favourite modular synth or processing a guitar or other instrument through the filters, VCA, and analogue effects); GATE In and Out (to trigger external gear or trigger the internal envelopes remotely); SYNC In and Out (to synchronise the internal sequencer and arpeggiator with external devices); standard MIDI In, Out, and Thru (to connect to both modern and vintage gear alike); USB I/O (to interface to a computer-based DAW directly and also use the free editor/librarian software); and PEDALS (Expression 1, Expression 2, and Sustain inputs to provide realtime control) — not forgetting, of course, MASTER OUT (stereo master outputs on 1/4-inch jacks).

As a phenomenal source of inspiration and a truly empowering instrument, MatrixBrute is easy to understand. Forget drop-down menus and dual- function controls. Forget connectivity issues. Forget imitations. This is you in control. This is you inventing sounds. This is analogue avant-garde!

The MatrixBrute Analog Synthesizer will be being showcased on Arturia’s booth (#6920) in Hall A at The NAMM Show 2016, January 21-24 in Anaheim, California. Come check it out!

The MatrixBrute Analog Synthesizer is expected to ship in Spring 2016 when it will be available to buy directly from Arturia online or through the company’s global network of dealers and retailers.

For more detailed information, please visit the MatrixBrute Analog Synthesizer product webpage here:
http://www.arturia.com/products/matrixbrute"

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