MATRIXSYNTH


Monday, April 01, 2019

Soundtronics MIDI Ultimate DIY Analogue Synth Based on the MFOS Sound Lab Ultimate


Published on Jan 8, 2019 Soundtronics Ltd

Related posts:
2018: Who are Soundtronics? 5U Modular with MFOS Yusynth & more // Synthfest 2018
2016: Soundtronics to Partner with MFOS on Bringing Synth DIY to the Masses & Other Formats

Video description for the above:
"In January 2019, the UK electronics magazine EPE published the first of 6 articles written by Paul Cooper of Soundtronics Ltd on how to build the MIDI Ultimate. The MIDI Ultimate is an analogue synth based on the MFOS Soundlab Ultimate. The soundtrack was produced entirely on the MIDI Ultimate using overdubbing and the Reaper DAW software. Whilst it is not that close to the original Stranger Things theme, a studio full of classic 80's synths was not going to be replaced by one 'home made' synth but it was fun to try!"

Midi Ultimate DIY Synth Demo 2

Published on Feb 24, 2019 Soundtronics Ltd

"At the time of publishing this video, 2 of the 6 installments of the build guide for the MIDI Ultimate synth have been publish in the EPE magazine. So why you are busy with your soldering iron, here is another taster of a track from the 80's using only the synth and the Reaper DAW software for recording the individual sound layers."

MIDI Ultimate Patch 1 - Pulsing Filter

Published on Mar 11, 2019

"We have named this patch the Pulsing Filter and this recording was done in one take using only the MIDI Ultimate and a MIDI keyboard for the key changes. The patch is based on three VCOs tuned to sub octave and sub sub octave. Their square wave outputs feed into the VCF, the VCA is bypassed and onto the echo effects section. The VCF has both LFO and ADSR modulation for the cut-off frequency. The LFO rate is very slow and gives the underlying cyclic sound. The ADSR is triggered from two sources, the sample and hold clock to give the main beat and also from the MIDI keyboard to give emphasis to note changes. During the course of the track, echo is added, then white noise and then lots of filter resonance."


via Soundtronics

"The MIDI Ultimate project is a fully-featured analogue synth with a performance comparable to many commercially available instruments. The MIDI Ultimate is an evolution of the musicfromouterspace.com (MFOS) Sound Lab Ultimate design by the late Ray Wilson who is credited for much of the design which has been reproduced with kind permission of Synthcube.com in the US.

This project will appeal to both those whose primary interest is in electronics and those whose interest is purely making music. This is quite a large build to take on with nearly 700 components (fig 1) and may initially be seen as rather daunting. However, the construction is covered in 6 issues of the EPE magazine with cover dates from February 2019 to July 2019. With care and with our detailed constructional articles, it is quite achievable. The two essential skills needed to undertake this construction are soldering and component identification. If these are new to you then numerous guides and videos can be found online. If you are a first timer or relatively inexperienced in electronics, practice your soldering before starting on this synth. Whilst the component count is high, the PCB is assembled systematically with each individual section tested before moving onto the next.

Synth Features
Three Musically Accurate Voltage Controller Oscillators (VCOs) with sawtooth and variable width pulse wave forms, pulse width modulation, hard-sync, log CV inputs.
Voltage Controlled Low Pass Filter (VCF) 12db/Oct doubles as a sine wave oscillator
Voltage Controlled Amplifier (VCA)with log response
White Noise Generator
Active 8 Channel Mixer for all VCO waveforms, noise and external input
Two Attack, Decay, Sustain & Release Envelope Generators (ADSR)
Two Low Frequency Oscillators (LFO) with square, ramp, triangle and sawtooth waveforms
Repeat Gate Generator that can also double as another square wave LFO)
Sample & Hold (S&H) with variable sample rate and glide
Toggle Switch Patching with potentiometer mixing
Echo Effect Sound Processor
MIDI to CV Interface with 1-16 channel selector switch, responds to all 128 MIDI note keys
Headphones and Line output
Integral +/- 12Vdc Power supply Regulator (needs external 12Vac 500mA plug top adaptor)
DIY Construction with through hole components
Single board design with PCB mounted pots and switches eliminates panel wiring"

Noise Engineering New Modules At SYNTHPLEX 2019


Published on Apr 1, 2019 Perfect Circuit

"Noise Engineering showed us some of their new modules at SynthPlex 2019. This patch uses the Vox Digitalis as a sequencer, Cursus Iteritas Percido as the voice, Sinc Bucina low pass gate and Kith Ruina distortion. Noise Engineering also let us know that all of their modules will start coming with black panels.

Noise Engineering available here: https://www.perfectcircuit.com/noise-..."

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Supporters of MATRIXSYNTH get %10 off at Perfect Circuit!

1010 Music Blackbox Desktop Sampling Workstation SYNTHPLEX 2019


Published on Apr 1, 2019 Perfect Circuit

"1010 Music showed off their tiny and powerful Blackbox. The Blackbox is a sample based sequencer workstation with a touch screen with audio inputs and multiple audio outputs. It also features midi in/out and DC coupled audio so it is capable of recording and sending out CV.

1010 products available here: https://www.perfectcircuit.com/1010-m..."

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Supporters of MATRIXSYNTH get %10 off at Perfect Circuit!

WMD Crucible Metallic Percussion Eurorack Module SYNTHPLEX 2019


Published on Apr 1, 2019 Perfect Circuit

"WMD showed the Crucible at SynthPlex 2019, the next module in their lineup of drum modules. The Crucible is a metallic percussion synthesizer which uses physical modeling synthesis techniques with delay lines and filters. The Crucible is designed to produce cymbal and gong sounds, but you can get other interesting sounds out of it as well.

Crucible available here: https://www.perfectcircuit.com/wmd-cr..."

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Supporters of MATRIXSYNTH get %10 off at Perfect Circuit!

MAM Warp9 Resonant Filter

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Very Rare MAM Warp 9 FIlter with power supply and original manual. MIDI controlled. Excellent condition from home nonsmoking studio.

The Warp 9 from German Co. MAM (Music And More) is an analog multi-mode filter for processing external mono audio. Its filter is based on that of the classic EDP Wasp from 1978, utilizing a 12dB/oct (2-pole) resonant filter with switchable lowpass, highpass, bandpass, and notch modes. There is a built-in ADSR envelope with Delay and an LFO with 9 waveforms for modulating the filter's effect. The LFO can also be MIDI clock synced for tempo matched modulation of the filter's cutoff, resonance, etc. Other common analog filter effects such as Distortion, Velocity and Key tracking are also on-board. The LFO and VCA alone can lead to some creative modulated filter effects! The Warp 9 has full MIDI implementation which can send/receive all of its parameters.

THE BEST PART? 32 PRESETS YOU CAN STORE FOR RECALL?

Three ways to trigger the filter, audio input level, MIDI note on, or thru separate audio in. The MIDI trigger allows you to do very complex filter patterns.

See the photos from the manual which shows some of the complex LFOs you can get to make the filter dance...."

Jean- Philippe RYKIEL " Learycs " Live SynthFest France 2018


Published on Apr 1, 2019 Olivier Briand

"Un grand moment de musique avec Maître Rykiel au SynthFest France 2018, un grand MERCI pour ce musicien hors du commun.
Toujours avec ce fameux Yamaha CS01 et son BC01, et cette expression qui rends ce synthé quasi acoustique."

Oberheim OBXa deep examination


Published on Apr 1, 2019 synthlegends

Update: it appears this one was pulled. You can find a new demo here, and more here.

"Demo with more insight of the OBXa. First of all I present some typical sounds, espacially great strings, pads, bass sounds and soft leads. After that you can hear some combination sounds in the Dual Mode. Later on you can listen and see how I am tweaking this beast, most in Dual Mode. I always used on both channels Boss Chorus Pedals and at most sounds the Strymon Big Sky reverb with different settings."

Yamaha DX7 Custom Patch Tutorial 23 | MF Pad


Published on Apr 1, 2019 madFame

"This custom patch series is the quickest and easiest way to learn how to program your DX7 FM synthesizer.

madFame's DX7 Custom Patches are compatible with most FM synths including DEXED, Arturia DX7 V, Volca FM etc.

I upload 2-3 new videos every month. Be sure to LIKE and SUBSCRIBE and hit the BELL ICON so you know when I've uploaded a new content.

To support the channel further check out my Patreon page: https://www.patreon.com/madfame
All $2 or more Patrons can download my Custom Patch SYSEX files

Some of the music used in my videos is available on the Magic & Steel bandcamp page:
https://magicandsteel.bandcamp.com

Thanks for watching!"

John Cage - 4'33'' on Moog Sub 37


Published on Apr 1, 2019 Luca Di Gennaro

"Split screen cover of 4'33'' by John Cage just with a Moog Sub 37!

Keyboard: Moog Sub 37"

And the maestro himself:

John Cage performs "4:33"

Published on Dec 2, 2008 Eugène Zassadko


And an image of John Case with a Roland System 700 modular system via momento by diptyque paris

"John Cage (1912-1992) en 1978 (photo©Corinto Marianelli)"

Gecho v2 Prototype and Korg Volca FM


Published on Apr 1, 2019 Gecho Loopsynth

"The v2 prototype is working very well so far, here the MIDI Out functionality is being tested with Korg Volca, also Line-in and Line-out connectors are actively used. All is recorded via USB sound card directly from Gecho and presented in raw form. You can find more info here: http://gechologic.com/new-batch-updat..."


"The final Gecho v2 prototype
Since the previous update about v2 that was posted in August last year, it took 3 more revisions to get here. Although the first prototype of Gecho v2 has been completed, blueprints verified by our skilled hobbyists friends who soldered their own prototypes, and it even passed CE/FCC testing with flying colours, and we could go ahead with the production - it was just not good enough - it needed a small upgrade. And, things tend to turn more complicated than they appear :)

Thanks to everyone for encouraging comments, questions and feedback during the past few months, it has been very helpful and contributed a lot to shaping the new model.

While working on Glo (the whale synth), I came to realize that sticking to STM32 platform looks nice in short-term; in theory, only small modifications are needed to port the firmware over. But there was a risk that when implementing the new features you are waiting for, like MIDI and sync modes, it would be needed to trade off something on the sound side (e.g. level of polyphony) to get the extra power for the additional processing required.

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