MATRIXSYNTH

Mutable Instruments' Braids - Synthesis Models Series #32

Published on Jul 18, 2019 Omri Cohen

"Another noise model, this time with a nice crunchy sound. I've used the new sequencer from Count Modula, which is quite nice, and also Clouds for some texture, and Chronoblob2 for some movement.

If you like what I do and want to support my work, consider joining my crew on Patreon - https://www.patreon.com/omricohen

Here is the patch - https://patchstorage.com/mutable-inst..."

Turing machine beat

Published on Jul 18, 2019 ljs8888

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https://www.thonk.co.uk/product-category/mtfk/?=m

𝐑𝐀𝐕𝐄𝐍 x Dual ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝙿𝚘𝚠𝚎𝚛 / 𝙼𝙸𝙳𝙸

Published on Jul 17, 2019 birdkids

𝐑𝐀𝐕𝐄𝐍 is controlled by two ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝙿𝚘𝚠𝚎𝚛 / 𝙼𝙸𝙳𝙸 modules.
Ableton LIVE's internal MIDI Envelope is mapped to CC1 = Modulation.
ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝙿𝚘𝚠𝚎𝚛 / 𝙼𝙸𝙳𝙸 converts the MIDI data to CV (0-5V) which in turn are used as envelopes for #RAVEN (VCF linear and VCA linear).

All software parameters are mapped to a simple old-school MIDI controller.
ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝚅𝙲𝙵 is used as a modulator in self-resonance (to 𝐑𝐀𝐕𝐄𝐍 fm)
ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝚅𝙲𝙾 is routed through ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝙼𝚒𝚡𝚎𝚛 / 𝙽𝚘𝚒𝚜𝚎 and the mix is output to the ᵀʰᵉ𝗕𝗮𝘁𝗲𝗹𝗲𝘂𝗿 𝚅𝙲𝙰.

🐥🐣🐤

Spitfire Audio Announces Availability of New ORBIS Library - One-of-a-Kind Synthesizer

Walkthrough: Orbis Uploaded on Jul 16, 2019 Spitfire Audio

"Paul takes us through the new Orbis library- a one-of-a-kind synthesizer born out of rare recordings from around the globe, presented in Spitfire's sophisticated eDNA Engine."

Official press release follows:

Spitfire Audio announces availability of ORBIS plug-in presented in eDNA engine as a horizon-expanding ‘world synth’

“Great film music often blends sounds from different cultures to create a rich tapestry; ORBIS lets you infuse your music with DNA from around the world — from incredibly useful, original recordings through to beautifully evolving textures.”
- Paul Thompson, composer and Spitfire Audio co-founder

LONDON, UK: Spitfire Audio is proud to announce availability of ORBIS — offered as a horizon-expanding ‘world synthesizer’ standalone plug-in, presented in the sound-specialising British music technology company’s sophisticated eDNA engine, enabling exceedingly creative access to 2,500 extraordinary sounds born out of organic performances treated and transported to new dimensions, designed for progressively-minded composers as a gargantuan creative compendium comprising distorted loops to evolving textures and visceral one-shots, subsonic low-end to ethereal pads, perfect for producing rich-sounding, panoramic scores from nature documentaries to sci-fi movies — as of July 18…

Sometimes a score needs more than an orchestra. ORBIS reimagines the work of David Fanshawe (1942-2010), an English composer, sound explorer, and ethnomusicologist who travelled the globe to gather an archive of approximately 2,000 hours of music, documented for posterity at a time of great change. “The present is almost history; every day is worth recording.” So stated the man himself.

However, ORBIS itself is so much more than a collection of organic field recordings; rather it includes 90% treated content, with over 200 presets, plus loops, textures, one-shots, and pads created by Spitfire Audio’s accomplished team of engineers in its own journey of sonic discovery, distilled — alongside clean recordings, rich in history, character, and emotion — in the sound-specialising British music technology company’s sophisticated eDNA engine to provide users with virtually endless parameters and possibilities for enhancing their own scores with the DNA of countless cultures from across the globe.

Enduring and enthralling, David Fanshawe’s rarefied recordings have already made themselves heard in scores to major movies such as 1997’s Seven Years In Tibet (John Williams) and 2002’s Gangs Of New York (Howard Shore); now they are ready and able to empower anyone’s scoring sensibilities as an essential resource for producers, composers, or sound designers intent on seeking out new sounds — or even civilisations! After all, sounds are the fabric from which music is weaved.

With that thought in mind, maybe it was inevitable that Spitfire Audio would creatively cross paths with the David Fanshawe World Music Archive. As such, ORBIS was effectively conceived back in January 2015, when widow Jane Fanshawe introduced Spitfire Audio co-founder and composer Paul Thomson to the global sonic explorer’s namesake legacy. “Listening to these extraordinarily vivid recordings is like looking through a window into a different time and place,” pronounces the clearly captivated listener.

Literally placing them into a different time and space, Spitfire Audio subsequently handpicked thousands of extraordinary sounds from those extraordinarily vivid recordings, really resulting in a so-called ‘world synthesizer’ since ORBIS users are able to delve deeper into some of the most rare and distinctive sounds and loops on the planet, rich in history, character, and emotion encompassing a range of cultures and communities, many of which no longer exist; enhancing every sound still further with ORBIS’ own exploratory eDNA is inevitable.

Imagine the eDNA engine as a set of two turntables alongside a highly-sophisticated DJ mixer. It includes two sound bays — A and B, each designed to create differing sonic treatments, with individual and independent modulators and control of TRIM, BEND, GLIDE, CLONE, TUNE, ADSR (envelope), HI-PASS (filter), LO- PASS (filter), and WOBBLE (modulating VOLUME, PITCH, and FILTER). Furthermore, the GATE SEQUENCER allows for independent gating of those two bays and unified control of amount, speed, and LENGTH of sequence. These two signals are then unified with an x-fader; move between the sounds with the mouse or the factory default-assigned modulation wheel. Elsewhere, eDNA’s five-stage FX (effects) path contains 41 custom plug-ins, including preloaded bespoke IRs (Impulse Responses). The BAY A FX and BAY B FX stages affect sound bay A or B, while an AUX FX stage can be sent via the layers or MASTER FX stage.

Obviously ORBIS easily enables sonic journeying of its own doing. Discover hundreds of presets treated in various ways, with Spitfire Audio’s acclaimed sampling expertise and technology twisting and turning every sound through 3,000 lines of code! Some sound subtly manipulated while others are heavily processed, unrecognisable from their original source material.

Musically-speaking, ORBIS travels far — from playable one-shots and short phrases to tuned and untuned rhythmic loops and recordings up to a minute long. Ultimately, unearthing sounds with subtle movement, complexity, and evolution is an ear-opening experience. Throbbing basses and pulsing loops, ideal for dance music; thunderous drones, subsonic low-end and visceral, tortured drum hits, for adding movement and depth; Blade Runner-style synths, made from antelope horns; and ethereal pads and breathtakingly beautiful evolving textures, for three-dimensional cinematic soundscapes... the very nature of ORBIS’ design takes its users to new levels of sonic exploration and adventure. A lifetime of inspiration as an essential resource awaits anyone creatively climbing aboard.

As to the finished product’s potency, Paul Thomson is clearly qualified to comment, enthusiastically ending on a high note: “This is a really rich tapestry of sounds; it’s almost like a new kind of ‘world synth’ which goes from the raw sounds that are incredibly useful all the way through to beautiful, undulating, evolving textures made from these incredible organic recordings.”

ORBIS can be purchased and digitally downloaded as an AAX-, AU-, and VST-compatible plug-in that loads directly into a DAW (Digital Audio Workstation) for a time-limited introductory promo price of £229.00 GBP (inc. VAT)/$269.00 USD/€269.00 EUR (inc. VAT) until August 1, 2019 — rising thereafter to an RRP of £299.00 GBP (inc. VAT)/$349.00 USD/€349.00 EUR (inc. VAT) — from here: https://www.spitfireaudio.com/shop/a-z/orbis/"

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Moog Taurus 1 Pedals

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Record Deckstruction by Psychiceyeclix

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Published on Jul 18, 2019 psychiceyeclix

"Circuit bent toy tiny record deck with Rock, Funk & Jazz 2 1/2 inch records to spin into evil vinyl demons!!!"

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"Circuit bent by Psychiceyeclix - Spin some 2 1/2 inch records into the dirtiest scratched up noisy vinyl!!!
Comes with 3 records to mangle - Jazz, Funk & Rock.
Play the records by spinning them or use the 3 push buttons, you can also make beats by rapid firing them
Use the 2 knobs to add distortion & pitch bend to the sound, use the LDR with a light to modulate the sound.

Mods -
Coarse Pitch/glitch control
Fine Pitch/glitch control
LDR sensor
LDR on switch
3 x style push buttons
Jack out
Internal speaker still connected"

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Black Corporation Kijimi SN 1216

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Oberheim TVS-Pro SN 0043

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"Oberheim TVS-pro. White version. Analog heaven in a box. Produced in 2017. A beautiful and rare example of Tom Oberheim’s fantastic two voice sem synth remake. Serial number 0043. As new in original box and shipping carton. I bought this unit brand new the first day it was available from an authorized dealer. Appx. 5 hours of experimentation was performed and then this synth was put away...has sat covered and basically unused. If your checking it out I will assume you know what it will do and it’s capabilities, so I will spare you the details due to space constraints. Two power packed Oberheim SEM modules with the updated and prolific mini sequencer. 37 note keyboard and a slew of other features ( see the pics).This thing is a wonder of science."

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Serge Custom Panel (3 Sequencing Programmer)

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"This panel offers up to 12 (!) cv (control voltages) - 4 per Sequencing Programmer at any given time.

Due to the different numbers of steps (4, 5, 4) per Sequencing Programmer you are able to create wonderful polyrhythms."

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