Friday, November 01, 2019
Signus Vol 1 - Studiologic Sledge - Patches 62 to 91 - GEOSynths.com
Published on Nov 1, 2019 GEOSynths
"To be released soon.
3rd Video of 4...Lots of great Patches from the Sledge, just highlighting what the Studiologic Sledge can do. All the Patches in the Bank use the a combination of the Wavetables, Modeled Waves and FM, however no Samples have been used.
Also used are some of the hidden parameters, such as other Filter types that are in the Waldorf Blofeld, though not accessible from the front panel of the Sledge, such as Notch Filters."
Studiologic Sledge videos by GEOSynths
Flame Instruments Crossmix -Dual Crossfader recorder
Published on Nov 1, 2019 Dziam Bass
"Today I have another movie with the newest recorder from Flame Instruments.
Crossmix allows you to enter two audio sources or a CV, and do a cross between them and record it, then automatically play it in a loop mode or as you prefer as one shot.
Here I used Polyend Preset as the sequencer and two separately voices from the Noisy Oscillator from Modor module.
For this I used the Altar filter from Ritual for one voice and for the other I also used the X-4 module from Flame -Quad envelope vca for EG. I wanted both voices to be different so that you could see the cross recording.
make this patch in my latest case RackBrute 6U from arturia"
Pictured with the Automix and Panmix below.
FLAME "AUTOMIX" Mix recorder
3-to-1 Audio/CV Mixer with mix record function
Recording time over one minute per channel
Non-volatile memory
FLAME "CROSSMIX" Mix recorder
Dual Crossfader Audio/CV Mixer with mix record function
CV controllable
Recording time over one minute per channel
Non-volatile memory
FLAME "PANMIX" Mix recorder
Dual Panning Audio/CV Mixer with mix record function
CV controllable
Additional direct mono and stereo inputs
Recording time over one minute per channel
Non-volatile memory
available september 2019
bass station 2 + dd-200 - deep dive
Published on Oct 31, 2019 impurfekt
"please support the channel: https://impurfekt.bandcamp.com
using a saw + triangle patch on the bass station 2 to explore every nook and cranny of the boss dd-200 delay pedal.
the dd-200 is a digital delay pedal with stereo in/out and a multitude of algorithms. it is essentially a simplified dd-500 with knob-per-function control. the algorithms sound smoother to my ears but i no longer have a dd-500 for a side-by-side comparison.
this was a lot of fun. i may make a habit of it.
skip to algorithm:
0:17 standard
4:52 analog
8:22 tape
11:58 drum
15:10 shimmer
18:31 tera echo
21:49 pad echo
24:29 pattern
28:49 lo-fi
31:23 dual
34:28 ducking
37:34 reverse"
LFOStore Roland XV-5080 & KORG Wavestation Presets
Just a heads up. If you missed the LFOStore Roland XV-5080 & KORG Wavestation preset videos, you can find them here respectively:
Roland XV-5080 "Planet XV" Soundset 128 Presets
Korg Wavestation - "Extended" - 50 presets by Chronos NEW!
The were originally posted in mono. The new videos are now in stereo, so you might want to check them out even if you did watch them before.
Behringer Crave - first live jam
Published on Nov 1, 2019 Aux Out
"First live jam with my new Behringer Crave synths.
I used this software:
Ableton Live
Valhalla Shimmer
TAL Chorus LX
Unfiltered Audio Sandman Pro
FabFilter Pro-L"
Moog Modular Switcheroo
Published on Nov 1, 2019 zack dagoba
"I got a third dotcom Sequential Switch, so now I can do 48 step sequences. Thats good isn't it?"
Korg SB-100 Synthe Bass
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Extremely rare Korg Bass synthesizer, in excellent condition.
This synthesizer is in excellent condition, though it does show some signs of age.
It is fully working, have been cleaned and refurbished.
All the knobs have been cleaned and lubricated.
The unit has been calibrated following the factory specifications."
via this auction
"Extremely rare Korg Bass synthesizer, in excellent condition.
This synthesizer is in excellent condition, though it does show some signs of age.
It is fully working, have been cleaned and refurbished.
All the knobs have been cleaned and lubricated.
The unit has been calibrated following the factory specifications."
Rare Ace Tone Electric Organ Model TOP 1 Serviced SN 201498
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
The Model TOP-1. I believe this is the first one to be posted on the site.
BASS, FLUTE, ORGAN, SAX, REED, STRINGS
TREBLE & VIBRATO
via this auction
The Model TOP-1. I believe this is the first one to be posted on the site.
BASS, FLUTE, ORGAN, SAX, REED, STRINGS
TREBLE & VIBRATO
Roland System-100 M 6 Module Set
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Serial : 820673, 820681, 820695, 760366, 750350
via this auction
Serial : 820673, 820681, 820695, 760366, 750350
EMS SYNTHI HI-FLI PROTOTYPE 1 of 10 *Serviced* David Gilmour Guitar Synth
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"A very rare prototype Synthi Hi-Fli, dating from 1972, in excellent condition following a full overhaul by EMS earlier this year.
One of only ten pre-production units made in 1972. David Gilmour reputedly still owns two of them…
Ultra-rare prototype EMS Synthi Hi-Fli – this is a knob-twiddler’s dream of an effect and the ultimate in hens’ teeth: your guitar will never sound the same again.
Different sound and spec to a standard Hi-Fli – this is the second such unit we’ve had and it broke my heart to sell the last one (I’ve been a committed HiFli nut since I bought my first one many years ago and have always had at least one in the studio ever since).
The prototypes don’t have the growl function, which was introduced about 18 months later. Production Hi-Flis all have the Buzz switch, but only the first ten prototypes had the Fuzz switch, which adds some interesting colouration to the up and down-octave sounds.
Ten production prototype Hi-Flis were made in 1972 but a redesign quickly followed the launch at the Frankfurt Fair to try to reduce the factory cost (the prototype design is not especially ergonomic for a guitar player to use – you have to lean back somewhat to access the pedals underneath the main unit). This original design features a removable aluminium pole which plugs into the underside of the main console and the top of the base unit, acting both as a stand and a conduit for power and signal connections (pole not included with this unit). The heavy-duty nylon-dipped base houses the power supply and sturdy twin pedals.
Dave Gilmour of Pink Floyd is reputed to still have two of these original units, which, according to Phil Taylor were first used for the Dark Side of The Moon tour that started in May 1973 at Earls Court. Opinion is divided as to whether a Hi-Fli featured on the DSOTM recordings: I can only say that it certainly sounds like it did.
Number one in Analogman Tom’s list of rare guitar effects from his excellent book.
Used by David Gilmour – see this Gilmourish blog for further details – he bought a prototype in 1972 and from what he recalls it was “very, very expensive”; Gilmourish also suggest it was used during the recording of Dark Side Of The Moon
via this auction
"A very rare prototype Synthi Hi-Fli, dating from 1972, in excellent condition following a full overhaul by EMS earlier this year.
One of only ten pre-production units made in 1972. David Gilmour reputedly still owns two of them…
Ultra-rare prototype EMS Synthi Hi-Fli – this is a knob-twiddler’s dream of an effect and the ultimate in hens’ teeth: your guitar will never sound the same again.
Different sound and spec to a standard Hi-Fli – this is the second such unit we’ve had and it broke my heart to sell the last one (I’ve been a committed HiFli nut since I bought my first one many years ago and have always had at least one in the studio ever since).
The prototypes don’t have the growl function, which was introduced about 18 months later. Production Hi-Flis all have the Buzz switch, but only the first ten prototypes had the Fuzz switch, which adds some interesting colouration to the up and down-octave sounds.
Ten production prototype Hi-Flis were made in 1972 but a redesign quickly followed the launch at the Frankfurt Fair to try to reduce the factory cost (the prototype design is not especially ergonomic for a guitar player to use – you have to lean back somewhat to access the pedals underneath the main unit). This original design features a removable aluminium pole which plugs into the underside of the main console and the top of the base unit, acting both as a stand and a conduit for power and signal connections (pole not included with this unit). The heavy-duty nylon-dipped base houses the power supply and sturdy twin pedals.
Dave Gilmour of Pink Floyd is reputed to still have two of these original units, which, according to Phil Taylor were first used for the Dark Side of The Moon tour that started in May 1973 at Earls Court. Opinion is divided as to whether a Hi-Fli featured on the DSOTM recordings: I can only say that it certainly sounds like it did.
Number one in Analogman Tom’s list of rare guitar effects from his excellent book.
Used by David Gilmour – see this Gilmourish blog for further details – he bought a prototype in 1972 and from what he recalls it was “very, very expensive”; Gilmourish also suggest it was used during the recording of Dark Side Of The Moon
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
