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BOSS SYB-3 Bass Synthesizer Limited Wristwatch w/ original box.
Saturday, February 15, 2020
BOSS SYB-3 Watch
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BOSS SYB-3 Bass Synthesizer Limited Wristwatch w/ original box.
via this auction
BOSS SYB-3 Bass Synthesizer Limited Wristwatch w/ original box.
MACBETH M5 Semi-Modular Analog Synthesizer
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"This is the Original M5 with the black & orange colour scheme, as used for the later version ARP 2600.
Note that whilst it looks like a later model Rev.3 ARP2600, the M5's sound is both Moog and Oberheim inspired.
[Update: note the lawsuit mentioned below never happened. There was contention over the filter but it never got to that. via Wikipedia: "Early versions contained an imitation of Robert Moog's 4-pole 'ladder' VCF, later the subject of a threatened (though ultimately nonexistent) lawsuit"Also the epoxy covered modules were likely more for performance reasons. Not sure if it was to stabilize temperature and to isolate the modules. See the comments at the bottom of this post for more.]
The original ARP 2600 (Blue Meanie model) that many/most claim sounds best of the 2600's, stole the Moog filter design of course, hence epoxy sealed units, lawsuit, 4072 ARP filter redesign, etc... Plus, the M5 actually dwarfs the 2600 in overall height + size. This M5 is one of around 90 (I think) of the original versions that were hand made between 2005/6, so only 14-15 years old compared with over 40 for a 2600.
It has great build quality courtesy of Ken McBeth. No tiny slider tops or mini jack sockets to fiddle with... On a practical note you can get multiple (man sized) finger tips between the slider tops for patching/mixing/modulation purposes. A joy to play with as you can easily see all patch points, sources, destinations, signal flow, etc.
As regards stability & tuning, many older analogue synths had & still do have problems with these factors. This M5 tunes very accurately and holds tune throughout every session, nor is this dependent on whether it's hot or not - inside or out, as was the downside of many old analogue synths, though it's appreciated some do like such instability... I prefer to start off with known stability & increase detuning/instability if/when needed. There is even a stability pot on Osc#3 for dialing in that effect when required, except it's under your control and not at the mercy of other elements...
IMO the M5 is sonically much more powerful and versatile than the 2600, based on the dual filter type design alone.
via this auction
"This is the Original M5 with the black & orange colour scheme, as used for the later version ARP 2600.
Note that whilst it looks like a later model Rev.3 ARP2600, the M5's sound is both Moog and Oberheim inspired.
[Update: note the lawsuit mentioned below never happened. There was contention over the filter but it never got to that. via Wikipedia: "Early versions contained an imitation of Robert Moog's 4-pole 'ladder' VCF, later the subject of a threatened (though ultimately nonexistent) lawsuit"Also the epoxy covered modules were likely more for performance reasons. Not sure if it was to stabilize temperature and to isolate the modules. See the comments at the bottom of this post for more.]
The original ARP 2600 (Blue Meanie model) that many/most claim sounds best of the 2600's, stole the Moog filter design of course, hence epoxy sealed units, lawsuit, 4072 ARP filter redesign, etc... Plus, the M5 actually dwarfs the 2600 in overall height + size. This M5 is one of around 90 (I think) of the original versions that were hand made between 2005/6, so only 14-15 years old compared with over 40 for a 2600.
It has great build quality courtesy of Ken McBeth. No tiny slider tops or mini jack sockets to fiddle with... On a practical note you can get multiple (man sized) finger tips between the slider tops for patching/mixing/modulation purposes. A joy to play with as you can easily see all patch points, sources, destinations, signal flow, etc.
As regards stability & tuning, many older analogue synths had & still do have problems with these factors. This M5 tunes very accurately and holds tune throughout every session, nor is this dependent on whether it's hot or not - inside or out, as was the downside of many old analogue synths, though it's appreciated some do like such instability... I prefer to start off with known stability & increase detuning/instability if/when needed. There is even a stability pot on Osc#3 for dialing in that effect when required, except it's under your control and not at the mercy of other elements...
IMO the M5 is sonically much more powerful and versatile than the 2600, based on the dual filter type design alone.
QUASIMIDI POLYMORPH SN 58081
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"The Polymorph is basically four synths loaded with synth and drum sounds, geared towards electronica and other forms of synthesizer music. Individual ADSR's and filters per oscillator make for a totally tweakable and flexible synthesizer.
The sequencer: 16 step, 8 variations, 4 parts or instruments. Parts and even notes can be muted or changed in real time to build and decompose grooves or synth textures. There are also preset phrase patterns to play around with.
The PolyMorph is beefed up by a great set of effects. Add distortion, EQing, reverb, chorus, flange, etc. to each of the four parts independently! The controls, knobs and sequencer can all be controlled via MIDI for in-studio use, however the impressive multi-effects implementation alone is a major hint that the PolyMorph is a machine suited for live, DJ and on the fly music production."
via this auction
"The Polymorph is basically four synths loaded with synth and drum sounds, geared towards electronica and other forms of synthesizer music. Individual ADSR's and filters per oscillator make for a totally tweakable and flexible synthesizer.
The sequencer: 16 step, 8 variations, 4 parts or instruments. Parts and even notes can be muted or changed in real time to build and decompose grooves or synth textures. There are also preset phrase patterns to play around with.
The PolyMorph is beefed up by a great set of effects. Add distortion, EQing, reverb, chorus, flange, etc. to each of the four parts independently! The controls, knobs and sequencer can all be controlled via MIDI for in-studio use, however the impressive multi-effects implementation alone is a major hint that the PolyMorph is a machine suited for live, DJ and on the fly music production."
Access Virus TI Desktop Digital Synthesizer
CAVISYNTH : SLKT4 Sequential Switch
Published on Feb 15, 2020 Robotopsy Robotopsy
"Quick audio demo and overview of the SLKT4 from Cavisynth.
The SLKT4 will then start a rotation by changing steps each time it receives a clock signal.
The corresponding input signal will then be assigned to the output of the module. You will be able to create complex and evolutive rhythms or more varied melodious sequences."
via CAVISYNTH
"This module was designed and assembled in Switzerland by hand and with love.
4 step low cost sequential switch
Easy to build, easy to use !
Plug simply 2, 3 or 4 (CV,CLOCK,TRIGGER) signal to the inputs
Send the outpout to a VCO, VCA, EG, drum module or anyway
Choose numbers of steps do you want (2-3-4)
Plug in one external clock or trig signal
The SLKT4 will then start a rotation by changing steps each time it receives a clock signal.
The corresponding input signal will then be assigned to the output of the module. You will be able to create complex and evolutive rhythms or more varied melodious sequences.
Technical specifications:
Format – Eurorack
Power consumption – 25mA [+12V] / 10mA [-12V]
Module width – 4HP (20mm)
Module depth – 40mm (Skiff friendly)
Weight – 30g"
Buchla Music Easel - EMS VCS3 card exploration
Published on Feb 9, 2020 012358 13
"Having some fun with the Easel and the VCS3 card :)"
EMS VCS3 card by Portabellabz
Buchla Cosmic Drone - Session 12 - Modular Drone Music Performance
Published on Feb 15, 2020 The Galaxy Electric
"Thanks for listening! Come on a musical voyage with us where we'll send you a new song every day, a cosmic story, and a chance to earn space treasure:
https://thegalaxyelectric.lpages.co/5...
Relax and tune into our live weekly improvised Drone Sessions. This twelfth session involves a drone featuring two independent Buchla style complex and modulation oscillators starting in tune a couple octaves apart. As the oscillator frequencies drift apart by way of manual control, beating ensues. Listening to droning oscillators can serve as mindfulness sounds as there is no sudden changes in sound. Just smooth drifts in pitch and the resulting beat frequencies. Drones can also serve as an ambient track to have on while doing tasks that require intense focus. Drones are also great for a Sci-fi film soundtrack. The slow yet progressive nature of a drone performance can help one focus on tasks without distraction. The fact that we are manipulating these oscillators live and in collaboration helps the drone meander ever so smoothly in an evolving fashion as we are always reacting to one another's subtle movements. These movements are improvised so there is an unrehearsed and reactive ebb and flow to the tones generated. Engage in the practice deep listening with us.
The electronic music instruments used in this performance of modular drone music are the Buchla Music Easel, and a small system involving a Buchla clone model 259 Programmable Complex Waveform Generator, Buchla 292h Dual Lowpass Gate, and 281h Dual Function Generator in the Buchla LEM Powered 3 Boat.
The Galaxy Electric - https://www.thegalaxyelectric.com"
OBERHEIM Xpander Vintage Analog Synthesizer
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"This is an overhauled product that has been completely repaired, inspected, tested, repaired, and cleaned by a specialist (2019/12/26)."
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"This is an overhauled product that has been completely repaired, inspected, tested, repaired, and cleaned by a specialist (2019/12/26)."
Access Virus TI2 61 Key Keyboard Synthesizer with Effects
Alesis Andromeda A6
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"This is in great working order, screen still very sharp with good contrast. Andromeda is known for its quirks, dirty pots can cause screen jumping but I have recently cleaned all the pots with compressed air and high quality contact spray and no jumping (to explain: when you turn a knob the A6 screen will jump to those parameters, when pots get dirty, they will move move fractionally so screen will jump to page which can get annoying. Screen lock feature however can freeze the screen where you want)
There are a few other known quirks, too much midi info can freeze the A6 sometimes as well as freezing on boot up though power cycle will sort it out."
via this auction
"This is in great working order, screen still very sharp with good contrast. Andromeda is known for its quirks, dirty pots can cause screen jumping but I have recently cleaned all the pots with compressed air and high quality contact spray and no jumping (to explain: when you turn a knob the A6 screen will jump to those parameters, when pots get dirty, they will move move fractionally so screen will jump to page which can get annoying. Screen lock feature however can freeze the screen where you want)
There are a few other known quirks, too much midi info can freeze the A6 sometimes as well as freezing on boot up though power cycle will sort it out."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
