OBERHEIM XPANDER - Sounds & Presets | Synth HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

Not sure why he compares it to the DX7 at the start, or why he calls it additive synthesis? You can enable the individual waveforms for each oscillator but that's not really additive synthesis. The Xpander and Matrix-12 are subtractive analog synths. On an additive synth like the Kawai K5 and K5000 series you typically add harmonics to make sounds.

"Oberheim Xpander analog synth demo, featuring various sounds & presets.

The Oberheim Xpander is a polyphonic analog synthesizer manufactured from 1984-1988, and is essentially a 6-voice desktop version of the Matrix-12. The Oberheim Xpander features 2 oscilllators per voice, linear FM, 5 LFOs, 15-mode filter, lag processor, 3 tracking generators, a ramp processor, 5 ADSR envelopes, CV/Gate to MIDI converter and more.

The Oberheim Xpander also features an extensive modulation matrix that allows for multiple sources and destinations to be routed accordingly. In addition, each of the six voices are completely independent, and can be configured to create a different timbre for each. There are also 6 separate audio outputs for the 6 voices. The Oberheim Xpander is a flexible, powerful and versatile analog synth with extensive digital control, allowing for the creation of all types of sounds - pads, textures, drones, leads, basses and a variety of experimental tones. It can store up to 100 patches and is considered one of the most flexible early analogs in terms of signal routing and modulation capabilities (outside of modular). The Oberheim Xpander (and Matrix-12) are not found for sale very often and often command high prices on the second hand market. They are a testament to Oberheim's desire to push the envelope forward in terms of features and flexibility within the realm of analog synthesis.

All music improvised for this demo is either live or running at 120bpm. The music is copyright free. My credit would be appreciated if used on your track!

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the Xpander as part of a brand new series.
An iconic synthesizer, Andy’s experience with this classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the Xpander so great.

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

Roland Jupiter-4 Vintage 1979 Sounds & Presets | HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

"This video demonstrates the sound and features of the Roland Jupiter-4 analog synthesizer. Enjoy!

The Roland Jupiter-4 is a very strong, agressive, massive, but also sweet sounding synth. The sound is really incredible for only one VCO with one Sub-VCO. In this this Demo you will listen to this wide range of sounds.

The Roland JP-4 came out 1978, mine is from Nov. 1979 with the later filter board.

The great features of the JP-4 are:
- extremely fast envelopes
- ultra fast LFO and also slow LFO to get FM sounds and very slow filter sweeps as well
- fantastic sounding filter with ultra fat and sweet self resonance
- stereo chorus, not so strong like in the Juno 6/60, but very musical
- nice arpeggiator with triggering by a sequencer or drum machine
- random S/H filter modulation
- fantastic versatile bender board
- you can trim the 4 voices and slightly detune them on the back of the unit to achieve a really fat sound
- polyphonic portamento

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

Check out a tour of his synth collection back in 2009 here, and 2008 here.

ARP ODYSSEY MKIII Analog Synthesizer Vintage 1972 Sounds | HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

Update: note the video does feature the later model, so there are no 1972 sounds in this video. See the comments in this post for some additional info.

"The ARP Odyssey is a classic monophonic / duophonic synthesizer. It came out 1972 and was the competitor of the Minimoog. It can be seen as a cutdown version of the ARP 2600 - although some features where added - the highpass filter and the oscillator synchronisation for example.
It has the best sync-lead-sounds I ever heard from a synthesizer! The Odyssey is a real classic - and it sounds classic!

The ARP has a lot of features, so it is very flexible: 2 oscillators (VCO 2 can be used as a second LFO), VCO synchronisation, 2 filters (resonant lowpass & non-resonant highpass), ring modulator, sample & hold, noise generator (white & pink noise), 1 LFO, 2 envelopes (ADSR and AR).

There were three versions of the Odyssey. In my video you see an ARP Odyssey MK III, which has the CV/gate jacks - and an external signal input.

The ARP Odyssey was used by many prominent musicians: Klaus Schulze, Kraftwerk, Tangerine Dream, Vangelis, Herbie Hancock, Gary Numan, Pink Floyd, ABBA, Chick Corea, Tony Banks (Genesis), the Carpenters...

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the ARP Odyssey as part of a brand new series.
One of the most iconic synthesizers ever, Andy’s experience with this Arp classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the ARP Odyssey so great.

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

Check out a tour of his synth collection back in 2009 here, and 2008 here.

Moog Minimoog Model D Vintage Analog Synthesizer (1978) - no reissue - | Synth HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

2016 re-issue demo below.

"Moog Minimoog Analog Synthesizer (1978)

The demo video shows some famous sound patches from the original Minimoog used by Keith Emerson, Rick Wakeman and other guys.

The Minimoog Model D. This is the synth that started it all; it brought synthesis out of the laboratory and onto the stage, giving performing musicians access to the iconic synths sounds we know and love today. You’ve undoubtedly heard this classic three-oscillator monophonic synth, although you may not be aware of it.

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the Minimoog as part of a brand new series.
One of the most iconic synthesizers ever, Andy’s experience with this Moog classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the Minimoog so great.

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

Check out a tour of his synth collection back in 2009 here, and 2008 here.

Minimoog Model D Reissue – 2016 - Sounds | Synth HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

"Everyone says it, but it's true. This is the finest synthesizer ever built. As the LFO Rate knob by the pitch/mod wheels hints, this is the 2016 reissue Model D. The mother of all synths really doesn't need any introduction. You already know the sound so I didn't get too crazy with this video. By no means is this a complex synth, but like a Fender Precision bass, it does what it does extremely well. It simply has a thickness and warmth that few others can touch. R.I.P. Dr. Bob Moog.

What sets this synth apart from the vintage Minimoog is the Midi Implementation which is totally up to date & makes this a much more useable synth in the studio.
One issue with the Vintage Moog is that the midi only goes down to C1 – so to get lower notes through midi – I used to pitch bend the synth down 4 semi tones – then put a transpose on the computer & re-tune it – what a faff!!!"

Roland SH-101 SH101 Analog Synthesizer (1983) sound demo | Synth HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

"This synth for me has been the biggest surprise. I don’t use it much as I have so many 'superior' synths – but in fact it blew me away. The sound is awesome – top quality – classic – such an easy synth to program & sounds great in a finished mix.

Vintage synth demo by Andy Whitmore, Roland SH-101 Analog Synthesizer from the year 1983 The SH-101 is a very nice synth with a great analog sound. The sound is deep and powerful. The SH-101 is perfect for very nice bass and lead sounds. The internal step-sequencer is pure fun.

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the Roland SH-101 as part of a brand new series.

One of the most iconic synthesizers ever, Andy’s experience with this Roland classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the SH-101 so great."

Check out a tour of his synth collection back in 2009 here, and 2008 here.

Woody accidentally makes the MIGHTIEST PAD on JUPITER Xm

Published on Apr 11, 2020 Woody Piano Shack

"Couple of highlight moments from my recent live stream with the ROLAND JUPITER Xm. We combined the ZenCore model banks of the JUPITER 8, JUNO 106, JX 8P, SH 101, XV 5080 to create the richest and warmest synth pad sound that I've ever played!"

Previously:

NEW SYNTH ROLAND JUPITER Xm - Let's figure it out together!

Streamed live on Apr 9, 2020 Woody Piano Shack

"The very interesting ROLAND JUPITER Xm synth has just landed in the shack. I've not played it before, let's figure out together how to play it. Lots of demos of sounds., pads, drums guaranteed! The little sister of the ROLAND JUPITER X, sharing ZenCore sound engine with FANTOM, and models of the JUPITER 8, JUNO 106, JX 8P, SH 101, XV 5080."

Daft Punk : Giorgio by Moroder - [Cover by DesertF!sh]

Published on Apr 11, 2020 DesertFishHQ

"Been a while since my last post! hoping to get this channel back on track. Enjoy"

https://www.matrixsynth.com/search?q=DesertFishHQ&by-date=true

G2 FM Slammer - a 96BPM melodic rhythm for Clavia G2 synthesizer

Published on Apr 11, 2020 Luke Killen

"For something different. Today i've been pairing my old friend the G2 with the Cirklon. the G2 really does have fantastic FM capabilities, i've always loved making FM patches. In this performance the Cirklon sequences everything. The G2 has kick and Snare on A, Claps, percussion and hats on B, FM synthesis on C and FX and processing on D slot."

KORG Nu:Tekt NTS-1 performance by Mikiya Komaba.

Published on Apr 10, 2020 K0MABA

"I performed using KORG Nu: Tekt NTS-1. The song is a chiptune with an Asian melody. Sequences and rhythms other than the melody were made by ableton live. KORG Nu: Tekt NTS-1 is fun to assemble,
You can get absorbed after assembling."

Patch of the Week 53: minilogue + NTS-1 + Melody and Chords

Published on Apr 10, 2020 Korg

"We took the Korg minilogue sequencer through its paces by running it to control both the internal voices of the minilogue for chords and the monophonic Nu:Tekt NTS-1 as a melody and added some drums with the volca sample."

Korg Patch of the Week posts