MATRIXSYNTH

OB6

video by darksideothetune

"100% Sequential OB6 in Five Improvised Tracks"

Novation Peak/Summit - 20 Ambient/Cinematic Patches!

video by Lost Clouds

"https://gum.co/PeakPatches

20 high quality, unique patches for the Novation Peak (and Summit), with an ambient & cinematic or 'soundtracky' feel. Mostly pads with some arpeggio and lead patches thrown in for fun!

Included with the purchase is a PDF describing the synthesis ideas behind each patch, a few tips and tricks you can use to make the patches your own.

0:00 1 - Formant
0:46 2 - Sailing
1:31 3 - Discovery
2:15 4 - New Tides
3:34 5 - Soft Pluck
4:13 6 - Flutey
5:03 7 - High Impact
5:49 8 - Triangles
6:49 9 - Warmth
7:33 10 - Echoes
8:44 11 - In Passing
9:33 12 - Out There
10:33 13 - Resonant
11:25 14 - Elsewhere
12:10 15 - Movement
12:49 16 - Stranger
13:33 17 - Finding Home
14:12 18 - Hopeful
14:48 19 - Choppy
15:47 20 - Tangerine"

Yorick Tech Adds Polyphonic Modulations & New Panel Designs with Low Frequency Expander 3.0

"Low Frequency Expander 3.0 by Yorick Tech June 2021

Announcing the Low Frequency Expander 3.0, with all-new front panel designs and a major firmware upgrade including polyphonic modulations using MPE for the P6 and OB-6, available from June 2021. The firmware upgrade is free to all users.

The LFE is a standalone, hardware modulation expander that supports the OB-6 and Prophet 6, Rev 4 Prophets 5 and 10, Moog Voyager, Korg Prologue, Nord Wave 2 and a generic ‘CC- Synth’: any device that can be controlled by midi CC messages. It uses midi to provide 3 complex LFOs and a 6-stage envelope – which can also be configured as a 2 to 16-step modulation sequencer – to add considerably more complexity, movement and playability to these amazing synthesizers. It also acts as a 4-slot modulation matrix, allowing you to route velocity, key, aftertouch, mod wheel, CV in (optional) and others to about 50 destinations in the synth (80 with the Nord!)

Selecting a new patch on the synth makes the LFE automatically recall the same-numbered LFE patch from its memory, so the two have their patches locked together. The LFE will display the synth patch’s name and category for Sequential synths. You can select the next (or previous) patch in the same category, stepping through all the Bass patches for example.

New in 3.0
All new front panel designs which are more attractive and with clearer labelling. MPE Midi Polyphonic Expression. For the OB-6 and Prophet 6, the LFE can send modulations to each of the synth’s voices independently, so it will send polyphonic rather than global modulations. Each of the LFE’s 4 modulators on its front panel now operates 7 modulators ‘under the hood’ (1 global and 1 per voice), so the LFE is actually running 7 independent envelope/sequencers and 21 LFOs. As the LFE also allows MPE to work in Poly Chain mode, giving you 12 voices of MPE and 13 envelope/sequencers and 37 LFOs. There are also MPE Spread settings that allow each of the LFOs run at slightly different frequencies and the envelopes to run with slightly different slope times, allowing ‘vintage’ type variations between voices.

Aux midi channel. The LFE can now split its modulations between two different Midi Channels, so you can for example, send LFO 1 and LFO 3 to channel 1 and LFO2 and the envelope to channel 13. You can also set up the LFE to send a new Bank and Program number on the Aux channel every time the LFE changes patch. This allows you to change the Program of an attached FX unit or second synth, to your own choice of Program number, every time the primary synth changes patches. Arpeggiator. The LFE now has an Arpeggiator, primarily for Prophet 5 / 10 and Voyager users. It has Up, Down, Up-Down, Down-Up, Random and Played-Order modes, 1 to 4 octaves, the usual clock sync multipliers and a Key Hold function. There is also a Gate length control, adjustable up to 200%, for overlapping notes.

OLEDs are available in white, blue, green or yellow. Batch 7 starts shipping this month and prices are held despite the global component supply situation."

See the Yorick Tech label below for demos and more.

TR-909 + TB-303 meet the RD-9 + TD-3

video by Honeysmack

"For those who want to know what the RD-9 and TD-3 sound like compared to the original TR-909 and TB-303, or perhaps you think you can tell the difference between these machines... here you go, a little improvised single take jam that obscures them all!

All recorded dry, no external effects.

http://www.instagram.com/_honeysmack_
https://open.spotify.com/artist/20KZS..."

Electronisounds Audio [LIVESTREAM] Working on a new Digitakt Soundbank!

video by Electronisounds Audio

"Just working on some patterns for a new Digitakt soundbank!"

Electronisounds:
WEBSITE ► https://www.electronisounds.com/
PATREON ► https://www.patreon.com/DeanDaughters

By the lake - Eurorack, Birds, Lake, Fog

video by Omri Cohen

"The WAV file for this recording is available on my Patreon page - https://www.patreon.com/posts/52450678

These are the modules I had in the case - Instruo Scion, Mutable Instruments Branches, Disting mk4, Plaits, Mimeophon, BIA, Beads, Befaco ST Mix, and the Polyend Anywhere for power.
I recorded the sound with the Zoom recorder, and also the birds."

Classical chaos

video by Igor Vasiliev

"Main piano theme created by Rauf Kasimov using the iGrand Piano app.

Chaotic textures were created using the BeatCutter app on iPad with external sound card Focusrite Scarlett 6i6. BeatCutter can use up to four input channels to fill the matrix of samples and construct abstract rhythmic structures from fragments of the original sound.

The four sound sources for this app were synths - Moog Slim phatty thru TC Helicon Voice works, Clavia Nord Lead 3 with Doepher Dark Time sequencer thru Roland SDE-2000, Korg MS2000, Roland Juno-60 thru Eventide Harmonizer H949. All of these synth also were recorded directly and mixed with BeatCutter output. Outputs from all instruments and the BeatCutter app were recorded on a Tascam 38 and then mixed. Reverbs AKG ADR68K, Yamaha REV7 were used for mixing.

BeatCutter is an experimental multi-channel app for slicing and recombining sound based on rhythm. In the center of the app is a matrix of sample cells with smoothly reconfigurable recording, playback and control busses. This app is best for those who would like to experiment with large audio files or live instruments, creating chaotic constructions and patterns from sliced rhythm-driven samples."

You can find additional BeatCutter demos here.

BeatCutter - Feedback demo

video by Igor Vasiliev

Audio comes in at 1:37.

"The feedback mode is one of the most interesting features of the BeatCutter app. This is not like analog feedback when positive loop gain occurs at some more or less stable resonant frequency. It looks more like fractals when the next level is similar to the whole structure, but in this case with constantly changes. We can say that it works like a sound structure that evolves and changes itself. This is an incredible ability to create perfect sound abstractions, unrelated to any external samples or signals and it opens up a huge potential for experimentation and inspiration.

BeatCutter is an experimental multi-channel app for slicing and recombining sound based on rhythm. In the center of the app is a matrix of sample cells with smoothly reconfigurable recording, playback and control busses. This app is best for those who would like to experiment with large audio files or live instruments, creating chaotic constructions and patterns from sliced rhythm-driven samples."

https://apps.apple.com/app/beatcutter/id1536114453

You can find additional BeatCutter demos here.