via this auction, also on Reverb
Tuesday, August 09, 2022
1974 Moog Minimoog Model D w/ Original Manual
Note: Auction links are affiliate links for which the site may be compensated.
via this auction, also on Reverb
via this auction, also on Reverb
Korg Lambda ES-50 Vintage Polyphonic Analog Synthesizer SN 234417
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
, also on Reverb
"The Korg Lambda is a fully polyphonic 48-key preset synthesizer, and this example is very well-kept and thoroughly tested.
The Lambda ES-50 features two banks of sounds. Percussive (Electric Piano, Clavi, Piano, Harmonics) and Ensemble (Brass, Organ, Choir, Strings I, Strings II). These presets are all available simultaneously, ideal for thick layering, and each key is articulated independently (ensuring none of the "note stealing" pervasive in synths with fewer voices).The Percussive sounds have a fast attack and variable decay envelope, and the Ensemble sounds have both preset and variable attack/release envelopes.
The Lambda uses divide-down technology with three oscillators that are mixed and filtered using fixed circuits to create the preset sounds. The control panel boasts controls for basic low-pass filtering of the Percussive and Ensemble tones, and each bank of sounds has its own dedicated Volume slider and Tone knob. There is also a control for "click" (used to add attack to the EP sound) and a filter cut-off control for the Brass sound, which has its own paraphonic filter - tuned to give a slightly resonant peak to the sound, and with its own preset filter envelope.
An Octave switch puts the keyboard in regular or Octave Down mode. The three oscillators can be detuned to thicken the sound further, and analog chorus can be independently applied to the Percussive and Ensemble sections. The joystick acts as a pitch bend control, doubling as a sweep control for the chorus. Vibrato can be switched off the Ensemble sounds, and Percussive sounds feature a variable Tremolo and a Sustain switch that turns Decay into a Release."
via this auction
, also on Reverb
"The Korg Lambda is a fully polyphonic 48-key preset synthesizer, and this example is very well-kept and thoroughly tested.
The Lambda ES-50 features two banks of sounds. Percussive (Electric Piano, Clavi, Piano, Harmonics) and Ensemble (Brass, Organ, Choir, Strings I, Strings II). These presets are all available simultaneously, ideal for thick layering, and each key is articulated independently (ensuring none of the "note stealing" pervasive in synths with fewer voices).The Percussive sounds have a fast attack and variable decay envelope, and the Ensemble sounds have both preset and variable attack/release envelopes.
The Lambda uses divide-down technology with three oscillators that are mixed and filtered using fixed circuits to create the preset sounds. The control panel boasts controls for basic low-pass filtering of the Percussive and Ensemble tones, and each bank of sounds has its own dedicated Volume slider and Tone knob. There is also a control for "click" (used to add attack to the EP sound) and a filter cut-off control for the Brass sound, which has its own paraphonic filter - tuned to give a slightly resonant peak to the sound, and with its own preset filter envelope.
An Octave switch puts the keyboard in regular or Octave Down mode. The three oscillators can be detuned to thicken the sound further, and analog chorus can be independently applied to the Percussive and Ensemble sections. The joystick acts as a pitch bend control, doubling as a sweep control for the chorus. Vibrato can be switched off the Ensemble sounds, and Percussive sounds feature a variable Tremolo and a Sustain switch that turns Decay into a Release."
Korg Mono/Poly MP-4 Vintage Analog Synthesizer Keyboard SN 372444
Note: Auction links are affiliate links for which the site may be compensated.
via this auction, also on Reverb
"This Mono/Poly has been thoroughly tested, and all functions work as intended. The Mono/Poly is a 44 key "mono-polyphonic" analog synthesizer manufactured by Korg from 1981 to 1984. This model is the sister synthesizer to the Korg Polysix, with four highly stable voltage-controlled oscillators (VCOs), a 4-pole, self-oscillating low pass filter (LPF), several modulation capabilities and pseudo-polyphony (paraphony) functionality.
The four VCO's can be shared in four-voice Polyphonic mode, or linked in Unison for a versatile monophonic lead. Each VCO has its own level, tune, and waveform type control. Waveforms include triangle, sawtooth, and variable pulse wave. It has a great VCF (filter) section as well as two envelope generators (one for the oscillators and one for the filter), and there are also two individual LFO's which can be used to modulate the Pulse Width, Envelope and Arpeggiator independently.
A very flexible and fun synthesizer, other cool tricks up Mono/Poly's sleeve include chord memory and an effects mode in which oscillators have a variety of ways to be synced. The built-in arpeggiator and sequencer can run all 4 VCO's at a time or cycle through each voice per note. There's also portamento, CV/Gate, VCF and VCO mod inputs, a white noise generator, and the pitch/mod wheels can be assigned to control LFO, pitch, or the filter."
via this auction, also on Reverb
"This Mono/Poly has been thoroughly tested, and all functions work as intended. The Mono/Poly is a 44 key "mono-polyphonic" analog synthesizer manufactured by Korg from 1981 to 1984. This model is the sister synthesizer to the Korg Polysix, with four highly stable voltage-controlled oscillators (VCOs), a 4-pole, self-oscillating low pass filter (LPF), several modulation capabilities and pseudo-polyphony (paraphony) functionality.
The four VCO's can be shared in four-voice Polyphonic mode, or linked in Unison for a versatile monophonic lead. Each VCO has its own level, tune, and waveform type control. Waveforms include triangle, sawtooth, and variable pulse wave. It has a great VCF (filter) section as well as two envelope generators (one for the oscillators and one for the filter), and there are also two individual LFO's which can be used to modulate the Pulse Width, Envelope and Arpeggiator independently.
A very flexible and fun synthesizer, other cool tricks up Mono/Poly's sleeve include chord memory and an effects mode in which oscillators have a variety of ways to be synced. The built-in arpeggiator and sequencer can run all 4 VCO's at a time or cycle through each voice per note. There's also portamento, CV/Gate, VCF and VCO mod inputs, a white noise generator, and the pitch/mod wheels can be assigned to control LFO, pitch, or the filter."
Roland Juno-60 Vintage Analog Synth w/ MD-8 MIDI Interface & Tubbutec Juno-66 Upgrade
Note: Auction links are affiliate links for which the site may be compensated.
via this auction, also on on Reverb
"The Juno-60 features six voice polyphony and patch memory storage. The predecessor to the Juno 106 and arguably the more punchy sounding of the two synths, the Juno-60 utilizes mostly traditional analog technology yet with digitally controlled analog oscillators, ensuring excellent tuning stability for stage use. It offers on-board chorus effects, low-pass and high-pass filters, and the option to arpeggiate and sequence notes when connected with the JSQ-60 sequencer. It's simply incredibly difficult for the Juno-60 to sound anything other than fat and musical.
All key caps are bright white and level, all buttons and slider caps are intact, and the silkscreen graphics on the face of the synth are stunningly clean. There is some very minor wear on the wooden sides framing the Juno-60, and some light scuffing on the bottom of the enclosure.
The MD-8 is equally as clean as the synth, complete with DCB patch cable, and the Juno-66 upgrade kit is brand new."
via this auction, also on on Reverb
"The Juno-60 features six voice polyphony and patch memory storage. The predecessor to the Juno 106 and arguably the more punchy sounding of the two synths, the Juno-60 utilizes mostly traditional analog technology yet with digitally controlled analog oscillators, ensuring excellent tuning stability for stage use. It offers on-board chorus effects, low-pass and high-pass filters, and the option to arpeggiate and sequence notes when connected with the JSQ-60 sequencer. It's simply incredibly difficult for the Juno-60 to sound anything other than fat and musical.
All key caps are bright white and level, all buttons and slider caps are intact, and the silkscreen graphics on the face of the synth are stunningly clean. There is some very minor wear on the wooden sides framing the Juno-60, and some light scuffing on the bottom of the enclosure.
The MD-8 is equally as clean as the synth, complete with DCB patch cable, and the Juno-66 upgrade kit is brand new."
Future Retro 777 Analog Synthesizer
Waldorf Microwave XTk w/ White ALBS Knobs
Spectral Audio ProTone
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The ProTone is a monophonic Analog Synthesizer with an internal MIDI Interface. Because of the full analog design, the ProTone is perfect for creating powerful, special and never before heard sounds. And with its deep red front panel, it will look great in your rack.
This unit works fine.Thanks for looking!
Features
2 true VCO makes Sawtooth and Pulse Waves
White Noise Generator
True Ringmodulator
Slide (Portamento)
High and Lowpass Filter with Resonance
Selectable 12 or 24 dB per Octave
Accent (Decay Envelope for the Filter)
Keyfollow
Wide LFO Range: 0.005 ... 3800 Hz
LFO Waves: Rectangle, Impuls, Triangle, Sawtooth, Sinus, Noise and Random
LFO Targets: VC01, VC02, Pulse Width of VC01, Cutoff and Panaroma
ADSR Envelope
Stereo Output with Stereo Panning
5 Octaves MIDI Interface
MIDI controlled Volume and Cutoff frequency
Velocity sensitive
CV and Gate In/Output to control vintage Synthesizer
External VCO and LFO Inputs"
via this auction
"The ProTone is a monophonic Analog Synthesizer with an internal MIDI Interface. Because of the full analog design, the ProTone is perfect for creating powerful, special and never before heard sounds. And with its deep red front panel, it will look great in your rack.This unit works fine.Thanks for looking!
Features
2 true VCO makes Sawtooth and Pulse Waves
White Noise Generator
True Ringmodulator
Slide (Portamento)
High and Lowpass Filter with Resonance
Selectable 12 or 24 dB per Octave
Accent (Decay Envelope for the Filter)
Keyfollow
Wide LFO Range: 0.005 ... 3800 Hz
LFO Waves: Rectangle, Impuls, Triangle, Sawtooth, Sinus, Noise and Random
LFO Targets: VC01, VC02, Pulse Width of VC01, Cutoff and Panaroma
ADSR Envelope
Stereo Output with Stereo Panning
5 Octaves MIDI Interface
MIDI controlled Volume and Cutoff frequency
Velocity sensitive
CV and Gate In/Output to control vintage Synthesizer
External VCO and LFO Inputs"
1977 Vintage Analog Wersi AP 6 Bass Synth
KORG MONO/POLY SOUND CHART
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"KORG MONO/POLY SOUND CHART! The ORIGINAL BOARD
(Comes with every new Mono Poly.)
To be placed on the Mono Poly (Aid to programming.)
Year 1982
IN GOOD CONDITION. (1 fold upper part for reading)
Size 41.5cm X 72.5cm.
Who has not bought a new or used Mono/Poly in its original box without having this document which does not appear during resales today? And yet it is super useful for programming sounds.
For each type of sound, place all the buttons and cursors on the colored indexes on A: BRASS, B: SYNC SWEEP, C: KING GONG D: STEELS DRUMS, E: SYNTHE GUITAR, F: BOWED VIOLIN....
Don't search! These cues are not on the synth!
It's simple and effective to approach a desired sound ..
It's a real plus when you sell or own a KORG MONO/POLY!"
via this auction
"KORG MONO/POLY SOUND CHART! The ORIGINAL BOARD
(Comes with every new Mono Poly.)
To be placed on the Mono Poly (Aid to programming.)
Year 1982
IN GOOD CONDITION. (1 fold upper part for reading)
Size 41.5cm X 72.5cm.
Who has not bought a new or used Mono/Poly in its original box without having this document which does not appear during resales today? And yet it is super useful for programming sounds.
For each type of sound, place all the buttons and cursors on the colored indexes on A: BRASS, B: SYNC SWEEP, C: KING GONG D: STEELS DRUMS, E: SYNTHE GUITAR, F: BOWED VIOLIN....
Don't search! These cues are not on the synth!
It's simple and effective to approach a desired sound ..
It's a real plus when you sell or own a KORG MONO/POLY!"
Nord Drum 3P - Exploring the Presets - Part 4 - Midiverse - TV
video upload by Midiverse - TV
"What's up everybody? Welcome to Midiverse - TV! Today we're checking out the Nord Drum 3P, let's have a look."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
