New 4ms Shuffling Clock Multiplier Plus

video upload by 4ms Company

The SCM Plus is a clock multiplier with eight gate outputs and complex beat manipulation features. It combines the classic Shuffling Clock Multiplier (SCM) and SCM Breakout (SCMBO) into a single module using higher precision hardware than its predecessors.

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SCM Plus features:

• Eight gate outputs, each multiplying up to x32
• Five slipped/shuffled/skipped clock outputs and three steady clock outputs
• Five knobs with CV jacks:
• Rotate shifts multiply-by amount
• Slip causes particular beats to land ahead in time
• Shuffle selects which beats are affected by Slip
• Skip omits certain beats in a pattern
• Pulse Width controls width of output pulses
• Resync trigger input resets the slip/shuffle/skip counters
• 4x Fast button and gate jack increase multiply-by amount by a factor of four
• Mute button and gate jack stop all outputs
• Save Clock feature restores last saved tempo when powering up
• Clock Bus jumper allows module to receive tempo from other modules over the power bus
• Free Run jumper allows unit to operate without an external clock
• LED dimmer trimpot allows for custom LED brightness
• 12HP Eurorack module
• $185

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http://4mscompany.com/stores.php
https://4mscompany.com/SCM+
Music/patch:
https://www.instagram.com/rick_batyr_music

New 4ms Mini PEG (MPEG) Clock-Synced Envelope Generator and LFO

video upload by 4ms Company

The Mini PEG (MPEG) is a clock-synced envelope generator and LFO whose envelope times are set by the time between clock pulses or “pings”. The Mini PEG is the latest version of the classic 4ms Pingable Envelope Generator.

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Mini PEG features:

Envelope length set by incoming clocks or “pings”
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Ping button (tap tempo) or external clock/triggers set the envelope time
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Div/Mult knob and CV jack divide and multiply ping clock from /32 to x16
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Shape knob with full CV control for waveshaping the output envelope, includes various combinations of exponential, linear, logarithmic and interpolated curves
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Cycle button and gate jack for looping envelopes
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Scale knob acts as attenuating inverter for main envelope output
Maximum 9.5V peak-to-peak
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Offset knob for setting DC offset, ranging from -9.4V to +9.4V
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End-of-Fall (EOF) output jack goes high when envelope finishes a fall portion and low when envelope begins a fall portion
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Jack can also be configured as End-of-Rise, Half-Rise, or Tap Clock Out
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ENV OUT jack outputs scaled/offset envelope
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5V ENV jack output always produces a 0V to +5V envelope, independent from scale/offset
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Trigger jack starts or re-starts an envelope
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Can be configured as Quantized Trigger, Async Trigger, or Async Gate
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8HP Eurorack module
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$159

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http://4mscompany.com/stores.php
https://4mscompany.com/MPEG
Music/patch:
https://www.instagram.com/jayebeat

Groove Synthesis 3rd Wave Synthesizer Is In The House

video upload by Synth Seeker

"🎹 New synth in the house! The 3rd Wave from Groove Synthesis finally shipped and arrived. A huge thank you to the gang at Groove Synthesis for making my PPG dreams come true! In this video I look at the some of initial features and share some of my observations using this big blue beast."

RRS Ivoks - Polivoks for iOS

video upload by The Sound Test Room

"The Red Rock Sound Ivoks Electromusical Synthesizer designed in the style of the Soviet synthesizer 1980's.

RRS Ivoks AUv3 instrument — comes as time-limited Demo-version for you to try. It gives you 5 minutes of Free play time. (You can reload the RRS Ivoks AUv3 instrument as many times as you want, thereby you get the Demo period again and again.) Unlimited version of RRS Ivoks AUv3 instrument comes as In-App Purchase.

On the centre panel are located two audio-frequency oscillators:

• OSC1 offers frequency Band regulator, five Waveforms and controls for LFO Modulation level plus OSC2 Cross-modulation;
• OSC2 offers the same frequency Band and Waveforms, an independent control for Modulation depth, plus Detuning.

Underneath these located the mixer, which offers level controls for the two Oscillators, the Noise generator, and Saturation Drive.

To the right of these, located the filter block. The top half is a standard ADSR envelope — until you flip the switch «Envelope mode», when it becomes a repeating AD-envelope instead. The four controls at the bottom adjust Cut-off, Resonance, LPF to BPF switch, Modulation level and Envelope level.

Next after the filter is the amplifier block, it also has ADSR envelope along with another Modulation level and Velocity sensitivity control. Again, the envelope can be switched to a Repeating Mode that generates a triangular waveform determined by the Attack and Decay settings, providing some of the instrument’s most distinctive effects.

The leftmost panels house the Modulation (LFO) controls (top), Mode which offers four waveforms, including noise, and a stepped Function for sample & hold (S&H) effects, well as Speed control.

And global settings such as the master Tune, master Volume, Legato mode, Monophonic and Duophonic operation and Unison switches, and the Glide control.

To use Ivoks as an instrument, you need an AUv3-compatible host app like GarageBand, Auria, AUM, Cubasis and more — RRS Ivoks will appear in the list of Audio Unit instruments in the host app."

@Sequential Take 5 Factory Presets Part. 2 | No Talking |

video upload by DKS SYNTH LAB

DKS SYNTH LAB Sequential Take 5 Factory Presets

COCO System Part One: CANYON

video upload by After Later Audio

"This is an overview of the COCO System with the Canyon (Subharmonic Generator) control module used as its center-piece.

With the COCO series the aim is to bring all the goodness of a complex oscillator while aiming to minimize some of the downsides. The main thing that I appreciate about complex oscillators is that you can have a lot of fun without having to patch too much. By default, you can get some very deep sounds that go far beyond the standard bleep and bloop. On the downside, complex oscillators are big and have a fixed set of capabilities.

The COCO series allows you to choose your oscillator features and choose your control module and connect them all together into a complex oscillator. You can then break them down and each module also works as a standalone module as well. So when you need that extra oscillator for your performance case, you can break the system down and use it accordingly."

PWM - Molevolent

video upload by NOISEBUG

V.A.I. 75 : SOLTON PROJECT 100

video upload by Vintage Audio Institute Italia

"The Solton Project 100 is a 6 voice DCO synthesizer with SSM filters.
In this video we're only using the Solton Project 100 - and especially its built-in sequencer that's easy to program - great - but oddly enough doesn't quantize whatsoever.
For effects were using two 80s grade B, rack units - the half rack format LEM FX 22 and the Vermona DEG 50. The LEM FX 22 is a multi-effect with a combo mode that lets you engage two effects at the same time.
The Vermona DEG 50 is actually part of our secret weapons arsenal - a pretty crappy and noisy Digital Delay rack unit but the chorus modulation has that magic wonk."

Update: one more demo by Vintage Audio Institute Italia here and a few others here. There was a black edition as well. You can find additional posts mentioning the SOLTON PROJECT 100 including ad scans and pics here.

Arturia Microfreak does it all | 130 custom patches (for music, soundtrack, games).

video upload by Jexus (sounds-for-synths.com)

http://sounds-for-synths.com/jexus-synth-patches/

"No talking demo. All patches custom-made by Jexus. As you all know the Microfreak is monoaural and has no onboard FX. It sounds slightly different and more “stereo” in my demo because some of the sounds have been EQ-ed, and many of the sounds have a chorus and / or stereo delay & reverb applied (but nothing that would dramatically alter the original timbre of the synth like phasers, flangers, pitch shifters, etc). The dry / wet mix ratio is usually 20:80 (or 20% in other words), reaching 50:50 in a few patches (I used the simplest presets on a Lexicon MX). I wanted to make the sounds nice for the ear but I also wanted show the true sound of this synth without too much embellishment or experimentation."

Part IV - Programming Patterns - Isla Instruments S2400 Video Manual

video upload by Isla Instruments

0:00 Intro
0:51 Setting up the parameters
3:32 Playing in on the pads
7:00 Time Stretch & Pitch Stretch
10:05 Copying Patterns
10:56 Parameter Record Overwrite
12:21 Parameter Playback Override
13:34 The End Result

Isla Instruments S2400 Video Manual posts