MATRIXSYNTH


Tuesday, March 26, 2024

Introducing... The Swarm, By Artium Instruments


video upload by Artium Instruments

"Artium Instruments is thrilled to introduce its very first offering, The Swarm, a polyphonic desktop synthesizer."



via Artium on Kickstarter

At Artium Instruments, we approach our designs with the understanding that musicians cultivate intimate connections with the gear they employ to create their art. We firmly believe that instruments ought to possess not just functionality, but also personality, character, and a distinct identity that inspires its user. First and foremost, we've dedicated significant effort to ensuring that the synthesizer and onboard effects produce exceptional sound quality akin to professional studio-grade equipment. The Swarm features a SuperSaw oscillator with 8-note polyphony, curated onboard effects, and a full-featured arpeggiator.

At Artium Instruments we are committed to knob-for-knob functionality in our desktop synths. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated button presses to access features; everything is conveniently accessible at your fingertips.

With over a decade of experience in the effects industry, we have carefully curated a selection of effects that complements the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the input jacks on the back.

We've invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colors, artwork, and weight of the enclosure, every detail has been considered. These details matter to us because we recognize that the connection a user forms with a piece of gear is nearly as crucial in the creative process as the sounds it produces. We hope you can feel the love and passion we've poured into every detail of The Swarm, from its sonic capabilities to its design aesthetics.

The Swarm is controlled by MIDI through a USB-C port. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility.

The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic happens when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

The Swarm employs this SuperSaw oscillator through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns.

All onboard effects can be used with external equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.

By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time—a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing you to capture a fresh sample.

The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighth notes, eighth notes, and triplets.

The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.

The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.

A Modality Lost | Argon8M x Blackhole + Sequential Take 5


video upload by hvegel

"i may have found the perfect cinematic pad pairing in the Take 5 with the Argon8M. the Argon8M is being shuttled through an Eventide Blackhole reverb pedal, whilst the Take 5 remains unaffected, solely with its onboard FX. MIDI'd together, this is one of the most playable combinations i have ever experienced."

ESK - Drums + Mixer Jamsession


video upload by Metunar

"Jamsession with an Elektron Digitakt and a Roland CR-8000 mixed together in an analog Ibanez RM-60 Mixer.
There is also reverb from a Lexicon PCM 90 (yellow FX knob on the mixer).
Furthermore I use the monitoring send as feedback line (blue FX knob on the mixer).
With mastering.

The Ibanez RM-60 is similar in design to the Boss KM-60. The Boss has more drive in the preamp and the HiPass filter in the master section can be used better in a performance.
The Ibanez Mixer on the other side has less ground noise and a monitor send.
I like both of them. Good usable for a jamsession.

http://www.metunar.ch"

Using Infinite Scale To Create Polymetric Patterns


video upload by EZBOT

"In today's stream we take a look at using INFINITE SCALE in the pattern settings to make endlessly changing rhythms. This is a fantastic technique for making polymetric patterns and exploring different pattern scaling for unique melodies."

EZBOT resources available at https://www.patreon.com/ezbot

Dreadbox Erebus V3, Nymphes, and Erebus Reissue


video upload by goth jocks

"Little happy jam with what I’ve dubbed the 'Wall of Dread'"

AMSynths 100m Modules deeper Review (8111, 8120, 8131, 8132, 8133, 8141, 8171 & 8176)


video upload by Knobs & Switches

"höre is my deeper review about the 100m Modules from AMSynths. Complete Synthvoices with VCO, VCF, VCA, Sequential Switch, etc..."

A compact yet fully featured Eurorack filter // Pony VCF by Befaco


video upload by DivKid

"Here's the new PONY VCF from Befaco. It's a compact yet fully featured Eurorack filter that's 6HP with good hands on control and modulation. It's a Dave Rossum based filter design (the SSI FATKEYS chip), 3 channel mixer (with feedback) and VCA. An impressive trio of functions for many uses in Eurorack ... as usual I will explore lots of this in the video."

**TIMING INDEX // CHAPTERS**
00:00 Hello & patch previews
01:07 Pony VCF feature run down
02:27 Raw sound demo - filter sweeps and feedback
03:39 Dancing filters with mixed modulation - Moog inspired!
05:11 Audiorate overtones for a DNB ditty
07:16 A simple Pony voice
08:47 A mixer/processor for beats
- high end excitement, VCA compressor & feedback saturation
11:07 Beautiful feedback loops
13:18 LPPGs - low pass pony gates
15:23 Pony kick drums
16:31 Two voice paraphonic articulation - fun times!

ELI SL-5050 Tape Delay [FX w/ Synthesizers #17] Demo


video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2024

This is the ELI SL-5050 New Space Echo. Single delay line and playback head that uses a dictaphone endless tape cartridge. Very similar to Unicord EC-100, or the Univox EC80A Echo Chamber, or any various clones and incarnations. Playing my Roland SH-101 through it. Recorded direct, no other mastering or effects.

0:00 Intro
0:50 Medium
2:13 Slow
3:05 Fast
4:09 Slow w/ Long Spring Tank Reverb"

G-Storm Electro:
*BLOG* http://gstormelectronica.blogspot.com/
*LISTEN/DOWNLOAD* http://soundcloud.com/gstormelectro
**REVERB** http://reverb.com/shop/gstormelectro

The Drum Machine That Shaped Krautrock


video upload by HAINBACH

"The Elka Drummer One is no Klaus Dinger or Jaki Liebzeit, but it deserves its place in the history of Krautrock drumming. It was used by a bunch of German bands at the time, most prominently the wonderful Harmonia, a supergroup consisting of members of Neu! and Cluster (some of which where involved in a short-lived iteration of Karftwerk, too). In this video I show its functions (including a big surprise at the very end) and how @LOOKMUMNOCOMPUTER and me used it on our EP 'Pipe Dreams', out now on https://hainbach.bandcamp.com/album/p..."

Listen to "Holta Polta" on Harmonia Live 74:

Harmonia - Live 1974 - Holta Polta

video upload by groenlandrecords

"Credits:
Michael Rother: guitar, el. percussion, piano & organ
Hans-Joachim Roedelius: electronic organ & piano
Dieter Moebius: synthesizer, electronic percussion

All music written, performed by Michael Rother, Hans-Joachim Roedelius, Dieter Moebius

Recording, editing and artwork by Harmonia

Recorded live in concert on 23rd March 1974 at Penny Station in Griessem Germay"

Analogue Brutalism (EMS Synthi A, Viola Textures)


video upload by PanicGirlVids

"In this track I explore the darker side of the EMS Synthi A.
Pawing.. lurking.. threatening... unsettling... 🔥

Thanks so much for sticking with me!"
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