Supercritical Redshift 6 Now Available to Order

Press release follows:

Supercritical announces availability of Redshift 6 as self-styled Variable Character Synthesizer representing its inaugural desktop instrument


TAMPERE, FINLAND: having opened eyes and ears with show-stopping showcases at SUPERBOOTH24, May 16-18, FEZ-Berlin, Germany and Machina Bristronica, October 12-13, Bristol, UK, Supercritical is proud to announce availability of its inaugural desktop instrument in Redshift 6 — self styled as a 6 voice Variable Character Synthesizer that combines technology from the budget travels in time and space-offering Finnish synthesizer manufacturer’s previous Demon Core Oscillator and Neutron Flux Filter products, each of its six voices featuring a DCO (Digitally-Controlled Oscillator) that can create up to 16 analogue oscillators per voice with analogue waveforms generated under digital control — as of December 16…

Supercritical’s self-styled 6 voice Variable Character Synthesizer wording — which is subtly featured on the front panel of the desktop instrument itself by way of optical reinforcement — effectively encapsulates the Redshift 6 concept. Consequently, the analogue path of each of its DEMON CORE OSCILLATOR-based six voices is under strict digital control in terms of tuning, gain staging, filtering, and more. Moreover, Redshift 6 has a lush- and warm-sounding sweet spot that is inspired by classic analogue polysynths, but it also runs the full gamut from almost digitally sterile and clean to distorted behaviour and beyond.

Digging deeper, the filter core is an analogue 4-pole VARIABLE CHARACTER FILTER that is also digitally controlled to act like almost any classic vintage synthesizer filter and more besides. But in addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth — think modulators aplenty, flexible voice routing, (six-part) multitimbrality, MPE (MIDI Polyphonic Expression), and (bypassable) stereo DSP (Digital Signal Processing) effects.

Elsewhere, Redshift 6’s six voices can be configured in a variety of ways — choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices (each with their own patch and physical output), or any combination thereof. Those six voices can each also operate as a paraphonic voice with up to 16-note paraphony. And as if that is not enough to whet any serious synthesist’s appetite, multiple filters can be chained by routing audio from one voice to another.

Supercritical spent time — time that was well spent, clearly — realising Redshift 6’s physical form factor as a modern, compact — 378 mm (W) x 254 mm (D) x 63 mm (H) — desktop device with a 2.7-inch TFT (Thin Film Transistor) IPS (In-Plane Switching) colour screen surrounded by eight endless clickable potentiometers. Thanks to quick navigation via the shortcut button grid, menu diving is kept to a minimum, while a selection of familiar synth controls — DCO, VCF (Voltage-Controlled Filter), and AMP (amplifier), to name but the basics — are featured throughout the front panel. Put it this way: assigning modulations is equally easy and speedy with the modulation grid providing access to modulation source parameters, and all the assigned modulations can be edited via the MOD MATRIX. Meanwhile, a MACRO mode with six user-assignable buttons is included.

It is fair to say that Redshift 6’s slimline back panel packs in a lot of features for interacting with the outside world, including MAIN OUT (L and R) fed by the DSP effects, AUX OUT 1 (L and R), and AUX OUT 2 (L and R) — all on 6.3 mm jacks, alongside a modern MIDI (Musical Instrument Digital Interface) implementation with DIN IN/OUT and USB-B connection — not forgetting, of course, the headphone output.

One of the major design considerations of Redshift 6 is to facilitate a versatile and capable analogue platform with a flexible UI (User Interface) for accommodating new engines, easily updatable via software. Since its oscillators can currently go from traditional twin oscillator to supersaw behaviours while living in perfect harmony with the multimode filter, as well as incorporating various different character profiles — and all this in user-friendly ways that are easily controllable and modulatable, the relatively diminutive desktop Redshift 6 is already punching above its weight. Weighing in at 3.5 kg in actual fact, an exciting future surely lies ahead for Supercritical’s inaugural desktop instrument.


Priced at £1,099 GBP (including VAT)/€1,259.00 EUR (including VAT)/$1,349.00 USD, Redshift 6 is available through Supercritical’s growing global network of distributors, as listed here: https://supercriticalsynthesizers.com/where-to-buy/"

See the dealers on the right for availability.

You can find Redshift demos in additional posts here.

Multitimbrality Comes to Supercritical Synthesizers Redshift 6

Redshift 6 - Multitimbral Techno Tweak video upload by Supercritical Synthesizers

"We are super excited to introduce multitimbrality — it makes the Redshift 6 more than six times more powerful than it already is.

On this demo, we put the Redshift 6’s new multitimbrality feature to the test.

The multitimbrality is currently in beta testing, and this demo uses the beta firmware. The firmware is available on our Discord server. You can join our Discord to access beta versions of the firmware, discuss technical details and development of the Redshift 6, and share demos.

The Redshift 6 is six-part multitimbral, and the new multitimbrality feature makes it possible to assign its six voices in various ways.

The voices can be split into traditional polyphonic keyboard zones, layered across multiple parts to play simultaneously, or, for example, used as six monophonic parts. Thanks to the Redshift 6’s paraphony, these monophonic parts can also be used to play chords.

This demo was recorded live using the Redshift 6’s main and auxiliary outputs. The Dub Chords and Reso Chords were recorded in stereo from the main output and AUX 1. The bass line and noise were recorded in mono from AUX 2.

When the parts are panned left and right, the Redshift 6’s three outputs provide six mono outputs, allowing each of the six parts to have its own dedicated output.

All the synth sounds in this demo were recorded live from the Redshift 6. The drum and FX sounds are samples, created using only the Redshift 6. These samples were sequenced in a DAW after the live tweaking.

We are attending Superbooth 2025 in Berlin. If you're coming to the event, stop by and test the Redshift 6. You can find us at Bungalow B020 in the Bungalowdorf."

Supercritical Synthesizers Releases Redshift 6 Update 1.3 Featuring 6-Part Multitimbrality

Press release follows:

"Supercritical Synthesizers has just released a new firmware update for the Redshift 6 and it’s available on their website. Firmware Update 1.3 introduces 6-part multitimbrality and multitimbral presets.

With Redshift 6, multitimbrality is always at your fingertips. Its user interface is built from the ground up to enable a seamless workflow between mono- and multitimbral setups. Under the hood, Redshift 6 is always multitimbral — there’s no need to switch to a specific multitimbral mode. A new multitimbral synth part can be activated with just the push of a button. Each part can be polyphonic, paraphonic, or monophonic, and each can have its own unique character.

With each of the Redshift 6’s six voices capable of generating up to 16 oscillators for a total of 96, the Redshift 6 offers an impressive expansion in overall polyphony. A single voice supports up to five paraphonic notes simultaneously, each featuring dual oscillators and a noise source. These notes can have independent amplitude shaping, thanks to the Redshift 6’s dedicated DCO ENV envelope generators.

Watch the multitimbral Redshift 6 in action: [posted here]

Added
Multitimbrality
Preset preview: presets are automatically loaded while browsing
Amp & VCF envelope ADSR controls now have CC numbers
Key page now has controls for Low/High key limits
Multitimbral factory presets
Various improvements and tweaks

Fixed

Fixed all known bugs

Supercritical’s Redshift 6
Redshift 6 is a true Sonic powerhouse. With 16 analog oscillators per voice and a 4-pole analog multimode filter featuring drive and character controls, it effortlessly delivers everything from super saw stabs to lush pads and from unison basses to vintage poly synth sounds. The Redshift 6’s 4 envelopes and 4 LFOs, combined with complex yet easy-to-assign modulation possibilities and the 32-slot mod matrix, offer endless possibilities for sound design.

Each of the Redshift 6’s six voices features a Demon Core Oscillator, capable of generating up to 16 simultaneous analog oscillators per voice. These oscillators can be assigned in various ways, from lush polyphonic textures to a massive 96-oscillator unison."

Introducing Supercritical Redshift 6 - Six voice analog Variable Character Synthesizer

video upload by Supercritical Synthesizers

"Supermassively dense analog oscillator combined with a chameleon analog filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company’s previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analog waveforms generated under digital control. The filter core is an analog 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6’s idea is something that is wrapped in the moniker “Variable Character Synthesizer”. Each voice’s analog path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analog polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehavior and beyond. No modeling here - it’s all analog until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6’s six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch color screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analog platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module - Technical specifications
● Six voices each featuring:
● Full analog signal chain
● Digitally controlled analog Supercritical Demon Core Oscillator
● Analog four pole Variable Character Filter
● Flexible gain staging with an analog boost circuit
● Physical audio output per voice (2 main outputs and 4 aux outputs)
● Optional voice chaining
● Bypassable digital effects in main outputs 1-2
● 2.7" TFT IPS color screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
● Quick powerful controls for oscillators and filters.
● Six user-assignable macro controls
● Six parts multitimbral
● Modern MIDI implementation with USB-B connection and DIN IN/OUT
● MPE
● 12V power supply
● Physical dimensions: 378 mm x 254 mm x 63 mm

The Supercritical Redshift 6 will be available in summer 2024 with an MSRP of 1259€" Preorders starting now at https://supercriticalsynthesizers.com

Click the pics for the full size shots.

CLICK FOR MORE »

Redshift 6 - Firmware Update 1.2

Press release follows.

"Supercritical Synthesizers have just released the second firmware update for the Redshift 6 and it’s available at our website. The Firmware Update 1.2 brings Clock, LFO clock sync, NRPN support for parameter control, Mod Lock, and also 65 new presets from Gattobus, Starsky Carr, and our team.

VERSION 1.2

Added
Clock that can be synced via MIDI
LFO clock sync
Tap tempo
All parameters can now be controlled with NRPN and some with CC
Velocity to Amp quick modulation on AMP page
Mod lock
Double-tap a mod source to latch mod assignment mode
Hold a source and double-tap another one to latch mod + via assignment
Tap the blinking source or via button or Esc to unlatch
DCO keyfollow setting -400% to 400% on the KEY page
Keyboard octave switching: Up/Down on Key page, or Shift + Up/Down anywhere
Filter keyfollow snap to nominal 1:1, 2:1, 3:1 (these are not super accurate in self oscillation)
65 new presets by Gattobus, Starsky Carr and our team

Changed
New parameter adjustment logic
Default is as previously, except adjustment is more responsive (much smaller “deadzone” when starting to move a knob)
Holding shift now enables parameter fine tuning, allowing for much smaller adjustments (you can for example adjust tune by less than a cent)
Double-tap Shift to latch fine tune mode, tap Shift or Esc to unlatch
Parameter steps are now accessed by holding down a knob while turning
Perform page now shows clock status and incoming MIDI
Clarify a bunch of names around the UI
LFO Reset Phase now has steps at 25%, 50% and 75%
DCO Stack & Detune visualization now more accurately reflects what’s happening in the voice
Short grace period after adjusting modulation to prevent accidentally changing the parameter
Keyfollow now also follows pitch bend and portamento (might change behaviour of some presets)
Minor visual tweaks and fixes

CLICK FOR MORE »

Supercritical Synthesizers Redshift 6 Gets a Firmware Update

press release follows:

Supercritical Synthesizers have just released the first firmware update for the Redshift 6 and it’s available at our website.

The Firmware Update 1.1 brings USB MIDI, new modulation destinations such as: Character, Detune, envelope Attack, Decay, Sustain & Release and also new presets from Kebu.

VERSION 1.1

Added
• USB MIDI
• New modulation destinations: Character, Detune, envelope Attack, Decay, Sustain & Release
• New presets by Kebu

Improved
• LFO Trigger parameter is now named Sync

Fixed
• Fix reversed visualizations of LFO Log vs. RevLog waveforms
• Dual Osc Noise level is now affected by DCO env in para mode, and by gain scaling related to character and drive,
as it should be. This may affect the noise level in some presets.
• MIDI notes now stop when:
- All Notes Off CC123 is received
- MIDI channel setting is changed
- MIDI Panic is pressed from front panel
• Repeatedly pressing MIDI Panic no longer crashes the synth
• On fast envelope decays, the envelope no longer gets stuck to its previous sustain value, when sustain level is changed
or modulated
• Fix potential loss of autosave or presets
• Minor visual fixes

The next Redshift 6 firmware update is already in beta testing and is expected to be released in March.

Supercritical’s Redshift 6
Supercritical’s Redshift 6 is a 6 voice polyphonic analog synthesizer that combines technology from Supercritical’s previous products, the Demon Core Oscillator and the Neutron Flux Filter.

Redshift 6 is a true Sonic powerhouse. With 16 oscillators per voice and a 4-pole analog multimode filter featuring drive and character controls, it effortlessly delivers everything from super saw stabs to lush pads and from unison basses to vintage poly synth sounds. The Redshift 6’s 4 envelopes and 4 LFOs combined with complex, but super easy-to-assign modulation possibilities and mod matrix offer endless possibilities for sound design.

For more in-depth info, including technical specifications, please visit the Redshift 6 webpage:

https://supercriticalsynthesizers.com/redshift6/

Redshift 6 - Multitimbral Sound Demo

video upload by Supercritical Synthesizers

"Supercritical is thrilled to unveil multitimbrality for the Redshift 6 — a powerful new feature that makes the Redshift 6 more versatile than ever.

With six-part multitimbrality, the Redshift 6 can now assign its voices in multiple ways: split across keyboard zones for traditional polyphonic setups, layered to play rich, combined textures, or used as six independent one voice parts. Thanks to its paraphonic architecture, those one voice parts can still be played as full chords.

The update also unlocks the Redshift 6’s two auxiliary outputs, allowing individual timbral parts to be routed separately for more flexible mixing and sound design.

You can try the multitimbral Redshift 6 yourself at Superbooth 2025 — visit us at Bungalowdorf B020 in Berlin.

The multitimbral beta firmware is available now on the Supercritical Discord for all Redshift 6 users."

Redshift 6 - Multitimbral 6-Part Techno Tweak

video upload by Supercritical Synthesizers

"Redshift 6 - Multitimbral 6-Part Techno Tweak

All sounds in this demo come from the Redshift 6. The kick was sent out dry from the main output, while the other five parts — including the hi-hat, rumble, two LFO-bleep tracks, and a backing synth track — were routed through the auxiliary output. The aux output was fed into a Zoom Multistomp MS-100 pedal for delay and reverb.

With Redshift 6, multitimbrality is always at your fingertips. Its user interface is built from the ground up to enable a seamless workflow between mono- and multitimbral setups.

Under the hood, Redshift 6 is always multitimbral—there’s no need to switch to a specific multitimbral mode. A new multitimbral synth part can be activated with just the push of a button. Voice allocation, polyphony/paraphony, group settings, and other parameters are easily configured in the Parts view.

Multitimbrality allows Redshift 6 to function as multiple independent synthesizers. Each part can be polyphonic, paraphonic, or monophonic, and each can have its own unique character."

Redshift 6 - Melodic Techno Demo

video upload by Supercritical Synthesizers

"In this Melodic Techno demo, the Redshift 6 is playing four live parts multitimbrally:

Part 1: Polyphonic arpeggio line
Part 2: Stereo unison bass line
Part 3: 5-note paraphonic chord pad
Part 4: Monophonic 303-style bass line

All parts were recorded to separate tracks using Redshift 6’s six individual outputs.Drums and FX were added in post-production in the DAW.

With Redshift 6, multitimbrality is always at your fingertips. Its user interface is built from the ground up to enable a seamless workflow between mono- and multitimbral setups.

Under the hood, Redshift 6 is always multitimbral—there’s no need to switch to a specific multitimbral mode. A new multitimbral synth part can be activated with just the push of a button. Voice allocation, polyphony/paraphony, group settings, and other parameters are easily configured in the Parts view.

Multitimbrality allows Redshift 6 to function as multiple independent synthesizers. Each part can be polyphonic, paraphonic, or monophonic, and each can have its own unique character."

REDSHIFT CONSULTING Synth Projects

REDSHIFT CONSULTING just wrapped up  fixing a couple of Chroma voice boards for me.  You can see them pictured below. They also make the Rhodes Chroma Enabler and Enabler 2.0. You can find some posts here on MATRIXSYNTH featuring REDSHIFT CONSULTING and the Rhodes Chroma Enabler. REDSHIFT where often featured early on in the "On The Bench" posts.

Along with specializing on the Rhodes Chroma, they have worked on the following:

5.1 VOLUME BOX 2.0
AKAI S700
ELKA SYNTHEX
EMU EMAX
MOOG POLYMOOG 280A
MOOG TAURUS II
OBERHEIM OB-SX
OBERHEIM OB-X 1
ROLAND SH-101
ROLAND TR-606
RHODES CHROMA CARDS

You can find details on what they did for each here.

They are available for other projects as well. You can reach out to them at redshift-consulting.com

"Redshift Consulting has a long history of sussessful projects that live at the intersection of the Arts and Sciences. We're happy to take on technical and artistic challenges large and small."

Redshift 6 - From Reset To Preset: 6-part Preset for Live Keys

video upload by Supercritical Synthesizers

00:00 - 6-part multitimbral preset for live playing
00:15 - Part 1 - el.piano: setting 5-note paraphony, DCO, VCF, and AMP shaping with VCF and AMP ENVs
02:08 - Part 1 - el.piano: adding Pan and Volume modulations
03:15 - Part 1 - el.piano: adding pitch transient (detune and osc2 pitch) with Aux ENV
04:30 - Part 2 - pad: setting 5-note paraphony, DCO, VCF, and AMP shaping with VCF and AMP ENVs
05:05 - Part 2 - pad: layering with el.piano
05:16 - Part 2 - pad: adding glide, detune, pan modulation
06:00 - Part 2 - pad: adding pitch modulations (TRI & SAW LFOs)
06:43 - Part 2 - pad: layering with el.piano, adding stereo panning
07:11 - Part 1 & 2: setting key zones for both parts
08:00 - Part 6 - bass: setting 1-note mono, ladder character, basic bass sound shaping
09:01 - Part 6 - bass: adding to Group A, key zone limits
09:16 - Part 1 & 2 & 6: layering el.piano, pad and bass
09:28 - Part 6 - bass: glide, legato, tweaking
09:48 - Part 1 & 2 & 6: layering el.piano, pad and bass
10:02 - Part 3 - FX sweep: setting noise source, BPF filter mode, ENV tweaking
11:55 - Part 3 - FX sweep: adding Group A for layering, fine-tuning
12:33 - Part 3 - FX sweep: pan modulation, key zones
12:50 - Part 4 - pluck: setting 1-note mono, basic shaping
13:35 - Part 4 - pluck: adding randonNote pan modulation, fine-tuning
14:05 - Part 4 - pluck: adding Group A, key zones
14:22 - Part 1 & 2 & 3 & 4 & 6: layering all and fixing decay vs release
15:07 - Part 5 - lead: tuning, key zones, stack, detune, ENV shaping
15:42 - Part 5 - lead: 1-note mono, 2-voice unison with pan spread, fine-tuning, adding Group A
16:15 - Layering all parts

"With Redshift 6, multitimbrality is always at your fingertips. Its user interface is built from the ground up to enable a seamless workflow between mono- and multitimbral setups. Under the hood, Redshift 6 is always multitimbral — there’s no need to switch to a specific multitimbral mode. A new multitimbral synth part can be activated with just the push of a button. Each part can be polyphonic, paraphonic, or monophonic, and each can have its own unique character.

With each of the Redshift 6’s six voices capable of generating up to 16 oscillators for a total of 96, the Redshift 6 offers an impressive expansion in overall polyphony. A single voice supports up to five paraphonic notes simultaneously, each featuring dual oscillators and a noise source. These notes can have independent amplitude shaping, thanks to the Redshift 6’s dedicated DCO ENV envelope generators."

BAF 2025: Supercritical Redshift 6

video upload by sonicstate

"At the Buchla and Friends booth, we caught up with Jussi at Supercritical who demonstrated the *Redshift 6*. This synthesizer, recently made available for purchase, had already been shipping since December. As Jussi explained to us, the Redshift 6 is a six-voice polyphonic synthesizer, each voice featuring a digitally controlled DCO oscillator and a custom-designed filter. The instrument is largely analog, with the exception of its digital effects, allowing for some intriguing sound possibilities.

A standout feature of the Redshift 6 is its extensive modulation capabilities and the ability to generate up to 16 oscillators per voice, resulting in a total of 96 oscillators. The device's filter topology can mimic various classic styles, such as ladder, Roland, and 303 filters, with the potential to introduce new characters over time.

Jussi also shared that the Redshift 6 retails for $1,349."

Redshift 6 - Superbooth 2025 Sound Demo

video upload by Supercritical Synthesizers

"Hear all our multitimbral Redshift 6 presets for the Superbooth 2025 — no talking, just pure playing.

These presets showcase a wide variety of sounds, from classic analog poly-synth layer splits to rich single-layer textures and one-key wonders.

The Redshift 6 is a 6-voice analog poly, but with 16 oscillators per voice, it goes far beyond the capabilities of a traditional 6-voice synth. Each voice can be played paraphonically, significantly extending the overall polyphony.

Thanks to its flexible voice allocation, voices can be used in splits, layers, or as fully independent parts — each with its own MIDI channel and controls. In essence, every voice is its own synthesizer. And with paraphony, even a single voice can become a polyphonic synth.

All the sounds in this demo are played live using a single Redshift 6, with no external FX.

Huge thanks to Novation for the Launchkey 61 MK4!

The multitimbral beta firmware is available now on the Supercritical Discord for all Redshift 6 users."

SUPERBOOTH 2024: Supercritical - Redshift 6 Polysynth

video upload by sonicstate

"At Superbooth 2024, Timo from Supercritical showcased the *Redshift 6*, an analog polysynth with six voices. The Redshift 6 features a versatile *Demon Core *DCO design that allows for up to 16 notes to be played simultaneously. The synth offers a range of engines, unique sync tricks for creating complex, polyphonic sounds, and it's 6 part multitimbral. The filter section boasts a multimode filter engine with customizable character settings and a phaser engine for classic phaser effects.

In addition to its powerful sound engine, the Redshift 6 includes a stereo mix bus with per-voice panning and a digital effects section with delay, chorus, and reverb (expected in future updates). It's all analog until the bypassable stereo DSP effects processor.

Redshift 6 Available for pre-order. Price 1,259 Euros"

Redshift 6 - Solar Wind Surfing

video upload by Supercritical Synthesizers

"For this demo track we set up three Redshift 6’s that each play their own part.

Strings: AURORA STRINGS - Character: Crisp
Lead: SPACE CAT - Character: Sour
Bass: POLARIS BASS - Character: Sour

Effects in this demo are external effects. Delay: Meris Polymoon, Reverbs: Meris Mercury 7 and Eventide H9.

The phaser effect on the Aurora String patch is created using the Redshift 6’s Phaser Filter Engine. The Phaser Filter engine is in the test stage and will be added in the future firmware updates.

We hope you enjoy this one and see you in the next video.

You can find more info about the Redshift 6 synthesizer on our website: https://supercriticalsynthesizers.com"

Redshift 6 - Bassline Tweak

video upload by Supercritical Synthesizers

"Redshift 6 is a Variable Character Synthesizer with 5 different characters: Liquid, Crisp, Fat, Mean and Sour.

These characters affect how the filter sounds, and using the different characters, the Redshift 6’s filter can act like almost any classic vintage synthesizer filter and beyond. Besides the filter, these characters also affect the various parameters, from envelope shapes to slop between oscillators.

In this demo, you can hear the different characters with various filter cutoff and resonance settings.

0:00 FAT UNISON BASS
0:44 SQR HOUSE BASS
1:25 SQR SUB OSC BASS
2:05 REESE BASS
2:55 DRIVE UNISON BASS
3:39 ACID SQUARE BASS
4:36 FUNKY UNISON BASS
5:09 LFO SQUARE BASS

The audio is a dry signal from the Redshift 6 without any external effects."

Redshift 6 - Techno Tweak

video upload by Supercritical Synthesizers

"The hypnodub techno demo track was multitracked using just Redshift 6. All sounds, including drums comes from the Redshift 6.

With the 96 analog oscillators, the Variable Character Filter and its five distinct filter characters, the Redshift 6 provides an excellent starting point for deep sonic exploration."

Redshift 6 - From Reset To Preset: Stuttering DCO Echoes

video upload by Supercritical Synthesizers

"In this video, we create a two-part synth split featuring a stuttering synth lead and a unison bass pad.

With Redshift 6, multitimbrality is always at your fingertips. Its user interface is built from the ground up to enable a seamless workflow between mono- and multitimbral setups.

Under the hood, Redshift 6 is always multitimbral—there’s no need to switch to a specific multitimbral mode. A new multitimbral synth part can be activated with just the push of a button. Voice allocation, polyphony/paraphony, group settings, and other parameters are easily configured in the Parts view.

Multitimbrality allows Redshift 6 to function as multiple independent synthesizers. Each part can be polyphonic, paraphonic, or monophonic, and each can have its own unique character.

00:00 Intro
00:22 Part 1 - Stuttering Synth Lead
01:52 Part 2 - Saw Bass Pad
02:20 Setting Polyphony and Group Assignments for Parts
03:05 Setting the Keyzone for the
04:06 Selecting the Character for the Bass Pad
04:45 Assigning Unison for the Bass Pad
05:25 Assigning LFO Filter Modulation for the Bass Pad
08:42 The Final Result"

Redshift 6 - From Reset To Preset: Poly-aftertouch Super Saw Keys

video upload by Supercritical Synthesizers

"On our From Reset To Preset series, we noodle sounds from scratch, and showcase our new Redshift 6 synthesizer in use.

On this lush keys sound, we take advantage of the Redshift 6’s DCO stack to create a thick super saw on each 6 voices. The filter cutoff is modulated with key follow, note velocity and auxiliary envelope, while the amplifier is modulated with LFO and auxiliary envelope to give movement to the sound.

Voices are spread in stereo to add dimension to the sound. On a final touch, the polyphonic aftertouch is assigned to the filter cutoff to offer more expression when playing."

Redshift Studio

Redshift Studio
"Housed in a 150 year-old timber-framed sheep barn set on a riverfront property in historic Essex, Connecticut, Redshift Digital Audio provides the perfect setting for music composition, audio recording, and digital editing.

The floor plan includes a control room and two- story tracking room with views of the pond and Connecticut River, and a loft for music composition, video editing, and 5.1 audio editing.

The studio is in walking distance to downtown Essex, featuring pubs, eateries, shopping, and a celebration of rich maritime tradition."
via leave luck to heaven.