d16 Group Introduces Lush 2

D16 Group Lush 2 VSTi ( MultiLayer Polyphonic Synthesizer ) #d16group #lush2 #vsti #vst
video upload by VST'S SOUNDS

D16 Group - Lush 2 (No Talking)

video upload by Elektronick Musick

via d16 Group

More than an 8-trick pony
Lush 2's multilayer architecture gives you access to virtually limitless sound design possibilities and a wide spectrum of applications.

Powerful, yet practical. An easy-to-tweak instrument that helps you find hit sounds in seconds, unleashing its and your maximum potential

Lush 2 isn’t based on just a single machine; it’s built from modules that can be found in many modern virtual synths, combined into one compact, logical layout. Don’t let its looks fool you: though it may look benign at first, its modular, multi-layer architecture takes it beyond simplistic poly-synths to the top shelf of extremely powerful, deeply programmable and devilishly versatile instruments in your arsenal. Suspiciously accurate sound is achieved only through experience: countless hours were spent analyzing classic analogue synthesizers, and then designing and implementing DSP algorithms with close attention to every component in the signal path - not just approximating its overall output. We deliver to you a synth built on oscillators of uncompromising quality, filters with an incredibly natural warmth and character, and best-in-class effects. On top of that, with all of the layers, multi-layer options, and routing capabilities the plugin offers - there’s no end to what you can do with just a single instance of Lush 2

Synthesizer
Lush 2 lets you reach “unheard of” levels of creativity - each layer works as an independent synthesizer with its own polyphony, parameters, enhanced arp, and a choice between 8 of the finest insert effects.

Modulation matrix
An entire page dedicated to assigning your modulation to nearly any parameter - pick a source, pick a destination, set an amount: creative modulation!

Mixer
Lush 2 also comes complete with a powerful built-in mixer, complete with layer-independent parametric equalizers and compressors that can be rearranged. Volume, pan and superb send effects allow you to put the finishing touches on the final output.

AKAI AX80 8 voice polyphonic synth

Note: Auction links are affiliate links for which the site may be compensated.
Akai ax80 sounds Published on Mar 6, 2016 euphuistic

"Some moody sounds from the Akai ax80. Fantastic synth, has a unique sound (in a good way), blends well with other synths / VST's also has a lovely resonant filter."

Akai AX80 - demo by syntezatory.net.pl

Published on Jan 5, 2008 Jexus

"Visit [syntezatory.net.pl] - You can contact me there.

Demo of Akai AX-80. All sounds programmed by WC Olo Garb. Video editing by WC Olo Garb.

This video was created for nonprofit educational purposes only, namely to present the possibilities of sound creation in a given type of musical instrument."

via this auction

Two videos above via the listing.

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Aenemon (original mix)

Aenemon (original mix) by alienrobotdance
"aenemon-original-mix

Bass sound: Juno 60. I've sent a very low sinus osc through it's filter and that is what's modulating the filter.
Higher sharper sound: Korg Poly 800.
Other sounds: JX3P

Drums are various samples. Snare is a layered 707. Kick is 808 + 707. Hihats and perc are 707 and 727, other sounds are sampled from various loops (mostly from vinyl)."

"This track was made last week: 'Go!'
http://soundcloud.com/alienrobotdance/go

Everyhting I make is with analog synths. No vst's are used at all.

I also put up some old tracks collected in the album 'Give Me Your Analog' for download here: http://www.megaupload.com/?d=NAJJ8NBD

My blog is still updated regularly. You can find it here: http://alienrobotdance.wordpress.com"

Live Synthesizer Jam 55 : Teenage Engineering PO-12, Microkorg, Nexus 2, Sylenth1, GarageBand.

Published on Nov 29, 2016 Todd Smith

"Band Camp Link - https://toddsmithmusic.bandcamp.com/

This is a early version of a work in progress. I plan to play with muting and add variations in the piano sound. I'm thinking of using hardware synths with the same midi sequence as the piano for the 2nd 1/2 of the song.

I'm using a build up I've used many times in previous hardware jams but using Ableton to expand the idea. Again, this is a very early version. The idea will be expanded and worked on a lot more in the future.

The current version is all VST synthesizer sounds. The VST's used are Nexus 2, Sylenth1 and Garage Band. Teenage Engineering PO-12 is layered for the drums. I plan on adding more hardware sounds into the next version.

All sequencing and effects comes from Ableton Live. Effects are all Waves VST and include the SuperTap6 9 (Delay) IR1 (Reverb) and Infected Mushroom Pusher.

Korg Microkorg ( used as midi controller )

Teenage Engineering PO-12
Behringer Micromix MX400
Tascam US-144mkII Audio Interface
Waves Effects
Sylenth1 VST
Nexus 2 VST
GarageBand
Ableton Live 9"

Creating and Transferring Wavetables - Novation Peak

video upload by Mad Robot

Anaheim, CA – January 22, 2025: Native Instruments is making it easier than ever for music producers to explore new sounds on their favorite controllers by launching its Native Kontrol Standard (NKS) Hardware Partner Program, announced today at NAMM 2025. Industry leaders Akai Professional, Novation, Nektar, Korg, and M-Audio are adopting the NKS ecosystem to power seamless integration with Native Instruments software. This connects music makers to over 2,000 NKS-compatible instruments and effects from more than 250 brands.

“This expansion highlights the impact of collaboration,” says Simon Cross, Chief Product Officer at Native Instruments. “It marks an important milestone in our mission to provide musicians with an open, connected platform, making professional-grade tools, instruments, and technology more accessible to creators everywhere.”

Native Kontrol Stand"Wavetables are a fantastic tool to expand your sonic horizons.
But sometimes the ones built in the Peak aren't enough.
And how cool would it be to 'bake' one of your favorite VST's patch down to a wavetable that you can then play around with inside the Peak ?

This video is based off knowledge shared by @StarskyCarr in a super well made tutorial [see here, and here]. I decided to make my own specifically for the Peak/Summit since the workflow is a bit tricky.

Although the video is 25 minutes long it takes only 4-5 minutes to transfer a new wavetable when you're used to it.

Here are the steps to reproduce :

1- Find a patch in any VST that you'd like to create a wavetable for.
2- Automate parameters over a few seconds of this patch playing using a midi clip and a linear envelope(s)
3- The note playing needs to be an F2 detuned by -23ct. This is how we're gonna get the right amount of samples (256) per cycle
4- Record the note and automation using an audio track listening to the VST's track output
5- Send the recorded audio to Audacity
6- Change Audacity's sample rate to 44100 and its time display units to "samples" (bottom left corner)
7- Copy / paste on a new track a small portion of the beginning, 1/4, 1/2, 3/4 and end of the recording.
8- Analyze how one shape might morph into the next, and use that knowledge to determine the starting position of the waveform selections.
Ideally the selection starts when the waveform crosses the 0dB line.
8.1- Manually enter "256" in the audacity selection box to have exactly the right amount of samples. Ctrl+c to copy, then delete the sample crop, and paste it back in the track to have only your 256 samples selection.
9- Do that for the 5 samples and make sure they're one after another without space in between. Delete the first track.
10- Select the 5 samples by clicking on the first one and manually typing "1280" in the selection length.
11- Go to File - Export - Export Selected Audio , and export as a .wav
12- In Novation Components, after selecting "Manage Peak", in the wavetable editor, create wavetable and then "import" - "Audio File" - select the wav you just created - Import as Wavetable
13- Save your wavetable and send it to a free slot. That's it !"

MJ’s “Beat It” - Hidden Machine Gun Sound

video upload by Anthony Marinelli Music

"In this Video I’ll show you how I made the 'Machine Gun Sound' in MJ’s 'Beat It'. It’s kind of a hidden sound, but it serves an important purpose in the orchestration of the song to create tension and energy just before Eddie Van Halen’s iconic guitar solo. This is one of many examples of the nuances that can be found in the arrangements of the songs on the album.

We’ll also shine the spotlight on Thriller engineer Bruce Swedien’s ability to know when and how to use a sound like this and when to get it out of the picture to create space for other sounds. This concepts can be applied to any style of music you are creating.

I made the original sound using an ARP 2600 & Dr. Click but you can re-create this sound on your VST with less effort.

00:00 Music Example of The Hidden 'Machine Gun Sound' on 'Beat It'
00:08 Intro
00:15 History of the "Machine Gun Sound"
00:46 Working with Michael Jackson on "Beat It"
02:14 Syncing the 16th note "Machine Gun Sound" to the drum beat
03:51 How to set the waveforms (VCO's)
05:02 How to set the Sample & Hold Generator (S&H)
05:19 How to set the Voltage Controlled Filter (VCF)
05:58 how to set the Voltage Controlled Amplifier (VCA)
07:35
07:49 How Bruce Swedien created Arrangements & Orchestrations when Mixing Thriller
09:57 understanding the concept of the "Machine Gun Sound" to re-create it on VST's
11:25 Full Music Example"

https://www.anthonymarinellimusic.com

See the Garfield Electronics label beloww for additional posts featuring the Doctor Click.

Synth Stuff Ep. 57 - E-mu Emax SE

Published on Jun 15, 2019 tritonrecordings

"There were many versions of the original gray Emax sampler. The SE added onboard synthesis. The originals are the more sought after model due to the analog filters as the Emax II had digital ones. Personally I like both can't say I really have a preference. Is it worth getting one of these? That's up to you - but this makes a great alternative to the great but costly Emulator and Emulator II. it would be interesting of someone came out with a new keyboard sampler. I'd love to sample my vintage synths or VST's so I can use the sounds live without the use of a laptop..."

The Blip Festival 2008

pictured: IAYD

"About the Show:

Archaic game and home computer hardware is recast into the unlikely role of musical instrument and motion graphics workstation in the BLIP FESTIVAL 2008, a four-day event showcasing nearly 40 musicians and visual artists occupying the international low-res cutting edge. The Blip Festival takes place DECEMBER 4—7, 2008 at The Bell House, and is presented by Manhattan art organization THE TANK and NYC artist collective 8BITPEOPLES.

***We are pleased to announce that there will be 2 for 1 drink specials from 7-8pm NIGHTLY during the festival! Also, the complete schedule is now officially ANNOUNCED!***

Of particular note, we are extremely excited about the international performers set to play this year, particularly those making their US DEBUT:

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blaster by lithium sound

YouTube via UPROAR24 | February 15, 2011 |

"blaster is a ray gun noise making machine that has almost all the science fiction ray gun sounds that you would expect to here and some vst's are just plain fun to play with like this one.
for more information visit
http://lithiumsound.webs.com/index.html
also check out
Anawave, Waveform, Silver Bass and an old favourite of mine Rastabox if you want to see the video i made of this click on this link http://www.youtube.com/watch?v=ottgLq... [below]
http://www.freewebs.com/lithiumsound/..."

RASTA BOX