Steampipe synth arp noodle session w/ exquis

video upload by Harmonic Sonics

Cherry Audio Introduces Harmonia - New and Original Wavesequencer & Vector Based Virtual Instrument

video upload by Cherry Audio

Introduction to Harmonia - Oscillator Basics | Cherry Audio


"Synth designer Mitchell Sigman of Cherry Audio introduces HARMONIA, a new and original virtual instrument designed to effortlessly create rich, evolving polyphonic sounds often associated with vector and wavesequencer synthesizers of the 80s and 90s.

In this tutorial video, Mitchell details the unique oscillators at heart of Harmonia. Using techniques similar to those found in additive synthesis, each Harmonia oscillator can simultaneously produce up to eight pitches, individually tuned to a harmonic series or semitones. Using modulation, producers can effortlessly create unique morphed and sequencer-like tones by varying the combinations of waveform selection and harmonic presets.

Harmonia is available at https://cherryaudio.com and authorized resellers worldwide for $49 (MSRP $69)"



Harmonia is the latest innovation in virtual synthesizers from Cherry Audio, following on from their acclaimed original instruments, Dreamsynth and Sines. We designed Harmonia to create rich, evolving polyphonic sounds like those associated with vector and wave sequencing synthesizers of the 80s and 90s, but through a more effortless and visual technique.

The magic behind Harmonia lies in its two sample-based oscillators. Using techniques similar to those found in additive synthesis, each Harmonia oscillator can simultaneously produce up to eight pitches, individually tuned to a harmonic series or semitones. The volume for each pitch harmonic can be fixed or dynamic, and Harmonia’s unique interpolated harmonic scanning enables dramatic sweeps and melodious sequences through a single modulatable slider.

Harmonia derives its distinctive organic sound from hundreds of sampled waveforms recorded from various synthesizers, traditional instruments and voices, colorful “lo-fi” sounds, and more. User samples can be imported, further expanding Harmonia’s tonal palette. Producers can effortlessly create unique morphed and sequencer-like tones by varying the combinations of waveform selection and harmonic presets.

Harmonia reaches new heights by providing four syncable polyphonic LFOs, an expansive stereo multimode filter, click-and-drag envelopes, and a massive mod matrix with eight slots for dozens of sources and destinations. Harmonia includes support for aftertouch, flexible MIDI mapping, and a collection of over 350 breathtaking, professionally designed presets. Harmonia also has 17 studio-quality effects such as distortion, chorus, phaser, echoes, reverbs, and more - all fully modulatable through the matrix.


Harmonia Preset Pack Preview - Euphonic Sonics by James Dyson


Also available: Euphonic Sonics for Harmonia Preset Pack (sold separately), featuring 100 fabulous presets further showcasing Harmonia's outstanding atmospheric tones, compelling sequences, dreamy pads, basses, poly synths, keys, leads, and more.

'A Moment in the Rain' by James Dyson, performed with presets from the Cherry Audio Preset Pack "Euphonic Sonics for Harmonia." This preset pack for Harmonia is a collection of 100 additional presets by sound designer James Dyson. Available exclusively through Cherry Audio for $9.99, sold separately and requires Harmonia.

https://store.cherryaudio.com/presets...

• Harmonia is available in AU, VST, VST3, AAX, and standalone formats.
• A free 30-day demo is available. This demo will play white noise periodically, but is otherwise unlimited.
• macOS Requirements: macOS 10.13 or above. 64-bit required. Native Apple M1 processor support, including Apple M1 Ultra. 3.4 GHz Quad-Core or M1 CPU with 8GB of RAM recommended.
• Windows Requirements: Windows 7 or above (including Windows 11), 64-bit required. Quad-core computer with 8GB of RAM recommended.
• Hard disk space: 116 MB

And two videos from supporting member, CatSynth TV:

Cherry Audio Harmonia Part 1: Harmonic Interpolated Scanning Oscillator

video upload by CatSynth TV



Cherry Audio Harmonia Part 2: Multiple Oscillators, Filter, Effects

Vergers by Sarah Davachi on the EMS SYNTHI 100

"Released (LP) November 2016 by Important Records

Composed, performed, recorded, and mixed by Sarah Davachi
Mastered by James Plotkin
Layout by Konrad Jandavs
Special thanks to Richard Smith

Vergers is Davachi's third full-length release following Barons Court (2015, Students of Decay) and Dominions (2016, JAZ Records), and her second appearance with Important Records following 2014's August Harp cassette on the Cassauna imprint. In this work, she meditates on a single electronic instrument, the EMS Synthi 100 synthesizer, while also weaving sparse acoustic elements – her own voice and violin – into a series of three long-form, muted gestures.

Elements of distance and alienation are certainly at play in the textural quality of these compositions, a feeling that is further defined by track titles that reference the spirit world and an album title that calls to mind the solitary tasks of the church orderly. The record opens with the aptly titled, 'gentle so gentle', a side-long movement that harkens the glacial character of Davachi's previous efforts. 'ghosts and all' and 'in staying' suggest a more disjointed path, with the latter culminating in a subtly dissonant dirge that leaves little absolve between the organic, the artificial, and the impermanent.

released November 25, 2016"

Sarah Davachi - Vergers Promo Published on Nov 29, 2016 Shasta Cults

In the video above Sarah Davachi plays with a SYNTHI AKS.

Update: via Sarah Davachi's bio page:

"Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philosophy from the University of Calgary, and a master's degree in electronic music and recording media from Mills College in Oakland, California. As a composer of electronic and electroacoustic music, Davachi is engaged in practices of analog synthesis, psychoacoustic manipulations, and studio composition. Davachi's compositional projects are primarily concerned with disclosing the antiquated instruments and forgotten sonics of a bygone era in analog synthesis, with concurrent treatment of acoustic sources – particularly organs, strings, and woodwinds – often involving de-familiarization through processing. Her work considers the experience of enveloped sonic dwelling, utilizing extended durations, gradual transformations in texture, and simple harmonic structures that emphasize variations in overtone complexity and natural phasing patterns.

Her work as a music researcher concerns aspects of experimentalism, organology and archival study, and phenomenology and perception, and has been published and presented within Canada, the United States, and the United Kingdom..." You can find her full bio here.

Be sure to check out some of her other releases here: http://sarahdavachi.bandcamp.com

SARAH DAVACHI AUGUST HARP Featuring Buchla, SCI, and EMS

"August Harp is Davachi's second release, and is reflective of her ongoing exploration into the topography of spectrally immersive textures and aural environments. The compositions on this album consider notions of sustenance, shifting harmonic spectra, psychoacoustic derivation of artificial resultant tones, and interior movement within a semblance of stasis. Over the past five years, Davachi's compositional projects have been primarily concerned with disclosing the antiquated instruments and forgotten sonics of a bygone era in analog synthesis; her work on August Harp puts forth offerings from Buchla & Associates, Sequential Circuits, and EMS (London), subsuming transitions that took place between 1968 and 1981..."

You can find the release on importantrecords here.

UVI© Digital Synsations - Yamaha SY77, Korg M1, Roland D50 & Ensoniq VFX

Digital Synsations | Official Trailer UVI©

Published on Apr 11, 2013

❐ Buy Digital Synsations : http://bit.ly/digital-synsations
❐ UVI Official Website : http://www.uvi.net
❐ UVI Official Blog : http://blog.uvi.net

"A brand-new massive library inspired by four 90s classic keyboards -- the Yamaha SY77, the Korg M1, the Roland D50 and the Ensoniq VFX : UVI Digital Synsations

Digital Synsations includes over 500 patches expertly programmed on a fully restored Yamaha SY77, Korg M1, Roland D50 and Ensoniq VFX‚ used by many of the greats including Depeche Mode, The Cure, Pet Shop Boys, Vangelis, Brian Eno, Toto, 808 State, Jean Michael Jarre and more.

We deeply multi-sampled these custom patches using top-shelf equipment and edited them to perfection before sending them off for professional mastering. These sonics became the foundation for our new hybrid instrument and combined with the UVI Engine give you the true character of these classic synths with all of the peculiarities and programming by products intact. Not only that but you get them in an extremely easy to use and fast to edit environment complete with all the features you expect from a modern virtual instrument.

If you're looking for a new take on the 90's sound, or just some new classic synth inspiration then look no further.

———————————————————————————

* UVI is not affiliated, endorsed or sponsored by the Yamaha Corporation, the Korg Corporation, the Roland Corporation or the Ensoniq Corp. All trademarks are held by their respective owners.

** iLok required"



"UVI introduces a massive library inspired by four 90s classic keyboards – the Yamaha SY77, the Korg M1, the Roland D50 and the Ensoniq VFX : UVI Digital Synsations

A NEW BREED

In the late 80's and early 90's the synthesizer landscape began to change. A new breed of keyboards began appearing in shops, records and on stage; matte black behemoths eschewing the familiar knob arrays for uniform clusters of discrete buttons and glowing green LCD screens. They signaled more than a shift in interaction with our musical counterparts‚ they ushered in the era of the digital synth.

To those willing to forgo the immediacy and ease-of-editing of the analog synth world these keyboards offered amazing features for the time; massive polyphony, extensive on-board sequencers and pattern memory, removable storage and digital effects. In addition to the immediate benefits of digital processing some of these keyboards also dawned innovative hybrid synthesis techniques, combining sample playback with classic methods allowing synthesists and musicians the opportunity to explore new sonic territory.

4 CLASSICS, MASSIVE PATCH LIBRARY

The possibilities with a few of these classics was more than we could bear and became the inspiration for our new project, Digital Synsations. We took 4 classic keyboards from the era and set our sound designers loose, tasking them to return with boundary-pushing sounds‚and they did. Digital Synsations includes over 500 patches expertly programmed on a fully restored Yamaha SY77, Korg M1, Roland D50 and Ensoniq VFX‚ used by many of the greats including Depeche Mode, The Cure, Pet Shop Boys, Vangelis, Brian Eno, Toto, 808 State, Jean Michael Jarre and more.

PRISTINE SOUND, DEEPLY EDITABLE

We deeply multi-sampled these custom patches using top-shelf equipment and edited them to perfection before sending them off for professional mastering. These sonics became the foundation for our new hybrid instrument and combined with the UVI Engine give you the true character of these classic synths with all of the peculiarities and programming by products intact. Not only that but you get them in an extremely easy to use and fast to edit environment complete with all the features you expect from a modern virtual instrument.

If you're looking for a new take on the 90's sound or just some new classic synth inspiration then look no further.

SYNSATIONAL INSPIRATIONS

The SY77 combines next generation FM synthesis with 16-bit sampled sounds from internal memory or stored on removable ROM cards. The AFM engine on these synths allows you to freely apply filters and envelopes to any of the sampled sounds and then roll the resulting waveforms back into the FM algorithm prior to further filtering. This novel approach, dubbed RCM hybrid synthesis, can be used to yield extremely versatile sonic results.


The M1 employs AI (Advanced Integrated) synthesis, a hybrid synthesis engine that allows the creation of sounds made up of 16-bit multisamples or harmonic tables generated from by digital analysis from sample data similar to additive synthesis. These methods can be employed in parallel for even greater sonic diversity.

The VFX used a wavetable like synthesis method similar to that of the PPG Wave. Up to 6 waves can combined and layered into a single patch which feeds an impressive array of dual multi-mode filters, three 11-stage envelopes, an LFO and a 24-bit effects processor. Advanced parameter mapping allows up to 15 sources to be used for extremely complex modulations and sound shaping.


The D50 provided a purely digital signal path allowing the combination of 8-bit PCM samples with linear arithmetic synthesis to produce single hybrid sounds or complex cross modulations between the two. Furthermore you could layer two of these sounds together into a patch for a total of 4 digital OSCs. Each OSC could be independently programmed resulting in a remarkable variety of tonal possibilities.

* UVI is not affiliated, endorsed or sponsored by the Yamaha Corporation, the Korg Corporation, the Roland Corporation or the Ensoniq Corp. All trademarks are held by their respective owners."

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SERGE MODULAR ANALOG SYNTHESIZER

images via this auction

"Each of the two panels was designed as a complete system or voice in and of itself but combined together there is an exponential increase in sonic power. The other important thing to remember is that with the Serge many of the modules can perform a number of different functions and the concept of "patch programmable" is inherent in the design. Based on how you patch the modules this system could have over 10 oscillators, 10 LFO's, 4 Envelopes, 6 Filters, 2 Sample and Holds, 5 VCA's, all sorts of cv and audio modifiers, mixers, sequencer and a whole lot more. The power is unmatched in any other system and would require a much larger system from other manufacturers to provide this level of functionality.

TOP PANEL:

* 8x2 Sequencer: This is an eight by two manual and clocked sequencer with some unique functions. The main CV outputs are "A" for the first set of 8 knobs in Row A and "B" for the second set of 8 voltage knobs for Row B plus a third output that is the difference of A and B. There is a main Clock Input that can be manually toggled on/of with the toggle switch. The sequencer can be clocked buy any red jack output as well as some of the blue outputs that have sharp positive going signals. The other inputs are for "Hold" which will stop the sequencer at what ever stage it is at when a trigger or gate is input. The Up/Down Input reverses that direction of the sequencer whenever it receives a pulse and the Reset input resets the Sequencer to the first stage when a pulse is applied. Each stage has a manual select button which can be used to select that stage when used as a manual CV programmer and when being clocked the buttons can be used to set the length of the sequence dynamically from between 1 to 8 steps. This allows for some amazing rhythmic patterns and dynamic changes. Really powerful and great for TB-303 type use.

* Active Processor: This module is basically a dynamic voltage controlled mixer and cross fader an can be used with either control voltages or audio signals. A cross fade mod input allows you to dynamically mix and or fade between the signals coming in the two inputs. You can also use this as a VC switch by allying a gate to the input. The bottom section is a cv inverter with the addition of a knob to further bias the output + or -.
* Dual Transient Generator: This module is one of the most powerful in the Serge system and uses the same circuit as the Dual Universal Slope Generator but is only 2" wide. Each side of this module can perform the following functions: Attack Decay Envelope, Attack Sustain, Decay Envelope, Low Frequency Oscillator, Audio Oscillator, Positive/Negative CV Slew, Audio Filter, Envelope Follower. Each side has a modulation input with a knob to determine if the incoming mod signal will modulate in a positive or negative direction. The left side has a black Input Jack the provides for filtering, slewing and envelope following. The right side has a 3 position switch that allows you to define if the incoming modulation signal at the bottom will modulate the Attack Time only, Decay Time Only or both Attack and Decay. You can get voltage controlled wave shape modulation as well....all amazingly cool!Note that the arrows for the switch and the Input jack are backwards on this module only and that is the way it came from the factory. Nothing wrong, you just need to keep that in mind.
* NTO New Timbral Oscillator: The NTO is one of the most powerful oscillators ever and has incredible sonics and versatility...like most Serge Modules. There are simultaneous Sawtooth, Triangle and Sine wave outputs in addition to a Variable Waveform output whose waveform can be CV selected, modulated and controlled. There are (3) control inputs...a 1volt/octave, a mod input with a knob to determined + or - direction and a voltage controlled portamento input. This is a cv input with voltage controlled slewing or glide with the addition of a manual knob to set the basic amount of slewing!! Last but not least is a voltage controlled FM input with an offset knob. There is also a Sync input to allow for syncing to another audio signal. This single oscillator can make truly incredible sounds and can be modulated out the wazoo.

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