myth expressive suite - MPE preset demos by @tonnerremusic

video upload by Expressive E

"Discover the Myth Expressive Suite: 300 new MPE presets designed for Dawesome’s Myth plugin, optimized for our flagship synth Osmose.

Myth’s hybrid sound engine combines advanced resynthesis, multi-engine shaping, and deep modulation, perfect for rich, evolving textures. Crafted by Expressive E's expert sound designers, these lofi, acoustic & future pop presets maximize Myth’s MPE potential.

Special launch offer – Until April 6th

Get Myth + 300 free MPE presets for just $/€107 instead of $/€179 (40% off) – exclusively on our website!

Already own Myth? No worries, the 300 MPE presets are available separately at a special price:
Individual banks (100 presets each) for $/€17.99 instead of $/€29.99
Full expansion pack (all 300 presets) for $/€35.99 instead of $/€59.99"

SILHOUETTE SPORT kickstarter demo - 19th december 2024

video upload by Pit Przygodda

"This video introduces the portable audiovisual synthesizer SILHOUETTE SPORT on occasion of its kickstarter campaign: https://www.kickstarter.com/projects/...

The SILHOUETTE SPORT is the new forthcoming synthesizer made by Pit Przygodda. It is the new sprout in the SILHOUETTE synthesizer family, joining the SILHOUETTE EINS. Infos: http://silhouette-synthesizer.de/

Enjoy! Join!"



The SILHOUETTE SPORT is an innovative audiovisual synthesizer that transforms visuals and motion to sound and rhythm. The interdisciplinary approach liberates the inherent connection between various senses and actions like seeing, moving and listening. To play along these intersections wakes basic intuitions and leads to a widespread field of cross-sensual beauty, poetry and joy.

The SPORT has a camera on board, and it is portable: Ready to search and find visuals in the outside world to play with - dance like. It can also load picture and movie files. The special 'Vimpler' ('visual sampler') function closes the audiovisual circuit: Incoming audio gets transformed to a picture, ready for artistic sound resynthesis.

The SILHOUETTE SPORT is invented and build by German musician and artist Pit Przygodda, and it is the new smaller-in-size-and-prize sprout in the SILHOUETTE synthesizer family and joins the bigger SILHOUETTE EINS (2021).

Technical Features

audiovisual sound synthesis ("Silhouette Synthesis")

visually created audio waves (timbres)

visually controlled sequences

motion transfer between visuals and sound

real time action

readable visual inputs: camera, picture and movie files

"Vimpler" function: audio-to-picture-to-audio

CLICK FOR MORE »

Madrona Labs Sumu - Resynthesis Instrument - FIVE MINUTES WITH

video upload by sonicstate

"‪@magicalsynthadventure3216‬ Takes the ‪@madrona-labs‬ Sumu for a spin. This resynthesis instrument with spatial modulation is a pretty unique piece of software, with up to 64 partials, FM and lots of modulation options: https://madronalabs.com/products/sumu"

Introducing RSI 1 | Native Instruments

video upload by Native Instruments

"Explore unique tones, textures and soundscapes without the complicated interface and steep learning curve.

Created exclusively for NI by 10 Phantom Rooms, RSI 1 combines authentic samples from the legendary Schmidt Synthesizer with streamlined controls, and a huge pool of extra granular and resynthesis samples, plus advanced sequencer functionality."

RSI 1 walkthrough | Native Instruments

video upload by Native Instruments

"Product expert Reuben Cornell dives into RSI 1 and shows how simple it is to use the sequencer and macro controls to create unique synth sounds.
Created exclusively for NI by 10 Phantom Rooms, RSI 1 combines authentic samples from the legendary Schmidt Synthesizer with streamlined controls, and a huge pool of extra granular and resynthesis samples, plus advanced sequencer functionality.

Discover RSI 1: https://www.native-instruments.com/pr...

00:00 - Introduction
01:46 - Snapshots
05:08 - Source Sounds
07:11 - Interface Overview
07:42 - ABC Variations
08:57 - Mod Wheel Macro Control
09:20 - Microtuning Presets
09:34 - Sequencer & Arpeggiator
11:55 - Sequence Mod Macro
12:51 - Detune Page
13:39 - FM Page
14:21 - Effects & Advanced Editing
15:49 - Conclusion"

Introducing The Make Noise ReSynthesizer

Playlist of ReSynthesizer patch video uploads by MAKEN0ISE

"In this video we go over the history and concept of this new 7U system, and also visit Drop of Sun Studios here in West Asheville to let the ReSynthesizer encounter the sounds of various musical instruments.

A free pack of Morphagene Reels from the sessions can be found here:

https://freesound.org/people/makenois...

Vocals, Harmonium: Elisa Faires
Electric Sitra: Chandra Shukla
Pedal Steel: Mike Johnson
Piano: Walker
Recording engineer: Mike Johnson
Filming and edit: Peter, Lewis, and Walker

https://dropofsun.com/
https://elisafaires.com/
https://xambuca.com/bio"

The MSRP for the Make Noise ReSynthesizer System is $4599. Pre Order Now, Shipping in early November. Check with dealers on the right.

"Introducing the ReSynthesizer!

The ReSynthesizer can trace its origins to Spring 2023, with Walker and Rodent putting together a collection of modules to announce and demonstrate the Soundhack Spectraphon at Superbooth ‘23. We knew that these modules would need to complement Spectraphon in a way that would show its true capabilities. As such, this specialized layout comprised a single-system overview of the last 8 years of Make Noise module designs.

After Superbooth Walker and Peter continued to use a similar system configuration in videos for our Youtube and Instagram Channels, prompting some folks to speculate if it was to be our new 7U system. At that time we had no plans for a new system; in fact, this layout had been intended as temporary all along, but we found that it made a useful layout in almost all cases and so we continued using it in videos anyway. (The layout even gained the popular unofficial moniker “System X” thanks to the speculative work of Cinematic Laboratory and others.) Choices like the unusual placement of the Morphagene, adjacent to Spectraphon, which we initially assumed would be mainly for a very specific use-case, quickly became second nature to patch. The Spectraphon and Morphagene work together to ReSynthesize raw materials into lush soundscapes, microsound manipulations, or wherever the path leads.

In early 2024, we announced DXG for the easy mixdown of mono or stereo signals, and PrssPnt to add physical touch interaction. With these pieces in place, the ReSynthesizer is born. Pairing the Spectraphon with the Morphagene and the core Make Noise CV generation suite, and housed in the powerful and portable 4 Zone CV Bus Case, the ReSynthesizer is an open design blackboard ready for experimentation and discovery.

We’ve put this collection through its paces and have found it to hold up to any test we throw at it— we can’t wait to hear what sounds you find with it!"

• Voltage Controlled DSP (Digital Signal Processing)
• Voltage Controlled Spectral Analysis/Resynthesis/Noise Generation: Spectraphon
• Voltage Controlled Stereo Repeats and Halos: Mimeophon
• Voltage Controlled Stereo Granularization: Morphagene
• Complex Random Voltage Generator: Wogglebug
• Dual Analog Control Voltage generator: MATHS (x2!)
• Voltage Controlled Panning, Crossfading, and Mixing: X-PAN
• Polyphonic Time Shifting: TEMPI
• New School Sequencing: René
• Human Expression/Control: PrssPnt
• Stereo Low Pass Gating and Mixing: DXG
• Horizontal Control Signal Distribution and Indication, plus Final Outputs: CV Bus
• Voltage Controlled Multi-Mode Multi-Peak Stereo Filtering: QPAS
• 4 Zone 7U CV Bus case w/ original power supply and AC Adapter, Ready to Play
• Blanking panels as appropriate (selection may vary)
• Ships with 30 patch cables
• Comes with Lid, Highly portable, Meets requirements for carry-on luggage

Special thanks to Drop of Sun Studios, Elisa Faires, and Chandra Shukla for taking part in this recording session!

https://www.makenoisemusic.com/synthe..."

Demystifying Dawesome MYTH: A detailed demo and tutorial

video upload by CatSynth TV

"We are proud to present MYTH, the new flagship instrument from Dawesome! Like all Dawesome instruments, it has a beautiful and unique user interface. It's main elements, the Irises, represent harmonic resynthesized samples (either from the built-in library or your own), which you can that process and modulate in various ways. There is also a flexible system of modules - filters, resonators, effects, modulators - that you can freely mix and match on any of the main signal elements, i.e., the oscillators, filter section, and effects busses. And almost all parameters can be modulated with an extensible set of internal and external modulation sources. The possibilities can be a bit overwhelming, but we'll help you understand all the features, and how to use them.

To find out more, please visit https://www.tracktion.com/products/myth

00:00 Introduction
00:16 Overview
02:05 The Iris
05:25 Layers in the Iris
07:51 Resynthesis transforms
12:59 Modules
19:12 Adding the second oscillator
23:26 The filter section
30:13 The Modal and Resonator modules
33:24 The effects section
38:27 Factory presets
43:50 Conclusion

Please consider supporting this channel to help us bring you more synthesizer tutorials and other content. Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth Ko-Fi: https://ko-fi.com/catsynth"

Madrona Labs Sumu: Resynthesis (Done Right), Sample Mangling & Spatialization in One Cool New Synth

video upload by Keith Crosley

"Sumu is now in early access! Let's take a look at the new VST synth from Madrona Labs, Sumu. Sumu combines sample resynthesis, partial f**kery, FM, and spatialization to create sounds that are quite unique. We also explore Vutu, the companion app for Sumu, that allows us to process, analyze, and import samples with the amazing "Loris" resynthesis technology. The announcement about this synth got a little buried in all of the noise surrounding Superbooth 2024... so let's take a closer look and listen...

Also, I promise a look at some new wavetables in KRC Mathwaves, but never get around to it. Maybe next time, pard! (But go buy KRC Mathwaves, anyway.)

Grab your partial analyzer and get ready for resynthesis-a-go-go! Along the way, we even use a KRC Mathwaves wavetable to spin a freaking room around. That's new and different...

LINKS!:

Madrona Labs Sumu (and Vutu companion app):
https://madronalabs.com/products/sumu

'Loris' Resynthesis Technique techy-nerd info:
https://www.cerlsoundgroup.org/Loris/..."

"KRC Mathwaves full collection (150,000+ wavetables, including the "Varieties of Noise" sample library, just $29): https://www.wavetables.lol/l/wavetables

KRC Mathwaves free wavetables sampler (200+ wavetables, FREE): https://www.wavetables.lol/l/free?lay..."

Stand by Me: The Sounds Made for the Film

video upload by Anthony Marinelli Music

"In this video, Anthony tells the story surrounding the musical score from (1986) hit film Stand by Me which features an All-Star cast that incudes River Phoenix, Wil Wheaton, Corey Feldman, Jerry O'Connell, Kiefer Sutherland, Casey Siemaszko, John Cusack and Richard Dreyfuss.

We learn that the first version of the film was titled The Body, named after the novel by Stephen King. The film's director, Rob Reiner intuitively changed the film's name to Stand by Me after licensing the rights to the song with the same name written by Ben E. King along with Jerry Leiber and Mike Stoller. The name change was made only one week before the film's delivery date. With little time to spare, the musical score was re-created using the sounds and melody from the song and performed on the Synclavier Digital Music System using it's on board sequencer/recorder and employing a sound modeling technique unique to the Synclavier called "Resynthesis".

Anthony describes "Resynthesis"as creating synthesizer sounds based on samples analyzed by the computer that use cross fades of back-to-back wave tables. "Resynthesis" gives you the tonal character of the original sampled sound with all the benefits of a synth (e.g less memory, same length across the keyboard, more editing capabilities...) Along with Brian Banks, Anthony programmed all the sounds and replayed the entire score in this way after the original score by Oscar Winning composer Jack M. Nietzsche was abandoned. The film's director Rob Reiner was present throughout the scoring process. The duo had just completed work programming and performing Jack's score for the John Carpenter Oscar Nominated film Starman.

In this video you'll hear the actual sounds used in the film that Anthony loads from the original 5.25" floppy disks (that still work perfectly after being in storage for close to 40 years). The final score used a core instrumentation of resynthesized versions of a flute, stand up bass, bowed wine glasses and piano. There was no DAW in existence so all the tracks were input into the Synclavier's internal sequencer/recorder and locked to picture using the latest feature SMPTE time code. With this set up, everyone could watch the film while the music was being recorded.

Anthony also states the importance of a good film or a good song. It's all the difference in the potential of your work as a programmer, arranger or performer. He advises to step back and really listen to what you are creating to find the emotion in the sounds.

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

His extensive work as a young arranger, orchestrator and performer for Quincy Jones, Jack Nitzsche, Lamont Dozier, Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

https://www.discogs.com/release/19915...

Instagram: https://instagram.com/anthonymarinell...

Website: www.anthonymarinelli.com"

Product Specialist Kevin Maloney - Full Interview

video upload by Anthony Marinelli Music

"In this video, I visit and talk with former New England Digital Synclavier Product Specialist Kevin Maloney while surrounded by his two Synclavier Digital Music Systems.

Together, we present a complete history of the Synclavier with a stories and examples of how we used it on some massive hit records and films.
First, we listen to a track on the the original blue vinyl record titled 'The Incredible Sounds of the Synclavier II Demonstration Record'
that was the original source sound for the intro to Michael Jackson's 'Beat It'.Kevin's talks about sitting next to Michael while working on the Bad" album.He'll show us a complete breakdown of the components that make up the "Smooth Criminal" bass sound and a recreation of the sampled drum part.Then you'll see, in real time, how Synclavier's unique sequencer can drastically and quickly manipulate (or even transform) the recreated "Smooth Criminal" track.Kevin tells us how he worked closely with producer Quincy Jones to create the intro to "We Are the World". Quincy wasn't satisfied with silver bells, so Kevin turned silver bells into gold bells. Quincy said, he wanted to “send out bells to call all the people of the world to come and hear this song”. We delve into the Synclavier's one-of-a-kind ability to analyze samples (recordings of instruments or sounds) in order to create a series of short frames that each consist of a static wavetable. By cross fading the frames the user is able to recreate the complexity of a sample with a synthesizer sound. This process is called Resynthesis. The user is now able to manipulate the synthesizer sound in many more ways than can ever be done with a sample. We then heavily distort some vocal sounds that were generated using Resynthesis to show the level of control that is possible. We take a look at some preset sampled sounds from the original Synclavier Orchestral library including the string sounds used by Mark Knopfler in Rob Reiner's "The Princess Bride". Anthony talks about how he created a flute sound generated from Resynthesis and later used it to perform practically every cue in the film "Stand by Me" which is another Rob Reiner hit. We take you through the evolution of the Synclavier that includes: The Synclavier I, the Synclavier II with it's original keyboard, the addition of the velocity and polyphonic keyboard, The expanded track sequencer, the addition of more buttons and secondary functions accessed by double clicking the buttons to send them into "blinking mode". BTW - These buttons were originally designed for the B-52 bomber.

We cover MIDI, SMPTE, polyphonic sampling voices and more memory (at a cost of $4500 per megabyte) that were available to add to your system.

We highlight the reason why the Synclavier cost so much and how New England Digital managed to integrate cutting edge 3rd party technology that all worked perfectly together in one unified music system. Finally we review the far more accessible versions of the Synclavier like the Synclavier V by Arturia, Synclavier Go! and Synclavier Pocket! and the most recent addition to the family - Synclavier Regen which actually has unlimited FM synthesis and sampler voices along with the long awaited... resonant Multimode FILTERS!!! The evolution of Synclavier is filled with a plethora of breath-taking features that were nowhere to be found on any other single instrument and it includes a discography of legendary proportion. It's also a history that's deeply personal to me because it ran parallel with my evolution as a composer, songwriter, arranger and programmer. The Synclavier is alive and well in 2023!

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

Website: www.anthonymarinelli.com"

Synclavier Digital's Regen Gets Wider Release

video upload by Synclavier Digital

Regen Tutorials


Regen Quickies


You can find additional posts featuring demos of the Regen here.

Press Release follows:

"Synclavier Digital releases regenerated Synclavier® II trailblazer as timeless Regen desktop synthesizer bolstered by present-day DSP developments

NOVA SCOTIA, CANADA: soft-launched late last year to widespread critical acclaim at the Synthplex® synthesizer expo and electronic music festival hosted at the Marriott Convention Center in Burbank, CA, USA with pre-orders opening for fulfilment in 2023, timeless synthesis product manufacturer Synclavier Digital is proud to announce wider availability of Regen — released as a desktop synthesizer that is, in short, a real regeneration of New England Digital’s seminal Synclavier® II digital synthesizer that took the pro audio industry by storm when introduced in its initial incarnation in 1980 (evolving beyond that to blaze more technological trails with polyphonic sampling and, ultimately, DAW — Digital Audio Workstation — capabilities well before that term was invented, even), extended and enhanced to take advantage of the increased computing power available today to make it as compelling in a modern setting as the prohibitively pricey original did during its time (finding favour with top-tier film composers, record producers, and recording artists), while the considerable cost and size reductions associated with Regen’s present-day design criteria conversely position it well within reach of (almost) anyone — as of June 29…

CLICK FOR MORE »

Spectraphon | by MakeNoise x Soundhack

video upload by Cinematic Laboratory

"The Spectraphon combines a spectral processor with a complex VCO. While it may look huge (34 HP)) it's still a lot smaller than a combined Buchla 259 and 296. A spectral processor is a bit like a parametric EQ with CV control, where you can slide through/focus on frequency bands. SP will analyze incoming sound, classify the harmonic content (the spectrum) and adds it to its own fundamental sine. The process of resynthesis is like impressionism in paintings, creating loose and inaccurate brush strokes of the original sound. So it's NOT a sampler and it doesn't capture audio. It listens to incoming audio, and paints its own picture. The process is called Spectral Amplitude Modulation (changing the volume of individual 'colors' with CV) aka SAM. Hello, SAM!

These spectra can also be saved for later use. But it doesn't stop there. First, SP offers two independent spectral processors A & B, which can interact with an FM bus. Side B can also sync with/follow side A. So you can process two sounds and then mangle them into beautiful new textures. You can also use the saved spectra (16 arrays containing up to 1024 spectra) in Spectral Array Oscillation mode (SAO) and use it as a dual complex spectral VCO. But it doesn't stop there either. It also offers two multi-functional outputs that work as envelope followers in SAM, and sub-oscillators in SAO. They also double as stepped/smooth random CV and a triangle LFO. Then, the journey begins. So yes, you will be influenced. Spectraphon is a Jedi mind trick. This is the droid you're looking for.

All music in this video is created with Spectraphon as the final audio source. Some parts are produced and multitracked in the DAW. I'll use a 'live' indicator when the patch is 'raw' and recorded as is.

00:00 A Spark of Inspiration
02:06 Introducing the Spectraphon
04:03 What are Spectra?
07:20 Spectral Amplitude Modulation - SAM
08:33 Harvesting for Spectraphon
11:26 Partials
13:52 Spectral Array Oscillator - SAO
19:59 Patch Ideas"

The New Make Noise SoundHack Spectraphon - The Deep Dive Review

video upload by Perfect Circuit

"The Make Noise x SoundHack Spectraphon is a dual spectral oscillator for Eurorack modular synthesizers. At first glance, it might look somewhat like a classic "complex oscillator" in the style of Buchla's 259 or Make Noise's own DPO—but there's much more to it than that. To make a long story short, it offers a new and novel approach to sound design that we haven't quite seen in Eurorack before.

Rather than relying on wavefolding, Spectraphon is all about additive synthesis and resynthesis: you can think of it as an oscillator whose timbre is driven by external sound sources. Inspired by the Buchla 296 Programmable Spectral Processor and Touché hybrid keyboard synthesizer, it presents a new and novel take on sound generation and processing.

As a live processor, Spectraphon can be like a vocoder, a resonator, a pseudo-spectral freeze; as an oscillator, it creates a wide range of evolving tones based on stored analyses of external sounds. It's a dense module—so in this video, we dive into how it works and how it sounds.

Buy a Spectraphon of your own: https://bit.ly/438UEGN
Read about Spectraphon's inspiration and functionality on our blog, Signal: https://bit.ly/3BA7h1S

00:00 Introduction
01:20 Spectraphon, Additive Synthesis, and Resynthesis
03:54 Spectraphon Overview
07:23 Spectral Amplitude Modulation (SAM) Mode Demo
10:09 SAM Examples
12:36 Creating Arrays + Spectral Array Oscillation (SAO) Mode Demo
15:43 Many More Sound Examples
19:51 Summary + Check Out Our Blog, Signal!"

Make Noise SoundHack Spectraphon | Overview & Exploration

video upload by Sarah Belle Reid

"A demo & walkthrough of the new Eurorack module Spectraphon, by Make Noise. Spectraphon is a dual complex oscillator that explores additive synthesis and resynthesis—allowing you to analyze and resynthesize characteristics of other sounds to create super unique timbres and waveforms.

This video includes an overview of what Spectraphon is and how it works, along with a number of patch examples demonstrating Spectraphon as a dual oscillator, and as an effects processor to create rich, resonator / spectral-blurring type sounds.

Spectraphon’s design is inspired by the Buchla 259 Programmable Complex Waveform Generator, the Buchla 296 Programmable Spectral Processor, and the Buchla Touché—taking parts of each of these designs and combining them into something new and unique."

MAKEN0ISE Introduces the Spectraphon!

Brett Naucke performs on the Spectraphon! video upload by MAKEN0ISE

"Brett Naucke performs new patches at Drop of Sun!

Asheville-based musician and Make Noise Records alumnus Brett Naucke performs three new patches on our brand new module— the Make Noise/soundhack Spectraphon— at the great Drop of Sun Studios here in Asheville, NC!

We are THRILLED to finally share our latest collaboration with Tom Erbe (soundhack), The Spectraphon! For more information on this dual spectral oscillator, head to: https://makenoisemusic.com/modules/sp...

For more info on Brett and his work, be sure to check out:
https://www.bnaucke.com/
https://open.spotify.com/artist/2MFjL...
https://brettnaucke.bandcamp.com/

This video was filmed at, recorded by and mastered by Drop of Sun Studios here in Asheville, NC. For more info on Drop of Sun, head to:
https://dropofsun.com/
https://www.instagram.com/_dropofsun_/"

via Make Noise

The Make Noise/soundhack Spectraphon is a dual Spectral Oscillator coded by Tom Erbe of soundhack. It uses real-time spectral analysis and resynthesis to create new sounds from those that already exist. It is inspired by classic electronic musical instruments of the past, including spectral processors, additive synthesis, vocoders, and resonators especially the Buchla 296 and Touché, but it takes a physical form more resembling the classic analog dual complex oscillator in the lineage of the Buchla 259 and the Make Noise DPO.

The Spectraphon is the first module to be built by Make Noise on its new digital hardware platform. This hardware, engineered by Jeff Snyder and Tony Rolando, provides more i/o at higher resolutions, and a lower noise floor than we have ever had access to in a digital module, allowing us to unleash Tom Erbe’s DSP code to a previously unattainable degree.

The Spectraphon has two nearly identical sides, A and B, which oscillate in one of two ways: Spectral Amplitude Modulation (SAM), or Spectral Array Oscillation (SAO). In SAM, instead of oscillating at all times like an analog VCO, sound at the Spectraphon’s input is used to modulate the amplitude of a set of harmonics. In SAM the Spectraphon can be sequenced and frequency modulated like any VCO. At any time the current spectrum can be used to create an Array for later use in SAO mode where the Spectraphon oscillates at all times, with the spectrum at the Odd and Even harmonic outputs being drawn from those stored Arrays.

The Slide and Focus controls are mode-dependent: in SAM, they determine how the Spectraphon responds to sound at the input for Spectral AM, while in SAO, they are used to modulate the Array. In either mode (SAM or SAO), the Partials control works as a combined amplitude and timbre gate for the Odd and Even harmonic output and the FM Bus will create high definition internal frequency modulation from the opposing side of the Spectraphon. The two sides can also interact via the internal FM Bus, the Follow and Sync modes, and by patching them together.

CLICK FOR MORE »

Lyre Inc. FDSS Studio Additive Synthesizer + Resynthesis

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

This is the first post to feature both Lyre inc. and the FDSS Studio Additive Synthesizer. It was spotted and sent in via M Me. The listing, images, and info is from Synthmaster.de, posted here with permission.

Details from the listing:

"I am offering my ultra mega rare Lyre FDSS Studio.

The FDSS is an additive synthesizer with analysis and resynthesis function from 1987

The technical data is on the last picture in the web, you can find almost nothing about it

Ultra rare , as far as I know less than 50 devices have been built , only three have been delivered to Europe .

This synthesizer was available as an 8 or 16 voice version,
The 8-voice version was always the basic version, which could be expanded to include a further 8 voices out of 16.

Like the famous Technos Acxel synthesizer, the Lyre
FDSS synthesizer also designed and built in Quebec / Canada.

You had to operate it via a terminal, similar to the

Synclavier, Synergy or Kurzweil K150FS.

Software was and is included for PC and Apple Mac

Mac could be connected directly and with the PC you needed a card (ISA is included)

price, no idea.....

with such rare things "whatever someone is willing to pay" applies :-))

or exchange for vintage synthesizer?"

CLICK FOR MORE »

Meet the New Synclavier Regen Hardware Synth

After 30 years… a Synclavier synth! What’s new and how it competes // Regen Tutorial & Review
video upload by loopop

TIMELINE:
0:00 Intro
1:50 Overview
3:55 Interface
7:50 Build & I/O
10:20 vs Go! & V
11:35 Preset nav
13:40 Red vs blue
14:00 Timbre ctrls
15:15 Effects
16:50 Note FX
17:00 Arpeggiator
17:50 Note filter
18:20 Filter env
18:55 Oscillator
19:30 Samples
20:25 Multisamples
21:45 Chop & loop
23:25 Subtractive
25:00 Additive
27:50 Frames
28:55 Resynthesis?
29:50 Modulator/FM
31:30 FM to sample
32:30 Osc chorus
32:50 Envelopes
34:40 Partial xfader
35:40 LFOs
36:30 Mod matrix
39:05 MIDI mapping
40:05 Settings
40:25 Pros & cons
45:00 More sounds?

Synclavier Digital · Synclavier Regen

via Synclavier

Synclavier Regen

Synclavier Digital is proud to announce its new product, Synclavier Regen. Drawing on the rich history of the Synclavier, while simultaneously breaking new ground in what’s possible in a desktop synthesizer. Stop dreaming, start creating. Synclavier Regen is waiting to be your new companion for sound. Additive synthesis, subtractive synthesis, and sampling have all been given equal reverence in this unique hardware Synclavier .

The new buck in the Synclavier stable
Synclavier Regen is the newest in an auspicious line of Digital FM synthesizers. Designed for desktop use, it contains the power of the Synclavier II DSP engine, enhanced and optimised. Full colour screen, liquid-like touch controls, high fidelity audio output coupled with a sound design powerhouse makes this the synth you always dreamed of.

Regen supports additive synthesis for full control of 24 harmonics. We’ve now added subtractive synthesis to the Synclavier synthesis engine, especially for Regen, allowing creation of super saws, PCM square waves, and noise generation. Or you can use samples for your carrier waveform.

And these different waveform generators can be mixed. You have up to 12 partials to use in your sound design creation with crossfades assignable to inputs such as velocity, pressure, mod wheel, and of course, keyboard.

Regen is loaded with content to get you inspired fast. There are over 250 timbre presets including 6 newly-commisioned artist timbre libraries. On top of that, there are 2 exclusive sample libraries with over 300 new samples and one mega library with over 700 original samples from the NED era.

When you’re done exploring the factory content, you’ll have fun with the sound design possibilities. You can layer up to 12 partials with different sound generators (additive, subtractive, samples) then apply dynamic effects per partial. It’s truly an expressive instrument, both to program and to play. Polyphonic aftertouch and MPE is fully-supported and there’s a sophisticated modulators section where you can apply responsive curves to properties driven by pressure, velocity, mod wheel position, and so on.

The Daddy of digital synthesis is back with a punch. Results are immediate. The DC-coupled audio outputs really kick on basslines and percussion. The pad sounds shine with that satisfying FM that is so unique on Synclavier. And now there’s a bunch of other effects, such as reverb and bit crush to play with.

Features
255 Regen timbre presets
700+ samples of royalty-free factory content
Additive waveforms, subtractive waveform generator and multi-sample patchlists
12 partials to build your sounds.
12 tracks for multi-timbral playback or stacking (layering) of sounds.
4 USB ports for keyboards and other peripherals plus one USB port for connection to DAW. And 5-pin MIDI standard (TRS).
2 full-colour high resolution screens
Senstive liquid-like touch swiper and 12 selector pads.
Multiple effects per track, including chorus, reverb, vibrato, tremolo, arpeggiator, bit crush, and multi-mode filter.
High fidelity DC-coupled audio out (stereo XLR or TS) with 130dB of dynamic range.
Patent Pending

1999 Ensoniq Fizmo Transwave Two Oscillator Keyboard Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Update: note the display cover appears to be missing.

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[SUPERBOOTH22] HAKEN AUDIO : Nouveau firmware d'analyse / resynthèse (Tous Continuums + Osmose)

video upload by Les Sondiers

"Christophe Dusquesne nous présente le nouveau moteur d'analyse : resynthèse développé par Haken Audio."

"Christophe Dusquesne presents the new analysis engine: resynthesis developed by Haken Audio."

Additive Synthesis Magical Mystery Tour // Pigments 3, Razor, Loom & Alchemy Resynthesis Tutorial

video by loopop

"Get these insights and many more in my ever-expanding book of electronic music ideas, tips and tricks :

► Patreon: https://patreon.com/loopop​

Synths/gear in the video:
► Pigments 3
► Alchemy (part of Logic Pro)
► Razor from Native Instruments
► Loom II from Air
► Polyphylla (available from Ableton)
► Fabfilter Q
► Scopes by Melda: https://www.meldaproduction.com/​"

Boss SY-1000 Resynthesis - Reamping - Next Level Guitar Synth USB Six Split Outputs

video by WayneJoness

"https://www.joness.com/gr300/SY-1000.htm [some pics of the inside there] One of the breakthrough features of the Boss SY-1000 is access to the individual string inputs and outputs in the USB audio stream. With this feature you can record a guitar performance into your DAW then freely experiment with using different SY-1000 patches on the recorded track. Boss calls this resynthesis.

This is similar to the process of reamping, where a guitar signal is recorded dry then played back, or 'reamped' through different amplifiers. But resynthesis takes this to a whole new level, since you can not only change the amplifier, but the kind of guitar used on a track, switching from a Strat to a Les Paul, or Acoustic, or even a Roland GR-300 Guitar Synthesizer. With each string recorded individually there is also a whole new level of editing and creativity available as well. You can literally correct the performance of one note without having to punch in on the entire performance."