Tonverk OS 1.4.0 - Overbridge, FX Swapping and More!

video upload by umonox

"Today, Elektron has released OS 1.4.0 for the Tonverk - adding Overbridge Multitrack Streaming, FX Swapping and more!

In this Video i show you how Overbridge Multitrack Streaming works at the moment (using Ableton Live) and i give you an Overview of other neat Features that they added in this OS Update."

Chapters:
00:00 - Intro
01:24 - Overbridge (Initial Multitrack Streaming explained)
07:36 - FX Swapping (How it works, What it's good for)
11:52 - Still no Update for the Subtracks :-(
12:34 - New Track Macros (Keytracking and Velocity)
12:59 - Resampling the Send-Tracks
15:22 - Conlusion (Outro)


Tonverk 1.4.0 OS Upgrade

video upload by Elektron

"Time for a brand new Tonverk OS! 1.4.0 is available to download today, and adds Overbridge multistream functionality, additional options in each track’s modulation setup, pattern transpose, FX order swap, reload parameter page, copy, paste, and clear patterns in-pattern, filter and search in the Presets menu, and a whole load more features, improvements, and fixes."

Addtional details:

"Tonverk continues to grow, and with 1.4.0 it now gets Overbridge multitrack streaming. This new OS also adds more features on top of that, including additional options in each track’s modulation setup, pattern transpose in semitones, FX order swap, reload parameter page, and a whole load more features, improvements, and fixes.

CLICK FOR MORE »

This Analog Synth Is Cheating - Redshift 6 + Digitakt 2 Jam

video upload by Sineway

"This is the first proper track I've made with the Redshift 6 and Digitakt II combo.

The 3-note chord stab you hear at the start is using a single analog voice. The Redshift 6 can distribute the up to 16 oscillators inside a voice across several notes, so one voice plays the whole chord. The arp is another single voice. Then the lead takes the remaining four with unison stacking, around 16 oscillators in total, and I'm performing it with both the built-in macros and the Launch Control XL 3.

The Redshift 6 is six-part multitimbral, with three separate outputs. The main outs play the lead, run through the synth's internal delay, but Aux 1 and Aux 2 are always bypassing the digital FX section - which felt like an invitation to put both Hologram pedals to real work. The arp goes into the Chroma Console, and it completely transforms what was a fairly plain pluck sound I dialed in seconds. The chords go into the Microcosm to make them bigger.

Everything else melodic was sampled from the Redshift 6 into the Digitakt II, which is doing all the sequencing and drums.

No Overbridge this time. Just four stems into my Zoom LiveTrak L6max: the DT2, plus the Redshift's main outs, Aux 1 and Aux 2. Some sidechain ducking, glue compression and EQ in Ableton, and that's about it. Mostly raw hardware.

I originally sketched this in the camper van with just the DT2, and went through three or four lead melodies I wasn't happy with before landing on this one. All those attempts are still in the project file if you want to see the messy version.

There's no official patch export on the Redshift 6 yet, but Supercritical tells me it's coming and I'll upload the patch as soon as it does. The Digitakt II project is on my Patreon in the meantime."

Ambient Live Patch | 4 Tiptop Audio & Buchla Modules

video upload by A Last Picture From Voyager

"Time to play live with the 4 first modules I bought from the Tiptop Audio & Buchla eurorack series. Before getting these modules, I owned a hybrid setup made from analog and digital modules with lots of functionality (sometimes hidden), and I wanted to go back to the roots of sound synthesis. The Buchla philosophy was the one closest to my ambient experimental mood, so I went for it.

The 245t sequences voltages, the 258t generates the tones, the 266t adds unpredictability, and the 292t shapes it all into something organic. No computer, no external sequencer — just four modules and patch cables, breathing together.

I'll explain in detail all the reasons behind this choice on Patreon soon. For now, let's listen to a little piece of modular synthesis ambient music.

Modules used:

• ‪@tiptop-audio‬ & Buchla 245t (Sequential Voltage Source)
• Tiptop Audio & Buchla 258t (Dual Oscillator)
• Tiptop Audio & Buchla 266t (Source of Uncertainty)
• Tiptop Audio & Buchla 292t (Quad Lopass Gate)

◐ SUPPORT MY WORK ◑"

Melbourne Instruments Backs Its Motorized Controls With a 10-year Warranty

Press release follows:

Melbourne Instruments Backs Its Motorized Controls With a 10-year Warranty

Guaranteed to feel the same in 10 years as it does on day one. Every motorized rotary control that Melbourne Instruments builds is now covered by a 10-year warranty.

MELBOURNE, AUSTRALIA - Melbourne Instruments today announced a 10-year warranty on the motorized rotary control components in every product it builds, covering NINA, DELIA and ROTO-CONTROL. The cover sits alongside the standard product warranty and is activated by registering the instrument.

A conventional knob uses a wiper dragging across a resistive track, and that contact is what wears, collects dust and eventually fails. Melbourne Instruments' controls remove contact from the assembly. Torque passes from the motor through a magnetic field rather than a gear train. Position is read optically, with nothing touching. There is no wear surface anywhere between the motor and the player's fingers.

That has benefits beyond durability. An endless encoder has no fixed position, so the knob sits wherever the last hand left it and the true value lives on a screen or LED. Its detents soften over time as the disc and wipers wear. Melbourne Instruments' knobs drive to the exact preset position, hold detents and switch positions under the hand, and change character on demand - stepped, smooth, or switch-like. No gears between the motor and your fingers. The knob moves the instant the sound does.

The motors have been tested 50 million times, far more than a lifetime of playing could reach. The 10-year warranty is not the limit of the mechanism. It is the point at which Melbourne Instruments stopped counting.

Customers who bought before 17 August 2026 have until 17 February 2027 to register at melbourneinstruments.com and activate their full 10 years, running from the original date of purchase. The terms and scope are the same as for a new purchase.

The warranty launches with a campaign called "A decade of play", running across Melbourne Instruments' channels and dealer partners from 17 August. The line appears on a 10-year motor warranty roundel supplied to retailers alongside product artwork and spec listings.

Claims in the first 2 years go through the customer's place of purchase, as they do today. From year 3 to year 10, claims come directly to Melbourne Instruments, with service points in Europe, the USA and Australia. Cover applies to the motorized rotary control components only and requires registration.

www.melbourneinstruments.com

Audio Damage Introduces AD-202 Synthesizer Inspired by the Roland MC-202

via Audio Damage

"AD-202 is a single-oscillator monosynth in the small-silver-box tradition of the early 1980s. One VCO with saw, pulse, sub, and noise running into a 24 dB ladder filter, one envelope, one LFO, and very little else. Every control is on the front panel, there are no hidden pages of options, and there is exactly one path from a knob to a sound.

Under the vintage panel it is a thoroughly modern instrument. Mono or eight-voice poly, per-voice analog drift, a tempo-syncable LFO with a delayed onset, MPE, MTS-ESP microtuning, and a post-VCA colour section with pre-filter saturation, filter drive, distortion, and a tilt EQ. The vintage part is the ergonomics. The rest of it is not vintage at all.

Same as the rest of our catalog: Mac, Windows, Linux, and iOS. No DRM, no subscriptions, no dongles, perpetual license.

CLICK FOR MORE »

The Crow Hill Company Introduces ARCANE STRINGS

video upload by CROW HILL

Press release follows:



EDINBURGH, UK: readily representing its first ‘big’ release in over a year (when the temporarily out-of-circulation GLASS STRINGS was effectively re-released with a totally redesigned GUI and added features as the Edinburgh-based enterprise’s workhorse string library for a new era in more human-sounding music and scores, coinciding with rebranding itself with an aesthetic that truly realised company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began), The Crow Hill Company is proud to announce availability of ARCANE STRINGS — taking the sampling rule book and ripping it up, ultimately resulting in a string library featuring amateur players in order to achieve an arcane, primitive, dislocated, microtonal, loose, and sometimes savage sound duly designed for media composers wanting to leave a truly characterful imprint on their next drama score, or, indeed, composers who want to gain extra devilish bite out of their existing string collections — as of August 14…

CLICK FOR MORE »

Living the Euclidean Dream - A Hands-Off Eurorack Patch

video upload by Scrapcode Modular

"A slow, relaxing musical meditation on Eurorack. No post processing - audio goes straight from the rack's headphone output to the camera input.

Patch notes:

Audio signal flow:

4x Osciallators from @scrapcodemodular QUORD - Chord Sequence Oscillator (prototype)
into
4x inputs of Doepfer A-105-4 Quad Poly VCF (low pass filter)
into
4x inputs of @behringer Four Play VCA
into
4x inputs of @Dreadbox-synths Psychosis (adding panning movement and delay effect)
into
Stereo input on @behringer rack mixer (adding stereo chorus/reverb effect)
into
Stereo input on camera

Envelope modulation:
@scrapcodemodular WONK - Quad Envelope Generator is controlling both the VCF and VCA for each of the four notes individually. This is being triggered by the @scrapcodemodular AXIOM - Euclidean Rhythm Generator, which is set to a 15 step pattern. The trigger for the bass note is multed to the QUORD's 'Play Next' input to progress the chord each time a bass note is played. This gives a slow 12/8 feel due to the 8 chord sequence, but as AXIOM is running over 15 steps, any repetitions in rhythm are spread throughout the pattern rather than being repeated each bar.

LFO modulation:
As well as the Psychosis adding stereo interest, slow LFOs have been patched into various parameters on AXIOM to keep the rhythm changing - not so much as to be jarring or unfamiliar, but enough that the same order of notes almost never repeats. Further cyclical modulation has also been applied to the WONK parameter (changing envelope timings) and the filter's cutoff frequency. LFOs have been attenuated using @scrapcodemodular QUATT - Multenuverter."

Rithmatic: a DX7 Patch Librarian for the KORG volca FM2

via https://madewithbestpractice.com/rithmatic/

"Rithmatic turns the 64-slot Korg volca FM2 into a searchable, offline library of tens of thousands of classic DX7 patches, all credited to the public collections they came from, and pushes any voice straight to the synth, with full one-file backup and restore of the whole box, plus real-time control of its sequencer transport and live motion. And because it carries its own FM engine, Rithmatic is a playable DX7-style synth in its own right: plug in any MIDI keyboard and play those patches with no hardware synth at all. Korg never made a librarian for the FM2, and unlike the desktop options (Dexed, Patch Base) this one runs on the phone already in your bag. Free, local-first, no account.

Music tooling is a big part of what we do, and we also make Emojio Paint Composer, a browser music sequencer that speaks full MIDI."

The Andromeda I Could Never Afford | Fabric Vintage Andromeda

video upload by Autodafe

"The Alesis Andromeda A6 has always been one of my dream synthesizers — unfortunately, it was expensive when it was released, and it's definitely not getting any cheaper today!

I did get the chance to spend some time with a real Andromeda many years ago, when a friend and I produced a demo CD featuring some of its sounds. I still remember being seriously impressed by that huge, complex analog machine.

AIR Music Tech Fabric Vintage Andromeda brings the character of the Alesis Andromeda A6 into the Fabric environment using AIR's advanced multi-sample synthesis engine. It features two main multi-sample oscillators, a virtual analog sub oscillator, noise generator, extensive modulation, envelopes, arpeggiator and a comprehensive effects section.

In this No Talking demo, I'll simply play through a selection of presets and sounds so you can hear what Fabric Vintage Andromeda can do without interruptions.

🎧 No talking — just sounds.
👉 AIR Music Tech – Fabric Vintage Andromeda - Try Free for 10 Days
https://www.airmusictech.com/virtual-..."


Follow-up to Introducing AIR Fabric Vintage Synths Vol. 2

LYRA-8, Swarmatron, JEN SX-1000, Strega, and Grendel Drone Commander Emulators by Diego Capoccitti

video uploads by Diego Capoccitti

Use the player controls to skip through videos once started.

Playlist:

1. OktaDie, plugins and iOS app inspired by LYRA-8 ....Coming soon! #synth #sounddesign

"Eight touch-sensitive voices, a cross-modulation matrix, a dual modulated delay and an overdrive — no keyboard, no scale, no quantization anywhere.
It drifts on its own and never makes the same sound twice.

The plugin will be available on Mac, Windows and iPad.
VST3 / AU / AAX / AUv3, instrument and FX.

Coming Soon on! https://www.diegocapoccitti.it"

2. SwarmaDie 2 — Swarmatron (Unofficial) Emulator Plugin | Overview & Demo (VST3 / AU / AAX)

SwarmaDie 2 is an unofficial emulator of the legendary Swarmatron analog synthesizer, available as a VST3, AU, and AAX plugin for Mac and Windows. The Swarmatron is iconic for its hypnotic, swarming sound — multiple oscillators slightly detuned against each other, creating that signature ethereal drone. Made famous by artists like Jonny Greenwood, it's a rare and expensive hardware piece. SwarmaDie 2 brings that unique character straight into your DAW at an affordable price. MUSIC: "Hollow Light — Piano & Swarmatron (SwarmaDie 2 Demo)" (Diego Capoccitti - 2026)

3. SwarmaDie 2 iOS — Raw Screen & Audio Capture on iPad (Swarm Synth Jam)

4. JenDie — The JEN SX-1000 Reborn on iPad | Analog Synth Plugin Test

JenDie is an analog synthesizer inspired by the legendary JEN SX-1000 — the iconic Italian mono synth of the late '70s — faithfully recreated with its warm, gritty and unmistakable vintage character.

In this video you can see JenDie running on iPad, tested in standalone (also AUv3 plugin available!), showing how easy it is to bring that classic analog tone into a modern mobile setup. Plug in, play, and enjoy pure vintage synth vibes — anywhere.

🎛️ ABOUT THE PLUGIN
JenDie captures the soul of the JEN SX-1000: rich oscillators, a characterful filter and that raw, organic analog warmth that made the original a cult classic. Perfect for basslines, leads, retro sequences and anyone chasing that authentic vintage synth sound.

5. AlchemDie — Make Noise Strega (Unofficial) Emulator | Overview & Demo (VST3 / AU / AAX)

AlchemDie is an unofficial emulator of the "alchemical" Make Noise Strega, available as a VST3, AU, and AAX plugin for Mac and Windows.

Inspired by the mysterious and esoteric hardware designed by Make Noise in collaboration with Alessandro Cortini, AlchemDie is more than a synthesizer: it’s a laboratory for sonic experimentation. It transforms a simple digital oscillator into an unpredictable, evolving sound machine by routing its output through a feedback delay experiment that blurs the line between synthesis, processing, and noise.

From haunting drones to screeching feedback and organic textures, AlchemDie brings that unique "strega" soul straight into your DAW at an affordable price.

MUSIC: "Nigredo (AlchemDie Demo)" (Diego Capoccitti - 2026)

⚙️ KEY FEATURES:

Tonic Oscillator: Includes a sub-harmonic generator and continuous waveform morphing.
Vactrol-style Activation: VCA with asymmetric slew response for organic, acoustic-like behavior.
Time/Filter Loop: BBD-style delay emulation with dynamic lowpass and feedback.
Agitation Function: Generator with continuous trapezoid modulation to stir the sound.
Gesture Pads: Six momentary pads for multi-parameter macro control and performance.
External Substance: Input for processing external audio through the alchemical engine.
Character Section: Analog-style tape companding and stereo width controls.

6. DroneDie — Grendel Drone Commander Classic (Unofficial) Emulator | Overview & Demo (VST3 / AU / AAX)

DroneDie is an unofficial emulator of the legendary Grendel Drone Commander Classic, available as a VST3, AU, and AAX plugin for Mac and Windows.

The Grendel Drone Commander Classic is a cult hardware drone synthesizer, beloved in experimental, industrial, and noise music for its raw, abrasive, hypnotic character — a machine that turns simple oscillators into visceral sonic textures. Rare, quirky, and deeply expressive, it occupies a unique niche that no conventional synth can fill.

DroneDie brings that savage analog soul straight into your DAW at an affordable price.

MUSIC: "Axiom (DroneDie Demo)" (Diego Capoccitti - 2026)


⚙️ KEY FEATURES:

Inspired by the original hardware's raw oscillator behavior and gritty drone character
Simple, intuitive interface optimized for modern DAWs

7. DroneDie for iOS: Unedited RAW Live Demo & Jam in iPad (AUv3)

You can find them at https://www.diegocapoccitti.it

The Crow Hill Company Announces POCKET STRINGS Plug-in for Free

The Best Strings Plugin Money CAN'T Buy??? video upload by CROW HILL

Press release follows:

The Crow Hill Company announces availability of popular POCKET STRINGS plug-in for free, bringing broadcast-grade string possibilities to everyone

EDINBURGH, UK: around a year after its initial launch, not long after the Edinburgh-based enterprise effectively rebranded itself with an aesthetic that truly realises company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began, The Crow Hill Company is proud to announce that it has made its popular POCKET STRINGS — styled as a never-tried-before strings plug-in that aims to bring broadcast-grade string possibilities to everyone by combining live cinematic orchestral recordings of some of the best musicians working in the UK with some rarefied vintage synth classics made to measure for added body, depth, and character — available for free with no strings attached (but pun intended), as of August 6…

CLICK FOR MORE »

Introducing PlayFader Rev2

via Play All Day

PlayFader Rev 2

• 5mm black and silver anodised brushed steel panels made in Germany
• Custom fader dust-covers
• Improved fader stability and durability.
• Much more stable on the desk.
• Feels incredibly solid and responsive in your hands while you’re using the accelerometer.
• 4 flavours to choose from
• Massive V2.0 firmware update
• All Rev 1 PlayFader owners can upgrade to Rev 2 hardware
• Completely revised mega-Manual

Firmware v2.0

• Accelerometer activated - Control notes, chords, modulation, FX, ratchets and transpose.
• 9 user scale slots - assignable per-channel
• Scale Library featuring 13 of the best! 
• Brand new Generative FUN FX
• Auto Latch - no more holding down button combos!
• No Dotted or Triplets options
• Improved Clear and Live Mute
• Behind the scenes refinements

Manual v2.0

• Fully updated for the new V2 firmware
• Now includes first patch walkthroughs
• Completely new Quick Reference Guide now included in the same document
• Scan the QR code on the back of your PlayFader for instant access

We focused on improving the playability of the hardware with the addition of new professional 5mm black and silver anodised brushed steel panels and fader enhancements to the already super-tough recycled ABS plastic PlayCase enclosure.

We also wanted to make sure all our V1 owners can upgrade their PlayFaders. Making sustainable products and looking after all our existing users is extremely important for us.

Important!

From 8th August, we’re simplifying our webstore prices by including all taxes in our pricing, and increasing the price a little too. We wish we didn’t have to, but the world got a whole lot more expensive since we shipped our first PlayFader over two years ago.

PlayFader:
Current price is €299 plus vat.
From 8th August the new price will be €399 including vat for EU and US customers! (€339 ex vat price for rest of the world)

Now’s the best time to pick up a PlayFader… literally and figuratively…

PlayFader Rev2 is now in stock and ships in 72 hours

All the details are on our refreshed website.

https://goplayallday.com

CLICK FOR MORE »

Doctor Mix C-64 Synth Series

video uploads by Doctor Mix

"👉 🔥 PLAY MY C64 SYNTHESIZER — FREE, IN YOUR BROWSER: https://doctormix.com/doctormix64 🔥 👈 This is the one. My Commodore 64 synthesizer is FINALLY finished — and it came out better than I imagined. 🎹"

"Sam from Look Mum No Computer built me the control panel, but I'd been keeping it in an ugly functional box that was destroying the look of the C64. So in this episode I build it a proper detachable enclosure from scratch — measuring, cutting, gluing, a LOT of sparks, and one or two moments where I call myself an idiot on camera. 🔥

Then the good part. SID chip number one was completely dead — so I repaired it. Which means there are now TWO vintage SID chips running at the same time, one hard left, one hard right. That's not a stereo effect. That's two synthesizers playing together. 🎚️

And somewhere along the way I fell down the electronics rabbit hole — learning the oscilloscope, building my own MIDI tester out of a £12 screen and a microcontroller, and using AI to modify the firmware so the C64 screen now says DOCTOR MIX instead of Cynthcart. Being able to dominate your own electronics is MASSIVE.

Oh — and I built a virtual version of the whole thing that you can play in your browser for free. It's very beta, almost alpha, but it's real and it's yours. Link at the top ⬆️"

XpandrLink, a native Mac/Windows editor and DAW plugin for Xpander/Matrix-12 (beta)

This one came in on the xpantastic Oberheim Matrix-12 and Xpander list. Details from the creator follow:

"I'm Jake, a Matrix-12 & Xpander owner and synth repair tech. For the past few months I've been building something that has gotten a lot of use in my studio: XpandrLink, a from-scratch C++/JUCE editor for these synths built using XplorerEditor's protocol and design as reference, with standalone, AU, and VST3 builds for both macOS and Windows. I've been really enjoying having this tool for my own purposes and wanted to share it with the community if anyone else might also find it useful.

First, the part that matters most to me. Like many of you, I've used XplorerEditor for years. It's a big reason these synths are still practical to own and play, and this project only exists because of the groundwork it laid. I started down this road after reading a note more than a year ago in the XplorerEditor README: the developer had no time to add new features but welcomed forks and PRs, and recommended a long-term JUCE port for a more modern cross-platform foundation.

CLICK FOR MORE »

Ethereal ambient calm | live looping with the Stylosette Keys

video upload by vekoni and Stylophone

"Relax with this soothing, calming ambient track. Live performed simple looping with the almighty Loopy Pro and a bunch of beautiful effects.

Disclaimer: Stylophone sent this product free of charge; I wasn’t paid, and they had no input on the content.

I loved the Stylosette immediately after trying it. It looks like a toy, but the sound is fantastic, and the octave shift and adjustable vibrato makes it more capable than I thought it would be (I didn't even try the built in delay this time, but it also sounds great and can do self-oscillating madness as well).

Most people use the Stylosette through fruits, and other food like sushi and cheese (genius haha), which I might try next time, but I only wanted something simple and conductive for the octave key to play the high-pitched melody after the base loops were layered... so I used a Japanese knife. Mostly because it looks great and sits stable on the table (cutting edge idea...).

Now the usual geeky stuff:

Signal chain:
→ Stylophone Stylosette Keys through a TRS to RCA cable and a stereo to mono adapter
→ IK Multimedia iRig USB
→ iPhone with Loopy Pro as host

CLICK FOR MORE »

Introducing the Synido TempoKEY K32 Play!

video upload by Musical Miscellany & More

"The folks at @synidotech asked me to help launch their latest MIDI controller, the TempoKey K32. It's unique in that it's not just a MIDI controller but also includes a synth engine. In this video, I take a look at a pre-release model."

DISCOUNT CODE (Europe): SYNIDOK32 | Expires:August 30, 2026
Purchase link (Europe): https://www.synido.com/s/k32

Intro - 0:00
Unboxing & Overview - 1:26
Internal Synth Engine - 3:31
Using the Editor - 5:24
Direct Audio - 6:47
Using with Soft Synth - 8:15
Using the Arpeggiator - 10:08
Additional Features - 11:30
Using with Hardware Synth - 12:45
Final Thoughts - 14:24

And one from 2-Minute Warning:

The Key - 4-Minute Jam (TempoKEY K32 Play + Taiga + DFAM)

video upload by 2-Minute Warning

"This video is a little different for two reasons!

First, it's the first time I'm featuring an instrument kindly provided by a manufacturer. Synido sent me the TempoKEY K32 Play to explore in my own workflow and share my honest impressions.

They didn't ask for a scripted review, so I simply approached it the same way I approach every other instrument on this channel: by making music with it.

Secondly... this is exceptionally a 4-minute jam!

Think of it as two consecutive 2-minute performances before I take a short summer break. 😊

Rather than trying to showcase every feature of the K32 as a MIDI controller (Bluetooth MIDI, battery power, USB/MIDI connectivity, pads, knobs, etc.), I wanted to focus on what intrigued me the most: its built-in General MIDI sound engine.

For this performance, the Hapax sequences the entire setup. The Taiga handles the bass, the DFAM takes care of the analog drums (synchronized by the Hapax), while the K32 Play provides everything else: guitars, strings, bells, plucks, additional drum sounds… and occasionally runs through the Eventide H90 for a bit of extra space and texture.

As always, the musical performance itself was recorded in a single take. Mixing/mastering was done afterwards in Ableton Live, but the performance you hear is exactly as it happened.

A sincere thank you to Synido. Without their message, this musical experiment probably wouldn't have happened."

✅ PLAY THE MOMENT INSPIRATION HITS

Most MIDI keyboards need a computer and software to make a sound. K32 doesn't. Built-in sounds and speakers let you play instantly--couch,classroom, anywhere.

✅ 32 KEYS, MORE ROOM

25 keys feel cramped for chords and melody together. The K32's 32-key layout gives your hands space to play naturally.

✅ WIRELESS, GO ANYWHERE

BLE MIDI + Battery. Create from the couch, backstage, in class, or on a plane.

✅ GROWS WITH YOU

Connect another MIDI controller and use the K32 as a standalone sound module. Compact setup, maximum flexibility.

✅ INSTANT SOUND SWITCHING

Save favorite instruments to the KEY Sound buttons. Jump from piano to synth to bass with one press. No menu-diving.

✅ HANDS-ON CONTROL

8 assignable knobs, 8 drum pads, and a clear OLED display. Adjust, beat, and perform in real time—no mouse needed.

✅ FOR EVERY STAGE OF YOUR JOURNEY

From first beat to live performance, K32 adapts to your workflow. Start simple. Grow into it. Create without limits.

✅ FAST WIRELESS PAIRING

CLICK FOR MORE »

ellitone tap-ki - a percussive note midi controller

video upload by ellitone instruments

"now available at ellitone.com

The ellitone tap-ki is a ‘percussive note’ midi-controller that features 12 highly-sensitive “tap touch” wooden bars. Formally known as the KeyControl 2, the ellitone tap-ki found its true name and brings back all of the same functionality in a solid oak hardwood body.

tap-ki features 16 selectable musical scales from around the world. Inspired by hand-pan drums, these 16 musical scales each offer a different mood for your playing and exploration. The best thing about these selected musical scales is that it is impossible to hit a “wrong note”, No musical theory or piano playing ability is required to successfully enjoy this device. As seen in the demo video, the tap-ki can be played like a piano using single finger taps, or like a drum using both hands to trigger groups of multiple notes at once. The excellent velocity-tracking system allows the tap-ki to be played like a digital hand drum that responds to the smallest change in play pressure.

CLICK FOR MORE »

Hotone Freqlux + Synthesizer Demo

video upload by HotoneAudio

"What happens when Freqlux leaves the guitar rig?

This demo takes Freqlux into a synth-based setup, using its tri-pitch engine to create movement, harmony, and new layers of sound beyond the usual pedalboard world.
NeonGlow was never made for one instrument.
It was made for ideas."



Pitch shifting, reimagined.

Freqlux is not just another pitch pedal. It is a creative engine built for players who hear more than one idea at a time. With three fully independent pitch voices and deep real-time control, Freqlux turns complex harmony concepts into playable reality.

Three Voices. Unlimited Directions.

At the core of Freqlux are three completely independent pitch engines. Each voice can run a different mode, interval, and behavior. Unlike traditional mono or standard poly pitch pedals, Freqlux lets you stack, blend, and sculpt three pitch ideas at once.

Each voice can be assigned to one of the following modes:

Poly Mode

Flawless polyphonic pitch shifting that preserves chord structure and articulation. Big chords stay intact. Fast passages stay clean.

Key Mode

Set a key and scale, and Freqlux generates musically intelligent harmonies that move with you. Classic harmony tones with modern precision.

CLICK FOR MORE »

Genki Instruments Katla #8 (MPE update!) | Winterdagen

video upload by Winterdagen

"Can a perfect synthesizer be made any better? Well yes, apparently it can :) The amazing people at Genki Instruments just made Katla even more expressive by adding MPE capabilities in a firmware update.

I have to say I always thought MPE was a bit gimmicky. I even had a Roli Seaboard Rise in my studio which I'd never properly used. The new Katla update was the perfect reason to change that. And oh boy have I missing out! I absolutely love being able to slide between notes and add expression with pressure and slides. I thought it'd be too complicated to play, but it actually really isn't.

It seems the team at Genki Instruments have hit a home run again. Without any real setup I got the MPE controller hooked up, and in no time I came up with this patch, which feels so expressive to play! I'm looking forward to exploring more MPE patches on Katla ❤️

A second batch of Katlas is available now at https://genki.is/"

New M‑VAVE FM‑1 Mini FM Synthesizer

video uploads by M-VAVE

Playlist:

1. M-VAVE New Product Release--FM-1
2. M-VAVE FM-1 Sound Import Tutorial
3. M-VAVE FM-1 Firmware (V09) Feature Overview & Upgrade Installation Tutorial Synthesizer: FM-1

FM-1 Features:
● Built-in speaker: No external speakers needed, turn on and play instantly, your stage anytime, anywhere.
● Built-in arpeggio: Rich rhythmic layers, giving you endless possibilities for musical performance.
● Built-in sequencer: Supports saving 16 preset sequences.
● Built-in 6-band integrated effects chain.
● Built-in rechargeable lithium battery with power indicator: Ready to use anytime, anywhere – on the street, in a cafe, or in your bedroom.
● Built-in 145-parameter FM tone editing system: Supports importing original DX7 SysEx tone files, and batch loading of single tones and entire tone sets.
● Built-in sound source: This device features a built-in sound source (FM synthesizer engine) that emulates the classic Yamaha DX-7 FM synthesizer, fully replicating 6 operators and 32 algorithms.
● BT audio function: Wirelessly stream backing tracks from your mobile phone to the FM-1 for improvisation using the built-in speakers or headphones.
● 27-key silicone keyboard, covering two octaves, offering a supple touch and rapid rebound for a comfortable playing experience.
● 1.54-inch color display screen, providing real-time display of tone, parameters, and spectrum information.
● Backlit silicone buttons for silent operation and sensitive feedback.
● 7 sets of 360-degree rotary encoders for precise and intuitive control.
● 12 function keys for one-touch access to core functions.
● OCT± octave/transposition switch, covering the full range even on narrow keys.
● 3.5mm headphone jack with automatic speaker mute when headphones are plugged in, ensuring undisturbed creative work and immersive monitoring of every detail of the tone.
● 3.5mm MIDI input jack for supporting external MIDI device control.
● USB-C interface: USB Audio + USB MIDI composite device, automatically recognized upon connection to a computer.

user video:

M‑VAVE FM‑1 Review & Sound Demo – Fun Pocket FM Synth

video upload by dongchannel

"How does this under‑$70 FM synthesizer perform? Check out this video for a full feature walkthrough, sound demos, and my honest thoughts.

I first spotted the M‑VAVE FM‑1 at this year's Guangzhou Musical Instrument Fair, and picked one up shortly after for about 300 RMB (around $60). The packaging is minimal, the unit itself is compact (16×9 cm), yet it packs everything you'd need. Connectivity is surprisingly generous, with both wired and wireless MIDI and audio support – really well‑equipped for its size.

Inside, you get a 6‑operator FM engine, essentially a recreation of a classic 1980s Japanese synth. It comes with 128 preset sounds, plus an effects chain, a 16‑step sequencer, an arpeggiator, and deeper editing tools. Pair it with an external MIDI keyboard and the playability expands even further.

Are there minor software quirks? Sure. But at this price, they're hardly worth mentioning. Compared to other portable sound gadgets in its class, the FM‑1 is just plain fun. And for the money, the build quality and feature set far exceeded my expectations."