"Original vintage Prophet 10 with Wine Contry MIDI and Analogue Renaissance REV-1 downgrade installed in the lower board. With this 'downgrade' the CEM3320 VCFs in one of the two 5 voices board are replaced with the new SSM2040 VCF clones, like in the Rev 1 & 2 Prophet 5. This way you have both Rev 1/2 and Rev 3 filters in the same vintage synth. REV -1 downgrade also adds two new features not present in the original Rev 1/2:
- variable Q-compensation that restores the loss of bass when resonance is increased (14dB is lost at the onset of self-oscillation in the original filter design).
- the option to use the REV -1 as 2-pole filter instead of the original 4-pole configuration. Most non-linear effects happen in the first two filter stages, and the 2-pole mode lets you hear these effects unfiltered by the last two stages."
1. GForce Prophet~5 | Available Now
2. Introducing the Official Sequential Prophet~5 by GForce Software
3. GForce Prophet~5 | A Walkthrough of the Sounds
4. Sequential Prophet~5 by GForce Walkthrough
00:00 Intro
02:14 Aquarium Visit 1983
02:30 Auto Buchla
02:41 Central Texas Disc Golf Semi-Finals
02:51 Clouds Over Ocean
03:08 Concrete Engineering
03:22 CV Input
03:38 Heat Index
03:49 Horizons
04:00 Luggage Carousel
04:15 Natural Science Center
04:27 Network Protocol
04:44 North American Walnut
05:04 Observatory
05:17 Peach Flower
05:32 Plant Irrigation
05:47 Prairie Dawn
05:58 Rainbow Vision
06:13 ROM Upgrade
06:25 Sea Foam
06:44 Silicon Manufacturing
06:55 SSM Bass
07:06 Striking the Circuit
07:17 Television Relay Circuit
07:27 UCSD Research Grouping
07:42 Woodland Hills
2. GForce Prophet 5 vs the Hardware - Starsky Carr
I put the GForce Prophet 5 VST head-to-head against my real Sequential Prophet 5 hardware — testing filters, oscillators, envelopes, LFOs, vintage mode, FM, sync, unison, and more — to find out just how close it really gets.
The GForce Prophet 5 is the ONLY Prophet 5 software officially endorsed by Sequential, making it the only plugin that can legally call itself the Prophet 5. But does the endorsement mean anything sonically? After hours of clinical testing with spectrum analysis, oscilloscopes, and direct A/B comparisons, the results genuinely surprised me.
In this video:
Rev 1 vs Rev 2 vs Rev 3 filter comparison (SSI vs CEM — hear the -difference)
Oscillator shapes: sawtooth, square, triangle side-by-side
Pulse width modulation & LFO speed accuracy
FM / oscillator sync behaviour (I did find a minor difference here)
Polymod and audio-rate filter modulation
Unison & Vintage mode — does the voice-to-voice character match?
Low frequency oscillator mode
X-Mod section: LFOs and envelopes on everything
Built-in effects: chorus, phaser, distortion, multi-mode filter, delay, reverb
CPU load test: 10 simultaneous instances vs Ozone on the master bus
The verdict? The differences I found are no greater than you'd hear between two hardware Prophet 5s. If you don't own the hardware and aren't doing a clinical A/B, you will not notice them.
The GForce Prophet 5 is also remarkably CPU efficient — 10 instances use less CPU than a single Ozone instance. It adds two layers, up to 10-voice polyphony, full CC modulation, and an X-Mod section that turns a classic polysynth into something far more powerful."
"So much more than a DX7 on steroids. In this hands-on walkthrough I program the Leviasynth from scratch to show what Ashun Sound Machines' 16-voice hybrid synth (the long-awaited Hydrasynth successor) can really do: 8 oscillators per voice, 144 algorithms, 7 modulation types, I even demo wavetable-style tones, deep DHDSR envelopes and that gorgeous new analog filter.
I'll show you how it sounds, how it's built and exactly how to start programming it — from a classic Prophet-5 patch to dirty FM basses, glassy vintage-digital pads and modular-style generative patches. By the end you'll understand the workflow and whether the Leviasynth deserves a place at the centre of your studio.
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🎹 ABOUT THE LEVIASYNTH
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The ASM Leviasynth is a 16-voice, 8-oscillator algorithmic hybrid synthesizer from Ashun Sound Machines — the team behind the Hydrasynth. It pairs an advanced digital engine (144 algorithms, 7 synthesis types, 300+ waveforms, FM, phase distortion, phase modulation, pulse-width modulation and sync) with a brand-new pure analog 4-pole resonant filter featuring custom pre-drive saturation. Add 13 envelopes, 5 LFOs, a deep mod matrix, a 3-track sequencer, arpeggiator, Polytouch polyphonic-aftertouch keybed and ribbon controller, and you have one of the most powerful synths released in years. Available in keyboard and desktop versions."
▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ⏱ CHAPTERS ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ 00:00 Intro — tracking shots & first sounds 00:32 First impressions & build quality 01:14 Spec overview: 16 voices, filters, envelopes & FX 02:37 The heart of it: a DX7 on steroids
"An electronica piece built around toy piano sounds and quietly fading harmonies.
This work features KAWAI toy piano, @SequentialLLC Prophet-10, and @YamahaSynthsOfficial CP-88.
The toy piano is recorded with an NT-4 microphone. Delay is applied through the @ChaseBlissAudio MOOD MKII, with layered micro loops adding additional texture.
On the CP-88, Rhodes sounds are performed with a subtle delay effect.
On the Prophet-10, synth pads provide the harmonic foundation. Additional reverb and granular processing are applied through the @HologramElectronics MICROCOSM.
"We say...
A pre-owned Dave Smith Mopho SE in good condition. It has fairly yellowed keys and no original packaging but comes with a power supply
Manufacturer's description
It’s a Bigger Badder Mopho!
Mopho SE builds upon the same award-winning analog, subtractive synth voice architecture of the Mopho and packages it in an ideally sized, three-and-a-half-octave, portable package. Use it to create the same huge basses, creamy leads, and percolating sequences that made the original Mopho everyone’s favorite micro mono synth.
The Mopho Sings!
The Mopho SE voice is composed of two analog oscillators, two sub octave generators, selectable 2- or 4-pole famed Curtis low-pass filter, three 5-stage envelope generators, four LFOs, a re-latchable arpeggiator, and a 16 x 4 step sequencer. Its voice also comes packed with 20 modulation sources and almost 50 destinations!
"An ambient piece built from @SequentialLLC Prophet-10 performances and Tokyo city sounds processed with Ambient Engine ( https://store.atnr.net/ambient-engine... ).
On the Prophet-10, synth pads are performed and heavily processed with the Granules effect on the @HologramElectronics MICROCOSM, creating long-lasting resonant textures.
In Ambient Engine, field recordings captured in residential areas of Tokyo are loaded into seven players and played back randomly. Looper, delay, and reverb parameters are controlled in real time using the Launch Control 3.
Bells and percussion are recorded with an NT-4 microphone and further processed with reverb in the DAW."
"The Groove Synthesis 3rd Wave is a 24-voice wavetable synthesizer with real analog filters, three oscillators per voice, and a 6-stage wave envelope that can independently sweep each oscillator through 64-position wavetables. It's built as a modern successor to the PPG Wave 2.2 and 2.3, carrying the original PPG wavetables alongside 56 high-resolution modern wavetables, analog-modeled waveforms, and — as of OS 1.8 — a built-in sampler. In this review, I go through every major feature of the 3rd Wave in detail: the four oscillator types (PPG legacy, modern user wavetables, analog-modeled, and samples), the dual filter architecture (4-pole analog low-pass plus 2-pole zero-delay state-variable), all four envelopes, the four LFOs, the 16-slot modulation matrix, 11 built-in effects, the arpeggiator, the pattern-based sequencer with parameter automation, 4-part multitimbral layering and splits, the Wave Maker custom wavetable tool (including Serum wavetable import), unison with chord memory, MPE support, and more.
Whether you're considering buying one, comparing it to other hardware wavetable synths like the Waldorf Iridium, Modal Cobalt, or ASM Hydrasynth, or just curious what a modern PPG-inspired instrument sounds like in 2025/2026, this is the full picture. I cover every section of the signal chain with sound demos, explain what makes the wave envelope system unique, show how to build patches from scratch, and give my honest take on where the 3rd Wave excels and where it falls short. Timestamps for every section are below — jump to whatever interests you."
Click CC for subtitles at the bottom of the player once the video starts.
Video descpription in Googlish:
Instead of a traditional review of the Sequential Fourm, we decided to take a different approach: putting it to work on a specific track. And not just any track: "Fade to Grey" by Visage—an absolute classic of 1980s British synth-pop. Every melodic and accompanying track you’re about to hear was created exclusively using the Fourm, starting from factory sounds (drawn from the approximately 300 initial presets) with only minimal tweaks. The only element not provided by the synth is the drums: an AI-generated Roland CR-78-style pattern, occasionally reinforced with a kick and snare from Logic’s sound library.
Along the way, Pablo demonstrates how to truly harness the power of a modern polyphonic analog synthesizer: polyphonic aftertouch (key for the lead vocal line, where some notes come alive while others fade out completely), intense mixer feedback (ranging from subtle thickening to nonlinear behavior with "ghost" harmonics), audio-rate filter modulation from Oscillator 2 (adding anything from brightness and vocal-like character to total sonic breakdown, depending on the intensity), glide for creating transition sweeps, and the LFO in random mode feeding the filter to ensure every note sounds unique.
We also cover specific recording techniques: layering basslines via MIDI using two different sounds and panning them; doubling hand-played pads so that the two takes aren't identical; and recording a MIDI pattern to free up both hands, allowing you to perform real-time timbral tweaks—adjusting the filter, resonance, and modulation intensity—during the actual audio recording.
📝 A quick refresher on the Fourm: a compact 4-voice analog synthesizer featuring two VCOs per voice, a 4-pole low-pass filter derived from the Prophet-5, one global LFO, two ADSR envelopes, a mixer with feedback capabilities, no internal effects, a mono output, a 37-key "slim" Tactive keyboard with polyphonic aftertouch, and a modulation matrix—inherited from the Pro-1—that is directly accessible right on the front panel. 00:00 Original vs. Fourm Version 00:24 Intro 01:35 Fourm Features 03:34 Polyphonic Aftertouch 04:57 "Fade to Grey" Intro 07:07 Bass 08:34 Chords 10:17 Sweep 12:32 Melody 18:50 "Clavi" Sound 19:34 Drums 20:39 Full "Fade to Grey" Version
This Instrument is made for Soundscapes, Pads, FX and Cinematic Sounds.
We freshly Recorded and meticulously prepared 255 Samples from our extensive Vintage Synthesizer Collection from Synthesizer Museum/Studio Berlin for our updated version of the popular SYSTEM FLOW Grain Sampler. For this update we specially curated and prepared a huge Sound Library for a rich Soundpallette. Additional Overdrive & Tape Delay style FX for each Sample Engine. New Filters and Modulation Routing Options New Samples & Presets for version 2.0
NEW: ADSR and MPE capabilities. Choose your favorite Style of playing. Choose ADSR for regular Keyboard playing. DRONE for Chillout and Sessions where you just want to play a chord and let SYSTEM FLOW 2.0 do it’s thing. Use MPE for a full polyphonic experience with poly Pitch-bend and controls for the Filters and LFOs with pressure and Slide.
Additional Routing capabilities. Filter & Sample read Position can now be modulated from all 6 Modulation Sources.
NEW FILTERS: virtual Analog Filters with Drive, Boost & HP options. Same as the Filter used for X-FLOW.
NEW FX per Sample Slot: We added a Tape Delay and Overdrive Distortion to each Sample Engine
New A & B View for a streamlined Workflow. Simple B View if you just want to play the Presets and or just want to drop some Samples into the engine or go to A view for a full experience with all parameters exposed. Same goes for the Reverb engine.
More Presets for the Reverb and a streamlined UI Mix/Match & randomize each Parameter of the Reverb and make your own combinations of the Independent Granular Engine and Reverb Presets. More than 80 different Reverb Presets.
Komplete Kontrol & Maschine ready Just add the Instrument to your User Library and browse the Presets from there with the 8 most important Knobs. KK & Maschine open System FLOW 2.0 with the simple B view. Press the + Sign to reach the full A view.
Synths Samples that we recorded for SYSTEM FLOW: Jupiter 4, Prophet 10, SH-2, SYSTEM 700, ARP 2600, Broken OB-X, CS-80, EMS SYNTHI AKS, MEMORYMOOG, MINIMOOG, ADDTIONAL RECORDINGS: Guitar, Field Recordings, GLITCH NOISES, SPACE SAMPLES, SSB SCI-FI BRAHM’s
Requiers: FULL NI REAKTOR 6.5 or up
Comes with: Presets: 30 Samples: 255 File Size: 547 MB packed 296 MB as ZIP for easy Download"
"This episode focuses on synthesizers with a deep dive on Marcus Wiles’ Sequential Prophet-6, while also thanking sponsor Aerospace Audio and highlighting their Arrow Pads app and Atmosphere Pads pedal features, sound packs, pricing, and routing ideas with Ableton. Marcus explains why he chose the Prophet-6, how its simplicity and poly mod section shaped his synth programming, and why hardware can feel more like an instrument. He demonstrates practical sound-design concepts that translate to any synth or Omni sphere, including using unison and stereo spread versus chorus, preparing patches for mono or stereo systems, shaping sounds with envelopes to turn a basic patch into bass, plucks, brass, and an 808-style sound, adding texture with audio-rate modulation and effects (including distortion after reverb), and using the Prophet-6 sequencer for writing inspiration. The episode ends with a call for viewers to submit their own key rigs and a teaser for the next episode on the Nord Stage 4."
The Sh*t Synth - Walkthrough video upload by CROW HILL XTRAS
Press release follows:
The Crow Hill Company turns to extensive and rare collection to turn out THE SH*T SYNTH as compendium of 48 circuit-, wave- and sample-bent instruments
EDINBURGH, UK: The Crow Hill Company is proud to turn to its own extensive and rare collection of hardware to turn out THE SH*T SYNTH — available as a compendium of 48 circuit-, wave- and sample-bent instruments inspired by some of the Edinburgh-based enterprise’s eclectic musical favourites (spanning the likes of Aphex Twin, Boards Of Canada, Joe Maus, Jon Brion, Laurie Spiegel, Radiohead, Throbbing Gristle, and Yazoo) to create something that they collectively ask: is it just shit or ‘the shit’? — as of April 7…
Whatever way anyone chooses to read into the titling of THE SH*T SYNTH as the latest entry into The Crow Hill’s ongoing ORIGINS series of sample-based virtual instrument plug-ins, one thing is for sure: it readily represents a broad selection of three categories of 16 workhorse instruments each, effectively wrapped up into a single plug-in designed to bring a cohesive approach to making music more edgy, lo-fi, retro, and — swimming against the technological tide of so-called progress — decidedly AI (Artificial Intelligence) slop-free. From pianos to strings, plucks, beeps, bass, and pads, the compendium that is THE SH*T SYNTH has been lovingly sculpted by the Edinburgh-based enterprise’s media composer and ‘samplist-in-residence’ Christian Henson to take the hassle out of making existing sounds less refined, catering to those looking for an entirely new bank of Mellotron-style sounds as well as synths that have been long forgotten — for good reason, too!
Click the auction link on top when you get there for additional listings.
"This collection of vintage synthesizers has grown with me for years. Most all of these instruments have been used on many projects, including VeggieTales, a variety of remixes, and many PlayStation video games and marketing and promotional discs. Most recently they were used on the Mass Effect Andromeda video games soundtrack. They have also been sampled and are part of the SoundVault Collection and the Kurzweil Analog Collection for the K2000 series samplers. VEMIA note: to forestall many inquiries, The seller’s idea is that he wants to sell it as a whole. That may or may not work out in this auction. If it doesn’t, obviously he’ll be free to do whatever he wants after the auction finishes.
It all works. Everything has been kept in a clean, smoke-free, climate-controlled studio. I have always fixed things myself, so everything is operational and sounding great. I have repair notes on the synths that received attention, though most of them have worked great over the years, without much need for repairs. There are also several MIDI to CV converters so they can all be controlled by computer, plus cables if desired. And a few have cases and manuals.
ARP 2600 with lid but no keyboard. Pictured with broken slider and missing caps, but I believe I have them. ARP Odyssey (White) ARP Odyssey (Black & Gold) ARP Odyssey (Black & Orange) ARP Avatar (Original with pickup) (No original knobs, but early rubber caps if you want) ARP Avatar (CMS modded with patchpoints, filter, and envelope) (No original knobs, but early rubber caps if you want)
Chroma Polaris
Crumar DS-2
EDP Wasp
Electro Harmonix Super Space Drum Electro Harmonix DRM 32 Digital Rhythm Matrix
Moog Liberation with rack power, cable, and case Moog MiniMoog Moog MemoryMoog Plus with MIDI and case Moog MicroMoog Moog MultiMoog Moog Opus 3 Moog Prodigy Moog Sonic Six (The case is poor, but the synth panel looks great) Moog Taurus with case
Oberheim Matrix-6r Oberheim OB-1 Oberheim OB-8 with Page 2 and MIDI Oberheim OB-SX (This one is probably in the worst physical condition of them all) Oberheim Xpander
Rheem Kee Bass
Roland CSQ-600 Digital CV/Gate Sequencer Roland JP-8080 Roland Jupiter-4 Roland Jupiter-6 with Europa and original box Roland Jupiter-8 with Encore MIDI Roland JX-8P Roland MKS-7 Roland MKS-30 with PG-200 Roland MKS-50 with PG-300 Roland MKS-70 with PG-800 Roland MKS-80 with MPG-80 Roland MSQ-100 sequencer in box Roland SH-1 Roland SH-2 with case Roland System-100 Model 101, 102, & 104 Roland System-100m D Block Roland System-100m Phaser and Sequencer Block Roland System-100m 104 Polyphonic Keyboard Roland TB-303 with Sequentix MIDI and Filter CV
SCI Max SCI Pro-One SCI-Prophet-5 SCI Prophet-600 with GliGli
Star Instruments Synare 3 Star Instruments Synare 4 Star Instruments Synare Sequencer
Yamaha CS-30 Yamaha SK-20
Encore Expressionist MIDI to CV/Gate Kenton Pro4 CV/Gate and DCB and Wasp JL Cooper MIDI IO 8 ch MIDI to CV/Gate
Standtastic wall-mount arms plus cables if you want them."
"Is the Sequential FOURM effectively a "Prophet 4"? In this deep-dive comparison, I put Sequential’s compact powerhouse up against the legendary Prophet 5 to see how closely it recreates that iconic vintage DNA.
While the FORUM shares a strikingly intuitive Prophet-style interface—complete with dual oscillators, a resonant low-pass filter, and a dedicated polymod section—it also brings modern innovations to the table that the original Prophet simply can’t match.
We’ll explore the sonic character of the FORUM’s SSI chips, which act as modern recreations of the warm, fuzzy SSM chips found in the original Prophet 5 Rev 1 and Rev 2. By recreating classic factory patches side-by-side, we reveal the subtle differences in envelope behavior and modulation flexibility between these two analog beasts.
🎹 What’s Covered:
• The "Prophet 4" Factor: Comparing the interface, layout, and "familiar" feel of both synths.
• SSI vs. SSM vs. Curtis: Breaking down the filter and oscillator chips that define their warmth and grit.
• Modern Upgrades: Exploring the FORUM’s Poly Aftertouch, built-in arpeggiator, and digital clock sync.
• The Feedback Circuit: A demo of the FORUM's unique feedback loop that adds "MiniMoog-style" grit and prevents bass loss at high resonance—something the Prophet 5 famously struggles with.
• Patch Recreation: A side-by-side listening test of 8 classic patches to hear the real-world sonic differences.
🔗 Stay Connected:
• Exclusive Patches & Samples: Join the community on Patreon for the custom banks used in this video!
• Shop Sound Banks: Visit StarkeyCar.com for professional patches, tutorials, and freebies.
• Socials: Check out my Instagram for more gear shots and studio updates."
⏱️ Timestamps:
• 00:00 – Intro: Single Voice vs. Polyphonic Power
• 00:46 – Interface & Layout Comparison
• 01:23 – The Tech Specs: SSI Chips & Analog VCAs
• 03:08 – Side-by-Side Patch Recreations
• 04:05 – Analyzing Envelope & Drop-off Differences
• 04:40 – PolyMod of the pulse width
• 07:54 – Modulation & Polymod Limitations
• 11:37 – Beyond the Prophet: Feedback & Resonance
• 13:50 – Poly Aftertouch Demo
• 14:20 – Build Quality & Final Verdict
"GreyScale 'Phase3'
Centered around the Duos, the Poly-Sequencer receives its pulse, and sound rises up as a single structure.
This series records the "acoustic architecture" created not merely by synchronization, but by moving with the same heartbeat.
Minimal pulses shape the space,
and as the CS-10, Prophet-5, and Duos layer upon each other, you can follow the process of how GreyScale's unique three-dimensional sound develops.
This playlist is an archive of GreyScale's exploration of 'pulses create the world.'
----
GreyScale 「Phase3」
Duos を中心に、Poly‑Sequencer がその脈動を受け取り、音がひとつの構造として立ち上がっていく。
ただ同期するのではなく、同じ鼓動で動くことで生まれる“音響の建築物”を記録したシリーズです。
ミニマルなパルスが空間を形づくり、
CS‑10、Prophet‑5、そして Duos が層を重ねながら、 GreyScale 独自の立体的なサウンドが育っていく過程を追うことができます。
この再生リストは、GreyScale が探求する
「パルスが世界をつくる」アーカイブ。"
"Create lush, atmospheric reverbs using only the four delay lines inside the Dave Smith Instruments Prophet 12 in this sound design tutorial. In this video, Metamyther transforms the 4 delay lines into a diffusion-based reverb perfect. Learn how feedback routing, modulation, filtering, and timing offsets can turn this beast of a synth into a self-contained spatial effects engine—no plugins or external FX required.
Chapters:
00:00 - Intro
00:25 - Setting up the base sound
01:30 - First sounds
01:42 - Turning up feedback
01:59 - Delay filtering
02:30 - Feedback mode
02:58 - LFOs
03:29 - Character knobs
04:03 - Using more oscillators
05:41 - Pushing the feedback
"RetroSound Studio Tour:
Legendary Vintage Digital & Hybrid Synthesizers of the 80s and early 90s
In this episode of RetroSound Studio, I explore classic digital synthesizers that revolutionized electronic music production during the 80s and early 90s.
From FM synthesis and wavetable synthesis to vector synthesis, PD synthesis, vitual analog and Roland’s LA synthesis, these instruments introduced a new generation of sound design and defined the sonic identity of an era.
The Yamaha DX7 became one of the best-selling synthesizers of all time, defining FM electric pianos and metallic digital textures. The PPG Wave pioneered wavetable synthesis, laying the foundation for modern digital sound engines. The Sequential Prophet VS introduced vector synthesis, allowing dynamic blending between digital waveforms. The Roland D-50 shaped late-80s pop and film scoring with its LA synthesis architecture, while the Roland JD-800 brought hands-on control back to digital synthesis in the 1990s.
These digital synthesizers shaped genres such as synth-pop, new wave, ambient, house, techno, trance, and film music. Today, they remain highly sought after by producers, collectors, and sound designers researching vintage digital synthesizers, 80s keyboard sounds, virtual analog, classic FM synthesis, and wavetable history."
The Digital & Hybrid Synths:
0:07 Sequential Prophet VS
4:39 PPG wave 2.2
10:36 Yamaha DX7 II FD
14:56 Yamaha DX11
16:39 Casio CZ-101
19:29 Casio VZ-1
21:21 Roland JD-800
26:40 Roland D-50 / D-550
28:00 Korg Wavestation EX / SR
31:24 Korg DW-8000 / EX-8000
32:42 Roland M-VS1
35:57 Kawai K5000R
38:57 Waldorf Microwave
39:44 Waldorf Microwave II XT
41:15 Clavia Nord Modular
41:59 Yamaha AN1x
44:36 Roland JV-1080
45:33 Ensoniq SQ-80
46:23 Quasimidi Raven Max
47:42 Korg Z1
"RetroSound Studio Tour
Classic Analog Polyphonic Synthesizers from the 1970s and 1980s
In this episode of RetroSound Studio Tour, I explore the sound, design, and history of legendary analog polyphonic synthesizers from the golden era of electronic music. These vintage poly synths defined the lush pads, warm brass sounds, and cinematic textures heard in synth-pop, progressive rock, disco, film scores, and early electronic music.
This studio tour focuses on true analog polyphonic instruments featuring multiple voices, voltage-controlled oscillators , classic analog filters , and rich modulation systems. Unlike monophonic synths, polyphonic synthesizers allow full chords and layered harmonic textures — making them essential in 1970s and 1980s music production.
In this RetroSound Studio tour, you’ll discover:
0:07 Roland Jupiter-4
5:54 Roland Juno-60
9:49 Roland Juno-106
14:10 Roland Alpha Juno 2
15:42 Roland JX-3P
18:21 Roland JX-8P
21:28 Korg Polysix
24:48 Korg Mono/Poly
26:59 Oberheim OB-X
32:32 Oberheim OB-Xa
35:35 ARP Quadra
37:11 Sequential Prophet-600
39:48 Tiracon 6V
41:56 Oberheim Matrix-1000
"Original vintage Prophet 10 with Wine Contry MIDI and Analogue Renaissance REV-1 downgrade installed in the lower board. With this 'downgrade' the CEM3320 VCFs in one of the two 5 voices board are replaced with the new SSM2040 VCF clones, like in the Rev 1 & 2 Prophet 5. This way you have both Rev 1/2 and Rev 3 filters in the same vintage synth. REV -1 downgrade also adds two new features not present in the original Rev 1/2:
