MATRIXSYNTH


Wednesday, January 02, 2008

Roland Jupiter-4 Compuphonic

images via this auction

"'The synth's oscillators are switchable between sawtooth, square and square with PWM waveforms. and include a sub-oscillator and noise generator. All 4 oscillators can be stacked together for a fat, monophonic sound. In the filter section, the Jupiter-4 offers a hi-pass VCF, as well as a resonant low-pass filter. There are two ADSR envelope generators - one for the VCF (invertable) and the other is for VCA. The LFO features sine, square and ramp up/down waveforms, with sample/hold. It can be routed to the VCO, VCF, VCA or PWM. The Chorus button doubles the fatness of the synth sounds...'

The Roland Jupiter 4 was an analog synthesizer manufactured between 1978 and 1981. It was notable as the company's first self-contained polyphonic synthesizer, and for containing digital control of analog circuits (termed "Compuphonic" by Roland), allowing for such features as programmable memories and voice assignment modes.

Priced at around US$2,000, it was cheaper than polyphonic machine from its competitors (such as the Sequential Circuits Prophet-5 and the Oberheim OB-X) however it did not sell well in comparison. (These poor fortunes were reversed on the release of its successor model in 1981, the popular Jupiter-8.)

The Jupiter 4's basic architecture was 4 identical voice cards, each with a VCO (with sub-oscillator), resonant low pass VCF (which could self-oscillate), and VCA. Modulation included an ADSR envelope and LFO. The LFO, routable to oscillator pitch, pulse width, filter cutoff and amplifier, was notable for being able to reach audio frequencies, allowing for crude FM and AM synthesis.

The Jupiter 4's two most distinctive features were provided by virtue of its "compuphonic" digital control of the four voice cards:
* An arpeggiator, with a choice of up, down, up/down, or random mode.
* Four voice assignment modes, which, as well as simple 1VCO-per-voice polyphony, included the ability to effect 4-VCO unison when one key was pressed, 2-VCOs per voice when two keys were pressed, and 1-VCO per voice when three or four keys were pressed.

The final signal path also included a simple high pass filter and a stereo chorus effect. The Jupiter 4 had 10 preset sounds and also featured 8 memory locations for user-created patches.

The Jupiter 4 Compuphonic (known to most of us as just the Jupiter 4) is a four-voice polyphonic synthesizer with an arpeggiator and a 49-note (C-C) keyboard. It has 8 user-programmable memory locations and 10 preset patches with names like "Piano" and "The Force". The buttons for patch changes are in the front of the keyboard, underneath the keys. Each voice consists of a single VCO with sawtooth, square, or square with Pulse Width Modulation (PWM) and a suboscillator that can be switched on or off. There is also a noise generator that can be switched on and off. Like the suboscillator, it has no level control.

The Jupiter 4 can be put into mono mode which stacks all 4 oscillators on each note, creating a very thick, although monophonic, synth. The filter section consists of a high pass filter and a low pass resonant filter. The Jupiter 4 has two ADSR envelopes, one for the filter which can be inverted, and another for the VCA. It also has one LFO, switchable between sine, square, ramp up and ramp down waveforms. The LFO can be routed to the VCO, the VCF, the VCA, or PWM. Although some say that the LFO rate on the Jupiter 4 is the slowest of any production keyboard, it also can modulate up into the audio frequencies (around 100 hz), making it very flexible. Only the filter can be modulated by a sample and hold function of the LFO labeled as "VCF mod" in the filter section.

The Jupiter 4 has a built-in chorus, a single on/off switch labeled "ensemble". Its arpeggiator is a fixed range running the length of the keyboard. However, there is a click input to sync the arpeggiator to an outside source. The click input can also be used to trigger filter modulation. This input and a cv input for the VCF were the only interface available with the Jupiter 4. It has no keyboard cv/gate input. It is possible to overdrive the Jupiter 4's VCA. When you do this a little light comes on to let you know."

Tuesday, January 01, 2008

Sequential Circuits Prophet-5

images via this auction

Something Metasonix This Way Comes

Just when you thought you've seen it all... :)
via Dave:
"Eric Barbour, a.k.a. Metasonix, is up to no damn good again. I created art for Eric's TX-2 Butt Probe manual, and the graphics & manual for the TM-7 Scrotum Smasher. And now, the latest piece of hardware I did creative production for... well... I just don't know what to say.

As a tease, I'll be posting new daily images (usually one per day, occasionally two) on umop.com until all is revealed at the NAMM Show on January 17th.

The first three images are attached, and can be linked here:

http://umop.com/metasonix/01.jpg
http://umop.com/metasonix/02.jpg
http://umop.com/metasonix/03.jpg

Latest daily images will appear here: http://umop.com/metasonix.htm"

Ultravox Live Aid


YouTube via Indio70. "The 2 songs that were edited out off the official DVD... here they are again enjoy."

Ultravox performing Reap the Wild Wind followed by One Day at Live Aid 1985. One Day is definitely the stronger performance. It's almost like they are just warming up with Reap the Wild Wind. The performance gets even better below. Be sure to catch Vienna. Billy whips out the violin. In the video above: Midge on E-Mu Emulator II and Billy on a Yamaha DX7 and Kurzweil K250.

I remember staying up until the wee hours of the night/morning to catch this live when it was first aired. I forget if they aired all four songs in the US but I definitely remember Vienna and at least one other. If you remember, feel free to comment.

BTW, Midge Ure was the co-organizer behind Live Aid, but for whatever reason I only remember seeing Bob Geldof receiving most of the limelight. I always wondered about that. Probably because Geldof was the main organizer and he was a bit more known in the states? Who knows...


"Here is the 2 other songs from Live Aid -85. These made it on the DVD. Classic Ultravox moment. Don't forget 2 view the other part, with the 2 songs that was cut out of the final DVD."

Dancing With Tears in My Eyes followed by Vienna. Chris Cross on PPG Wave 2.2. I also think I see an Oberheim DX drum machine next to the Emulator in this one. Billy on DX7, MIDIBoard and Violin. Midge on the Emulator.

Anyone know what was used for the drum effect in the original recording of Vienna? I always loved that particular sound.

For more posts on Ultravox click here, be sure to scroll for some of the more interesting posts.

Update: be sure to check out the comments for more including an update on the synths used.

Jerry Goldsmith - Logan's Run (1976, US, electronic)


Anyone know what synths were used for the soundtrack?

"This post consists of audio rips from the electronic parts of the movie Logan's Run. A lot of the score contains synthesizer sounds. I converted the ac3 to mp3 and made up the titles at my own discretion.
According to the Internet Movie Database, Jerry Goldsmith is the composer. Jerry did also the music for The Twilight Zone, Planet of the Apes, Star Trek, Chinatown and The Boys from Brazil."

click here for the post on Wiel's Time Capsule.

The Lonesomes - Crop Circles


YouTube via diekleinekuh. You might remember Anne Moo from this post.

"The Lonesomes' first music video from the upcoming album "This is Cow-Fi" (LoAF Recordings). Filmed in Berlin and in Moo-Zik studios 2007."

via The Lonesomes (be sure to check them out). The video "features a small jen sx-1000, but actually the recorded music is done mostly with the yamaha cs-40m and yamaha sy-1, with small parts on the jen."

Pictured:
Ann Moo and her miniature synth arsenal.

Time Machine Demo


YouTube via stretta.
"Created for an ebay auction. How to use the Time Machine for voltage-controlled pitch shifting and Karplus Strong synthesis."

nord modular g2 solo


YouTube via mrosly. Sent my way via fischek.

How to use USB to Make Midi Files


YouTube via lockergnome. Be sure to check out this video as well.
"http://live.pirillo.com - I love to play with my new TENORI-ON. However, I've been having trouble finding a way to sync the music from the TENORI-ON to my computer, so I can save it out as a Midi file. The TENORI-ON comes with Midi cables, so all I needed was the software to make it happen."

moog bode + human vox


YouTube via polyvoks.
"simple application of a vox thru a Moog Bode frequecy shifter"
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