MATRIXSYNTH


Monday, March 23, 2009

Getting Started with the Open Labs NeKo


YouTube via MakeItFunkyProds
"(Note: If you see the message, "We're sorry, this video is no longer available" then press the HQ icon below the video and it should play.)

This video explains how to:
1. Turn on your NeKo / Miko studio.
2. Connect your external VGA monitor.
3. Play the Open Labs vsti's in your software.

(BONUS: How to exit the Open Labs Shell.)

~Vince
http://myspace.com/makeitfunkyprods"

Musikmesse: SchneidersBuero Superbooth is Back!

http://www.superbooth.com/manufactures.htm

You might remember SchneidersBuero skipped hosting last year's Superbooth at the Musikmesse.

some links:
http://matrixsynth.blogspot.com/search?q=schneidersbuero
http://matrixsynth.blogspot.com/2008/04/totally-wired.html

via sequencer.de
via https://twitter.com/moogulator

Wecome to Monome


Wecome to Monome from sam_square on Vimeo.
"What is a monome? Monomes are fun to watch, but what is actually going on?
ma-gnome!"
via https://twitter.com/stretta

Synth legends, stories and rumors

Sequence 15 has a fun post on the following synth rumors. You can find the answers there along with some videos and samples. Even if you know the answers to these, it is worth a look. I remember the first time I heard the Edgar Winter ARP 2600 as a keytar rumor. For a short period of time I actually thought it was the full on unit. :)

Story: Laurens Hammond, inventor of the Hammond organ, was tone deaf and couldn't play.

Story: No recording was ever made of the Telharmonium, the first synthesizer.

Story: The Rhodes Chroma was actually designed by ARP.

Story: Prior to the creation of MIDI, Sequential Circuits had designed a serial bus for musical instruments which was much faster than MIDI.

Story: The prototype of the Moog Voyager Old School was stolen from Moog.

Story: Edgar Winter used to play with an ARP 2600 on a guitar strap.

sensomusic usine ableton live touchscreen interface by 23fx23


YouTube via 23fx232323
"modular touch screen interface made with sensomusic usine to control ableton live."
Similar to the JazMutant Lemur.

Guthman Musical Instrument Competition

"The first Guthman Musical Instrument Competition presented by GTCMT and Harmonix (makers of Guitar Hero and Rock Band) will award $15,000 to the best novel musical instruments as judged by a panel of experts from Harmonix, Wired, and Georgia Tech. There will be a $5,000 grand prize — all participants eligible — given by Sharon Perry Galloway in honor of her husband, Dr. Thomas D. Galloway, Dean of the College of Architecture, 1992-2007. A copy of the Rock Band® video game, courtesy of Harmonix, will be awarded as a prize to places 4, 5 and 6." Submissions closed on Jan 15th. You can find a gallery of images, sound and video on Wired.

Pictured above:
"Jaime Oliver's Silent Drum uses a technique somewhat akin to shadow puppetry to create stunning and engaging music.

As his fingers press the flexible drum head, it forms black shapes in front of a white background. Those get picked up by a video camera and piped to a laptop where Max/MSP software turns the shapes into sound in real time.

The patches are pre-programmed, but Oliver's analog, light-based interface offers a surprisingly expressive range and precision. The judges were impressed; Silent Drum took home the $5,000 first prize."

Silent Drum Controller - Demo02

YouTube via jaiolix
"Demo02 - improvisations on 5 environments of the Silent Drum Controller.

for the latest piece visit: http://www.realidadvisual.org/jaimeol...

for more info on the controller visit: http://www.realidadvisual.org/jaimeol..."


"Jan Perschy's SGSX-H 750 is just what it looks like: a motorcycle engine with a keyboard attached.

As the teeth of the engine's gears travel at varying speeds past pick-ups that normally detect piston position, they generate tones that can be controlled with a keyboard. The third component, pictured to the left of the keyboard in the photo, is the voltage-controlled amplifier (VCA) that makes up for relative discrepancies in volume.

Perschy said his goal was to play the gears in a motor the same way that a Hammond organ plays its spinning tone wheels. The VCA module wasn't working when we made the recording below, an apparent victim of rough travel, but this was still a fascinating display."



Craig Hanson and Mike Gao


Be sure to see the Wired gallery for more. via CDM who held a similar contest "judged by drum machine pioneer Roger Linn and the members of tech-loving band Freezepop" See the post for more.

yr3wk40 moog rogue & juno 6


yr3wk40 moog rogue & juno 6 from longcat on Vimeo. via longcat on the forum
"not my moog, and indeed, not my juno 6, but i love them both anyway x"

19

flickr by Antonio Manuel GarcĂ­a
(click for more)

full size

Access Virus Classic

VocalFilter_panel2

flickr by fonitronik

"2nd sketch for printing job, instead of engraving."

full size

follow-up to this post

A changing theme


YouTube via attorks

"This time I experimented with changing between 3 different sequences using 3 presets from the Doepfer MAQ16/3. At first you hear the bass sequence from the Synthesizers.com Modular driven by row 1 of the Doepfer MAQ16/3. After that the volume is raised for the sequence from the self built Modular driven by MAQ's row 2. The 3rd sequence comes from the Creamware MiniMax ASB which is driven by MAQ's row 3. The strings are performed by the AKAI AX80 and the solo's are played on the Korg 900PS and the Clavia Nord Lead 1. You see, the setting is somewhat the same as the previous video but is sounds different. I had to shorten the video almost 6 minutes because of the YouTube limit of 10 minutes. The original video is 15:53 long and you can see or download it from my website."
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