READYdot´s Experiments: Introducing my SH-101

YouTube via READYdot
"Lot of gear in this one. My A-100 where the Dalek and the Vulcan are doing their usual bleepness, the OSC-2 from MFB delivering the second bass, through the Tiptop DSP. Then there´s my SH-101 who does the main seuqence clocked with the Flame Clockwork that is clocked by MIDI by the EMX-1. Kaossilator goes through the SpaceEcho hence the distortion, the SH-101 through the EH Memory Man and the Dalek/Vulcan team is further modulated by the EH Flanger Hoax and BBDed by the A-188-1."

Vermona Perfourmer Trip

YouTube via zaphid
"Just experimenting with perfourmer ad photoboot"

SEQUENTIAL CIRCUITS TOM VINTAGE DRUM MACHINE

via this auction

ganK - Free VST and Stand Alone Synth

via KMB of Asia Synth Station
"I had only little time for testing but is nice........."

Available at Lucas'

"ganK the Synthesizer is a free soft synth developed by Lucas. It is presented in both VSTi format and Windows standalone application. ganK is an additive/substractive synth with 3 oscillators , a moog filter, a lfo, effects like an 8-band eq and a delay component. Have fun."

Native Instruments Introduces SONIC FICTION

"Berlin, November 16th, 2009 - Native Instruments today introduced SONIC FICTION, a new KORE-Powered instrument that combines inventive field recording with advanced synthesis into an arsenal of hundreds of genuinely otherworldly sounds. Designed by prolific sound design artist Jeremiah Savage and usable with KORE 2 and the free KORE PLAYER, the instrument provides musicians and producers with a inspirational resource for movie and game scoring, modern sound design and various electronic music styles.

Expanding on sound design paradigms established with Jeremiah Savage's previous ACOUSTIC REFRACTIONS collection, the sounds in SONIC FICTION are inspired by imaginative Science Fiction scenarios and concepts. Unusual, complex acoustic sources ranging from volcanic mudpots to television static were carefully captured in extensive field recording sessions, and combined with the vast synthesis and sound processing capabilities of ABSYNTH, KONTAKT and KORE. The result is an array of previously unheard, charismatic instruments that are both alien and organic in their sonic character, but also highly playable and of profound musical value.

SONIC FICTION provides 100 KoreSounds with eight morphable Sound Variations each, resulting in 800 individual sounds. Concise parameter assignments allow for immediate, intuitive sound tweaking in KORE 2 and KORE PLAYER. Full musical metadata for all presets also makes SONIC FICTION integrate seamlessly with any individual collection of KORE-Powered instruments.

A video of Jeremiah Savage explaining the concept and design process of SONIC FICTION"

"Sonic Fiction" - New Kore-Powered Instrument from Native Instruments

YouTube via NativeInstruments
"Jeremiah Savage, the creator of "Sonic Fiction", explains the unusual concept and creation process of his unique Science Fiction-inspired software instrument.

More info at http://www.native-instruments.com/#/e..."

Info on the alphaSyntauri via Laurie Spiegel

See the bottom update in this post.

MOTM 420 and 440 Filters Frac Rack

via this auction

"Here is a custom pair of filters by Synthesis Technology. The MOTM 420 filter is based on the Korg MS20. The MOTM 440 is based on the Prophet 5 SSM filter. I used the original MOTM boards and custom designed them to Frac Rack size. All are working and in excellent condition. Includes power cables."

TRASH_AUDIO Meetup

flickr by Rasidel Slika
(click for more)

Modcan
Buchla 200e

I'm guessing these are professional shots from the last post.

TRASH_AUDIO

Roland Tower of Power

"Roland TR-808 sitting atop a Roland Space Echo RE-501 from last night's Trash Audio meetup. I didn't get any more, as I was busy eating blue cheese and drinking beer, haha, but there was a professional photographer taking some photos with his DSLR, so some good photos should surface soon!" I'm guessing these are them.

via Mr. Array of Ocean Orbit.

USE AUDIO PLUGIATOR

YouTube via useaudio


via this auction

"Use Audio Plugiator synth, based on the famous Creamware synth plugins: Minimax, B4000, Lightwave and Voctor. 4 more synths/plug-in can be added to the unit.

The Plugiator is an excitingly innovative table top synthesizer which utilizes the latest and fastest DSP technology to provide high-end plug-in technology within a most convenient portable form factor.
The Plugiator can store up to eight different DSP plug-ins and can load any one at a time at a push of a button. Each plug-in comes with 100 presets – allowing you to store up to 800 different sounds within that cute little box which the Plugiator is.

The Plugiator would not be a Use Audio product if the operating panel wasn’t equally inviting: Eight encoder knobs allow you to tweak major sound parameters while playing, and the ten “quick pads” let you quickly store and recall your favorite plug-in/preset combinations – just as you need it when you perform live.
The Plugiator box provides MIDI In and Thru connections, USB, a microphone input, stereo line outs and a headphone output.

included plugins:
- Minimax:MiniMax is the highly acclaimed replica of the famous Moog Minimoog. Incredibly fat and responsive sound, intuitive control... tweaking its knobs is pure fun, a real performance synth!
- Lightwave: While the oscillators of the LightWave are based on wavetables, the aftermath is virtual analog - giving you wide control of the sound. From complex pads to powerful leads, LightWave offers a vast range of sonic possibilities.
- B4000: The B4000 turns your keyboard into the Hammond B3. The genuine sound of a real living electromechanical 400 pound monster. Lively, authentic, emotional...
- Voctor: That's what the microphone input of the Plugiator is for :) Plug in your microphone and modulate sounds with our voice ...

“The sounds themselves are amazing. They’re not just evocative of the originals, they come close to perfect emulations, the dedicated DSP hardware providing a level of realism that most nativesoftware models can’t touch without bringing even a strong computer to its knees from CPU overload.” -- Recording Magazine 02/2009, Mike Metlay

audio demos here"

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