Ensoniq EPS 16 Plus - Basic Sequencer Functions

YouTube via TheDaydreamSound
"Basic sequencer functions of the Ensoniq EPS 16+ sampler. In this video I essentially play a sequence while soloing, muting and adjusting the volume of some tracks within the song."

Ensoniq EPS 16 + Sampler - Basic Sample Reversing

"This is a short video demonstrating the ability to reverse, loop, and alter samples on the fly with an Ensoniq EPS 16+."

Ensoniq EPS 16 Plus - Sampled Drums

" For those who ever wondered what a vintage Ensoniq sampler suonds like. This will give you an idea of the sample quality of the EPS 16+. This track created in my Ensoniq EPS 16 Plus Sampler. Not the most popular of the Ensoniq samplers but it's my favorite none the less."

MetallicModular

YouTube via davidryle
"Synthesizers.com portable modular in auto-run. The Q960 Sequential Controller triggers five oscillators, three filters, four envelope generators, four amplifiers, one ring modulator, two mixers, one noise generator, one sample & hold and various timing and routing modules. The Yves Usson Gate Delay (STG Soundlabs) is used to bring in late triggers. The Pan/Fade module is fading between sounds with a sine wave from the sixth oscillator.
The recording quality is poor due to a straight microphone from the video camera. A Lexicon reverb and compressor are used to add depth."

4ms Atoner Module Sounds

YouTube via bigcitymusic
"The 4ms Atoner module is part processor, part generator. As a processor you can add a pseudo pulse width modulation effect to any source. It can also act as an analog pitch shifter, giving you one, two, sometimes three octaves down and some interesting partials in between . There's a simple filter (middle-left knob) that allows you to shape the tone even further.

The Atoner also has a cool sounding full-frequency range digital oscillator built in. It doesn't track 1volt per octave but it does sound interesting. There are two CV inputs, both with attenuators. They're bipolar, just like your mom.

The Atoner can be used as an interesting clock source, spitting out crazy rhythmic variations to your other modules. We're using the Analogue Systems rs200 sequencer to control our first source, the Malekko / Wiard AntiOscillator. Later we use the rs200 to control the Atoner's oscillator. We're using the super-awesome, must-have Borg Filter as a VCA / Low Pass Gate."

grafity

flickr by klazki
(click for more)

Looks like a Russian Maestro synth mixed with an MPC controller.

Korg KR-55 Rhythm Machine

flickr by oliverchesler

"Testing out my new Ebay win. It's a beautiful sounding machine."

Roland Tr-505 with mods and bends

YouTube via wotatwaat
"Individaul pitch and volume control added to each voice. Pitch is bypassable. Sequencer glitches which also trigger midi notes (very cool, cheers to squidfanny for info on that one!) 16 point patchbay + 2 3 way mults and four switchable patches. Global pitch bend. Just built, still learning how to use this baby!"

korg ds-10 track 30

YouTube via korgds10
"Mini tune made exclusively with the Korg DS-10."

DSI TETR4 (part 4)

YouTube via Dogboy73. more
"Another video with some more sounds from the Tetra factory sound bank. Some many inspirational sounds. It really makes me wish I could acyually play!! Time for some more keyboard lessons.

http://launch.groups.yahoo.com/group/..."

Roland TR-505 + Audiorealism ADM2 Acid

YouTube via twelvebits
"Basic acid house.
A real 505 and a software 303. Chords are Tal U-No 60, a free Roland Juno 60 plug in. The ADM2 is a very nice 303 emulation but cannot escape from sounding software IMO."

circuit bent yamaha pss790 vector synthesizer

YouTube via spunkytoofers
"besides the waveforms getting bent within a synth or tone module a synth or tone module's workstation logic can be bent. usually have onboard sequencers, auto accompainments, and other forms of self control that the control logic of them also gets bent in random ways. usually uncommon that a workstation like this will allow glitch control that allows a user to interact with the ongoing data. the player can take over, the self logic of the short circuit can take over, or there can be a mix of the fuzzy logic inbetween the user's and the keyboard's logic. the logic can reconfigure the voice it self and playing responses as well as control the event of sounds in an ongoing dialogue with itself or a user of the instrument."