Korg Monofive

YouTube via Newueel
"- 1 analogue sequencer (SQ-10)
- 3 analogue synthesizers (MS-50 + 2x MS-20)
- 5 different sound circuits

That's why I called this one: Korg Monofive

This vid is recorded in one take, no cuts and no edited sounds (although the video is edited :-) . All sounds are coming (live!) from the gear as shown in the vid and described below.

Most of my actions are explained in the vid, but in case you are interested, below you'll find a more detailed analysis of the 5 different sounds/circuits/outputs:

1:) MS-20 (right) white noise filtered by the MS-20 ESP bandpass filter, triggered every 17th step (out of 64 steps). This sound uses just a little bit of a phaser effect from the mixer.

2:) MS-20 (left) white noise also filtered by the ESP bandpass filter and the MS-20 HP + LP filters. The sound is triggered only every first step (out of 64 steps). The HP + LP filters use high peak values. They are modulated by the MS-50 modulation generator (LFO) which speed/frequency is changing continuously, controlled by random values coming from pink noise + sample & hold + integrator (for smooth transitions). This provides a unique sound every 64 steps. Each sound is repeated a number of times every 16 steps by the BPM delay (Kaoss Pad). This way each 'random' sound is hearable 4 times, before it changes to the next 'random' sound.

3:) MS-50 white noise basically for hi hat purposes, but also used for subtle ambient noise adds. The sound uses two envelopes for different purposes. The MS-50 EG2 envelope is (also used for the MS-50 drum sound) is reused. This envelope is triggered each step and is used as volume envelope. Because we don't want a hi hat sound each step, this envelope is controlled by another envelope using a VCA. By default the second envelope is MS-20 EG1, which is triggered each first step (out of 64 steps). The envelope has a long delay time, so it is hearable around the 15th step only for a short time. By changing the patch, the secondary envelope is switched to MS-50 EG1, which is triggered every 3th and 7th step (out of 8 steps) so it functions like a hi hat. This envelope offers a nice extra feature, because by increasing the MS-50 EG1 release time, it 'passes through' more hi hat steps, which is very useful for creating fills.

4:) The MS-50 plays a 16-step drum groove. The pitch of the drum sound can be tuned for each step indepently using SQ-10 channel A+B steps 1-8. A step can also be 'disabled' by tuning it out of range. This makes it possible to create more complex drum grooves and it allows you to create fills on the fly.

5:) The MS-20 (right) plays an 8-step bass line, triggered each step, pitch controlled by SQ-10 channel C. This sound is also uses the Kaoss Pad BPM delay.

Enjoy!!"

Waldorf Blofeld + NI Maschine - Florentine

YouTube via ittaital
"Florentine -

The next track using my Waldorf Blofeld combined with NI Maschine.
Video is from another magnificent movie - called "Baraka". It's a 1992 film by director Ron Fricke.

Check it out !

For a high quality sound version please contact me. Thanks !"

RC CIRCUIT BENT MANTRA-MACHINE AMBIENT DRONE SYNTH

via this auction

video here

"SPECIFICATIONS: ON/OFF PUSH SWITCH SOUND SELECT PUSH BUTTON PITCH DOWN CONTROL THE LEFT CONTROL DIAL ALLOWS YOU TO RADICALLY DROP THE PITCH, ALLOWING FOR WARPING DRONES AND ELECTRO NOISE, PITCH UP CONTROL THE RIGHT CONTROL DIAL ALLOWS FOR EXTREME GLITCH MADNESS, PREPARE FOR SOME STANGE SOUNDS! LED INDICATOR PROVIDES A VISUAL REPRESENTATION OF THE CHANGING SOUND ENVELOPE

CONSTRUCTION:
HIGH QUALITY BRUSHED ALUMINIUM CASING
AUTHENIC TIBETAN DESIGN VINYL DETAILING
ONE-OFF IMPORTED UNIT BY RESONANCE CIRCUITS
POWERED BY 2 X 1.5V 'AA' BATTERIES
1/4" JACK OUTPUT"

Jingle Bells on the Bliptronic 5000

YouTube via proteowizard. via this auction

Prophet 5 Demo Record In sleeve

via this auction

Vintage Korg "Maxi Korg" Analog Synthesizer Model K-3

via this auction

TWEET-SONG (Tenori-On)

YouTube via 808mmman
Tenori-On (Tnr-O)

electro-music Spring Equinox 2010 live set

electro-music Spring Equinox 2010 live set by cebec
"originally performed 1630 GMT, March 20th, 2010 for radio.electro-music.com Spring Equinox 2010"

via cebec
"I played my first live set for an audience yesterday via radio.electro-music and wanted to share it more broadly for anyone who's interested and missed it. It's performed using 3 of my Serge panels. Thanks to everyone to hosted and participated in this event."

Musikmesse: MFB MEGAZWERG and MICROZWERG

via mfberlin.de

"* semi-modular system with ten sections
* analogue VCO with analogue ring modulator
* 12dB/oct. multimode-filter
* built-in Digital Delay
* modulation-sequencer
* AHDSR-envelope with loop option
* MSRP: 480, - Euro

Although MEGAZWERG and its many useful functions are meant to serve as an expansion to MFB’s KRAFTZWERG or any analogue modular-system, MEGAZWERG also serves as an independent full-featured synthesizer. Its ten sections can be used individually or combined.

A brief overview to the sections of MEGAZWERG:

The oscillator offers triangle, saw tooth and rectangle waveform shapes. Its pitch can be set over an octave range using a trim-pot. Pitch is controlled by its CV-input using sequencers or keyboards. The output is prewired to the Y-input of the ring modulator, which is built analogue unlike the unit found in KRAFTZWERG. The ring modulator may also be used with two external signals.

The state-variable multimode-filter runs with 12dB slope per octave and offers Lo-, Hi- and Bandpass-modes as well as notch-filtering and resonance up to self-oscillation. Both, cutoff and resonance can be modulated using dedicated CV-inputs. In addition, a pitch-dependent cutoff-frequency control can be achieved using the key follow function. Key follow is prewired to key-CV respectively MIDI-pitch.

The envelope generator offers Attack, Hold, Decay, Sustain and Release stages. Besides its normal mode, the first three stages can also be looped with an active gate-signal, and then followed by the release stage. This section also contains a VCA that serves as CV-controllable audio-output for MEGAZWERG. The envelope is prewired to the CV-input of the VCA.

The onboard 12-bit-Digital-Delay does not only create echo-effects. Its read-out-speed can be varied over a two-octave-range manually or by CV. In addition, there is a freeze function that sets the effect signal to last endlessly. Send and return jacks are provided to insert any module into the delay’s feedback-path, just like a filter or a ring modulator.

The modulation-sequencer serves to create simple, adjustable rhythmic modulations of two, three or four steps in length. Each step has a dedicated control to set the according control voltage. The sequence tempo can be adjusted with the sequence or follow the clock-input.

The dual Glide section offers two independent delay/lag units with different characteristics. You may use these to smooth the steps of the modulation-sequence or create portamento glides.

Two attenuators are available in the Dual-Attenuator-Section. In excess of limiting audio- and control-signals, these units can also serve as CV-sources. With the input not being patched, the output sends a fixed control voltage of up to 8V. This can be used to increase the maximum speed of KRAFTZWERG’s LFO or set the VCO-pulse width to a constant value.

The mixer section offers three inputs, where only inputs 1 and 2 are variable in gain.

Two multiples allow doubling or tripling CV- or audio-signals. Essential, where one LFO needs to modular two or three targets.

The signal-path VCO-VCF-VCA as well as envelope control over the VCA is internally prewired, so that MEGAZWERG can be played immediately. All further routings are created using the patch jacks. These can be used or controlled by MEGAZWERG itself or any compatible external device.

MFB’s MEGAZWERG has the following dimensions: 310 x 165 x 38/72 mm.

External power supply included."

"* semi-modular analogue synthesizer
* dual oscillator, dual multimode-filter
* separate inputs/outputs for both filters
* 18 patch connections in signal chain
* two LFOs with „One Shot“-function
* CV/Gate and MIDI control
* MSRP: 320,- Euro

MICROZWERG not only bridges the gap between NANOZWERG and KRAFTZWERG. Due to its dual multimode-filter, it also offers an individual signal-path with specific sound potential. MICROZWERG’s numerous patch connections are simply inviting to be modulated by our flexible step-sequencer URZWERG or to interact with the multifunctional MEGAZWERG.

Individually operated and due to its dual oscillators and dual multimode-filter, MICROZWERG offers a lot more than typical analogue basses and lead sounds. Prepare yourself for some special timbres. The signal path and modulations are quickly reconfigured using a few patch chords with the result of an enormous boost in sonic variety. Combined with other members of MFB’s ZWERG synthesizer family or even a modular system, MICROZWERG’s possibilities grow further.

A brief overview to the sections of MICROZWERG:

Both oscillators offer triangle, saw tooth and rectangle waveform shapes. Where oscillator 1 also offers a needle impulse, VCO 2 has a built-in noise generator. VCO 2 can be detuned by plus minus one octave in reference to VCO 1. Both oscillators can also be synced, using a patch connection. In addition, the separate output of VCO 2 can be used to modulate the filter. Finally, ring modulation is possible in combination with MEGAZWERG, where the ring modulated output can be fed back into MICROZWERG.

The two state-variable multimode-filters run with 12dB slope per octave and offer lo-, hi- and bandpass-modes as well as notch-filtering. The filters are prewired in series to increase the slope when used in same operation mode. Here, the slope is variable because both cutoff-controls can be shifted against each other using the slope control. Combining a lo- and hipass-filter result in a variable band pass with adjustable bandwidth and individually controllable resonances. When preferred, a parallel routing is possible using a patch connection, too. In this case, MICROZWERG allows two separate shifted bandpass-filters, notch-filtering with variable bandwidth or a combination of bandpass-filter with followed lo- or hipass-filter. Resonance can reach up to self-oscillation for both filters. The cutoff-frequencies are manually controlled simultaneously or by envelopes. They can be shifted against each other using the space-control. Modulations by LFO or CV can address either filter 1 or both filters.

A simple patch from Key CV to the contour- or mod-input can achieve pitch-dependent cutoff-frequency control. Because both filters offer independent in- and outputs, MICROZWERG is also destined to be used as an effective dual-filter for external sound sources.

The ADSR envelope is internally prewired to control the filters’ cutoff-frequency. MEGAZWERG or any modular system can jump in via patch chords whenever a second envelope is needed.

The two LFO offers four waveform shapes each and a one-shot-function, where the selected waveform is played only once after a gate-trigger, thus imitating a simple envelope that might be used for pitch or VCA control. LFO 2 includes a sample & hold.

Internal modulation wirings offer LFO control over the filters’ cutoff as well as the oscillators’ pitch or VCO 2’s pulse width. LFO 2’s speed can be modulated by an external control voltage, allowing increasing or decreasing the speed by a factor of 30. Using this feature, MICROZWERG is capable of extreme slow and fast modulations.

The control signals of the envelope and both LFOs are available as CV-outputs and can therefore be used to control other functions of MICROZWERG as well as in other analogue synthesizers and modular systems.

The signal-path VCO 1/2-VCF 1/2-VCA as well as the common main modulations is internally prewired, so that MICROZWERG can be played immediately. All further routings are created using the patch jacks. These can be used or controlled by MICROZWERG itself or any compatible external device.

MICROZWERG can be controlled by MIDI from any compatible keyboard or DAW. Note commands are received as well as pitch-wheel (+/- 2 semitones) and modulation-wheel data, the latter controlling the filter’s cutoff frequency.

MFB’s MICROZWERG has the following dimensions: 175 x 125 x 38/72 mm.

External power supply included."

Also see:
MFB-URZWERG Full Details
MFB-NANOZWERG Full Details
and this post for more pics

Remember to click on the Musikmesse label for more announcements.

via Justin

Updates to the Ondioline Website

via Dana Countryman:

"Hi All,

Just a quick note to say that there have been many improvements to the Ondioline.com web site.

Peter Urso has joined up with me, and he has worked hard to add lots of info about the amazing Ondioline.

If you do own one, please contact the email address on the web page, and we’ll add you to the owner’s map.

If you have photos of your Ondioline, please send them to that address, as well."