Ned Rush = Kaoss Pad Rack for Ableton Live. Coming 2011!!! teaser.mp4

YouTube via MrNedRush | December 23, 2010 |

"New Project. Kaoss Rack and Kaoss FX packs for Ableton Live. Tweaked up XY jams designed for the very reasonably priced Korg Nano Pad and Ableton. Coming 2011!!!!! :D"

edit 011

YouTube via beepstreetapps | December 23, 2010
iSequence


iPads on eBay
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iPod Touch on Amazon

vtol volfram expander

::vtol:: volfram controlled by MFB Kraftzwerg via Volfram Expander #6 from ::vtol:: on Vimeo.

::vtol:: volfram controlled by Doepfer Dark Energy via volfram Expander #6 from ::vtol:: on Vimeo.

"more info -

volfram - samoletuvvp.narod.ru/​vto/​diy/​vol.html

volfram expander#6 - samoletuvvp.narod.ru/​vto/​diy/​expander.html#ex6"

Untitled

Untitled from dautrescordes on Vimeo.

"franck vigroux (electronics: moog rme, electribe ESX) ben miller (voice)"

An improvisation jam on an alternative midi-controller.

An improvisation jam on an alternative midi-controller. from Rasmus Nyåker on Vimeo.

"An improvisation jam on an alternative midi-controller.

All sounds you here is straight out of a Nord Modular G2, straight into the camera. No audio-editing whatsoever.

The G2 is using 2 slots:
The first for collecting and sorting out the data from the controller and making the synthesizer sounds.
The second running some gate sequencers as well as making the drumsounds.

So a bit deeper information about the first slot. The data from the controller (position and pressure) is sent as 24 discrete CC-messages. These are going into separate "Sample and Hold"-modules that are clocked by midi on slightly different time-divisions.
The synthesizer patch is actually 2 simple monosynths, controlled by each sides 6 control-strips on the midi-controller.

The first strip from the left on each side is controlling pitch (quantized in C-minor) by position and waveshape (from sinus to ramp) by pressure.

The second strip controls amount of tracked FM from the opposing synth's oscillator on the oscillator by position and cut-off frequency of a 24dB LowPass-filter by pressure.

The third strip controls amount of Osc-FM on the filter by position and amount of filter resonance by pressure.

The fourth strip controls a WaveWraping waveshaper by position and how much of it that will be mixed with the preWaveWrapped signal by pressure.

The fifth strip controls amount of LFO-modulation of the oscillator-pitch by position. (Same LFO for both synths). And the pressure controls whether or not the Oscillator will sync with the LFO.

The last strip controls final amplitude of the synth by position and varies the reverb sound by pressure.

This was mainly an exercise in how you can make very expressive patches by simple means with an alternative way of control.

If you wanna know more about the controller I'm uising, please check out this link

Regards

Rasmus Nyåker
Copenhagen Noise Lab"

The Roton

via Gleetchplug

"Taking inspiration from Cornelius Cardew’s Treatise, the Roton is a graphical score for any number of performes and electronic instruments and devices.

The score is a kit made of 23 (for now) circle shaped trasparent plastic sheets that the performer can group and arrange in every way he/she wants."

See Gleetchplug for more info.

Synth Cover - Forty Six & 2 (Version 1)

YouTube via audibleobsession | December 23, 2010 | 0 likes, 0 dislikes

"A healthy dose of Moogs never hurt anyone. I've started working on a synth cover of a great Tool song and this is the first version of Moog scratch tracks. Its mostly Little Phatty and Arturia Moog, laying down a good foundation for the next version; keep posted, as I'm hoping to upload them all as a sort of "making of" series.

I always felt that Tool riffs were perfectly suited for monophonic synths and I'm having a real blast working this one out. Footage is from Archive.org, as usual. Thanks for watching!"

Sinevibes Turbo S AudioUnit video tutorial

YouTube via ArtemiyPavlov | December 23, 2010 | 0 likes, 0 dislikes

"Check out full details at: http://www.sinevibes.com/turbo-s/"

Ensoniq ASR 10 Advanced Sampling Recorder - Basic Review & Comparison

YouTube via TheDaydreamSound | December 23, 2010 | 1 likes, 0 dislikes

"The ASR 10 is by far the most popular Ensoniq sampler and possibly the most popular instrument made by Ensoniq. It's been widely used by musicians worldwide and has been noted to have a very unique sound.

This is a Basic Overview and comparision of the Ensoiniq ASR 10. I'll go over the layout, expansion options, sound quality and do a quick comparison between the ASR 10, the EPS 16+ and the ASR X.

Seasons Greetings!

As Always Thanks For Stopping By!

Subscribe to me on YouTube!

http://www.youtube.com/thedaydreamsoud

Join me on Facebook!

http://www.facebook.com/tds.drums"

An improvisation jam on an alternative midi-controller.

An improvisation jam on an alternative midi-controller. from Rasmus Nyåker on Vimeo.

"An improvisation jam on an alternative midi-controller.

All sounds you here is straight out of a Nord Modular G2, straight into the camera. No audio-editing whatsoever.

The G2 is using 2 slots:
The first for collecting and sorting out the data from the controller and making the synthesizer sounds.
The second running some gate sequencers as well as making the drumsounds.

So a bit deeper information about the first slot. The data from the controller (position and pressure) is sent as 24 discrete CC-messages. These are going into separate "Sample and Hold"-modules that are clocked by midi on slightly different time-divisions.
The synthesizer patch is actually 2 simple monosynths, controlled by each sides 6 control-strips on the midi-controller.

The first strip from the left on each side is controlling pitch (quantized in C-minor) by position and waveshape (from sinus to ramp) by pressure.

The second strip controls amount of tracked FM from the opposing synth's oscillator on the oscillator by position and cut-off frequency of a 24dB LowPass-filter by pressure.

The third strip controls amount of Osc-FM on the filter by position and amount of filter resonance by pressure.

The fourth strip controls a WaveWraping waveshaper by position and how much of it that will be mixed with the preWaveWrapped signal by pressure.

The fifth strip controls amount of LFO-modulation of the oscillator-pitch by position. (Same LFO for both synths). And the pressure controls whether or not the Oscillator will sync with the LFO.

The last strip controls final amplitude of the synth by position and varies the reverb sound by pressure.

This was mainly an exercise in how you can make very expressive patches by simple means with an alternative way of control.

If you wanna know more about the controller I'm uising, please check out this link

Regards

Rasmus Nyåker
Copenhagen Noise Lab"