"THIS BEACH BOYS ROAD CASE CASE HAS BEEN IN STORAGE MANY YEARS!... MINI MOOG MODEL D (SERIAL # 9619 MOOG MUSIC INC BUFFALO N.Y. THE RED STICKER IS LA'S SAFETY ELE STICKER"
"A rare and sought after instrument. The descendant of the Quasimidi Rave-o-lution 309, the Polymorph was Quasimidi's final and most ambitious synth. Powerful, subtle, and deep. In addition to Quasimidi's powerful synth engine, it is the step sequencer that really sets this instrument apart. The step sequencer has 16 steps and 4 lines, 8 variations, and many sophisticated features that make this synth a truly inspirational resource for Techno and Trance, as well as "Berlin School" styles of electronic music. A favorite of Orbital and Jean-Michel Jarre. Klaus Schulze still makes extensive use of his famous "wall" that features seven Polymorphs, both in the studio and on stage."
via this auction "Overview: The DMF-2 module consists of two identical filters with two modes: lowpass and a quasi-bandpass which are available simultaneously at separate outputs. Each filter works selectively with different filter slopes and allows overdriven sound by saturation. By lots of in- and output combinations the module can be used as two independent filters or as a parallel dual filter.
Technical details: Each filter features resonance up to self-oscillation. The lowpass is switchable between the classic 24dB and a 36dB slope, the bandpass is a combination of 6dB highpass and 24dB lowpass. The volume control sets the audio level at the input up to saturation which grade is shown by LEDs. Additionally to the each filter´s separate sockets there are in- and outputs which address both filters simulaneously or carry thir audio signal.
Inputs and outputs: Per filter there are two CV inputs for modulation of cutoff frequency (one with attenuator) and one for resonance, then an adjustable audio input and separate outputs for low- and highpass. There is a common CV input which controls both filter´s cutoff frequencies and a common adjustable audio input. Likewise there are combi-outputs for the audio signal of the low- and bandpasses.
Measures and weight: Module for 3RU system / width 14HP / depth incl. knobs about 40mm / power consumption: 40mA / weight: 270g"
YouTube Uploaded by MrAcidMachine on Jun 25, 2011 MrAcidMachine on eBay (RSS) "Some sounds of the new Beatie Bop analog drum synth. Now in a silkscreened diecast aluminum enclosure. Powered by a 9v DC adapter (negative center) or a 9v Battery. Contact mracidmachine@gmail.com if you are interested in ordering one."
YouTube Uploaded by ScrollingMusic on Jun 25, 2011
"Ludwig van Beethoven (1770-1827): Piano Sonata No. 14 in C# minor ("quasi una fantasia"), mov. 3
Composed in 1801, the "Moonlight" sonata is one of Beethoven's most famous works for piano. Beethoven included the "quasi una fantasia" ("almost a fantasy") phrase in the sonata's title because it does not follow the traditional fast-slow-fast structure of 3-movement sonatas. While the style of this third movement is typical of Beethoven's sonatas, the first movement is quiet and pensive. Fast arpeggios and chromatic runs make this movement one of Beethoven's most technically demanding piano compositions. It is also thought that this movement inspired Chopin's Fantaisie-Impromptu.
This synthesized rendition was created by mixing together two instruments from our Matlab synthesizer: guitar and a subtractive synthesis-based keyboard voice. Like an acoustic piano, the timbre of this mix changes with dynamic levels, along with the volume. The dynamics are also reflected in the "piano-roll" visualization, with blue notes being piano or pianissimo, green representing mezzo-piano and mezzo-forte, and red corresponding to forte/fortissimo. Both the audio and scrolling visualization were generated by our Matlab synthesizer from a MIDI file."
YouTube Uploaded by GruithuisenCityMan on Jun 25, 2011
"Hello ! My name is Frederic Gerchambeau. Yes, i totally ruined out the beautiful sound of Plogue Bidule with a chaotic use of the matrixsequencer and an awful lot of awful noises. It's an awful shame ! Don't you ever do that ! http://www.myspace.com/fredericgerchambeau"
"A song I made using nothing but sawtooth sounds... and for anyone perhaps doubting how '80s this synth can sound. Used iDrum for the percussion with samples from Simmons, Oberheim, Linn, and more."