Wednesday, July 13, 2011
Native Instruments - Absynth - U&I MetaSynth - Sound Design ( Voix Céleste )
YouTube Uploaded by ANTsynth on Jul 12, 2011
"I first created the sound in Absynth then imported the patch into Metasynth for further processing."
Gotharman's PitchShaper

"A pitch matching/shaping/warping 14 hp module using granular technology.
-The audio signal applied to input 2 will be re-pitched to match the pitch of the audio signal applied to input 1. The re-pitched input 2 signal will be the output. Will only pitch-match correctly on monophonic signals.
-Since this module works directly on audio, instead of pitch to CV or pitch to MIDI, anything can be pitch-matched to anything.
-By adjusting or modulating the controls, it is possible to obtain granular effects far away from pitch-matching.
-Ultra fast pitch-tracking system.
-24 bit/44.1 KHz highend digital audio path ensures a warm and smooth sound, that fits perfect to a high quality analogue modular system."
Mutable Instruments Shruthey Patch Editor and Sequencer

"Here’s some notes:
- As you may know, not all the Shruthi-1 parameters are reachable by CC/NRPN so some need to be updated by sending a SysEx dump of the patch. Those blocks have the “no cc” label and they won’t update until small delay after you stop moving the knob. That is, they’re not “real time.”
- Currently works with the LPF-only (SMR-4 and ??) and SVF filter boards.
- The Arp and Seq settings save with the patch, which is not how it works on the Shruthi-1 (so I labelled those blocks with “*”). I thought this would be convenient, and it is, but after using it I realize it can be annoying sometimes. I’ll add a switch or something to allow you control whether that gets sent when you load a patch.
- Any presets you save in the Max patch now should probably be transferable to a future version, but since it’s new I can’t promise 100% I won’t do something to mess that up.
- Patches sent to the Shruthi-1 are not saved! They are just in temporary memory. If you wan’t to permanently store it on the Shruthi-1 you do it on the synth in the usual way."
midiPhon Modular for iOS

Features:
* Modules
* Generator
* Generates waveforms according to settings and inputs.
* Continous frequency
* Frequency derived from controller input (notes, etc.)

* Waveforms
* Sine
* Square
* Triangle
* Sawtooth
* Noise
* Level
* Module inputs
* Envelope, 4 inputs (A, D, S, R) (set, add, multiply)
* Frequency modulation (set, add, multiply)

* Module outputs
* L, R (audio)
* Mixer
* Process 2 inputs using following methods
* Add (mixing)
* Multiply
* Module inputs:
* Limit (set, add, multiply)
* Amplifier (set, add, multiply)
* L(2), R(2) (audio)
* Module Outputs:
* L(2), R(2) (audio)

* Classic delay effect module.
* Module inputs
* L, R (audio)
* Number of repeats (set, add, multiply)
* Amplitude drop (set, add, multiply)
* Delay time (set, add, multiply)
* Module outputs
* L, R (audio)
* Filter
* Modes
* Low
* High

* Band
* Notch
* Peaking
* Low shelf
* High shelf
* Module inputs
* L, R (audio)
* Gain (set, add, multiply)
* Bandwidth or Q (set, add, multiply)
* Frequency (set, add, multiply)
* Built-in HTTP server for managing projects
* Sequencer
* Support for external control
* Line6 Midi Mobilizer
* Akai Synthstation
* Midi over network (ipMIDI)"
midiPhon - iTunes
iPads on eBay
iPod Touch on eBay
Update: video added below.
iPhone Sound Synthesier and Sequencer
YouTube Uploaded by kextdev on Jul 13, 2011
"Sound experiments (like Deadmau5 Strobe)
Learn more http://projects.kextdev.com/blog/12.html"
When A is Greater Then B
When A is Greater Then B from Rastko Lazic on Vimeo.
"This was supposed to be something else.
"When A is Greater Then B" is quoted from the Cocostuber FAQ on the ciat-lonbarde site ciat-lonbarde.net/cocostuber/faq.html .
The Cocostuber is used a lot in this piece."
Update:
When B is Greater Then A from Rastko Lazic on Vimeo.
"The Cocostuber is "fed" with random sentences from a radio station and The Serge modular synthesizer is playing a self generating patch.
The title "When B is Greater Then A" is quoted from the Cocostuber FAQ on the ciat-lonbarde site ciat-lonbarde.net/cocostuber/faq.html."
Girl Scouts Rock! Powered by Roland - Lucina AX-09 Learning Lab
YouTube Uploaded by rolandmedia on Jul 12, 2011
"Lucina AX-09 Learning Lab with Ruby Biloskirka-Conley at Girl Scouts Rock! Los Angeles, March 19, 2011."
Animal Tape Moan
YouTube Uploaded by djangosfire on Jul 13, 2011
"Serge Animal soaked in RE-301 Tape Echo & Reverb. "Best of CGS SWAMP" sequencer panel tripping along for the ride."
Quadriphonie
YouTube Uploaded by popitem on Jul 13, 2011
"4 Oscillators at differents intervals creating some kind of arpeggio, they receive CV one after one alowing the note to overlap, hardest part is to keep everything relatively in tune."
In Motion - The Social Network - Trent Reznor and Atticus Ross
YouTube Uploaded by ScrollingMusic on Jul 13, 2011
"Excerpt from "In Motion," featured in the 2010 film "The Social Network." Music by Trent Reznor and Atticus Ross.
The soundtrack to "The Social Network" received widespread acclaim when the film was released. It has one both the 2010 Golden Globe and Academy Awards for best original soundtrack. This particular track is featured early in the film, during the scene where Mark Zuckerberg is hacking onto the Harvard house servers and downloading pictures of undergraduate girls to create his comparison site, facemash.com.
The electronic sound of this track is well-suited to our Matlab synthesizer. This rendition closely mimics the sound of the original, but we did not design any new instruments. In fact, the mix here contains some of our earliest Matlab instruments (sax, guitar, triangle wave.) We did not use a MIDI file to sequence this track. Instead, we fed the image displayed in the video to our synthesizer, and it interpreted the "piano-roll" notation to create this rendition."
Tuesday, July 12, 2011
Studio Electronics CODE.mov
YouTube Uploaded by cray56 on Jul 12, 2011
"quick demo of the CODE synth, Moog filter, Oberheim filter etc Some sounds I programmed, sick strings etc"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH