"This tutorial in the SunVox Tutorial Series goes into the Arpeggio standard effect. It's quite the useful effect.
If you have any tutorial suggestions, feel free to comment on this video or on my channel. If you wish to donate to help fund more tutorials, or if you want to see more SunVox tutorials / resources, you can find both at SunVox Solstice:
iKaossilator Version 2 is available now! Audio export, iPad full-screen support, and many more new features
● Audio Export records and saves your performance, just as you heard it ● iPad native support allows the iKaossilator to fill the iPad’s large 9.7" screen ● “SoundCloud” allows users to share and remix loops with other users worldwide ● “AudioCopy” provides an easy way to copy audio data between musical instrument apps ● Flex Play makes it easy to generate fills and breaks
☐ Audio Export saves your performance as a file Now you can record your performance in real time, or export a completed loop as an audio file. By sending your creations to a Mac or PC via iTunes, you can share them with your friends or use them in a full-fledged music production. You can also upload them directly to SoundCloud. ☐ iPad native support provides full-screen (9.7") iKaossilator enjoyment Now you can perform taking full advantage of the iPad's large 9.7" display. Enjoy iKaossilator on your iPhone while riding public transportation, and on your iPad while performing live!
☐ “SoundCloud” allows sharing or remix loops with users worldwide “SoundCloud” is a music distribution and sharing service that's very popular among musical creators. The loops you create can now be uploaded directly to “SoundCloud” from within the app. If you attach the loop data when doing so, it will be shared to other users' loop lists. Users worldwide will be exposed to new loops they've never heard, and can combine them with their own loops to create remixes. It's a new way of enjoying music by and unleashing your iKaossilator’s potential throughout the world.
☐ “AudioCopy” lets you share audio data between musical instrument apps Newly added support for “AudioCopy” from Sonoma Wire Works means that you can copy and paste audio data between apps. Audio data you export from iKaossilator can be sent to apps that support AudioPaste. ☐ Flex Play makes it easy to generate fills and breaks Designed for live performance, the Flex Play feature makes it easy to generate fills or breaks. Touch and hold Length or Tempo buttons, and then try stroking the touchpad. Movement in the X-axis will change the Length of all parts, and movement in the Y-axis will change the Tempo, allowing you to add dynamic changes to your song that will further expand your performance possibilities."
single PWM wave, no resonance, wide open filter, decay and release on the VCA envelope
I used all the correct modules on Diva with the clean filter. 24 bit 4.1khz for both, "Divine" quality setting and 8 note poly for Diva
As I mentioned before there is a very noticable difference btween the envelopes of my recapped/calibrated JP8 and Diva. JP8 just snaps and pokes out more and faster. There is this soft feeling on the attack of Diva.
The PWM on the JP8 is very distinctive it's what gives it it's swirling ethereal sound. Diva is really different sounding here. Also JP8 significantly brighter, again as I said before. And a rougher more raw edge to real VCOs. That's something I always found that software is lacking - a bit too glossy and smooth."
"just a quick look at how these modules look once constructed. Audio demonstrates one of the CV outputs of the 8-bit Cipher controlling an early Serge VCO and Serge vari-BW VCF.
The Great Divide and Logic are just a quick light show."
YouTube Streamed live on Nov 21, 2011 by showlivre
Show starts at 6:30. I believe this is the second time MATRIXSYNTH was featured on a TV broadcast. There was one on French TV posted here. I keep hoping to find a MATRIXSYNTH card somewhere on the IT Crowd.
Googlish (Original description further below):
"Is the highlight Lirinha Studio Showivre (www.showivre.com) broadcast live on November 21, 2011.
Singer-songwriter presents Lirinha your disk, Lira, work that marked a new phase which now follows the artist in solo work, after more than 10 year career with Cordel do Fogo Encantado.
In Lira, the musician reinvents itself with a sound that goes through the use of guitars, keyboards, synthesizers, percussion and drums, resulting in a surprising and innovative foray into territory that is familiar: the fine line between music and poetry. Lirinha shows his maturity as an artist and songwriter, evolves into a cohesive work, with strong influence of the references that populate his songs."
Original description:
"Lirinha é o destaque do Estudio Showivre (www.showivre.com) transmitido ao vivo no dia 21 de novembro de 2011.
Cantor e compositor Lirinha apresenta seu disco, Lira, trabalho que marca nova fase do artista que agora segue em trabalho solo, depois de mais de 10 anos de carreira com o Cordel do Fogo Encantado.
Em Lira, o músico se reinventa com uma sonoridade que passa pela utilização de guitarras, teclados, sintetizadores, percussão e bateria, resultando em uma surpreendente e inovadora incursão em território que lhe é familiar: a tênue fronteira entre a música e a poesia. Lirinha mostra seu amadurecimento como artista e letrista, evolui em um trabalho coeso, com forte influência das referências que povoam as suas canções."
Update:
Also see: dbmixtape Astronauta Pinguim via Fabricio on The MATRIXSYNTH Lounge:
"Hey friends, I was asked to do a mixtape to "Deep Beep" a brazilian site of electronic music, so I choose songs from some of the pioneers of everything we all like: Delia Derbishire, Brian Eno, Kraftwerk, o Cluster e o Harmonia (both from Hans-joachim Roedelius), Giorgio Moroder, Harald Grosskopf, Tony Carey, Silver Apples, Conrad Schnitzler, Rüdiger Lorenz, You, Automat, The Normal e Sigue Sigue Sputnik!!! Please check it out and hope you enjoy my mixtape!!!"
"Something old, something new. This video features a lovely old radio that we were given by my girlfriends grandma a few years back. They were the original owners and the thing is in near mint condition. I love it to death and really enjoy listening to it. I use a small FM transmitter to unintrusively get sounds into the machine, sometimes just from Spotify, this time from the Buchla. It's my girlfriend playing the 222e.
I really hope the nice sound of the radio can be heard! I used a hand held recorder to get the sound from the air so to speak.
"A quick performance on Geo Synthesizer, and using an extra layer of sound from Samplewiz. I intended to show how I had done this, but ran out of batteries on my camera. I guess I'll make that a separate video on another day.
The jist is that I turned off all midi channels but '2' in Samplewiz. To layer the sound, I started with the preset 'Wizard's Flute' in Geo Synthesizer with base channel set to 1, then switched the base channel to 2 to bring in the Samplewiz sound. The ability to use Geo Synthesizer's built in sounds (many of which are based on the Samplewiz presets) while sending midi to other programs has a lot of potential for changing sounds/textures on the fly while performing. Still having a blast learning this new instrument. Thanks for listening."
via this auction "This unit is the love child of a THINGAMAGOOP and a FREAKENSPEAK! It has the insides of the THINGAMAKIT 2 (The first kit version of the THINGAMAGOOP) and the outsides of a FREAKENSPEAK! It no longer functions as a speak and read unit....it has had it's insides removed and replaced with the THINGAMAKIT electronics.
There are 2 photosensors located behind the holographic eyeballs, you can shine the green LED light on them and they light up and change the sound that the unit is making.
A great source for sampling sounds or for use live on stage. The size of this unit is approx. 6" dia and 2" high. It uses a 9 volt battery,not included..."
See Freakenspeak on eBay (RSS) for more creations. Link added to the MORE STUFF section on the right. Also created a new Freakenspeak label for these.
SPEAK AND READ THINGAMAFREAK.MOD YouTube Uploaded by FREAKENSPEAK on Apr 6, 2011
