YouTube Uploaded by DJjondent on Apr 11, 2012
Audio on left channel only.
"Built in Denmark by Gotharman. Uses original Yamaha IG00156 filter chips removed from old CS80,CS60 and I think also CS50 synths.
(I hope the synths were already dead and that no one was harmed when this was done) :-)
Because of the limited number of these synths these modules are no longer produced.
Check out the GotharMusic site:
http://www.gotharman.dk/index.htm
They seem to like old yamahas.
Check this old CS 20 :
http://youtu.be/m0_0qRCzgWc
Anyway,
This CS 80 filter module has 2 cv modulation jacks.
& LP,HP, band pass. Res & cutoff controls
demo using the Non-Linear Circuits synth (just the 1st VCO).
Thanks Andrew.
http://www.sdiy.org/pinky/
and to Matt from Rhythm active for the modulating LFO (Pittsburgh VILFO).
http://www.rhythmactive.com.au"
"A quick tutorial how to timestretch a loop on the OP-1, it is a bit of a hack but works quite well in a lo-fi way, here is how it works, the value LFO is assigned to loop direction, with a fast speed the tempo will change without affecting the pitch, seems to work best with vocals or beats. Enjoy!"
Today we lost one of the great theremin players of our time. Barbara Buchholz was a master student of Leon Theremin's grand neice, Lydia Kavina. Do not miss her performances below.
via Wikipedia: "Buchholz was born in Duisburg. She studied flute, guitar, bass guitar and singing at the Bielefeld University. She earned her first success as a bass player in the German woman jazz band Reichlich Weiblich.[1] Since the early 1980s she worked on various interdisciplinary projects both as performer and composer. She produced e.g. Tap It Deep - „midified“ Steppdance and music, Human Interactivity and Theremin: Berlin-Moscow.
At the end of the 1990s Buchholz met Lydia Kavina, the grandniece of Léon Theremin; later she went to Moscow and became a master student of Kavina. In jazz and contemporary music she develops new playing techniques and experiments with various sound possibilities for the theremin. Together with Kavina, in 2005 Buchholz founded the Platform Touch! Don't Touch! for theremin. New compositions for the platform were worked out amongst others by Moritz Eggert, Michael Hirsch, Caspar Johannes Walter, Juliane Klein, Peter Gahn, Gordon Kampe and Sidney Corbett. Buchholz performed in a trio with Norwegian trumpeter Arve Henriksen and live electronics performer Jan Bang,[2] tours with Jazz Bigband Graz in the framework of ELECTRIC POETRY & Lo-Fi Cookies and conducts solo performances as well.
She played the theremin in various contemporary works, like The Little Mermaid, a ballet by John Neumeier, music by Lera Auerbach, and in the operas Linkerhand by Moritz Eggert and Bestmann-Opera by Alex Nowitz.
In 2009 Buchholz participated in the talent show - the German version of Got Talent - and succeeded in presenting the theremin to a wide audience.[3][4]
- Recorder - Audio Copy (Compatible with INTUA BeatMaker, Apple GarageBand and so on.) - Export wav file via iTunes File Sharing The recording time is limited to 3 minutes."
"iRig MIDI is an ultra-compact standard Core MIDI interface for iOS that connects any MIDI compatible device to the iPhone, iPod touch and iPad. It is the only compact iOS MIDI interface sporting 3 MIDI ports: IN/OUT/THRU. These connect to any standard MIDI jacks using the included 2 x 1.6m/5.2' cables. iRig MIDI also has 2 LEDs for displaying the MIDI activity on the IN and OUT ports.
For more info on iRig MIDI go to: www.ikmultimedia.com/irigmidi"
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via this auction
"The SH-2 is a compact, dual-oscillator synthesizer - with fantastic build quality and with features that in its day (1978) allowed it to surpass the capabilities of many larger, more expensive synthesizers."