Music by Hilary Hahn and Hauschka http://hahnandhauschka.com video by: Eric Epstein featuring: Jordan Bruner (also a director/animator http://www.jordanbruner.net) with: Nadia Husain, Kevin Lawler, Edward Tasick, Ayli Velorok, Desmond Williams, Nancy Diana Wong associate producer: Desmond Williams 'the box' made by: Andi Burnett http://andiburnett.com co-editor: Robert Lopuski http://forgottensundays.com
"Don't really recall everything in this patch but I wanted to use most of my Plan B stuff. (including the SubCon modules)
I basically had the A-143-1 providing the main envelopes/clocks providing a base for the Model 10, B-logue Serge VCS and an Envelator to chew on. Rene sends CV to SubCon Model 15 with modulatio provided by Model 37.
Filters used were an MFB 24dB, Optomix, Manhattan Analogue MA-35. and Plan B Model 13. The MakeNoise Wogglebug provides modulation, gates to various modules and also ring modulation for Modcan FMVDO (which is also providing FM for Model 15)
MakeNoise Echophon provides some tasty delay for Model 15 path while the secondary output of the Modcan (90 degrees out of phase) is sent to Model 13/Serge VCS and Model 10 with dry output."
Better have a Plan B...
YouTube Published on Jul 23, 2012 by kuxaansum
"Don't really recall everything in this patch but I wanted to use most of my Plan B stuff. (including the SubCon modules)
I basically had the A-143-1 providing the main envelopes/clocks providing a base for the Model 10, B-logue Serge VCS and an Envelator to chew on. Rene sends CV to SubCon Model 15 with modulatio provided by Model 37.
Filters used were an MFB 24dB, Optomix, Manhattan Analogue MA-35. and Plan B Model 13. The MakeNoise Wogglebug provides modulation, gates to various modules and also ring modulation for Modcan FMVDO (which is also providing FM for Model 15)
MakeNoise Echophon provides some tasty delay for Model 15 path while the secondary output of the Modcan (90 degrees out of phase) is sent to Model 13/Serge VCS and Model 10 with dry output."
"I have known this melody since the early 1980's when it came out. But it is only recently that I found out who sang it. I assumed that it was the Swedish band Secret Service. But I found out that it was a German guy who performed under the stage name Steve Benson. I also found out that his real name was Dieter Bohlen - that guy who later formed the band Modern Talking with Thomas Anders.
This time I am playing live - no MIDI or multitracking - though I did a retake to be able to switch camera angles. But the sound is all from the same recording.
Most of the sounds are the standard presets on the organ. Some of the organ sounds are from a preset disc I got when I bought it. And I also programmed a new arpeggio specifically for this song."
"Hi! :) Here are several examples of Jupiter-8s VCF (voltage controlled Filter) with different LFO WFs routed to the VCF for (modulation). I used LFO sine, square, triangle and random waveforms offered on Jupiter-8. These are very typical waveforms offered on most synths. Note: if a synthesizer does not offer multiple waveforms for the LFO, then the LFO is most likely modulated by a SINE.
LFOs are in most cases used for adding vibrato, tremolo and other commonly used modulations, but every waveform can be used to modify the VCF and the VCA rather than pitch to get some interesting synthy textures.
LFOs are used to introduce a repeating change in pitch (vco/ oscillator), or timbre/tone color (vcf/filter), and or volume (vca/amp) or any combination within.
I use the LFOs to VCF (LFO mod) to create an 'arp' effect as if an arp was being used but instead of running the arpeggiator (which has a rate of 1-20hz), I used the VCF LFO (saw waveform). LFO on the Jupiter-8 has a rate from 0.05hz to 40hz. An LFO rate from 20-40hz range is into the audio range (normal human hearing is about = 20hz to 20kHz. So, the LFO offers a very basic effect of an "arp" but is capable of faster rates than the arp itself.
LFO Waveforms - Sine= smooth increase and decrease in pitch, timbre or volume/amplitude. Saw= Types: Positive ramp (rise in value) /Negative ramp (fall in value). Saw creates a repetitive fall/rise of pitch, timbre or volume/amplitude. Square= repetitive "on/off", "high-low" variation of pitch, timbre or volume/amplitude. Rand S/H= random signal, variation of pitch, timbre and amplitude/volume.
YouTube Published on Jul 22, 2012 by synthartist69
"I just got my Jupiter 8 back from Mike Metz at Thesis Audio in Wichita, Kansas. He rebuilt the power supply and went completely through the JP8. It has never sounder better! Thank you Mike for everything!!!"
"My friend came over and we decided to put together a demo of the rhodes chroma, everything was pretty much improvised"
Arp Odyssey Mk I
YouTube Published on Jul 22, 2012 by ricel1992
"My friend came over and we decided to do some demos of a few of the synths that I had around the apartment. He decided to improvise some of this demo while I set up the sounds in between takes."
"Just got this unit back from my tech and thought I'd make a quick demo for y'all. I've got an arpeggio playing on the Arturia Minibrute analog synthesizer running into the Roland SRE-555 Chorus Echo."
