Wednesday, November 14, 2012
Radical Keys - Rack Extension
Published on Nov 14, 2012 by PropellerheadSW
"For more information: http://shop.propellerheads.se/product/radical-keys/
Introducing Radical Keys, a new Rack Extension instrument for Reason that faithfully recreates three classic electromechanical keyboards—Rhodes, Pianet and Wurlitzer. Based on the same 'Radical' technology as our Radical Piano instrument, Radical Keys goes beyond flawless emulation, by enabling you to sculpt your own instruments from the originals.
Disclaimer: All product names used are trademarks of their respective owners, and in no way constitutes an association or affiliation with Propellerhead Software. All trademarks are solely used to identify the products whose sound was sampled and studied during the development of Radical Keys."
XILS-lab Releases Rotary Speaker Emulation Plug-ins
"GRENOBLE, FRANCE: music software company XILS-lab is proud to announce availability of its LX122 and LX122 Premium rotary speaker effects plug-ins as of November 5, 2012...
LX122 and LX122 Premium are Mac OS X 10.4 (32-bit PowerPC and Intel) and OS X 10.6 (32- and 64-bit Intel) or later- compatible (VST, AU, RTAS — Pro Tools 7.0 or later) and Windows XP, Vista, and Windows 7-compatible (VST, RTAS Pro Tools 7.0 or later) rotary speaker emulation plug-ins, both featuring XILS-lab’s proprietary True Stereo Dynamic Engine (TSDE), offering a whole new way to record rotary speaker effects.
As such, LX122 and LX122 Premium are the perfect partner for present-day organists and keyboardists everywhere — or, indeed, anyone seeking that still-sought-after sound, so first... a little history: the instantly recognisable tone of a Hammond organ/Leslie speaker combo remains a staple of many musical genres — think Procol Harum’s psychedelic multi-million-selling single ‘A Whiter Shade Of Pale’, one of the standout anthems of 1967’s so-called Summer Of Love. Yet there was little love lost back in 1937 when Leslie speaker inventor Donald Leslie bought a Hammond, hoping it would prove to be a suitable substitute for a pipe organ. Disappointed with its sound at his home compared to the spacious showroom where he had originally heard it in action, Leslie sought to improve things somewhat by experimenting with his own moving speaker designs, finally settling on the now-familiar form of a rotating drum and horn for bass and treble frequencies, respectively.
Until now, a classic rotary speaker system simply comprised a stationary treble unit with spinning horns and a stationary woofer with spinning rotor (or drum), together with two filters to divide the frequency spectrum between the horn and woofer; both the horns and the sound baffle for the bass are rotated to create Doppler effect-based vibrato, tremolo, and chorus effects, while the rotating elements can be stopped, switched between slow (chorale) and fast (tremolo), or transitioned between the two settings. All are effortlessly emulated in LX122’s core modules alongside an authentic recreation of tube-based amplification — one of the most important characteristics of the original concept, which inadvertently paved the way for the heavier rock tones pioneered by the likes of Deep Purple’s Jon Lord, together with three reverb types, and MIDI-controllable SLOW and FAST mode buttons (for individually controlling the horn, drum, or both by keyboard inertia) for added flexibility.
Remaining in the computer-centric 21st Century, XILS-lab recognise that the true sound of a rotating speaker rests principally in how it reacts to the room in which it resides; to that end, the TSDE algorithm adeptly evokes this physical phenomenon. Moreover, the angle of the two ‘recording’ microphones can be tweaked within LX122 and LX122 Premium to allow varying amounts of room effects into the resultant mix, while internal cabinet reflections are also emulated to faithfully capture that much-loved mellowing side effect. It is even possible to increase or decrease speaker positioning from far away to directly within the cabinet itself — impossible with real rotary speakers, of course!
As implied by name, LX122 Premium is fundamentally the same as its LX122 software sibling, yet offers much more sonic scope to the discerning user, including control over microphone movement, room choice, room size, cabinet speed, horn diameter, diffuser removal, speaker configuration, ribbon age, horn and drum balance, rotation direction, and more besides. Digging deeper, its additional Studio Panel allows users to position the microphones anywhere within five different room models, for example, while different cabinet configurations can be chosen within the Cabinet Panel, as well as randomly rotating the horn and drum. Don’t be afraid to experiment; LX122 Premium is even better than the real thing, capable of rotary speaker effects hitherto unheard of in the real world!
LX122 features 14 factory presets to get users started, while LX122 Premium boosts that magic number to 75 by way of ably demonstrating its increased sonic scope. So why wait to rotate?
LX122 and LX122 Premium are available to purchase from the dedicated XILS-lab online Store (http://www.xils-lab.com/products/LX122.html) for a special introductory price of €29 EURO/ $37.00 USD (LX122) and €45 EURO/$58.00 USD (LX122 Premium) until December 5 (respectively rising to €39 EURO/$49.00 USD and €69 EURO/$89.00 USD thereafter). Note: these are serial number-protected products — no iLok required!
Listen to LX122 audio examples here: http://www.xils-lab.com/pages/LX122_Audio.html"


Until now, a classic rotary speaker system simply comprised a stationary treble unit with spinning horns and a stationary woofer with spinning rotor (or drum), together with two filters to divide the frequency spectrum between the horn and woofer; both the horns and the sound baffle for the bass are rotated to create Doppler effect-based vibrato, tremolo, and chorus effects, while the rotating elements can be stopped, switched between slow (chorale) and fast (tremolo), or transitioned between the two settings. All are effortlessly emulated in LX122’s core modules alongside an authentic recreation of tube-based amplification — one of the most important characteristics of the original concept, which inadvertently paved the way for the heavier rock tones pioneered by the likes of Deep Purple’s Jon Lord, together with three reverb types, and MIDI-controllable SLOW and FAST mode buttons (for individually controlling the horn, drum, or both by keyboard inertia) for added flexibility.
Remaining in the computer-centric 21st Century, XILS-lab recognise that the true sound of a rotating speaker rests principally in how it reacts to the room in which it resides; to that end, the TSDE algorithm adeptly evokes this physical phenomenon. Moreover, the angle of the two ‘recording’ microphones can be tweaked within LX122 and LX122 Premium to allow varying amounts of room effects into the resultant mix, while internal cabinet reflections are also emulated to faithfully capture that much-loved mellowing side effect. It is even possible to increase or decrease speaker positioning from far away to directly within the cabinet itself — impossible with real rotary speakers, of course!
As implied by name, LX122 Premium is fundamentally the same as its LX122 software sibling, yet offers much more sonic scope to the discerning user, including control over microphone movement, room choice, room size, cabinet speed, horn diameter, diffuser removal, speaker configuration, ribbon age, horn and drum balance, rotation direction, and more besides. Digging deeper, its additional Studio Panel allows users to position the microphones anywhere within five different room models, for example, while different cabinet configurations can be chosen within the Cabinet Panel, as well as randomly rotating the horn and drum. Don’t be afraid to experiment; LX122 Premium is even better than the real thing, capable of rotary speaker effects hitherto unheard of in the real world!
LX122 features 14 factory presets to get users started, while LX122 Premium boosts that magic number to 75 by way of ably demonstrating its increased sonic scope. So why wait to rotate?
LX122 and LX122 Premium are available to purchase from the dedicated XILS-lab online Store (http://www.xils-lab.com/products/LX122.html) for a special introductory price of €29 EURO/ $37.00 USD (LX122) and €45 EURO/$58.00 USD (LX122 Premium) until December 5 (respectively rising to €39 EURO/$49.00 USD and €69 EURO/$89.00 USD thereafter). Note: these are serial number-protected products — no iLok required!
Listen to LX122 audio examples here: http://www.xils-lab.com/pages/LX122_Audio.html"
Rob Papen's RP-Distort RE
RP-Distort RE Tutorial
Published on Nov 14, 2012 by Rob Papen
"RP-Distort RE is not just a distortion unit, but much more. The distortion unit inside RP-Distort RE can be combined with an analog modeled filter, compressor and widener unit.
These units can be re-order, but also can be turned on or off. So in case you only want a great analog modeled filter... RP-Distort RE can offer this. Or only the unique widener unit which is great for widening a boring mono track.
On top of that, the controls can be modulated using midi sources or by one of the 4 build in LFOs that can sync to your host tempo..
The distortion unit offers 22 distortion types included ring modulator and lo-fi. Inside this section you can also find the EQ and noise-gate.
RP-Distort RE is in fact a wicked FX unit that will distort or alter your tracks in an inspirational way."
Published on Nov 14, 2012 by Rob Papen
"RP-Distort RE is not just a distortion unit, but much more. The distortion unit inside RP-Distort RE can be combined with an analog modeled filter, compressor and widener unit.
These units can be re-order, but also can be turned on or off. So in case you only want a great analog modeled filter... RP-Distort RE can offer this. Or only the unique widener unit which is great for widening a boring mono track.
On top of that, the controls can be modulated using midi sources or by one of the 4 build in LFOs that can sync to your host tempo..
The distortion unit offers 22 distortion types included ring modulator and lo-fi. Inside this section you can also find the EQ and noise-gate.
RP-Distort RE is in fact a wicked FX unit that will distort or alter your tracks in an inspirational way."
Joe Moresi Acid
Published on Nov 14, 2012 by MAKEN0ISE
"End of the work day at Make Noise, one of our technicians shows us how to coax some acid out of the Make Noise Shared System."
Arturia Announces Spark DubStep
Arturia SparkDUBSTEP Presentation
Published on Nov 14, 2012 by Arturiaweb
"Arturia announces availability of SPARK DubStep
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of SPARK DubStep, a powerful production and performance software suite dedicated to heavy-duty dubstep rhythm track construction, as of November 13...
Catering to the rhythmically distinctive needs of discerning dubstep producers globally, SPARK DubStep features a comprehensive library of 30 cutting-edge kits/480 instruments created in partnership with London-based leading pro audio loops and samples provider Sample Magic, themselves cited as being “...one of the elite dance sample venders.” Atomic wobble basses, filthy FX, dirty drums... it’s all there for the taking!
Yet SPARK DubStep is not just another sample library, but rather a complete rhythm track construction kit par excellence, boasting 960 pre-programmed MIDI patterns of harding-hitting drums, virtual analogue synths, and filter-modulated mayhem — perfect for putting together tomorrow’s pure wobble anthemic hits, or revisiting EDM and hip-hop stylings on dub steroids! A remixer’s dream team player, perhaps.
SPARK DubStep’s powerful, yet inherently user-friendly interface makes beat- and bass pattern-creation a breeze — especially when using the step sequencer situated at the top of the default centre panel. Hardware drum machine enthusiasts will feel right at home here. And thanks to advanced looping modes cleverly combined with the XY pad’s real-time slicing and filtering controls, users will be producing stunning breaks with the best of them in no time at all — perfect for live performance!
Each and every one of those 480 instruments comes complete with 12 sound-sculpting parameters to promptly put your own stamp on the resultant sound: modify the noise colour of hi-hats; clip basses using various analogue filters; adjust the LFO rate and depth of a wobble bass... the creative possibilities are almost endless! But musical creativity need not stop there. Far from it, in fact!
Mix fine-tuning is a given, with SPARK DubStep’s integrated 16-channel mixer offering 14 high-quality effects and also mapping of each instrument’s stereo output to the host DAW when seamlessly running as a plug-in (RTAS, AU, VST3) with real- time automation available on all parameters. And it’s even possible to export patterns as .wav or MIDI files to the DAW — simply drag-and-drop any pattern from the currently open kit to have it automatically rendered in the chosen format.
Of course, performers wishing to use SPARK DubStep as a standalone instrument independently from a software sequencer and play it from their favourite MIDI keyboard- or drumpad-based controller are perfectly free to do so. Either way, all onscreen key knobs and pads are easily assignable via MIDI.
So whatever your preference — production or performance, take the next step to dubstep with SPARK DubStep... and beat the future!
SPARK DubStep can be purchased as a software download for €99.00 EURO/$99.00 USD or boxed for €119.00 EURO/$129.00 USD from Arturia’s Online Shop: http://www.arturia.com/evolution/en/buy/online-shop.html"
Published on Nov 14, 2012 by Arturiaweb
"Arturia announces availability of SPARK DubStep
GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of SPARK DubStep, a powerful production and performance software suite dedicated to heavy-duty dubstep rhythm track construction, as of November 13...
Catering to the rhythmically distinctive needs of discerning dubstep producers globally, SPARK DubStep features a comprehensive library of 30 cutting-edge kits/480 instruments created in partnership with London-based leading pro audio loops and samples provider Sample Magic, themselves cited as being “...one of the elite dance sample venders.” Atomic wobble basses, filthy FX, dirty drums... it’s all there for the taking!
Yet SPARK DubStep is not just another sample library, but rather a complete rhythm track construction kit par excellence, boasting 960 pre-programmed MIDI patterns of harding-hitting drums, virtual analogue synths, and filter-modulated mayhem — perfect for putting together tomorrow’s pure wobble anthemic hits, or revisiting EDM and hip-hop stylings on dub steroids! A remixer’s dream team player, perhaps.
SPARK DubStep’s powerful, yet inherently user-friendly interface makes beat- and bass pattern-creation a breeze — especially when using the step sequencer situated at the top of the default centre panel. Hardware drum machine enthusiasts will feel right at home here. And thanks to advanced looping modes cleverly combined with the XY pad’s real-time slicing and filtering controls, users will be producing stunning breaks with the best of them in no time at all — perfect for live performance!
Each and every one of those 480 instruments comes complete with 12 sound-sculpting parameters to promptly put your own stamp on the resultant sound: modify the noise colour of hi-hats; clip basses using various analogue filters; adjust the LFO rate and depth of a wobble bass... the creative possibilities are almost endless! But musical creativity need not stop there. Far from it, in fact!
Mix fine-tuning is a given, with SPARK DubStep’s integrated 16-channel mixer offering 14 high-quality effects and also mapping of each instrument’s stereo output to the host DAW when seamlessly running as a plug-in (RTAS, AU, VST3) with real- time automation available on all parameters. And it’s even possible to export patterns as .wav or MIDI files to the DAW — simply drag-and-drop any pattern from the currently open kit to have it automatically rendered in the chosen format.
Of course, performers wishing to use SPARK DubStep as a standalone instrument independently from a software sequencer and play it from their favourite MIDI keyboard- or drumpad-based controller are perfectly free to do so. Either way, all onscreen key knobs and pads are easily assignable via MIDI.
So whatever your preference — production or performance, take the next step to dubstep with SPARK DubStep... and beat the future!
SPARK DubStep can be purchased as a software download for €99.00 EURO/$99.00 USD or boxed for €119.00 EURO/$129.00 USD from Arturia’s Online Shop: http://www.arturia.com/evolution/en/buy/online-shop.html"
iPulsaret Coming to iPhone
iPulsaret on iPhone 5 - Beta Test
Published on Nov 14, 2012 by Sinapsya
"We have one little/big news for you....
For any info: www.densitygs.com"
iPulsaret is currently available for the iPad:
iPulsaret - apeSoft
iPads on eBay, on Amazon
Published on Nov 14, 2012 by Sinapsya
"We have one little/big news for you....
For any info: www.densitygs.com"
iPulsaret is currently available for the iPad:
iPulsaret - apeSoft
iPads on eBay, on Amazon
Tuesday, November 13, 2012
TabStrummer 2012 Video Presentation
Published on Nov 13, 2012 by miro2424
"This is a programmable midi controller that can be connected to your music software or a midi sound shield can be added and be completly stand alone.
More informations at; www.tabstrummer.com"
"Tabstrummer is a rogrammable MIDI controller. You can program any of its 12 memory buttons with any guitar CHORD/TAB that can be played on a 12 fret guitar, plus all the 12 memory buttons can be programmed into any of the 200 memory SONG locations of TabStrummers internal memory.
TabStrummer features
12 programmable memory buttons
Record and Play any guitar tabs/chords
Over 200 memory 'Song' locations
6 touch sensitive 'strings'

Choice of 5 octaves for the 'piano keys'
Pitch Bend and Modulation buttons
Sustain Control
Transpose up/down 12 semi-tones
Playable with MIDI hardware and software
Set Velocity (not velocity-sensitive)
Technical specifications
MIDI jack output (DIN-5)
9 - 12 Volt DC jack input (2.1mm)
6 ‘AA’ battery compartment
Body made of clear 4mm acrylic

Weight (with batteries): 920 grams (2 lbs)
46.5cm x 12.25cm x 3cm (18.25” x 5” x 1.25”)"
Moog Factory Tour - History of the Theremin w/ Les Claypool / Primus
Published on Nov 13, 2012 by DoctorBlankenstein
http://www.drBlankenstein.com
"This video has a little bit of everything... lol It features a quick look behind the scenes at the Moog Factory in Asheville, NC. We have a little history of the Theremin, and a peek of one being made in the factory... all the while PRIMUS jamming in the Moog Sound Lab. There is even a rare little jam with Les Claypool on electric drums and Jay Lane playing "Who's got the funk" on Les's acoustic bass! As I said... this video has everything! :)
The great folks at Moog Music were AMAZING! Asheville was AMAZING! Primus was AMAZING! Les Claypool is ALWAYS AMAZING (he even took a minute to pose for a picture goo.gl/pSisp )!
Thanks everyone... What an overall AMAZING time! :)"
Analog Drone Noise Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction - video below

"This is the Ruin Electronics CDS-2 (Compact Drone Synth). This is a one of a kind instrument. It was professionally built and designed by Ruin. The unit has been built into a vintage transistor radio case. Faux wood grain, chrome, and brushed aluminum give it a classy retro look. The CDS-2 is new; no previous owners.
The CDS-2 is a 100% Analog synthesizer in a sturdy case with a fashionable carrying handle. The CDS-2 is a two voice drone synthesizer with CV inputs for pitch and filter frequency. The CDS-2 is not only a Drone and noise Synthesizer, but a sound effects generator. The CDS-2 is excellent for use with sequencers and other modular gear. The filters sound very vocal and organic when in bandpass mode and nice and chunky in lowpass. Paired with the thick oscillators, some strange alien vocalizations can be made. The CDS-2 offers a wide range of sounds with its excellent compliment of functions. There is no other drone/noise/experimental synth out there like this, especially in such a compact package! Despite being small, there is still plenty of room to use the controls so no play-ability is sacrificed.
Space sounds, crackles, hums, percussion, alien speech, warbles, zaps, clangs, bangs, basslines, sequencer runs, rhythms. This is a great unit for performance, sampling, or just plain old fun!
The units approximate measurements are:
7.5" width x 3" depth x 5.5" height
The unit features:
2x Square/Triangle waveform VCOs (Voltage Controlled Oscillators) with individual tuning per oscillator. The oscillators go from subsonic to ultrasonic with a twist of the control.
2x Triangle/Square waveform LFOs (Low Frequency Oscillators) for modulation. The LFOs can be routed to either the VCF or VCO. Each LFO has a Depth and Speed control and a switch to select either VCF or VCO modulation.
Bandpass/Lowpass VCF (Voltage Controlled Filter). The filter is extremely resonant and will self oscillate when in bandpass mode. The VCFs have a Frequency and Resonance control and a switch for Lowpass/Bandpass response.
2 Channel Mixer Each voice has its own level control which is fed to the final output stage.
CV inputs for VCF and VCO control Both voices share the same VCF and VCO CV inputs so you can easily sequence both voices of the CDS-2 with the same cv. This allows for great layred sequenced sounds.
Output Overdrive The output stage is capable of nice gritty distortion with its own gain control.
1/4" Output
9V battery or DC adapter. With a choice of either 9V battery or external DC adapter the unit can be a portable unit for busking or impromptu outside jam sessions (when accompanied by a portable amplifier such as This ) or a studio piece. Featuring an on board regulator the unit will clean up any power source from 9-15V"
Ruin Electronics CDS-2 Compact Drone Synth demo
Published on Nov 12, 2012 by psyingo
via this auction - video below
"This is the Ruin Electronics CDS-2 (Compact Drone Synth). This is a one of a kind instrument. It was professionally built and designed by Ruin. The unit has been built into a vintage transistor radio case. Faux wood grain, chrome, and brushed aluminum give it a classy retro look. The CDS-2 is new; no previous owners.
The CDS-2 is a 100% Analog synthesizer in a sturdy case with a fashionable carrying handle. The CDS-2 is a two voice drone synthesizer with CV inputs for pitch and filter frequency. The CDS-2 is not only a Drone and noise Synthesizer, but a sound effects generator. The CDS-2 is excellent for use with sequencers and other modular gear. The filters sound very vocal and organic when in bandpass mode and nice and chunky in lowpass. Paired with the thick oscillators, some strange alien vocalizations can be made. The CDS-2 offers a wide range of sounds with its excellent compliment of functions. There is no other drone/noise/experimental synth out there like this, especially in such a compact package! Despite being small, there is still plenty of room to use the controls so no play-ability is sacrificed.
Space sounds, crackles, hums, percussion, alien speech, warbles, zaps, clangs, bangs, basslines, sequencer runs, rhythms. This is a great unit for performance, sampling, or just plain old fun!
7.5" width x 3" depth x 5.5" height
The unit features:
2x Square/Triangle waveform VCOs (Voltage Controlled Oscillators) with individual tuning per oscillator. The oscillators go from subsonic to ultrasonic with a twist of the control.
2x Triangle/Square waveform LFOs (Low Frequency Oscillators) for modulation. The LFOs can be routed to either the VCF or VCO. Each LFO has a Depth and Speed control and a switch to select either VCF or VCO modulation.
Bandpass/Lowpass VCF (Voltage Controlled Filter). The filter is extremely resonant and will self oscillate when in bandpass mode. The VCFs have a Frequency and Resonance control and a switch for Lowpass/Bandpass response.
2 Channel Mixer Each voice has its own level control which is fed to the final output stage.
CV inputs for VCF and VCO control Both voices share the same VCF and VCO CV inputs so you can easily sequence both voices of the CDS-2 with the same cv. This allows for great layred sequenced sounds.
Output Overdrive The output stage is capable of nice gritty distortion with its own gain control.
1/4" Output
9V battery or DC adapter. With a choice of either 9V battery or external DC adapter the unit can be a portable unit for busking or impromptu outside jam sessions (when accompanied by a portable amplifier such as This ) or a studio piece. Featuring an on board regulator the unit will clean up any power source from 9-15V"
Ruin Electronics CDS-2 Compact Drone Synth demo
Published on Nov 12, 2012 by psyingo
CRUMAR OMB-2 SYNTH BASS PEDALS
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH