Saturday, December 08, 2012
Elektron Analog Four meets Anushri Basic CV demo
Published on Dec 8, 2012 by darenager
"A few people asked for a CV demo, so here it is, all the info is in the scrolling banner, but if you have a question put it in the comments and I'll try to answer."
See dealers on the right for pricing and availability on gear.
LABELS/MORE: Elektron, Featured, Mutable Instruments, Video
LABELS/MORE: Elektron, Featured, Mutable Instruments, Video
Moog session - Minimoog, Prodigy and Polymoog 203A
Published on Dec 8, 2012 by lesingemonotone
"Jamming away on the moog-rig - The minimoog, the Prodigy and the mighty Polymoog 203A synthesizer. Additional bassline-programming courtesy of Doepfer Dark Time."
Acrylic Serge
12 Days of Modular 2012-Day 8-Notch Filter
Published on Dec 8, 2012 by raulsworldofsynths
"Day 8: A look at a Notch Filter.Video series of 12 different scenes from the Modular World of Raul's World of Synths.Sound and Video by Raul Pena.©Raul Pena 2012"
All parts here.
"Day 8: A look at a Notch Filter.Video series of 12 different scenes from the Modular World of Raul's World of Synths.Sound and Video by Raul Pena.©Raul Pena 2012"
All parts here.
An Interview with Bernie Krause on Astronauta Pinguim
Full interview on Astronauta Pinguim here.
Pictured: Bernie and the Moog synthesizer (photo by Jon Sievert)
"Since I do not see too well, my world is mostly informed by sound. So naturally, as a young child I gravitated to music studying violin and composition. When I became a teenager, I switched to guitar (when the hormones kicked in) because… well, you know. When I was in my 25th year I joined a very famous American folk group called The Weavers. After they broke up in early 1964, I moved to California from New York, and began to study electronic music at Mills College in Oakland, which was the leading institution for experimental techniques at the time. While there, I met Paul Beaver, who became my music partner, and together we helped introduce the Moog synthesizer to pop music and film on the West Coast and in the UK."
You can find links to more of Anstronauta Pinguim's interviews with the synth world's greats here.
via Fabricio Carvalho on The MATRIXSYNTH Lounge
Pictured: Bernie and the Moog synthesizer (photo by Jon Sievert)
"Since I do not see too well, my world is mostly informed by sound. So naturally, as a young child I gravitated to music studying violin and composition. When I became a teenager, I switched to guitar (when the hormones kicked in) because… well, you know. When I was in my 25th year I joined a very famous American folk group called The Weavers. After they broke up in early 1964, I moved to California from New York, and began to study electronic music at Mills College in Oakland, which was the leading institution for experimental techniques at the time. While there, I met Paul Beaver, who became my music partner, and together we helped introduce the Moog synthesizer to pop music and film on the West Coast and in the UK."
You can find links to more of Anstronauta Pinguim's interviews with the synth world's greats here.
via Fabricio Carvalho on The MATRIXSYNTH Lounge
See dealers on the right for pricing and availability on gear.
LABELS/MORE: Featured, Interviews, MOOG
LABELS/MORE: Featured, Interviews, MOOG
Todd Barton on the Buchla and Sound Synthesis
via groundloop where you'll find the full interview.
"How did you discover the Buchla?
My first encounter was with a Buchla Music Easel that my friend, Doug Leedy
handed me and let me just explore it for a few days back in the mid-1970’s.
At that time I had no idea what I was doing…just plugging in patch cords and
twisting knobs hoping to get a sound. Eventually sounds came. I was smitten
with the ability to alter timbres and create sounds from scratch.
Since I couldn’t afford a Music Easel I instead saved up and got a lovely three
panel Serge from Serge Tcherepnin in the Haight Ashbury in 1979. Still not
knowing much about synthesis I also got Allen Strange’s book, Electronic Music:
Systems, Techniques and Controls. Parts of that book helped but mainly I began
patching 4-8 hours a day.
It wasn’t until 2004 that, having a steady job as Resident Composer at the
Oregon Shakespeare Festival since 1969, I was able to save enough to finally
get a Buchla 200e system. Since then I have spent as much time as possible
plumbing its endless depths."
"How did you discover the Buchla?
My first encounter was with a Buchla Music Easel that my friend, Doug Leedy
handed me and let me just explore it for a few days back in the mid-1970’s.
At that time I had no idea what I was doing…just plugging in patch cords and
twisting knobs hoping to get a sound. Eventually sounds came. I was smitten
with the ability to alter timbres and create sounds from scratch.
Since I couldn’t afford a Music Easel I instead saved up and got a lovely three
panel Serge from Serge Tcherepnin in the Haight Ashbury in 1979. Still not
knowing much about synthesis I also got Allen Strange’s book, Electronic Music:
Systems, Techniques and Controls. Parts of that book helped but mainly I began
patching 4-8 hours a day.
It wasn’t until 2004 that, having a steady job as Resident Composer at the
Oregon Shakespeare Festival since 1969, I was able to save enough to finally
get a Buchla 200e system. Since then I have spent as much time as possible
plumbing its endless depths."
KORG Poly800 - Bass Demo with Sunrizer
via Anthony Alfimov on The MATRIXSYNTH Lounge
"bass - KORG poly800 (internal sequencer)
brass lead and other - Sunrizer iOS synth"
iTunes:
SunrizerXS synth - BeepStreet
iOS Devices on eBay - Don't miss the Daily Tech Deals
vainio / vigroux live @ le lieu multiple, poitiers
vainio / vigroux live @ le lieu multiple, poitiers from dautrescordes on Vimeo.
november 2012
Espace Mendes France
Le lieu multiple /Jazz à Poitiers
"Mika Vainio & Franck Vigroux
Korg esx1, moog Rme, oto machine, Akai vx 90, elektron octatrack, vermona mono lancet."
"Space Hop" - (Instrumental)
Published on Dec 8, 2012 by TimeSynthis
"Played on a Yamaha CS1X, and drums. Recorded in 2003."
"Played on a Yamaha CS1X, and drums. Recorded in 2003."
Korg Mono/Poly with Mods
Note: links to listings are affiliate links for which the site may be compensated.
Published on Dec 6, 2012 by vco vca vcf
via this auction
"Up for auction is the mighty Korg Mono/Poly. You probably know all about it so let's talk about this particular unit:
It is a european version (220v) and one of the latest model (you can tell by the PCB revision).
The unit is in very good cosmetical condition. The wooden side, which are the weak point of the beast, are here in a rather good condition (though there are some scuff on the corners). The only real esthetic flaw are the two wheel intensity knobs that are not original ones.
Electronically it is working perfectly. I have serviced and calibrated it. The filtre chipset (SSM2044) and main cpu (D8049c) are new.
And also I did some modification that improve the MonoPoly a lot:
- MG1 normal/fast speeds switch: add a fast speed mode for MG1. This allows for more metalic and FMish sound when used in FX, VCF modulation or PWM.
- VCF EG speed switch: add a fast speed mode for the VCF enveloppe. It make the enveloppe and synth snappier.
- VCA EG speed switch : same as above but applies to the VCA
- Disable the reset of the keyboard algorithm when switching in FX-Mode
- Disable the reset of MG2 when playing a new chord in arpeggiator mode"
Published on Dec 6, 2012 by vco vca vcf
via this auction
"Up for auction is the mighty Korg Mono/Poly. You probably know all about it so let's talk about this particular unit:It is a european version (220v) and one of the latest model (you can tell by the PCB revision).
The unit is in very good cosmetical condition. The wooden side, which are the weak point of the beast, are here in a rather good condition (though there are some scuff on the corners). The only real esthetic flaw are the two wheel intensity knobs that are not original ones.
Electronically it is working perfectly. I have serviced and calibrated it. The filtre chipset (SSM2044) and main cpu (D8049c) are new.
And also I did some modification that improve the MonoPoly a lot:
- MG1 normal/fast speeds switch: add a fast speed mode for MG1. This allows for more metalic and FMish sound when used in FX, VCF modulation or PWM.
- VCF EG speed switch: add a fast speed mode for the VCF enveloppe. It make the enveloppe and synth snappier.- VCA EG speed switch : same as above but applies to the VCA
- Disable the reset of the keyboard algorithm when switching in FX-Mode
- Disable the reset of MG2 when playing a new chord in arpeggiator mode"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH




























