Friday, March 22, 2013
buchlabot loops - Free Buchla Loops by Todd Barton
"some little loops created on my mostly cloned Buchla 200 system. enjoy!"
Update:
more buchlabot loops
InsWorks DIY Modular System
Published on Mar 22, 2013 Carlos Alberto Gutiérrez Vera·34 videos
From InsWorks who brought us the InsWorks Esencial - $200 Analog Modular Synth From Columbia
3 systems:
"system a: this have a vco with 2 cv with shape control, lin fm 3 fm ins tune in saw out triangle out sine out pwm in sync in and sync out
matrix mixer with 16 knobs 4 ins and 4 outs
adsr with gate in cv out, indivudual attack out retrigger in and the normal attack decay sustain and release controls
vca with 1 audio out 2 normal audio ins and 1 audio ac in, 2 normal cv ins 1 inverted cv in and control for initial gain and audio and cv atenuations
lfo with triangle out pulse out square out and vari out, controls for speed vari and shape
vcf based on diodes with audio out and audio in for LP, HP, BP, CV in, controls for resonance cutoff and level
system b: vco with tune in, fine tune in, fm, linear fm, PWM, CV in, Square and Saw waveforms
ACE module, designed for use audio pulses to control the synth for example the silentway module
normal adsr with gate and out and normal controls A D S R
VCA with 2 audio ins 2 cv ins and audio out
LFO with Square Triangle and speed control
VCF alow pass filter similar to moog filter based in capacitors with audio in audio out CV in control for resonance an cutoff
splitter with one in and 4 outs
system c: VCO with pulse out and saw out, Linear FM, FM, CV in, tune, fine tune, PWM, and sync
Ring modulator with modulator carrier and out with controls for dry level an atenuation por carrier and modulator
ADSR with, gate, normal cv out and inverted cv out
VCA with 2 audio ins, 1 audio out, 2 cv ins, cv amplifier 1 control for audio atetuation and 1 control for cv atenuation
Mixer with 4 ins nd normal and inverted out
VCF with 1 audio in and outs for HP, LP, BP, CV in control for resonance and cutoff is the best filter of all
all modules are active circuits
more info here: http://www.facebook.com/Insworks"
d16 Group LUSH-101 Part 4: Oscillator Sync
Published on Mar 22, 2013 MusicMarketingTV·479 videos
Trivia question: who programmed the original version of the sync sound in the beginning of the video and on what synth? Where is he now?
"Prof. Don Garbutt takes us on a crazy detour through additive synthesis, complex waveforms and how to survive an attack by a sabre-tooth tiger, to arrive at a lucid description of oscillator sync in the LuSH-101 by d16 Group Audio Software. He also explains the settings in the pitch control section."
All parts here.
Trivia question: who programmed the original version of the sync sound in the beginning of the video and on what synth? Where is he now?
"Prof. Don Garbutt takes us on a crazy detour through additive synthesis, complex waveforms and how to survive an attack by a sabre-tooth tiger, to arrive at a lucid description of oscillator sync in the LuSH-101 by d16 Group Audio Software. He also explains the settings in the pitch control section."
All parts here.
ALISA 1377 VINTAGE USSR SOVIET ANALOG SYNTHESIZER SN 1247
Note: Auction links are affiliate links for which the site may be compensated.

via this auction
"The synthesizer has 1 OSC with 4 wave forms, ADSR , filter, various modulations, vibrato and portamento effects.
OSCILLATOR: tune; octave +1/+2; portamento; wave forms: triangle, saw, square, odd harmonics; frequency modulation (for all 4 waveforms); impulse-width modulation (for square wave form) with impulse width and depth controls; harmonics (for odd harmonics wave form). You can use individual OSC waveforms (triangle, saw, square, odd harmonics) or mix them together to get unique sounds!
LFO: on/off modulation switch, two waveforms (triangle, square), modulation rate, modulation rate coarse switch - 1Hz/10Hz.
FILTER: cutoff, resonance, vibrato (filter modulation), ADSR, switch between filter control- keyboard or contour OSC (ADSR). The synths filter due to it`s original architecture can be used as additional oscillator when filter`s resonance knob in self-oscillaltion position and it sounds really weird and interesting!
AMPLIFIER: ADSR, main volume, on/off synthesizer."
via this auction
OSCILLATOR: tune; octave +1/+2; portamento; wave forms: triangle, saw, square, odd harmonics; frequency modulation (for all 4 waveforms); impulse-width modulation (for square wave form) with impulse width and depth controls; harmonics (for odd harmonics wave form). You can use individual OSC waveforms (triangle, saw, square, odd harmonics) or mix them together to get unique sounds!
LFO: on/off modulation switch, two waveforms (triangle, square), modulation rate, modulation rate coarse switch - 1Hz/10Hz.
FILTER: cutoff, resonance, vibrato (filter modulation), ADSR, switch between filter control- keyboard or contour OSC (ADSR). The synths filter due to it`s original architecture can be used as additional oscillator when filter`s resonance knob in self-oscillaltion position and it sounds really weird and interesting!
AMPLIFIER: ADSR, main volume, on/off synthesizer."
Sequential Circuits Pro-One SN 7989
Note: Auction links are affiliate links for which the site may be compensated.

via this auction
"This one does have the j-wire keyboard."

via this auction
"This one does have the j-wire keyboard."

Rheyne - 3/22/13 - Live Jam #73 (live looping with Ableton Live)
Published on Mar 22, 2013 Rheyne
"Live looping with analog keyboards, USB controllers, iOS devices, and Ableton Live. All loops were recorded live, nothing was pre-recorded.
Download or stream the audio at SoundCloud: http://snd.sc/11u1k1f
Equipment:
iPad running Lemur, wirelessly controlling Ableton Live
2x iPads running Sunrizer
DJ TechTools MIDI Fighter 3D (in MF3D Launcher mode)
Oxygen 49 controlling Sunrizer via an iConnectMIDI
KMI QuNeo controlling NI's Kontakt (drums)
Dave Smith Instruments MoPho keyboard
Akai APC20
iTouch running Lemur, wirelessly controlling Ableton Live
Novation Launchpad
Moog Prodigy
Fender Rhodes connected to an MXR Wylde Overdrive
PreSonus 1818VSL connected to a Macbook Pro
Lighting:
3x Chauvet Slim Par 56 LED
2x American DJ Mega 50 RGB
American DJ H2O LED"
GRP A4 and Synthesizers.com
Published on Mar 22, 2013 TubeSamsa·13 videos
"Analog modular and semi modular synths"
"Analog modular and semi modular synths"
Breath Martenot - Breath driven Pulley/Ring controller - Work in progress.
Published on Mar 22, 2013 Mark Steiner·5 videos
"This is the 2nd prototype of my own version of a Martenot style controller. I decided to expose the pulley loop fully. I find it's pretty interesting/fun to watch the loop and hear the pitch change accordingly. I've had a few ideas about maybe attacking LED's to the pulleys to mix some light up real time. Could be fun.
Usually these kind of instruments (silimart to the Ondes Martenot) use a left hand pressure key for volume/filter brightness. On mine, I am using a Nyle Steiner breath controller, which really makes for smooth dynamics and fast articulation. There are even some parts showing multiple tonguing techniques often used by trumpet and other wind players to tongue fast by saying Tu Ku Tu Ku or Tu Tu Ka.
Special thanks to Nyle Steiner for the great sounding synth oscillators and filters used in this demo. Also thanks to Dana Countryman and Mike Beauchamp for their own expertise and inspiration in relation to instruments like this.
Thanks for listening! See my current classical electronic project at ThePinesofRome.com."
Korg MS-20 - Endless Space Loop HQ
Published on Mar 22, 2013 Newueel·38 videos
"This is a simplified version of the endless space loop patch, which I uploaded some years ago. The part where you could add extra noise using the control wheel has been omitted. Only some delay is added to the sound, no other effects, no mastering.
If you are interested in patch and knob settings, ensure you're watching HQ and check out the knobs whenever you like the sound.
This patch also works on the iMS-20 and the MS-20 legacy software, and of course on the new mini (although, unfortunately I've not been able to test the mini yet).
Some info on the patch:
The modulation generator is functioning as a clock generator, and triggers the main envelope (EG2) continuously. Both of the MG knobs can be used to adjust gate time and clock speed.
The sample and hold module samples random values from pink noise. This is done every clock pulse. The sampled value is used for frequency modulations (OSC + HPF + LPF).
Wanna try it for yourself?
Almost any of the knobs are available for tweaks, so there's a lot of room for your own imagination and creativity. Here are the most important notes/limitations to keep in mind:
- Ensure EG2 hold and release are set to 0. Attack, decay and sustain can be used without a problem.
- EG1 parameters cannot be used since the envelope is used as a clock signal for the S&H module. (All knobs at 0!)
- The MG cannot be used as an LFO (unless you want an LFO with the clock speed)
PS. Since YouTube doesn't support endless movies -and for some other technical reasons-, I decided to record only 5 minutes of the whole piece. Sorry for the misleading title. ;-)
Link to referenced video: http://www.youtube.com/watch?v=3uD_uy..."
"This is a simplified version of the endless space loop patch, which I uploaded some years ago. The part where you could add extra noise using the control wheel has been omitted. Only some delay is added to the sound, no other effects, no mastering.
If you are interested in patch and knob settings, ensure you're watching HQ and check out the knobs whenever you like the sound.
This patch also works on the iMS-20 and the MS-20 legacy software, and of course on the new mini (although, unfortunately I've not been able to test the mini yet).
Some info on the patch:
The modulation generator is functioning as a clock generator, and triggers the main envelope (EG2) continuously. Both of the MG knobs can be used to adjust gate time and clock speed.
The sample and hold module samples random values from pink noise. This is done every clock pulse. The sampled value is used for frequency modulations (OSC + HPF + LPF).
Wanna try it for yourself?
Almost any of the knobs are available for tweaks, so there's a lot of room for your own imagination and creativity. Here are the most important notes/limitations to keep in mind:
- Ensure EG2 hold and release are set to 0. Attack, decay and sustain can be used without a problem.
- EG1 parameters cannot be used since the envelope is used as a clock signal for the S&H module. (All knobs at 0!)
- The MG cannot be used as an LFO (unless you want an LFO with the clock speed)
PS. Since YouTube doesn't support endless movies -and for some other technical reasons-, I decided to record only 5 minutes of the whole piece. Sorry for the misleading title. ;-)
Link to referenced video: http://www.youtube.com/watch?v=3uD_uy..."
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH