Tuesday, April 09, 2013
Cyber Kittens Go To Sleep
Cyber Kittens Go To Sleep from Quijote Cinemusica on Vimeo.
Another "Animal" Exibit for our modular Zoo #modzoobr
DiY Yusynth/Mfos modular running generatively.
Sampling and Holding from Quijote Cinemusica on Vimeo.
"Another module i had to debug and was putting off, the Yusynth "Random" Module. I had the clock working and the noise sources, but no "sampling and holding" was occurring. Finally found the culprit, a faulty JFET. Working fine now. Shot with the Canon T31 and a Zuiko 55mm f1.2 manual focus lens on a loose tripod, one hand on the focus ring, the other on the synth :)"
Moog Sub Phatty Synthesizer - Bostich Studio Nortec
Published on Apr 9, 2013
"Ramón Amezcua from Bostich+Fussible Nortec.
Moog Sub Phatty analog synthesizer, Tuba, 808, 303.
https://soundcloud.com/nortec
puts the Moog Sub Phatty through it's paces. The track is 100% comprised of sounds created by the Sub Phatty (including the drums). Recorded live on set through an H4n into Ableton Live."
"Ramón Amezcua from Bostich+Fussible Nortec.
Moog Sub Phatty analog synthesizer, Tuba, 808, 303.
https://soundcloud.com/nortec
puts the Moog Sub Phatty through it's paces. The track is 100% comprised of sounds created by the Sub Phatty (including the drums). Recorded live on set through an H4n into Ableton Live."
Birdie [radio mix]
Published on Apr 9, 2013
"new 'Radio Mix'
used gear:
DomX, Leipzig-S, Mox6, Xoxbox, Octapad, Urzwerg, GrooveAgent, Cubase Artist 7
Vocals: Cobalt"
"new 'Radio Mix'
used gear:
DomX, Leipzig-S, Mox6, Xoxbox, Octapad, Urzwerg, GrooveAgent, Cubase Artist 7
Vocals: Cobalt"
More KORG Groovebox Renders
Two more added to the main post here. We also can clearly see the names of each, the Volca Keys, Volca Bass, and Volca Beats.
M.A.S.F. Thornoscillator Fuzz Oscillator Pedal
Uploaded on Oct 20, 2010 masfactory·41 videos
noise oscillator fuzz effector.
http://masf.figity.com
via this auction
"Thornoscillator is used as a fuzz guitar but also the oscillation, and match very well, connect a synthesizer or rhythm machine and multi-effects fuzz noise oscillation rate can also be used separately as a noise machine thornoscillator.
Stacked wall of noise distortion itself is important, from fine grains or dust storms of fuzz, oscillation and noise sound is a struggle most comprehensive MASF. [Volume] [character] [freq] [sens] in control of exactly what is wrong is no name, and it is usually different from the way we listen to their own. [Volume] has a volume control or more roles, [caracter] [sens] will issue a combination of many things that look, it [freq] can be changed significantly.
Also by linking the effects thornoscillator else just changes the character of the thornosicllator is hard. For example, set to leave the state without oscillation thornoscillator, explode or oscillate as if the entire system and turn on the oscillation of the effects connected to the former, and in some cases can become a funny sound input source Select the sound produced by the operation are endless."
Earthquaker Devices Rainbow Machine Polyphonic Pitch Mesmerizer
Note: Auction links are affiliate links for which the site may be compensated.
Uploaded on Dec 29, 2011 JetCityMusic·389 videos
VLfjg~~60_57.JPG)
via this auction
"Welcome to the Rainbow Machine, in all it’s synthetic glory! This one is for experimenters, adventurists and noisemakers. Totally not for purists and/or tone hounds, there are no “natural sounds” that will come from this box. It takes modern DSP and uses it as a tool of future past to create real time pitch shifting using digital oscillators. The sound is much different than most modern day pitch shifting devices. It was imagineered to be wild and out of control and slightly imperfect while still tracking up and down the guitar neck without glitching out. A cold digital beast made to pretend it has feelings. It will do basic polyphonic harmonies from a 4th down through a 3rd up and every atonal pitch in between. You may add in an accompanying octave to the harmony by bringing up the Secondary function control. You can take it way beyond and open up your third eye by bringing in the Magic. The Magic is the heart of the Rainbow Machine. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descend’s, chaos chorusing, shrieks, pixie trails and wealth of other general mayhem inducing noises. The pitch can be controled by an external expression pedal for extra fun! The Rainbow Machine can be used on bass, keys, vocals or anything else you can dream up!
Expression Pedal
We recommend the Moog Expression pedal for the
Controls
Pitch - This controls the pitch of the harmony. All the way counter clockwise is a 4th down, all the way clockwise is a 3rd up. The middle position is unison. The pitch can be controlled by an expression pedal as well.
Exp - This is an expression pedal control jack for the pitch. The Pitch control is defeated when an expression pedal is inserted.
Primary - This controls the volume of the Primary pitch shifted signal. Unity is about 2 o'clock, anything above will boost the signal.
Secondary - This controls the volume of the secondary pitch shifted signal. The Secondary signal is one octave above the Primary from noon up and one octave below from noon back. Unity is about 2 o'clock, anything above will boost the signal.
Tracking - This controls the amount of lag time between the direct dry signal and the shifted wet signal. The pitch shifted signal will track right on the dry signal when this control is all the way clockwise. It will start to lag behind the more it is reduced. This function is especially useful when the "Magic" is engaged.
Magic - This adjusts the "weirdness" of the effect. The end result is a wide variety of wild effects depending on where the other controls are set. The magic control will only work if the magic switch is engaged and the primary and/or secondary are in use. (Technically, it's a regeneration control that creates aliasing between a mix of the primary and secondary functions feeding back against each other).
Tone - All the way clockwise is full signal, reduce to soften the highs.
Measures
4.7" x 3.7" x 1.18"
Power
Any standard 9 volt DC power supply with a negative center 2.1mm barrel. No battery option."
U(SLw~~60_57.JPG)
Uploaded on Dec 29, 2011 JetCityMusic·389 videos
VLfjg~~60_57.JPG)
via this auction
"Welcome to the Rainbow Machine, in all it’s synthetic glory! This one is for experimenters, adventurists and noisemakers. Totally not for purists and/or tone hounds, there are no “natural sounds” that will come from this box. It takes modern DSP and uses it as a tool of future past to create real time pitch shifting using digital oscillators. The sound is much different than most modern day pitch shifting devices. It was imagineered to be wild and out of control and slightly imperfect while still tracking up and down the guitar neck without glitching out. A cold digital beast made to pretend it has feelings. It will do basic polyphonic harmonies from a 4th down through a 3rd up and every atonal pitch in between. You may add in an accompanying octave to the harmony by bringing up the Secondary function control. You can take it way beyond and open up your third eye by bringing in the Magic. The Magic is the heart of the Rainbow Machine. In conjunction with the Tracking control, the Magic creates wild pitch take offs and descend’s, chaos chorusing, shrieks, pixie trails and wealth of other general mayhem inducing noises. The pitch can be controled by an external expression pedal for extra fun! The Rainbow Machine can be used on bass, keys, vocals or anything else you can dream up!
Expression Pedal
We recommend the Moog Expression pedal for the
Controls
Pitch - This controls the pitch of the harmony. All the way counter clockwise is a 4th down, all the way clockwise is a 3rd up. The middle position is unison. The pitch can be controlled by an expression pedal as well.
Exp - This is an expression pedal control jack for the pitch. The Pitch control is defeated when an expression pedal is inserted.
Primary - This controls the volume of the Primary pitch shifted signal. Unity is about 2 o'clock, anything above will boost the signal.
Secondary - This controls the volume of the secondary pitch shifted signal. The Secondary signal is one octave above the Primary from noon up and one octave below from noon back. Unity is about 2 o'clock, anything above will boost the signal.
Tracking - This controls the amount of lag time between the direct dry signal and the shifted wet signal. The pitch shifted signal will track right on the dry signal when this control is all the way clockwise. It will start to lag behind the more it is reduced. This function is especially useful when the "Magic" is engaged.
Magic - This adjusts the "weirdness" of the effect. The end result is a wide variety of wild effects depending on where the other controls are set. The magic control will only work if the magic switch is engaged and the primary and/or secondary are in use. (Technically, it's a regeneration control that creates aliasing between a mix of the primary and secondary functions feeding back against each other).
Tone - All the way clockwise is full signal, reduce to soften the highs.
Measures
4.7" x 3.7" x 1.18"
Power
Any standard 9 volt DC power supply with a negative center 2.1mm barrel. No battery option."
U(SLw~~60_57.JPG)
Jomox T-Resonator
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The T-Resonator transforms timely events into an analog feedbacked filter network.
The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.
Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm. The delay feedback comes across the analog filters, of course.
You can create gaining analog echoes, "klingon parties" by extremely feedbacked wave guide algorithm and much more. By the analog feedback everything sounds organic. The screaming analog feedbacks can delay themselves and thereby form new sound patterns.
The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.
The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.
They can - in any thinkable way - be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.
Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.
The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.
Features
Stereo Input
Stereo Output
Envelope Follower with LFO
2 Filters
2 Delay Lines/Chorus/Reverb
8 Algorithms
Positve Feedback Loops
Cross Feedback
FM Feedback"
!E9s2f!GpkBRZF2CBe-!~~60_57.JPG)
via this auction
"The T-Resonator transforms timely events into an analog feedbacked filter network.
The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.
Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm. The delay feedback comes across the analog filters, of course.
You can create gaining analog echoes, "klingon parties" by extremely feedbacked wave guide algorithm and much more. By the analog feedback everything sounds organic. The screaming analog feedbacks can delay themselves and thereby form new sound patterns.
The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.
The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.
They can - in any thinkable way - be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.
Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.
The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.
Features
Stereo Input
Stereo Output
Envelope Follower with LFO
2 Filters
2 Delay Lines/Chorus/Reverb
8 Algorithms
Positve Feedback Loops
Cross Feedback
FM Feedback"
!E9s2f!GpkBRZF2CBe-!~~60_57.JPG)
Kraftwerk, and the Electronic revolution
Uploaded on Apr 15, 2010 Kraftwerkification·299 videos
Synth spotting with Kraftwerk. Note the videos are numbered 1 through 19, but some are missing. The playlist goes from 1-8, followed by 10-12, and then 19. Should keep you busy for a while at least.
via Connor 'Macleod' Eck on The MATRIXSYNTH Lounge
If anyone knows who did the opening music for the film feel free to comment or shoot me an email.
Synth spotting with Kraftwerk. Note the videos are numbered 1 through 19, but some are missing. The playlist goes from 1-8, followed by 10-12, and then 19. Should keep you busy for a while at least.
via Connor 'Macleod' Eck on The MATRIXSYNTH Lounge
If anyone knows who did the opening music for the film feel free to comment or shoot me an email.
"Le Logan Story" with Korg FK-1 + String Melody 2 and other analog Synthesizer
Published on Apr 9, 2013 djessay101·60 videos
"Korg KRP-77 (Master), Roland Juno-60 + RE-201, DotCom Modular + Korg SE-500, Roland VP-330 MK1 + MK2, Le Logan String Melody 2 + Korg FK-1 Synth Pedal (Traveler Filter) + Moog Midi Murf ect, Roland Jupiter 6, Korg Mono/Poly, OSCar Synthesizer ...playing: "Le Logan Story :-)"
Moog Spotting with the Pyramids
via Andrew: "This is a picture of my Egyptian friend of the Egyptronica band 'Machine Eat Man' with some of his Moog gear in front of the pryamids. (machineeatman.com)!"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
