"(c) 2013 vintage synthesizer demo track by RetroSound
all sounds: E-MU Emax 1 Sampler (1986)
drums: LinnDrum
recording: multi-track without midi
fx: delay and reverb"
via Marko Ettlich on The MATRIXSYNTH Lounge
Wednesday, October 16, 2013
E-MU Emax 1 "Liquid Stack"
"(c) 2013 vintage synthesizer demo track by RetroSound
all sounds: E-MU Emax 1 Sampler (1986)
drums: LinnDrum
recording: multi-track without midi
fx: delay and reverb"
via Marko Ettlich on The MATRIXSYNTH Lounge
SOURCE AUDIO Hot Hand USB Wireless MIDI Controller
Published on Oct 14, 2013 sourceaudioeffects·95 videos
"SOURCE AUDIO ADVANCES WIRELESS MIDI MOTION CONTROL FOR DJS WITH THE HOT HAND USB
Woburn, MA-Source Audio, innovative designers of the Hot Hand® 3 Wireless Effects Controller and Soundblox motion controlled effects, have released the Hot Hand USB Wireless MIDI Controller. The Hot Hand USB delivers an entirely new method of dynamic control to DAW (digital audio workstation) or live-performance software like Ableton Live, Traktor, Reason, Serato DJ, and Logic/MainStage. Hot Hand bypasses traditional knobs and faders, allowing users to manipulate software parameters with wireless motion-control. It also integrates perfectly with DAW controllers like Ableton Push, Livid Instruments' Base, or Native Instruments' S2/S4.
Hot Hand USB consists of a wireless motion sensing ring and USB stick receiver. The lightweight ring contains a 3-axis accelerometer that detects hand movement and translates it to MIDI control messages. Both quick motions and gradual tilting create control signals that can be applied to any parameter to create effects like organic bass wobbles, filter sweeps, delay times, modulation, and beat repeats. The receiver plugs directly into any Mac or Windows PC, installs without drivers, and appears as a MIDI device. With the Hot Hand USB Editor (downloadable software, available at sourceaudio.net), users can assign the X, Y, or Z axes to control multiple parameters as well as adjust the range and sensitivity of the incoming MIDI signal. Users can operate up to four rings simultaneously and maintain wireless connections for up to 100 feet (30.5 meters).
Hot Hand USB has already received high praise from notables in the electronic music scene. David Mash, Senior Vice President for Innovation, Strategy, and Technology at Berklee College of Music raves, "Source Audio's Hot Hand USB is a truly innovative wireless MIDI controller that allows me to easily manipulate and control many sonic parameters at once, through either subtle or obvious gestures. It is easy to set up, edit and configure, and allows me to use simple, natural movements to create musical nuance in my performances." Vladimir Coman-Popescu (editor of Controllerism.com) said, "Hot Hand is insanely fun and versatile, and is now permanently part of my regular live setup. Finally, I can fist pump during my sets and have it actually do something to the sound!"
Widely acclaimed for bringing innovation into the world of guitar effects pedals, Source Audio was founded in January 2005 by former engineers, scientists, and executives of Analog Devices, Kurzweil Music Systems, and Thomas H. Lee Partners. In 2006 Source Audio released its flagship product, the Hot Hand Motion-Sensing Ring. Since that time, Source Audio's distortion, filter, modulation and Hot Hand products have found their way onto the stages and recordings of David Bowie, Phish, My Morning Jacket, The Cure, and Adrian Belew to name a few. Source Audio was also recognized through multiple awards from Guitar Player, Guitar World, Bass Player, and Premier Guitar Magazines.
The street price of the Hot Hand USB Wireless MIDI Controller is $119. It is available now. For more info and a list of authorized dealers, visit www.sourceaudio.net or call Source Audio directly at 781.932.8080."
Hohner HS-2/E Casio VZ-10m Pics & Audio Demos
More pics and audio demos on deepsonic.ch
via Mischa Blättler on The MATRIXSYNTH Lounge
"Casio iPD Synthesis (VZ-1 etc) is a 8-OP (FM-)Synthesis.
iPD haven't got any Feedbackloop, but there are up to 4 Ringmod (X) connections possible.
1: Classic 32 Algos of Yamaha
2: Some examples of iPD
3: Structure from Casio manual"
Joy Division Producer Martin Hannett's Transcendent 2000 Synth Up for Sale?
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Working Transcendent analog synth 1978/79(with documentation) used and owned by Martin Hannett ( he owned two of these) Transcendents were actually used on Joy Division, Durutti Column and lots of Factory and Manchester band recordings and Hannett often had one in the control room as well as the band having one in the studio area. This includes his instruction manual and handwritten mods he did to the synth. We know the Transcendent was used as a straight synth sound and also used to feed triggers from sound sources into it on many Hannett recordings. There are several photos of Hannett using Transcendents around 78/79. Also included is one of four of Hannett's Revox mastering machines that he would take one to studios to make copies of his mixes each day and he had them at home too to listen to his studio work on his home hi fi system. This Hannett RevoxB77 powers up but needs attention. these are important Hannett and Joy Division related artefacts and will climb in value as fascination with Martin Hannett continues to grow"
Follow-up to:
Joy Division Producer Martin Hannett's International 4600 Up for Sale?
via this auction
"Working Transcendent analog synth 1978/79(with documentation) used and owned by Martin Hannett ( he owned two of these) Transcendents were actually used on Joy Division, Durutti Column and lots of Factory and Manchester band recordings and Hannett often had one in the control room as well as the band having one in the studio area. This includes his instruction manual and handwritten mods he did to the synth. We know the Transcendent was used as a straight synth sound and also used to feed triggers from sound sources into it on many Hannett recordings. There are several photos of Hannett using Transcendents around 78/79. Also included is one of four of Hannett's Revox mastering machines that he would take one to studios to make copies of his mixes each day and he had them at home too to listen to his studio work on his home hi fi system. This Hannett RevoxB77 powers up but needs attention. these are important Hannett and Joy Division related artefacts and will climb in value as fascination with Martin Hannett continues to grow"Follow-up to:
Joy Division Producer Martin Hannett's International 4600 Up for Sale?
Waldorf XTk Analog Modeling Wavetable Synthesizer Keyboard
Original KORG MS20 with Leather Case
ARP Odyssey MkI (Model 2800) Black and Gold with Banana Jacks
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The synth has been fully calibrated for great tracking across the range and has the CV ins and outs added on the back w/ Banana jacks (so I could interface with my modular). There is also an 'external audio in' jack added (1/4" audio) so you can plug other sounds through the filter & envelopes..."
via this auction
"The synth has been fully calibrated for great tracking across the range and has the CV ins and outs added on the back w/ Banana jacks (so I could interface with my modular). There is also an 'external audio in' jack added (1/4" audio) so you can plug other sounds through the filter & envelopes..."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
