Kick.S / Stereo FIL TREX Ⅱ Analogue Filter DEMO #３

Published on Jul 24, 2014 Kick.

"======= Kick.S Music ===============
Blogger : http://electronica-mini.blogspot.jp/

======= Release ===================
・iTunes http://itunes.apple.com/jp/artist/kic...
・Beatport http://www.beatport.com/artist/kick-s...
・Bandcamp http://kicks1.bandcamp.com/
・Discogs http://www.discogs.com/digital?artist...
・Amazon http://www.amazon.co.jp/s/ref=ntt_src...

使用機材
KORG ELECTRIBE MX
xOxbOx
Acidlab Miami
electro harmonix memory boy
electro harmonix Cathedral"

IMP (Live July 18th Bul-lets Tokyo)

Published on Jul 24, 2014 nedavine

Say it - Buchla & Elektron OctaTrack jam

Published on Jul 24, 2014 DJjondent

"Sunday night jam. Cobramatic & Jondent, Buchla & the Elektron OT.

A picture of the setup can be seen here:
http://djjondent.blogspot.com.au/2014..."

Robocop - DCS Crack Theme (1989) - Commodore 64 SID Chip in HD

Published on Jul 24, 2014 MrCaliforniaD

"This is the music from the 1989 Robocop Ocean crack by DCS.

Played on an original Commodore 64 with 6581 SID Chip (R2-4883)."

Retro 100 testing - Buchla DIY

Published on Jul 23, 2014 djangosfire

"Testing some fresh built DIY "retro 100" Buchla style modules."

better vc delay patch & vc iir filters

Published on Jul 23, 2014 dan a

"exponential is the way to go with delay cv"

vc iir filters

technique

Published on Jul 23, 2014 thevco

Ayre (TTSH & WSG)

"An mfos wsg sent through the TTSH filter along with the TTSH VCO's sent through a moogerfooger analog delay and an electro-harmonix cathederal reverb pedal."

via Laurentide SynthWorks

The Dude Abides - Jeff Bridges with a Yamaha CS80

What's interesting is this image was posted two years ago on imgur. Funny that it didn't meet the synth circles until now. Apparently Jeff Bridges is a photographer (note this image is towards the bottom of that post). Shopped? Answer in the comments.

This one in via Ray Ewan.

Mark Mosher's It Doesn't Have To Hate Us To Use Our Molecules - Nord Lead 4 & Octatrack

All synth elements are from the Nord Lead 4 being both played lived and sequenced live via Octatrack. Video further below.

"This dark cinematic electronica song was inspired by James Barrat's book 'Our Final Invention: Artificial Intelligence and the End of the Human Era' (www.jamesbarrat.com ).

This is really a live version of the song recorded in two sessions - the first on June 4th, 2014, the second on July 19th, 2014. I first sequenced the underpinnings of the songs then rehearsed controlling the arrangement on-the-fly and playing the lead lines as well as some sound manipulation in real-time. Once I felt good about my performance, I recorded the song directly to a digital recorder (Zoom H2n). I then picked my favorite takes from each session and combined them using Ableton Live and only used light mastering FX to sweeten the mix. I made a video recording of the first session as a teaser for the release of this single which you can watch here youtu.be/IN6p9QhScKw?list=UUm36lYPbh4W464V_6XPu-ow. [below]

While at first listen, you’ll hear what appears to be repeating motifs - but if you listen back a few times you’ll hear that it’s quite an unusual arrangement in that I really mix up how the motifs are repeated and combined. I vary the lead lines in each section as well.

All synth elements are from the Nord Lead 4 which I played live on keys and sequenced live via Octatrack. I make heavy use of trig-level automation to manipulate parameters on the Nord Lead via MIDI CC messages. I also sequenced real-time automation plus manipulate the Nord on-the-fly. The Octatrack also acted as a mixer allowing me to record audio down to the digital recorder.

Mark Mosher
Synthesist, Composer, Sound Designer, Producer
Boulder, CO
www.MarkMosherMusic.com
credits
released 22 July 2014"

Video:

"It Doesn't Have To Hate Us To Use Our Molecules"

Published on Jun 5, 2014 Mark Mosher

"http://www.MarkMosherMusic.com

Join my newsletter to get email notifications of music/video released and events http://eepurl.com/PrtWn

Video Production Notes
I used a combination of practical projection with video feedback, real-time video effects via two webcams run through visual Software Resolume, and primary footage captured with a GoPro. I then composited all the shots in video editing software with only a teeny bit of post-production to create this dark -- almost old-school analog video processing vibe.

The computers in the video are there to process and capture video from the two web cams - plus are part of the shot as a story element and for side-lighting. One is being used to project a camera in real-time over my right shoulder. This same camera is also seeing the projection which causes video feedback.

This rig is quite snappy, so all the latency between the different versions of my image are intentional introduced with the video editing software to create tension.

Mark Mosher
Synthesist, Composer, Sound Designer, Producer
Boulder, CO
http://www.MarkMosherMusic.com"