Chamonix

Published on Jan 2, 2016 Dikkker

"First doodle with the (almost complete) new setup.

Gear list:
Nord Lead 2 Rack Synthesizer
Waldorf Rocket Synthesizer
Korg Monotribe Synthesizer (incl. Miditribe)
Korg KaossPad 3 (Effect – Delay)
Korg SQ-1 (Sequencer)
Arturia Beatstep (Sequencer)
Yamaha Piaggero NP-31(E-Piano)
Akai Rhythm Wolf (Analog Drum Machine)
Alesis SR-16 (Sample-based Drum Machine)
JL Cooper 3x8 (Midi Switch)
Lexicon MPX 100 (Multi-effect - Reverb)
Behringer Xenyx FX 1202 Rack-Mixer
JBL LS 305 (Monitor speakers)
Denon DR-M 12 HX (Tape Deck)"

Devil Fish- True Profressionals

Published on Jan 2, 2016 TB-303 Devil Fish

"Just for fun, live acid breakbeat jam! Using the Devil Fish with the Overdrive knob(the amount of oscillator sent to the filter) turned up to 4 where 2 is the TB-303 normal setting, this gives the Devil Fish a larger than life aggressive bass tone. Running it through the Boss Metal Zone distortion pedal with distortion at a low setting, with the level and eq set to add to the grunt. I also have the Headphone Out of the Devil Fish routed back into itself via the Audio in to filter, which when I flick the Audio In to Filter switch on momentarily, you can hear it frequency modulate and squeal a little.

The Tr-606 is receiving Accent & note CV data to the Dynamic Bank Switching ins, from the Devil Fish which is turned on later in the jam.

Gate Out from the Devil Fish, and Headphone Out from the 606 to a 12 stage frequency divider are the clocking sources for the Eurorack modules René, Metropolis, and the Trigger Riot which are all modulating the Phonogene with the Sample from Scooby Doo (cartoon). The Metropolis modulates the Devil Fishes Filter freq In, the Trigger Riot triggers the Slide In and the High Tom from the 606 triggers the Accent in.

The TT-303 Bass Bot has a clean signal path (all effects its running through are in bypass mode)

The TR-8 has a small role with a noise hit and hand clap, and also the intro kick drum."

SYNDRUM 278 Clone

Published on Jan 2, 2016 denha

"Tone generator : ICL8038"

Dreadbox Hades Synth Sounds

Published on Jan 2, 2016 ProckGnosis

"No talk, just real-time changing of parameters on the Hades over a sequence. Recorded straight (no effects) into Props Reason, and no effects added in Reason. Kick Drum added from Reason Kong on the last bit.

- Saw Wave at 00:32
- Square wave at 01:51
- Pulse-width wave at 03:11
- All 3 waves multi-tracked at 04:30 (with kick drum and sounding a bit Giorgio Moroder-ish)
- Bonus bit : Hades' Taurus Pedal imitation at 05:55"

Kick.S Live / X956

Published on Jan 2, 2016 Kick.S

https://kicks1.bandcamp.com/track/x956

使用機材
KORG ELECTRIBE MX
xOxbOx
Acidlab Miami
electro harmonix memory boy
electro harmonix Cathedral"

Quiet Saturdays - Episode 8 - Live studio

Published on Jan 2, 2016 Alba Ecstasy

"If you have had a loud New Year's Eve Party, this track may clean the residual noise and the hangover!
I wish you a great New Year 2016 and all your wishes come true!
Alba Ecstasy"

TEENAGE ENGINEERING PO 16 FACTORY AMBIENT DEMO

Published on Jan 2, 2016 farmyfarm

"Just trying a quick ambient/experimental track on the Teenage Engineering PO-16 Pocket Operator Factory..(Say that 5 times fast!) It reminds me a lot of my Ensoniq Mirage. Just gritty, analog filtered, 8 bit, noisy output, over processed sounding. There is a lot of reverb on this demo, I probably could of dried up the saturation a bit. But the sounds ended up sounding better with it. Give it a minute or so. This is a fun little unit. Unlimited variations on the quick. The buttons however are hard to remember all their dual functions..."

Synth Rorschach #42: JJ Abrams Synth Reference in Star Wars The Force Awakens

So did anyone else catch the synth reference in The Force Awakens? Hint: It has to do with that planet in the right of the image on the left. If so, leave a comment, and please do not reveal any other spoilers for those who haven't seen it yet, although anyone that hasn't might be due for some punishment. I've seen it twice already in 3D and 2D - a note on which was a better experience for me is below. That said, if you haven't seen the film yet do not look in the comments, but see my note directly below.

And for those that do not know, JJ Abrams is into synths.

A small tip for those that haven't seen the film yet: I saw it the first time in IMAX 3D and again today in IMAX 2D at the same theater. I'm not sure if it was the theater, but both the audio and video quality of the 3D version blew the 2D version away. The screen was sharper, brighter and the audio was significantly better in the IMAX 3D version. I almost think something was just wrong with the 2D theatre, the quality was that much worse. It was like going from stereo to mono.

Update: someone got the answer in the comments below, so don't look if you still want to guess.

Update2: related via skkatter in the comments: Cool Guys Don't Look At Explosions - JJ Abrams on Keys

Hordijk Modular Cross Mod Patch

Published on Jan 1, 2016 d4nnyp

"Video and sound is out of sync, apologies!!

Hordijk Modular System: Improv on a patch using some Cross Modulation between 2 OSC HRM, each oscillator is cross modding each others wave shape, both oscillators go into a twin peak filter which is also modulated by the oscillators. random CV and clock from the Rungler. TetraMAPS sequencer is clocked from the patch and is controlling the time on a strymon timeline via midi. Reverb is Strymon Big Sky."

paradrone

Published on Jan 1, 2016 Ebotronix

4ms Peg, QCD² /Expander², RCD², VCA Matrix
Analogue Systems RS 100², RS110²², RS360²
Arp Odyssey 2821 white noise
Bananalogue Serge VCS

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