"Vintage Roland Jupiter 6 Analog Polysynth. 100% original. Very good condition. Fully cleaned, serviced, and calibrated. 100% tested and functioning.
Here is a list of the services performed on this synthesizer
Pulled PCBs
Inspected PCBs
Cleaned PCBs
Lubricated pots and sliders
Realigned keybed
Calibrated per pages 25-27 of the official Roland Jupiter 6 Service Manual
Cleaned exterior of case
Cleaned knobs and buttons
Cleaned 1/4" jacks
Tested all functions
Cosmetic notes: light scratches in paint/plastic, scratches in side panels, rust on screws/bolts. Original protective plastic over serial number. Please refer to pictures for specific item condition. Overall very good condition."
"The Creamware Prodyssey ASB is a highly accurate digital re-creation of the ARP Odyssey. It not only re-creates the sound of the the original Odyssey, but recreates the control panel too. Playing and programming this synth really feels like using an analog synthesiser, but with added benefits such as 12-note polyphony and MIDI control.
Probably one of the best and most sought-after vitual analog synths ever made."
"It was about time for a brand new synth demo! This time it's the Korg X5. All sounds including drums are from the X5 with some added external delay or reverb and compression.
*New Mr Woofer - 'Pause of Time' album available on all major online stores*
"Aram Khachaturian's beautiful 'Adagio' from Gayane's Ballet.
Mostly famous from it's use in Kubrick's '2001-A Space Odyssey' in the voyage to Jupiter sequence.
The large format 5U modular synthesizer is played live with a midi file from Cubase.
Three voices are sequenced by a MOTM 650 and Synthesizers.com Q104. Each voice consists of a full resonant filter with other vco's stacked and blended behind the filter sine waves. The lower third voice is a MosLab 901 suite with Oakley Discontinuity and Q106 through a MosLab 904 Moog ladder. The upper two voices are Q106's through a Suit&Tie Guy Post-Lawsuit Low Pass and an Oakley SVF in low pass.
The atmospheric noise behind the voices is a patch mixture of pink noise and ring-modulated pitches from the lower voice. The pitch tuning is purposefully skewed off-pitch to rise and fall between the two ring modulated vco's (SSL 1200 & 1130 DDVCO). They are sent through a MOTM 440 VCF which is also highly resonant with pitched FM. Then on to the Encore frequency shifter which is again pitch shifted via the note data from the lower voice sequence pattern. The finish of the patch is a two channel separation of the Up and Down outputs of the Encore FS into a Modcan 73B dual delay.
A final addition of Valhalla Shimmer is applied to the atmospheric patch in Cubase. Other delays to the main voices are two Lexicon dual reverb/delays and a TCElectronics D-Two.
All recorded in one pass at once. Thanks for listening and reading along."