Found this great shot of Herbie with a Moog Minimoog & Sennheiser VSM201 vocoder via @moogmusicinc.
BTW, unless he owned more than one VSM201, that exact VSM201 was up for auction here back in 2011. Crazy to think someone out there has that little bit of synth history. Curious what happened to the Mini.
"SSSR Labs. Kotelnikov is a Eurorack digital wavetable voltage controlled oscillator with transient generator. In this video I give a detailed description of this module with each control element explained."
"I was on SuperBooth this year for creating video content. More gear news will coming soon. Please support me on Patreon if you enjoy my content: https://www.patreon.com/synthanatomy?...
On SuperBooth 2016, I was at the booth of L.E.P an Synthesizer company from Italy. This nice drone machines are pure analog
Check here about purchase and more specific informations: http://www.schneidersladen.de/en/manu..."
"An afternoon of demonstrations and discussion with Gert Jalass,
the Moon Modular master mind.
April 16th 2016 from 1:00 to 3:00 PM - FREE ADMISSION!
@ NOISEBUG store - 252A S Main St Pomona, CA 91766"
"Bebiendo de la experiencia TTSH, Toni Gutiérrez comercializa a día de hoy su propia clonación del clásico sintetizador ARP 2600. En un intermedio entre viajes, hablamos con él."
AnTonus 2600 basic sounds samples
Published on Apr 12, 2016 wutierson
"English:
Here is a compilation of basic sounds coming from the Antonus 2600 This is an ARP 2600 clone, based on TTSH format but using different pcb and with some adjust and tweaking to get the same spirit of the famous ARP 2600 grey face (transistor leader VCF)
All the sounds are coming from the Antonus2600 synth, even the true spring reverb effect. Not external eq, compression and fx's were used, it's only direct sound output from the instrument.
The intention of this video is to show some essences of the 2600 sound to listen and see how the synths responds at oscillator, filter envelopes and VCA. It's not necessary to show extremely complex patches to show the living sound and musicality of the parameters, for example the ADSR times and curves, the VCA response. You can see how can reach good lead sounds, bass, percussion and drones with only a few connections. This is the magic of the 2600 original design, alive, warm and musical from scratch.
If you want more complex patches with sequences, noises, fx's... there is a lot of 2600 videos around youtube... I do this to show the basic and classic sound of this instrument.
Here's the resume of the sounds of this video:
1-Saw wave sounds
2-Square and pulse sounds.
3-PWM sounds.
4-Percusion sounds using only filter with/without pre-amp distortion
5-R2D2 "torture" session :) Here a more complicated patch to do this.
"Many thanks to Jean-Luc of Polaxis for sending a Talko module for me to try out and for his extreme patience in waiting for me to do something with it! This video isn't everything I had hoped to do but I'll do another one that is more creative down the road. This isn't much different than Jean-Luc's own video and in many ways I like his better! But for now . . . ."
"This is my first attempt on capturing a live performance focused on feelings and emotions rather than technical details. While I really enjoy the technical side of music, sometimes it's nice to go back to the basic concepts of what music is and what it's really all about.
The entire piece was composed and performed using just my modular synthesizer (a 12U Eurorack system).
Recorded on August 6th, 2015."
Update:
Colliding Feelings [Live Modular]
Published on Apr 12, 2016
"After travelling more than 14h to play a gig , I returned to my home-studio and decided to work on a patch that could represent how I feel being both a performing artist and an introvert and how this often lead to an interesting mix of different (and often opposing) feelings.
The bassline was created using the Mutable Instruments Braids (_|_|_|_|_ mode) going through the Doepfer A-124 Wasp Filter.
The other two synth layers were created using the Synthesis Technology e350 and the Mutable Instruments Tides, both going into the Make Noise Optomix. I'm also using the Expert Sleepers Disting as a clocked delay for the second synth layer.
I'm also using the EMW Digi-Drum to create the bass drums and the Tiptop Audio Z3000 mk2 to create an old-school lead sound.
Only FX used was the ValhallaDSP VintageVerb."
