MATRIXSYNTH

Thursday, June 30, 2016

Patch Notes #1 - Euclidean Rhythms with Ornament & Crime

Published on Jun 30, 2016 Voltage Control Lab

"Our first patch example using an expanded version of the routing used in our previous tutorial exploring Euclidean Rhythms and envelopes in the Ornament & Crime eurorack module.

All 4 Euclidean Rhythm generators in Ornament & Crime are clocked by the Make Noise Tempi, which is also clocking the Wogglebug and the René X and Y clock inputs (at different rates). René is in snake mode, modulating the X CV in with the Wogglebug S&H output, Y CV by the slowly cycling Malekko ADLFO. Four channels from MN Pressure Points/Analog Memory routed to the Ornament & Crime channels modulating Euclidean Fill values on each respective channel.

The 4 channels of Euclidean Rhythms are routed to: Mutable Instruments Braids in Meta mode modulated by René; the Noise Engineering Basimilus Iteritas in a skin/bass mode playing a short, noisy snare; the Roland Scooper which has a noise-based hihat sound whose length is being modulated by another slow ADLFO cycle; the Malekko Envelator which is triggering/modulating a resonant filter Kick in the Malekko Dual Borg. All mixed through a Malekko Mix 4 and then patched through Mutable Warps running Parasites in ping-pong delay mode.

Rhythm control is almost entirely controlled by the 4 channels of Pressure Points, changing the number of filled steps in the generated rhythms from off up to 32 steps.

https://www.voltagecontrollab.com/"

12 New Synthesis Models on Analog Rytm OS 1.30c Update Elektron

Published on Jun 30, 2016 Ulises El Licenciado Lozano

"Sound test on the new 12 Synthesis models included on the update OS 1.30c

So basically there are 11 new "sounds" and 1 impulse generator for controlling external gear or internal modulations.

Basic Hi-Hat
Hi-Hat synthesis with a tinny electronic sound. Set the tone and decay of the transient to get as deep, or shrill, an impact as you want. The oscillators can be set to reset at the start, in order to get a more consistent sound between hits. Loads to CH and OH tracks.

Metallic Open Hi-Hat
Open Hi-Hat synthesis with a snappy metallic sound. A smattering of oscillators produces this particular brass-like alloy. Tune it to your musical needs. Loads to CH and OH tracks.

Metallic Closed Hi-Hat
Closed Hi-Hat synthesis with a snappy metallic sound. A smattering of oscillators produces this particular brass-like alloy. Tune it to your musical needs. Loads to CH and OH tracks.

Ride Cymbal
A multi-functional Cymbal with a variety of cymbal oscillator configurations. Type (A-D) selects different sets of fundamental oscillator frequencies, as well as different inter-oscillator logical interaction. The sound is composed of three different components - each with a different color. The contribution of each can be set individually. Perfect for ride-cymbal type sounds as well as a host of other types of cymbal sounds. Loads to CY and CB tracks.

Metallic Cymbal
Cymbal synthesis with a snappy metallic sound. A handful of interacting oscillators combine to give this cymbal model a distinctively cool chime. The ability to set the tone of the transient as well as the body of the cymbal sound lets you temper this model to suit your composition with ease. Loads to CY and CB tracks.

Metallic Cowbell
Two-oscillator Cowbell synthesis with a snappy metallic sound. Like the classic cowbell model, the resonant cavity of this virtual jangler can be simulated using subtle or drastic detune interaction from a second oscillator. Set the pitch proper, set the detune offset, then go scare those electric sheep away with more cowbell. Loads to CY and CB tracks.

Sharp Bass Drum
A modern, hard-impact Bass Drum model based on a single-VCO configuration. Sports a sharp transient and a choice of waveforms. There are five waveforms to choose from (Sine, Asymmetric Sine, Triangle, Sinetooth and Sawtooth), and there is a choice between letting the oscillator run freely (in order to get slight differences between hits), or have it reset each time the sound is trigged (wave graphics shown with an anchor point on the LCD). Loads to BD, SD, RS and CP tracks.

Silky Bass Drum
A silky-smooth Bass Drum with a sizeable sweet spot and a gentle VCO-click for shaping the transient. Check out the dust parameter, which lets the drum be buried in subtle (or pronounced) tape-like static. Loads to BD, SD, RS and CP tracks.

Plastic Bass Drum
A Bass Drum model that gives you a choice of either linear Frequency Modulation, or a combination of FM and ring modulation interaction between two VCOs to achieve distinct harmonics with a high degree of interesting movement. Both types of modulation produce distinctive harmonics, as well as the plastic buoyancy for which this drum model is so aptly named. Loads to BD, SD, RS and CP tracks.

Natural Snare Drum
A familiar and natural-sounding snare based on a single-VCO configuration. User-configurable noise color makes this snare highly useful for both acoustic-type snares and subtle, electronic mini-snares. Loads to BD, SD, RS and CP tracks.

Noise Generator
A white noise generator complete with a resonant low-pass filter and a high pass filter. There is also an amplitude envelope that controls the volume over time, and controls for automatically sweeping the low pass frequency. Loads to any track.

Impulse Generator
Generates a short pulse with controllable attack, decay and polarity. This model is useful for triggering external devices or the internal filter. Loads to any track."

DSI Pro 2 with Golden Gate Bridge in Background

Beautiful shot by @EphriamNagler, via @dsiSequential

"Made in SF.
Photo courtesy of @EphriamNagler.
#DSIPro2 #synthfrancisco #goldengatebridge"

Korg Electribe 2 Outdoor 01 - First contact by ElektroNoiser

Published on Jun 30, 2016

"I have a few days with E2 which I really like, it's really fun, so I decided to make a series of videos Outdoor, look for interesting scenery for this. Clearly, accompanied by the music I do with my E2. I hope you like it.

This is at the mouth of the river Maipo Llo-Lleo, Chile."

Limaflo's Chicago Boutique RIFF & BASS 5 Voice Analogue Synthesizer Seeks Funding on Kickstarter

The following is some info pulled via Ren on Kickstarter and their website. Note the website states "CONCEPT BOUTIQUE ANALOGUE SYNTHESIZERS DESIGNING CIRCUITS DIFFERENTLY TO SOUND GREAT", which implies multiple synthesizers. The Chicago appears to be their first.

"Deep Lounge sinewaves, classic House bass, through to dirty Techno riffs.

A MIDI Saw/Square/Sub wave Analogue Synthesizer with four additional independent pulse waves that are adjustable in phase and width.

The Chicago Boutique RIFF & BASS Analogue Synthesizer is designed with basic or limited features, yet a useful sound portfolio, made possible by the four variable phase and width pulse oscillators, in addition to the Sub, Square and Saw oscillators, all shaped by a wide bandwidth 4 pole Sallen & Key low-pass analogue filter.

The 'limited edition' product features:

Analogue signal path from the oscillator to the output
1 x Saw or Square wave (selectable)
1 x Synced Square Sub (-1 Octave) - it also divides the Saw frequency by 2
4 x independent Pulse waves with automatic or manual adjustment of the phase, and manual adjustment of the pulse width
Tune (0 to +60 cents), 3rd, 5th or 7th
MIDI In, MIDI Thru, channel selection 1 to 16
Classic Gate mode or Gate and 'Trigger on every note' mode
6 channel mixer
Amplifier ADSR
Sallen & Key 24dB/Octave Low pass filter with Attack, Peak, Decay, Sustain and Resonance control
Set to sine (low frequency filter) switch
Filter decay mode switch
482 mm (19") x 132 mm (3U) and ~40 mm from face to base
1 Watt power dissipation
Approx. 2 kg"

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Moebius Lab for iPad Released

iTunes: Moebius Lab - Amazing Noises

"Moebius Lab is a multimorphic sound processor which contains a synth, a varispeed stereo sample player, 9 time domain effects, 6 spectral effects, 7 slots for external audio application, and nearly 200 LFOs that can modulate each parameter.
You can move the effects along two chains, and get endless combinations of incredible sounds. ALL the App parameters can be modulated with dedicates LFO (one independent LFO for each parameter!).

To get you started, you have more than 200 ready-mades presets.
Each effect has an in-line help with an explanation of the parameters.

The screen is divided into 3 horizontal areas: the top one contains the sound source (Sample player/External Input/Internal Synth), the middle one contains the Time Domain Effects Chain with four slots for external apps, the bottom one contains the Spectral Effects Chain.
The two effect chains are connected in a sort of Moebius Ring: you can route the signal from the Time Domain Chain to the Spectral Chain and vice versa.
You can even add up to 7 IAA effects and/or instruments, the number of possibilities is huge!

*** LIST OF EFFECTS (NODES) ***
- EXCITER The Exciter Node distorts the signal below (Saturation) or above (Excitation) a given frequency.
- RINGER A ring modulator with distortion and feedback.
- KLAMPER Clamps the signal with some special features.
- SWARMER A “superchorus”, excellent to create super fat synth sounds (and more). It is composed by a chain of modulated delay lines.
- FILTER The Filter node has two configurations:
Dub: dual low-pass high-pass state variable filter with resonance and overlap factor.
Morph: a triple low-pass/band-pass/high-pass state variable filter with resonance and continuous morphing between the filter types.
- SPLITDEL A dual band delay with feedback.
- REDUKTOR This node can be used to decimate and do other “bad things” to your signal.
- SHIFTER A dual band frequency shifter.
- REVERSO Plays the signal in reverse at regular rate.
- BRICKWALL A spectral brickwall filter.
- GRIP This node samples and holds spectral components of the incoming signal, based on their amplitude.
- BLUR A (noisy) “spectral reverb”. The duration of the spectral components is prolonged (blurred).
- DEGRADER A spectral decimator.
- FLUTTER Flutter is a sort of animated brickwall. Two spectral sinusoidal LFOs define the frequency boundaries. The spectral components which are inside or outside (depending on the Spectral Balance) these boundaries are suppressed.
- PLATEVERB As the name suggests this is a classic Plate Reverb.
- DYNAMICS PROCESSOR You can change the output sound using a compressor and expander effect. This is used to either reduce or expand the dynamic range of an audio signal.

THE SYNTH
The internal synth contains two band limited oscillators, a complex oscillator, a ladder filter, an envelope generator and a sub-bass oscillator.

Other Features:

- Audiobus and Inter-App Audio support (sender and FX)
- Built-In Stereo Sampler with varispeed
- Control Manager LFO for Parameters
- Midibus, Virtual Midi and Network: 14 bit NRPN controllers
- File Manager, sharing common audio files via iTunes, Dropbox and AudioCopy
- Snapshots Presets Morphing Pad"

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tc electronic Ditto x4 Looper - First Test

Published on Jun 30, 2016 Genshi Media Group

"I have just received a tc electronic Ditto X4 looper, and this is actually the first time I have ever used a looper pedal. In this first, rough improv video, I am looping the Teenage Engineering OP-1, the Make Noise 0-Coast synth and a Gibson Les Paul; effects used were the Strymon blueSky and El Capistan and the Eventide H9. Not the best looping demonstration, but I'll get better at it..."

WALDORF NW-1 Wavetable Oscillator Module with Original Box

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Manufacturer Description:

NW1 is our debut product for the popular Eurorack format. It includes an advanced wavetable engine with independent control of spectral envelope and noisiness – just like Nave.

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Intellijel Atlantis Subtractive Synthesizer Voice w/ Pittsburgh Modular Cell 48

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Manufacturer Description:
the atlantis is heavily inspired by the architecture and sound of the classic roland sh-101. it has always been one of our favorite synths and we really liked how the seemingly limited architecture allowed for all sorts of creative and musically useful sounds to be easily generated.

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