Monday, July 03, 2017
Analog Kick by Pittsburgh Modular Binary Filter
Published on Jul 3, 2017 Pittsburgh Modular Synthesizers
"Get out your headphones, because this video packs some low end punch."
Digitakt, Roli RISE, Roli equator, eurorack , waldorf pulse - hacienda way 2049
Published on Jul 2, 2017 mark williamson
"The Digitakt feels like a key piece towards me playing live. Here is a piece I made with the Digitakt controlling the Waldorf Pulse via midi and my modular via expert sleepers FH-1. The Roli RISE is playing the equator synth and I have a frippertronics like setup using two expert sleepers augustus loop plugins. The whole thing is routed via Reaper (the third DAW I have on the go :-( Logic is a pain with multiple midi controllers and live is a pain with MPE - Reaper is fairly ugly but does everything I need quite well)"
Dataline Live Performance @ Oscillations
Published on Jul 3, 2017 MrDataline
Elektron's Cenk Sayinli
* Video recording : Pau
line Coudurier - paulinecoudurier@yahoo.fr
* Technical means : SMAC La Cordonnerie : http://www.citemusique-romans.com/la-cordonnerie
* Video Editing : Pascal Jardé - Mediapod - http://mediapod.net
http://dataline.bandcamp.com
http://soundcloud.com/dataline
ACIDLAB DRUMATIX Techno Session
Published on Jul 3, 2017 Delta Aquari
"I recieved my Drumatix drum machine by Acidlab today, so I decided to record a quick techno jam four you guys. I sequenced this awesome machine with the BeatStep Pro for more flexibility and also for being able to mute the different drum voices easier. The claps and the rimshot got some reverb by the Pico DSP by Erica Synths and the tomtoms got some delay and filtering by the Korg Monotron Delay (guilty for 95% of the background hum & noise). If you got any questions - hit me up !"
Sequential Circuits Multi-Trak Model 615 SN 01477
Forest Metals - Novation Circuit Live Set
Published on Jan 25, 2017 tarekith
"(sorry for the crappy camera angles, I was in a hurry to record)
Dark, introverted music for cold winter nights. This mini set was written and performed entirely on the Novation Circuit, with no additional processing after the fact. I used my own custom sample set, made from primarily from found sounds I recorded near where I live in Luxembourg. The synths sounds are my own tweaked versions of the latest synth presets released by Novation. You can download the individual samples as well as the Circuit Project file for this set here:
http://tarekith.com/assets/ForestMeta...
Using the online Circuit editor, you can upload these to your own Circuit to explore and use as you will.
An 320kbps AAC version of this set can be downloaded here:
http://tarekith.com/mp3s/Tarekith-For...
Enjoy.
Tarekith
http://tarekith.com"
Circuit Mono Station | Patch Tips - Step Automation Drums + Bassline (1.1 Firmware)
Published on Jun 20, 2017 Danny Nugent
Playlist:
Circuit Mono Station | Patch Tips - Step Automation Drums + Bassline (1.1 Firmware)
Circuit Mono Station | Patch Tips - Bass & Lead
Circuit Mono Station | Patch Tips - Separate Glide
Circuit Mono Station | Patch Tips - LFO as an envelope
Circuit Mono Station | Patch Tips - Audio In feedback loop
Circuit Mono Station | Patch Tips - Sequenced Glide
Also see: Novation // Circuit Performance - Danny Nugent
Twinkletoes -CALC- Novation Circuit Mono Station, Peak, Circuit with Elektron Digitakt and LEPLOOP
Published on Jul 3, 2017 -CALC-
"Quick twinkly jam using the new live rig.
Loses it's way a little around 2:45-3:30 but thankfully picks back up.
Pretty basic sequency stuff other than a really nice patch on Peak using the 8xLFO 1s per voice running out of sync with a held keylatch. Theres also some subtle modulation of the LFO speed with the 2nd LFO (on a S&H shape."
XILS-lab PolyM Polymoog Soft Synth Released
You can find a few videos previously posted here on the XILS-lab label (scroll down to previous posts).
via XILS-lab
"XILS-lab literally creates plug-in pleasure principal when recreating revolutionary polysynth
That’s today. Putting PolyM in its present-day context involves initially looking back. But back in the early-Seventies, setting out to create an analogue, functional voltage-controlled synthesizer that was polyphonic against a backdrop of monophonic mainstays proved problematic for many. Moog’s musical solution came quicker than most, making an appearance in 1975 in its extremely expensive ($5,295 USD), nine-preset original form as the Polymoog keyboard (model 203a). It included a front panel packed with an almost continuous row of slider pots (permitting presets to be fully modified into more individualised analogue sounds via various subtractive synthesis parameters, including a 24dB Moog ladder filter section — allowing modulation modulated from its own envelopes and low frequency oscillation — alongside a unique and flexible three-band resonant filter section with lowpass/bandpass/high-pass filter modes) before being joined in 1978 by a marginally more economically-viable ($3,995 USD), 14-preset stripped back version (with editing reduced to volume, tuning, high-pass filtering, and basic LFO — Low Frequency Oscillator — features), which was also (confusingly) called the Polymoog keyboard (model 280a), though the original fully-variable version was then rebadged, admittedly, as the Polymoog Synthesizer.
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH