1972 Moog Minimoog D Keyboard Synthesizer SN 1442E w/ Mods & Clear Acrylic Wheels

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Waldorf Microwave XTk

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"The Microwave XTk is the keyboard version of the powerful Microwave XT. It's a great big orange polyphonic performance synthesizer with 49 full sized velocity sensitive keys. There are 44 rotaries of knob-laden heaven and lots of control. All of the knobs transmit MIDI information as well! It's perfect for performance and studio work.

The Microwave XTk can easily emulate the sounds of the PPG wavetable synths as well as create squelchy acid-303 lines or boomy Moog bass.

Other great functions include a programmable arpeggiator, 4 integrated digital effects and stereo audio inputs. A sinus shaper 12dB low pass filter, a wave shaper 12dB low pass filter, sample & hold with a 12dB low pass filter, dual parallel filters with 12dB low pass and 12dB band pass, a 12dB low pass filter with filter FM (cutoff modulation through oscillator 2). Top that off with 8 part multitimbrality, 256 sounds and 128 multi-patches for one mega-powerful performance synthesizer perfect in any live or studio application where fat analog sounds are needed!"

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WALDORF MICROWAVE II

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"This is a rack mounted synth who's digital polyphonic wavetable synth engine came straight out of the legendary PPG Wave 2.x, The Microwave II has tons of waves/wavetables for shaping all kinds of sounds, flexible resonant filters, a noise generator, a ring modulator, a programmable rhythmic arpeggiator, and effects! There are 10 voices."

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Korg PSS-50 Programmable Super Section w/ Original Box

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Heavily Modded KORG POLY-800

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Unfortunately no details on the mods aside from: "all mods do sothing extra, but i cannot name what exactly. probably, knobs are filter/resonance/FM/ external input, switch changes waveform and noise/ext in.. but, i can't say for sure."

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Synth-Project presents: The iVCS3 Controller - Short demonstration

Published on Jul 15, 2017 SynthProject

You might remember this one from this previous post. Click through for another video and some nice pics.

"After a long time ... this is a short demonstration of the functions of the iVCS3 Controller. Nothing more nothing less.
No patch programming, no sound creation from the scratch. Only an overview of the Controller itself."

iTunes: iVCS3 - apeSoft

ELTA music Polivoks Filter synthesis (no input)

Published on Jul 15, 2017 ELTA music

"Elta music Polivoks Filter synthesis. No input source! Raw filter sound design.
Learn more on eltamusic.com
Buy it now for $299"

MFB Tanzbar & Korg Monologue

Published on Jul 15, 2017 3rdStoreyChemist

"Jamming with the Tanzbar drum machine and a Monologue synthesiser synced together (Monologue MIDI Out to Tanzbar MIDI In).

A small amount of reverb has been used, no further processing except for normalisation."

Moog Minitaur & Elektron Octatrack

Published on Jul 15, 2017 3rdStoreyChemist

"Sequencing the Minitaur from the Octatrack and processing the Moog through the OT's effects. Parameter locks have been used on MIDI CC's to the Minitaur's VCF (Cutoff, Resonance & EG Amount).

Plus some samples from the Octatrack so it doesn't get too boring!"

3 Modules #15: Maths, Braids, Clouds

Published on Jul 15, 2017 Comparative Irrelevance

"Here are some more pleasant sounds to follow up on the idea I originally had for the previous episode: sending the SUM output from Maths into the internal quantizer on Braids, to create an evolving stepped sequence.

Patch notes:

Braids is in 3 x Sine wave mode, and the internal AD envelope is applied to the VCA, to create separated notes whenever the pitch changes. The quantizer is set to pentatonic minor. Towards the end you'll see that I'm reducing the bit depth and sample rate as well.

Maths' functions (ch. 1 and 4) are cycling slowly, and ch. 3 is patched into the cycle rate of both to serve as a "master tempo control". The sum output is sent to Braids' V/Oct input, which means that the ch. 1 and 4 attenuators set the range of notes, and ch. 2 offsets that range by a set amount.

Additionally Maths' other outputs are used to modulate Braids' timbre and color, and Clouds' position, size, blend (feedback, in this case), texture and freeze.

Clouds is in the standard granular delay mode, providing an ambient "bed of sound", to harmonize with the notes from Braids.

Thanks for watching!"