Beat707 Mikro and Vox - V2 Boards

William Kalfelz
Published on Aug 3, 2017

www.Beat707.com

https://github.com/Beat707/Beat707-Mikro

TTSH // 003 - Scifi Tension

DiscoverNoise
Published on Aug 3, 2017

"DiscoverNoise 104-
TTSH 003-

A rising patch. Lovely in its complexity."

Future Retro Transient Tutorial: Morphing Sounds

FutureRetroSynths
Published on Aug 3, 2017

"In this video we look at how to morph between two different samples."

Endorphin.es - Shuttle Control: new features overview

TheEndorphines
Published on Aug 3, 2017

"We glad to release for you a video with explanation of natural flow in Endorphin.es modules on the example of Shuttle system.

We’ve never made a proper video for our most comprehensive Control unit, since we continuously update firmware in Shuttle Control implementing new features that come with new v.3.6 firmware available for update.

New features list: http://firmware.endorphin.es

There appeared to be so many features continuously added, which have never been properly enlighten, but are very useful and versatile.

This video covers:
- presets management
- creating modular voice
- internal envelopes
- random voltages
- arpeggiator"

KORG VOLCAS -- SYNTH QUICKIE Videos by Noir Et Blanc Vie

Noir Et Blanc Vie
Published on Aug 3, 2017

KORG VOLCA FM -- SYNTH QUICKIE EP.1!!
KORG VOLCA KEYS -- SYNTH QUICKIE EP.2!!

MFB Tanzmaus, Moog Minitaur & EHX Big Muff (Russian)

3rdStoreyChemist
Published on Aug 3, 2017

"Jamming with the Tanzmaus drum machine & a Minitaur synthesiser synced together.
Clock and sequence from an Electron Octatrack, with a Kenton Thru-5. The Big Muff has been placed on an aux send."

Russian branded Big Muff!

Korg Monologue & Roland RE501 Chorus Echo

3rdStoreyChemist
Published on Aug 3, 2017

"Monologue synthesiser through the RE501.

No further processing except normalisation."

Preen FM2 demo..

Lee Perry
Published on Aug 3, 2017

MicroGranny 2.0 -Bastl Instruments 8 bit sampler

Dziam Bass
Published on Aug 3, 2017

"MicroGranny 2.0 -Bastl Instruments This is a great 8 bit sampler with sampling frequency of 22050Hz. Here's a sample kick .snare, bass, one vinyl cut and a pitch plus crunch . sound is awesome this is full Lo-Fi sound. These samples are recorded by a linear input, the microgranny also has a built-in recording microphone and an SD card on which you can transfer your samples to a computer or other sampler."

3 Modules #17: Rings, Peaks, uScale

Comparative Irrelevance
Published on Aug 3, 2017

"Mmmm, Rings… It's raining heavily outside, and I could sit and listen to this meditative patch for hours, as it blends in with the rain. I had to cheat a little and add some open air recording from my balcony into the mix about halfway through, to give you an impression of what this sounds like on my end. :)

Patch notes (really simple this time):
Rings is in the 4-note polyphonic setting, which means that up to four notes can be ringing at the same time, and the notes are alternated between the left and right outputs.

Both of Peaks' channels are in tap tempo LFO mode. Channel 1 is producing a stepped triangle wave, which is quantized via µScale and then becomes the "base arpeggio" that Rings is playing.

However, Peaks' channel 2 is producing a slewed random wave which is sent to µScale's shift input, causing a meandering, random movement centered around that base arpeggio. Because the random signal is slewed, Rings passes through all the intervening notes from step to step, in a sort of strumming movement.

I tapped the tempos for Peaks' channels *almost* in time with each other, but made sure that they weren't identical so that there would be a hint of rhythmical phasing in the pattern. Of course, the range of the random wave also determines how many notes will potentially be played between each step – larger random intervals equals shorter time between each note played within that step (I hope you're following me? This feels easier to visualize, and more complicated to type out).

Finally, the second output from µScale – which is just the arpeggio without the random shift – is patched to Rings' brightness. The signal is inverted, so that higher notes should be less bright and vice versa.

As you can see, I'm periodically changing what notes are allowed through the µScale. Towards the end I'm also twisting the top parameter on Peaks. This is the LFO amplitudes, i.e. the range of notes spanned by the stepped triangle arpeggio and the random shift.

As always, thanks for watching!"